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The sub-series documents the training of potential YMCA career officers in the Fellowship Training Program run by the Montreal YMCA at Sir George Williams College/University from 1923 until 1970. The sub-series includes reports, applications, evaluations, correspondence, promotional materials, newsletters, program notes and schedules, minutes, and rosters.

Subseries provides information about the film Toivo.

Subseries includes betacam copy of film, photographs, reviews and articles about thee film, newspaper clippings, VHS jacket and film summary.

This sub-series provides insight into The Black Theatre Workshop’s (BTW) contribution to education at the primary and secondary levels and contains documentation pertaining to The Theater for Young Audiences Program, which was first implemented in 1983. A number of plays were produced exclusively for this program and were shown to both elementary and secondary school audiences. These were generally presented in schools in the Greater Montreal area, but also shown in Nova Scotia and the United States among other locations. The sub-series contains documents pertaining to school tours, which took place from 1986 to 2011. Many of these tours took place during Black History Month. Materials document the plays that were part of the series, necessary preparatory work, the schools that hosted the performances, and finances, along with feedback from teachers, students and actors.

The sub-series contains correspondence, photographs, drawings, promotional material, educational material (teachers’ guides), play scripts, project outlines, reports, financial records, contracts, booking sheets, schedules, performance evaluations, newspaper clippings, sound recordings, and sheet music, among other documents.

The records in the sub-series document Montreal YMCA involvement at the world level, including international visits to the Montreal YMCA and by Montreal YMCA officials. The records include books, correspondence, conference proceedings and memorabilia, reports, and other materials. The materials are arranged in the following sub-series:

P0145/14A01 - World Alliance, World Councils, World Conferences.
P0145/14A02 - International visits.

Subseries documents the production process and provides information about the film The Raging Grannie.

Subseries includes the film in videocassettes and DVD., and different audio mixing in English and French. It also includes project proposal, photographs, correspondence, grant applications, financial plan, research documentation and notes, articles, leaflets, flyers, press file and other documents.

The sub-series consists of Brian McKenna’s writings for The Montreal Star, from 1967 to 1985, including, among a broad variety of other subjects, McKenna’s coverage of Expo ‘67 in Montreal.

The series contains mainly newspaper clippings, newspapers, and notes, but also photographs, drawings, and a replica of the satellite Sputnik from the United States Pavilion at Expo 67.

Subseries provides information about the film The Emperor’s New Clothes.

Subseries include photographs, press releases, flyers, clippings, articles and promotional material.

Subseries documents the production process and provides information about the film The Choir Boys.

Subseries includes film proposal, photographs, research documents, documentation on the Chorale d’accueil bonneau history and activities, synopsis, notes, clippings, leaflets, list of members, contracts, correspondence, expenses reports, notes, flyers and VHS jacket of the film and documentation of various film festivals.

Subseries provides information about the episode on Billy Diamond on The Canadian Biography Series.

Subseries includes leaflet Billy Diamond’s biography and other documents.

Subseries provides information about a project made in collaboration with Galafilms.

Subseries includes footage in Senegal.

Subseries provides information about the film The Big Upheal.

Subseries includes leaflet and copies of articles and photographs.

Sub-series contains documents concerning the foundation of Powerhouse Gallery, and various exhibitions at La Centrale Galerie Powerhouse. Materials predominantly concern the Gallery’s first exhibition Windows: From the Inside Out: Painting, Photography, Ceramic and Sculpture (1973). Other exhibitions documented in this sub-series include Codpieces: Phallic Paraphernalia (1974), The Past to the Present (2001), and Powerhouse: Where Are We Now? (2001).This subseries also contains La Centrale Galerie Powerhouse publications, including Women’s Bookworks (1979) and Les Centrelles (2004).

Sub-series consists of records compiled for provincial survey. Sub-series contains questionnaires, working documents and reports.

Subseries provides information on Isacsson’s work as an educator as well as the courses, workshops, and speeches he gave in different institutions and seminars. It includes the pedagogical publication Produire en Vidéo Légère that Isacsson assisted in redacting and the accompanying video material that he directed.

Subseries includes photographs, ourse descriptions, course syllabus, clippings, research material and notes, contracts, application forms, list of participants and correspondence.

La sous-série porte sur des tapisseries aux différents pays, sur leurs expositions et sur des artistes textiles.

Elle est principalement constituée de coupures de presse, de photographies, d’affiches d’exposition, de cartons d’invitation, de brochures, de dépliants et de notes biographiques.

