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Affichage de 64 résultats

Description archivistique
55 résultats avec objets numériques Afficher les résultats avec des objets numériques
Christopher Fry fonds
F014 · Fonds · 1955-1970, predominant 1969-1970

Fonds consists of material accumulated and created by Derek Stanford about Christopher Fry. It also contains documents created by Christopher Fry. Materials in this fonds are primarily dated 1969-1970, though select documents are dated 1955.

Materials include correspondence, manuscripts, published essays and reviews, newspaper clippings, photographs, theater programs, and other ephemera documenting Stanford professional relationship with Fry and the British playwright’s work. Documents primarily concern Fry’s A Yard of Sun (1970) and his English translation of Henrik Ibsen’s Peer Gynt (1970). The fonds also contains limited material regarding A Sleep of Prisoners (1951). Documents also concern essays about the life and work of Christopher Fry written by Derek Stanford.

The fonds is divided into 5 series:
F014 / A. Manuscripts and essays
F014 / B. Correspondence
F014 / C. Clippings
F014 / D. Photographs
F014 / E. Publicity and ephemera

Sans titre
Georgiantics 1942
P0069-02-26 · Pièce · 1942
Fait partie de Fred Kerner fonds

Concordia Salus (the entire cast singing the finale). From left to right, where discernable: Lorna Moore (soloist), Lucille Stern (in "1867" costume) and other "House Members", Waltzing: (see separate photo for names), Indian Dance: Peggy Butler, Hughie Capra, Adeline Ciment, Winnie Cook, Martha Geoff rion, Therese Hurtubise, Fritzie Miller, Rose Palevsky, Blanche Perlove, Anita Sanchez, Audrey Schmauder (at lef t), Pat Walsh (at right). Blanche Michlin (standing behind Schmauder and Sanchez), Lillian Berman( at microphone), Grenadier Girls: (see separate photo), Waltzing: (Monique Nantel, in black gown), Sailor's Swing: (see separate photo), Terminal Taps: (see separate photo), Conductor: Merv Gelfand, Violinists: Herschel Darwin (dark hair), Heactor Chandler (in profile at right)

Lawrence Sabbath fonds
P0138 · Fonds · 1960-1992

The fonds provides information on French-language theatre and visual arts in Montreal and elsewhere from the late 1950s through the 1980s.

The fonds contains the manuscript of an unpublished history of French theatre in Quebec, manuscripts of articles and talks, theatre programs, theatre photographs, clippings, and other documents. For instance, there are files on Montreal theatre productions (e.g., Théâtre du Rideau Vert and Théâtre de Quat'sous), authors (e.g., Gratien Gélinas and Michel Tremblay), and actors (e.g., Denise Pelletier).

Sans titre
Maura McKeon fonds
P0212 · Fonds · 1918, 1935-1963

The fonds illustrates theatre life in Montreal from 1918 to 1963, in particular the presentations at His Majesty’s Theatre, later Her Majesty’s Theatre, in Montreal, Quebec.

The fonds consists of theatre programs from the His Majesty’s Theatre, later known as Her Majesty’s Theatre, Montreal.

Sans titre
The Cathespian Guild fonds
P142 · Fonds · 1940-1954

The fonds provides information on the annual Catholic Drama Festival organized by the Guild between 1940 and 1953.

The fonds contains some handouts on the Cathespian Guild and a few programs and photographs of some of the annual Catholic Drama Festivals. It also contains the Drama Festival award book entitled Award for Distinguished Achievement in Catholic Theatre.

Sans titre
Othello Play
P0080-02-09 · Pièce · 1938
Fait partie de Douglass B. Clarke fonds

Othello Play. From left to right: Douglass B. Clarke, Dorothy Adams (Clarke), Evelyn Cope (Browne).

Othello Play
P0080-02-10 · Pièce · 1938
Fait partie de Douglass B. Clarke fonds

Othello Play. From left to right: Evelyn Cope (Browne), Mary Macintyre, Tim Whalen, Aley Ferguson, Roy Malcaronne, Dorothy Adams (Clarke), Gordon Stewart.

Mary Morter fonds
P0239 · Fonds · 1914-2001, predominantly 1969-1975

The Mary Morter fond contains documents pertaining to theater in Montreal. More specifically, the fonds is composed of materials concerning the Instant Theatre and the Pendulum Theatre, both located in Montreal and founded and run by Mary Morter in the 1960s and 1970s. The fonds provides an overview of the programming at both theatres. It also provides insight into how the theaters were perceived by the public. In addition, the fonds contains a number of documents focusing on the play North American Indian Legends by Pendulum Theatre. Documents created by other theatres located in Montreal or Toronto provide additional insight into the English-speaking theatre scene in those cities in the 20th century.

The Mary Morter fonds contains theatre programs, photographs, posters, correspondence, magazines, scrapbooks of newspaper clippings, a sound recording, and various plays, among other documents.

Sans titre
Black Theater Workshop fonds
F034 · Fonds · [1940]-2016, predominant 1972-2013

The Black Theater Workshop fonds is composed of materials created and compiled by the Black Theater Workshop (BTW) and contains materials documenting the activities and operations of the BTW from its founding in 1972 to 2016. Textual records and other materials document the BTW's administration, finances, awards, plays, programming, promotional activities, communications, and facilities, among other things. Documents are also reflective of the BTW's contributions to Montreal’s Black communities and to theater in Canada.

The fonds is divided into the following series :
F034/A Administration
F034/B Financial records
F034/C External relations
F034/D Productions / Programming

The fonds is composed of financial documents, grant applications, board meeting minutes, reports, play scripts, newspapers and newspaper clippings, promotional material, correspondence; graphic materials such as photographs, posters, logos, drawings, sound recordings, moving images, and some objects, among others.

Sans titre