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Collections is composed of photographic reproductions of 12 prints and drawings of the City of Montreal. The original prints and drawings are dated between 1761 and 1871.

The collection consists of materials accumulated by Gertrude and Carl Katz related to Gertrude's friendship and working relationship with Irving Layton. The documents concern the life and work of Irving Layton.

The collection includes correspondence, poems, offprints and reprints, programs, photographs, clippings, financial documents, a transcript, a deed of sale, books and a phonographic record.

The collection is divided into six series:
C010/A. Correspondence
C010/B. Poetry and publications
C010/C. Promotional materials
C010/D. Photographs
C010/E. Clippings
C010/F. Financial documents

The General Idea collection consists of a variety of works produced by General Ideal between 1971 and 1996.

The collection contains a complete run of FILE Megazine (1972-1989) and several rare multiples.

List of multiples in the collection:
• FILE Chart (Top 10) (1972)
• The Miss General Idea Pageant Programme (1971)
• Manipulating the Self [publication] (1971)
• The Getting into the Spirits Cocktail Book from the 1984 Miss General Idea Pavilion (1980).
• Artist and Models exhibition – 3 postcards (1977)
• Nazi Milk Cocktail Card [annotated by AA Bronson] (1980)
• A Poodle Creates a Portrait of General Idea as Three Pee Holes in the Snow (1981)
• Ghent Scarf (1984)
• Midelburg Tile (1985)
• Sigarbox (1985)
• Bondage (1987)
• 10 Crests: Down the Drink, Le Fin, Ouroboros, Phoenix with a P, Post Mortem, When Fur Flies, Eye of the Beholder, Lucre, Cartouche, Passion over Reason (1988-1991)
• Test Pattern: T.V. Dinner Plate (1988)
• Test Pattern: T.V. Dinner Plates from the Miss General Idea Pavilion Test Pattern Wallpaper [Offset publication with 4 perforated placemats] (1988)
• Test Pattern: T.V. Dinner Plates from the Miss General Idea Pavilion Test Pattern Wallpaper [Poster] (1988
• Test Pattern Wallpaper (1989)
• Mastercard and Trinitron pasta postcards (1989)
• AIDS (A Project of the Public Arts Fund Inc.) [offset on card] (1989)
• General Idea: The AIDS Project (1989)
• General Idea: The AIDS Project prints (1989)
• AIDS Ring (1993)
• Lucre Shopping Bag (1990)
• Yen Shopping Bag (1993)
• Placebo Pin (1991)
• Placebo Pin (1996)
•Magic Bullet (1992)
• General Idea’s Putti (1993)
• General Idea: Multiples - Catalogue Raisonné 1967-1993 (1993)
• XXX Voto (1995)

The Franklyn Harvey collection contains books, periodicals, and other documents that composed the library of Franklyn Harvey. This material is indicative of Harvey's interest and involvement in the Caribbean left and serves as a catalogue documenting, among other topics, the Caribbean left; activism in the Caribbean; politics, economic growth, change, and renewal in the Caribbean; political economy; communism; socialism; nationalism; power; and poverty.

The Franklyn Harvey collection contains 275 textual documents, mostly in English, 4 optical discs, and 1 map.

The Dorothy Harper collection contains materials documenting the the life of Dorothy Harper, specifically her interest in jazz music.

The collection contains two sound recordings and 54 photographs. A number of the photographs showcase jazz clubs in Montreal, including the Café Esquire and El Morocco. Other images show Oscar Peterson in concert, while many depict scenes from Dorothy Harper's life in Montreal in the mid-1940s.

The collection consists of materials assembled by the plaintiffs' lawyers and deposited with the Quebec Superior Court in connection with the Corridart case. The collection documents the conception and execution of Corridart, as well as its abrupt dismantling and the legal proceedings that followed. There are materials related to the careers of the artists who participated in the court case, and information about related legal precedents.

The collection includes an inventory by Melvin Charney of the sites along Sherbrooke Street, explaining the conception of Corridart as a rue-musée qu'on visite à pied. There is also a comprehensive set of photographs of Corridart, documenting the common elements (the continuous assemblage), as well as the works exhibited along Sherbrooke Street, the panels of text, and the sites of activities. These photographs trace the entire Corridart route from east to west. There are photographs documenting the dismantling. Others show impounded works and several illustrate damage to works. The collection includes project proposals, planning documents, contracts between artists and COJO, correspondence, articles from legal journals, reports of meetings, blueprints, and sketches. There are also artists' curricula vitae, photographs, brochures, and other documents related to the artists' careers that were assembled to establish their status as professional artists.