The subseries illustrates Sur Rodney (Sur)’s career as an artist and his involvement in the art scene, from the beginning of his career in the 1960s to today. It documents Sur Rodney (Sur)’s various actions and implications not only as an artist, but also as spokesperson for artists from marginalized groups and especially those living with HIV/AIDS.
The subseries includes material on various of Sur Rodney’s projects, such as, among others, the video production The Scary truth About Cockroaches & Landlords, various exhibitions, Sur Rodney (Sur)’s contributions to numerous publications, his participation in various panels and talks, especially his presentation at the CCA Panel : Art Minus Hype : American Art in the 1980’s (1997), and the television shows Sur Rodney (Sur) Show (1980) and All New Sur Rodney (Sur) Show (1981), both moderated by Sur Rodney (Sur). In these shows Sur Rodney (Sur) presented artists from the Manhattan's Lower East Side art scene.
The subseries also includes interviews with Sur Rodney (Sur).

The subseries contains, but is not limited to, scripts, notebooks, calendars, a scrapbook, photographs, flyers, newspaper articles, magazines and other publications, moving images, a press kit, posters, and a sound recording.

Subseries composed of drafts of Swinging in Paradise: The Story of Jazz in Montreal.

The sub-series documents Peter Madden’s work as a storyteller.

The sub-series includes drafts and final versions of stories for adults as well as for children.

Sub-series consists of records documenting the studies of the following groups:

Alumni,
Evening Students,
Foreign Students,
Grading Systems and Statistics,
Graduate Studies,
Loyola Sampus - Students,
Non-Programme Students,
Numbers of Honours Student by Discipline,
Part-Time vs Full-Time Student Performance,
Public Relations Surveys - Alumni, Employers,
Teaching Load Comparison,
Three Year Programme - Day/Evening Division.

The sub-series documents programs related to ongoing staff training and the professional development of YMCA executives. It includes reports, articles, correspondence, and program materials.

Subseries documents Alfie Roberts and Patricia Cambridge's involvement with the St. Vincent and Grenadines Association of Montreal, of which Roberts was a founding member and Cambridge was the coordinator of the annual Pageant and Dance. The subseries also provides information related to the administration, finances, and programming of the association.

Subseries includes, among other documents, budget estimations, income statements, balance sheets, correspondence, newsletters, agendas and meeting minutes, flyers, leaflets, event programs, invitation cards, legal documents, handwritten notes, photographs, posters, anniversary magazine, newsletters, grant applications, reports, membership forms, clippings, constitution, essays, brochures, calendar of events, and press releases.

Subseries provides information about the film Sports & Politics.

Subseries includes project proposal, correspondence and handwritten notes.

The sub-series gives information on the gallery’s fund-raising activities, including special events and campaigns.

The sub-series contains permits, correspondence, lists of potential donor organizations, receipts, registrations, programs, information bulletins, and invitations.

The sub-series consists of records relating to space planning, allocation, and maintenance in the University. It documents the plan and negotiations to rent sporting facilities at the Olympic Stadium 1976-1981, plans for library buildings, a proposal for an athletics site at Covey Hill, the proposal for the University to acquire the HMCS Donnacona building (1957-1967), and room reservations. The sub-series contains correspondence, briefs, reports, and notes.

Subseries provides information about the film Sonny Joe and the Casino.

Subseries includes newspaper clippings, photographs, handwritten notes, contracts, shooting tapes, interviews, music, the film in its original French version and with French subtitles.

The sub-series documents the activities of the YMCA Hi-Y social club for high school boys and girls and SO-ED, a program which combines social and educational activities through workshops and lectures. It also provides information on the Foremen’s Club, founded in 1942 to help foremen understand supervisory responsibilities and their administration through a series of lectures and conferences.
The records include minutes, correspondence, brochures, workshop and training materials.

The Senior Musicians' Association was registered with the Department of National Revenue in August 1974 to qualify as a charitable organization, and obtained its certification in January 1975. Its purpose, according to the documents: "to provide an opportunity for retired musicians to get together socially, form an orchestra and give free concerts to golden age residences, hospitals, etc." Its funding came from government grants and the musicians union through its Music Performance Trust Funds, as well as private sponsors and donors. Led by Herb Johnson, the Senior Musicians Orchestra played from 1975 through 1987.

The documents in the sub-series are primarily administrative records reflecting the formation and activity of the Association.