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The sub-series contains a file of correspondence and other materials documenting Camp Thunderbird.

The sub-series includes program reports, publicity materials, trip logs, and other records.

The sub-series documents the first Montreal YMCA camp. It includes scrapbooks, publicity materials, reports, correspondence, and other materials.

The sub-series contains 8 folders, chronologically arranged, of correspondence received by Herb Johnson. The documents reflect his interests, his personal and family affairs, his music business, and his involvement in musicians' union affairs.

The sub-series contains music scores, note book exercises and other textual items concerning music theory and technique relating to Herb Johnson.

Sub-series consists of records documenting the activities of the committee. Sub-series contains minutes, reports and correspondence.

Sub-series consists of records documenting the studies of the following groups:

Alumni,
Evening Students,
Foreign Students,
Grading Systems and Statistics,
Graduate Studies,
Loyola Sampus - Students,
Non-Programme Students,
Numbers of Honours Student by Discipline,
Part-Time vs Full-Time Student Performance,
Public Relations Surveys - Alumni, Employers,
Teaching Load Comparison,
Three Year Programme - Day/Evening Division.

The subseries illustrates the art scene around Sur Rodney (Sur), focussing especially on artists from the New York East Village, but including some international artists as well. It gives an insight in the artistic career of various artists, as there are, among others, Andreas Senser, Gracie Mansion, Geoffrey Hendricks, and photographer Timothy Greathouse. The sub-series covers subjects like Black Contemporary Art, performance art, Queer Art, and the problematic of Aids. The sub-series includes the documentary "I'll be your Mirror", screened at the Los Angeles Gay and Lesbian film festival and featuring photographer Nan Goldin and the lower east side of Manhattan during the 1980s and HIV/AIDS. It also includes an Acker Award box from 2014, containing original art works and mementos contributed by the awardees.

The subseries consists of, but is not limited to, newspaper articles, exhibition catalogs, magazines, and other publications, correspondence, a poster, and an Acker Awards box.

The subseries illustrates the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1970s to 2009. It gives an insight in the life of various artists by the means of personal correspondence exchanged with Sur Rodney (Sur). The sub-series includes a scrap-book containing letters, photographs and drawings send to Sur Rodney (Sur) by artist Pauline Graham Leathem. The sub-series includes as well extensive correspondence with Ronald Heydon, photographer John Brill and artist Lorraine O'Grady. It also contains correspondence with artists Jordan Arseneault, Ann Fensterstock, Arnaud Gosselin, Angel Borrero, Carlo Pittore, Elspeth Duncan, Phyllis Wright, Al Hansen, Ruth Kligman, Adrian Piper, Ray Johnson, and others. Some of these artists were active, like Sur Rodney (Sur), with Visual Aids, an organization working on AIDS awareness through art projects, while supporting artists living with AIDS and archiving their work.

The subseries consists of, but is not limited to, correspondence, newspaper clippings, drafts, and a scrapbook.

The sub-series documents Peter Madden’s work as a poet.

The sub-series contains drafts and final versions of poems as well as some paintings used as illustrations.

This sub-series provides insight into the administration and organizational structure of the Black Theatre Workshop (BTW). The BTW is governed by a Board of directors, to which all committees and directors report. It includes documents related to meetings of the Board of Directors; Executive Committee; Management Committee; and the Planning and Priorities committee. It also contains documents concerning General meetings and meetings of temporary committees.

This sub-series contains, among other documents, meeting minutes, reports, correspondence, lists of board members, organizational charts, job descriptions, meeting notes, and various documents presented or discussed at the meetings, as well as newspaper clippings, and grant applications.

The subseries provides an overview of the Black Studies Center’s financial situation between 1966 to 2007.

The subseries contains, among other documents, financial statements, budgets, tax accounts, by-laws, invoices, ledgers, journals, loans, balance sheets, and correspondence.

The subseries provides an overview of the Black Studies Center’s funding through grants, investments, fund raising campaigns and donations. By the means of grant applications and reports, the series also informs about projects conducted by the Black Studies Center.
The subseries contains, among other documents, grant applications, correspondence, bank statements, balance sheets, receipts, brochures, project reports, and an address.

The subseries provides an overview of the research conducted in the field of Black Studies in the second half of the twentieth century, predominantly in the 1970s, outside of the Black Studies Centre. It contains information on the history, contributions, and social issues experienced by Black populations in Montreal, America, and Africa. In includes a reproduction of a thesis published in 1928 about the Montreal Black community.

The series contains research papers and related documents.

Subseries provides information on Isacsson’s interests in social issues and activism, and his involvement in the documentary filmmaking community.