The collection is arranged into the following two series:

P0119/1 Textual and related documents
P0119/2 Photographs of Corridart installations

Collection consists of 1278 audio recordings of musical performances by Concordia students, faculty and guests. They were recorded at the Loyola Chapel and at the Oscar Peterson Concert Hall between 1986 and 2005. Most are in audio cassette format with the latest ones on compact disc.

Collection provides information on jazz music in Montreal from the 1930s through the 1960s. The collection complements other fonds and collections housed in the Concordia University Archives and Concordia University Library, Special Collections.

The collection includes swizzle sticks and other memorabilia from Montreal jazz night clubs such as Rockhead's Paradise, the Rainbow Bar Café, and Dinty Moore's. It also contains sound recordings, photographs of Rockhead's Paradise and owner Rufus Rockhead, sheet music, videotape copies of televisions shows on jazz musicians Oliver Jones, Paul Bley, and Oscar Peterson, and a copy of the book Montreal Confidential by Al Palmer.

The fonds consists of an 1896 photograph of the choir of St. Patrick's Church, Montreal and a menu of the 20th Century Drive and Banquet, held by the St. Ann’s Young Men’s Society Montreal on January 8, 1901.

The collection documents the Concordia University initiatives regarding HIV/AIDS from the end of the 1980s. It consists of records produced by the Concordia HIV/AIDS Project, instructors of the HIV/AIDS courses, and the Office of the Rector.

The fonds mainly includes committee meetings, reports, programs, press clippings, course packs, sponsorship kits and posters.

The fonds is organized into the following series and sub-series:
I0031/1330. – Teaching Activities
I0031/1330A. – AIDS/HIV: Cultural, Social, and Scientific Aspects of the Pandemic Course
I0031/1330B. – HIV/AIDS: An Interdisciplinary Introduction Course
I0031/1340. – Training and Practicums-Management
I0031/4210. – University Policies and Procedures
I0031/5111. – Committees and Meetings
I0031/5160. – University Events

The antique maps collection contains mostly early maps of America, Europe and Asia. Many of these maps are hand coloured. Some of the later maps show cities, including London and Paris.

The collection documents the life, work, and interests of Alfie Roberts and Patricia Cambridge. It includes documentation about their post-secondary studies, their work experience in different companies and organizations, their contribution to the black community and their affiliation with various community organizations such as the St. Vincent and Grenadines Association of Montreal, the Emancipation 150 Committee, the Black Community Council of Quebec and the Project Genesis. The collection provides information about several Black community organizations in Montreal, the rest of Canada and North America, including promotional material of events, which provide an overview of the cultural activities held between the 60s and 90s. In addition, the collection contains numerous publications such as periodicals, booklets and books that were part of Roberts and Cambridge’s personal library and the Alfie Roberts Institute. Some of the periodicals found in the collection include issues of The Vincentian, Afro-Can, Gramma, Uhuru, Caribbean Contact, The Afro Canadian, The Militant, The Struggle, Outlet, Focus Umoja, Justice, Freedom, The Crusader, Nam Speaks, Speak Out, Day Clean, Forum, and New Beginning, among others publications. The collection covers topics that are related but not limited to Black history, imperialism, slavery, racism, liberation, colonialism, Marxism, communism, socialism, housing and segregation, urban planning, labour, history of Africa, the Caribbean and Latin America.

The Alfie Roberts and Patricia Cambridge Collection is divided into four series:
C025/A Personal Records
C025/B Community relations
C025/C Library and Research Documentation
C025/D Biographies

The collection contains correspondence, handwritten notes, assignments, essays written by Alfie Roberts and Patricia Cambridge, reference and research documentation, books, periodicals, newspaper clippings, booklets, speech transcripts, flyers, drawings, conference documents, posters, objects, pamphlets, brochures, leaflets, newsletters, bulletins, meeting minutes, agendas, photographs, maps, sound recordings, and objects.

The African Newspaper Collection consists of Taifa Leo (1979-1988; 1992-1996), the Daily Nation and Sunday Nation (1979-1985), and The Standard (1982-1995). The newspapers that compose this collection were published in Kenya between 1979 and 1996.

The African Government Documents Collection is comprised of government documents dating from 1888 until 1988. The documents are predominantly from the period between 1950 and 1975. The documents primarily concern the following areas: Republic of Botswana, East Africa, Republic of The Gambia, Ghana, Kenya, Malawi, Nyasaland, Nigeria, Zimbabwe, Seychelles, South Africa, Tanzania, Uganda, and Zambia.