Title and statement of responsibility area
Yves Charbonneau fonds
General material designation
- Graphic material
- Textual record
- Moving images
Other title information
Title statements of responsibility
- Source of title proper: Title based on the content of the fonds.
Level of description
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
[194-?], [196-]-2007, predominantly 1970-[198-] (Creation)
- Charbonneau, Yves
Physical description area
8 cm of textual records
2 moving images
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
Yves Charbonneau was born in 1934 in a working-class neighborhood in the east end of Montreal to Eugène Charbonneau and Dorothée Coulombe.
During the 1950s and 1960s, Yves Charbonneau was a trumpet player in various jazz orchestras. He married Francoise Labonne in 1962. He had three daughters, Nathalie, Sophie, and Julie, and a son. In 1967, together with Guy Thouin, Jean Prefontaine and Maurice Richard, he formed the group Quatuor du Jazz libre du Québec, where he was the trumpet player. In 1968 the group participated the Osstidcho. Thereafter, Charbonneau accompanied Robert Charlebois, L’Infonie, and Plume Latraverse.
From 1970 to 1972, the Quatuor du Jazz libre du Québec build up an artistic and political commune, known as Petit Québec libre, in Sainte-Anne-de-la-Rochelle in the Eastern Townships. After its closure, the quartet opened l’Amorce, an experimental coffeehouse located at 25 St.-Paul E., in Montreal, where they were performing until the club's destruction by fire in June 1974.
After the break-up of Jazz libre du Québec in 1975, Yves Charbonneau improvised in various groups, playing at Conventum and Véhicule Art. In 1987, he began studying photography at the Cegep of Matane, Quebec.
He died on February 22, 2007.
Scope and content
The fonds documents Yves Charbonneau's musical career until 1975 on the one hand, and his photographic exploitations during the 1980s on the other hand. It gives an insight into the organization of the Quatuor du Jazz libre du Québec (1967-1975), the Val-David Artistic Colony (1970), the Ferme du Petit Québec libre (1970-1973) and l'Amorce (1972-1974), while highlighting the political dimension of these jazz-related initiatives.
The fonds is divided into the following series :
F033/A – Jazz libre du Québec
F033/B – Political newspapers
F033/C - Visual arts studies
The fonds contains legal documents, press clippings, leaflets, and notes concerning the activities of free music in Petit Québec libre and in l’Amorce. The fonds also contains political newspapers collected by Yves Charbonneau during the 1970s, as well as photographs related to Charbonneau’s visual arts studies, including portraits, landscape photography, and still-lifes.
Immediate source of acquisition
Materials were donated to Concordia University Library's Special Collections by Nathalie Charbonneau in 2019.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Audio-visual material is restricted until digitized.
Terms governing use, reproduction, and publication
Reproduction for research purposes or private study is allowed in most cases. Use of material in publications cannot be done without the permission of the copyright owner.
Box listing is available.
Copyright belongs to the creator(s).
Standard number area
Subject access points
Place access points
Name access points
Genre access points
Description record identifier
Rules or conventions
Level of detail