The fonds documents Yves Charbonneau's musical career until 1975 on the one hand, and his photographic exploitations during the 1980s on the other hand. It gives an insight into the organization of the Quatuor du Jazz libre du Québec (1967-1975), the Val-David Artistic Colony (1970), the Ferme du Petit Québec libre (1970-1973) and l'Amorce (1972-1974), while highlighting the political dimension of these jazz-related initiatives.
The fonds is divided into the following series :
F033/A – Jazz libre du Québec
F033/B – Political newspapers
F033/C - Visual arts studies
The fonds contains legal documents, press clippings, leaflets, and notes concerning the activities of free music in Petit Québec libre and in l’Amorce. The fonds also contains political newspapers collected by Yves Charbonneau during the 1970s, as well as photographs related to Charbonneau’s visual arts studies, including portraits, landscape photography, and still-lifes.
The collection consists mainly of musical sound recordings in form of discs by various production companies, produced in the first half of the 20th century. Most are jazz, but other styles of music are also represented. The collection is completed by some sheet music, literature, photographs, especially showing John Wilson McConnell, and a microphone.
Sans titreThe description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.
The fonds provides information on the career of Walter Boudreau and on L'Infonie and the Quatuor de Jazz Libre du Québec, as well as Raoul Duguay, musicians Pierre Leduc and Jean Préfontaine, and the Société de Musique contemporaine du Quebec (SMCQ).
The fonds consists of musical scores and composition notes for Walter Boudreau's compositions and arrangements, press clippings, photographs, posters, sound recordings, and a robe worn by Boudreau in L'Infonie.
Sans titreThe fonds provides information on Vic Vogel's musical career. The fonds contains original scores for music composed and arranged by Vic Vogel from the mid-1960s to 2006. Among many other scores, it includes Vogel’s composition for the 1976 Montreal Olympics. It also contains scores by other composers, as well as correspondence, sound recordings, moving images, contracts, financial documents, magazines and other publications, photographs, posters, and newspaper clippings.
The fonds is divided into the following series :
P082/A Musical scores
P082/B Audio-visual material
P082/C Textual records
P082/D Graphic material
The materials in the fonds document Vernon Isaac’s life as a jazz musician and the Canadian jazz scene of the 1970s to 1990s. The fonds also contains information about Vernon Isaac’s family.
The fonds includes personal documents, photographs of Vernon Isaac’s family, friends and other performers, press clippings, programs, posters, commemorative plaques, and sound and audiovisual recordings of Vernon Isaac.
The fonds is organized into the following series:
P0228/A. Textual records
P0228/B. Scrapbooks, photo albums and other graphic material
P0228/C Audio-visual material
P0228/D Objects
Michelle Girouard and Charles Bender were part of the cast for the show The Nightingale, Concordia Theatre Department's Christmas production.
The fonds consists of photographs which recall the period during the 1940s when Tina Brereton danced in shows to the accompaniment of jazz music at Café St-Michel in Montreal.
Sans titreThe Visit, put on by the Actors Company at Loyola College. From left to right, Joe Diorio, David Pantel, Larry Schwartz, Sandra Smith and Doug Feggans.
The Visit, put on by the Actors Company at Loyola College. From left to right, Grant Lowe, Gary Cosgrove and Sandra Smith.
The Visit, put on by the Actors Company at Loyola College. From left to right, Grant Lowe, an unidentified person, Sandra Smith, an unidentified person and Doug Feggans.
The Tempest Play
The Tempest, held in Loyola College. From left to right, Maxim Mazumbar, Lynn Forest and Alex Newell.
The Tempest, held in Loyola College. From left to right, Maxim Mazumbar as Prospero and Lynn Forest as Miranda.
The Tempest, held in Loyola College. Lynn Forest as Miranda.
The Tempest, held in Loyola College. Lynn Forest as Miranda.
The Heat Seekers performing at the Hall Building. The musicians are Aaron Mathers, Gemmell, Noubar Karadjian, Bill Welham, Martian Garbulinsky and Tyson Schallmann.
The fonds provides information on the annual Catholic Drama Festival organized by the Guild between 1940 and 1953.
The fonds contains some handouts on the Cathespian Guild and a few programs and photographs of some of the annual Catholic Drama Festivals. It also contains the Drama Festival award book entitled Award for Distinguished Achievement in Catholic Theatre.
Sans titreThe Ascent of F6 Play. Four unidentified people.
The Ascent of F6 Play. Unidentified person and Tim Whalen.
The Ascent of F6 Play. Group of unidentified people.
The Ascent of F6 Play. Six people among others: Tim Whalen, Gordon Jones, Alex [Aley] Ferguson.
The fonds contains documentation pertaining to the career of the jazz musician Ted Elfstrom and provides information on the Mart Kenney Orchestra, the Ted Elfstrom Octet, the Montreal Woodwind Chamber Group, Oscar Peterson, and the Montreal Jazz Festival.
The fonds includes programs, newspaper articles, invitations, audio recordings, and photographs.
Sans titreFred Kerner as Lord Haw-Haw, Georgiantics 1940
Siobhan McKenna, great lady of Irish theatre, on stage performing in "Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.
Siobhan McKenna, great lady of Irish theatre, in "Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.
Siobhan McKenna, performing in "Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.
Siobhan McKenna, the great lady of Irish theatre, as Winnie in Samuel Beckett's "Happy Days" reads ultimate destiny on a toothbrush handle, one of a series of portraits of women in the literature of Irish authors exhibited in "Here Are Ladies".
Siobhan McKenna, the great lady of Irish theatre, as Winnie in Samuel Beckett's "Happy Days" reads ultimate destiny on a toothbrush handle, one of a series of portraits of women in the literature of Irish authors exhibited in "Here Are Ladies".