Subseries includes photographs, newsletters, press releases, handwritten notes, correspondence, documentation about Isacsson’s attendance and participation to various seminars, list of attendees, panel descriptions, seminar programs and promotional material, committees meeting minutes, research material, and video of the 8eme Rancontres internatinales du documentaires.

The sub-series provides information on Abley’s poetry writings from his early days as a student in Oxford, to 2015. It includes unpublished works by Mark Abley, material about or by other Canadian poets, as well as material related to Abley’s published poetry collections, Blue Sand, Blue Moon, Glasburyon, The Silver Palace Restaurant, and The Tongues of Earth. The series also covers the poetry workshop groups that Abley was part of.

The sub-series contains a class paper, drafts, comments, contracts, correspondence, a grant application, magazines, manuscripts, newspapers, notes, poems, research material, reviews, and a report.

The sub-series documents the Montreal YMCA's relationships with the National Council and the Montreal YMCA's participation in national conventions and conferences.

Records in the sub-series include correspondence, conference proceedings, annual and other reports, architectural drawings, photographs, maps, and other materials.The materials are arranged in the following sub-sub-series:

P0145/14D01 - Constitutive documents.
P0145/14D02 - Histories.
P0145/14D03 - Annual Reports.
P0145/14D04 - Correspondence, reports.
P0145/14D05 - Meetings of Council, Board, Executive Committee, staff.
P0145/14D06 - Committee meetings, reports.
P0145/14D07 - Annual, Special General Meetings.
P0145/14D08 - National conferences, conventions.
P0145/14D09 - Policy, planning, surveys.
P0145/14D10 - Program support.
P0145/14D11 - Military Work.
P0145/14D11e - Post-World War II.
P0145/14D12 - Geneva Park: Couchiching national centre.
P0145/14D13 - Camp Canada.
P0145/14D14 - Human resources administration.
P0145/14D15 - Financial administration.
P0145/14D16 - Communications, public relations.
P0145/14D17 - Directories, rosters.

The sub-series consists of materials generated by local YMCAs in the United States as well as the American National Council of YMCAs and its precursors. The sub-series documents American YMCA activity at the national, international, and local levels.

Records in the sub-series document the Montreal YMCA's relationship with various levels of government. The sub-series has records of the YMCA official in charge of external relations, in particular relations with the government of Quebec, in the 1970s-1980s. It includes reports, correspondence, and other records.

The materials in the sub-series document the Montreal YMCA's relations with Protestant churches and with the Roman Catholic Church.

The sub-series consists of correspondence, reports, news items, and other materials.

The subseries provides insight into the administration and organizational structure of the Black Studies Center, as well as into the decision-making process, programming and other issues discussed at meetings of the Black Studies Center. The subseries includes documents related to the Board of directors, the Library Committee, staff meetings, and others.

The subseries contains, among other documents, meeting minutes, agendas, mandates, reports, policies, correspondence, and memos.

The subseries documents employment practices at the Black Studies Center from its beginnings to 2000.

The subseries contains, among other documents, contracts, agreements, organizational charts, resumes, work schedules, job descriptions, attendance register, lists, correspondence, and personal documents of staff members.

The subseries provides information on the establishment of La Centrale in 1973. It also contains documentation related to its development.

The subseries includes by-laws, organizational charts, mandates, audio and video recordings, and other documents related to the functioning of the gallery.

The subseries provides information on events organized by the gallery, as well as on participating artists. Events are not limited to exhibitions and performances, but also include conferences, workshops and fundraising activities like street sales and auctions. Artist files document not only the artist’s participation at La Centrale, but also include biographical information and documentation about projects that occurred outside the Gallery.

The subseries contains correspondence, brochures, CVs, flyers, résumés, exhibition contracts, artist’s statements, photographs, newspaper articles, posters, invitation cards, publications, moving images, sound recordings, objects, and other documents.

The subseries provides information on the events held at the La Centrale from 1980 to 2003 by means of guestbook entries written by gallery visitors.

The subseries contains 10 guest books.

The subseries provides information on the membership and member recruitment at La Centrale.

The subseries contains flyers, membership bylaws, lists, drafts, notes, and meeting minutes.

The subseries provides information about the members of La Centrale throughout the years.

The subseries contains membership forms, membership applications, lists of members, correspondence, and a CV.

The subseries reflects the role of the gallery’s members as active part of the organization. It presents documents collected by various members, including founding members, from the gallery’s beginnings in 1973 to 1999.
The subseries includes documents donated by :

Celine Boucher
Gail Bourgeois
Sheena Gourlay
Margaret Griffin
Suzanne Harwood
Gail Lauzzana
Pauline Morier
Joanna Nash
Ann Pearson
Petronella (Nell) Tenhaaf

The subseries includes newsletters, posters, correspondence, meeting minutes, invitations, newspaper clippings, photographs (mostly contact sheets), publications, a drawing, and an artist book.