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Description archivistique
Ingrid Bachmann fonds
P0285 · Fonds · [ca.1986] - 2017

The fonds provides information on Ingrid Bachman's professional life as a contemporary artist and as a teacher at Concordia University and at the Art Institute of Chicago, her involvement with Design Cooperative and the Banff Art Residency Program. The CONFERENCE, LECTURES, TALKS subseries includes records related to the Conversations in Contemporary Art (CICA), the Studio Arts Visiting Artists Program as well as texts for presentations and lectures Bachmann gave at the Art Libraries Society of North America (ARLIS) conference and the Practice-Led Research Conference, to name a few. The PROJECTS subseries is comprised of notes, video scripts, promotional material and press clippings of reviews, and other records related to the logistics of coordinating and producing art installations such as Fault Lines, Digital Crustaceans, Nomad Web, Berlin Stories and 48 Hours/48 Rooms, among others. This subseries also includes the ProWeave software. The TEACHING subseries contains outlines and assignment directives of courses Bachman gave at the Art Institute of Chicago and Concordia University and the WRITINGS subseries records related to articles Bachmann published. The MEDIA COVERAGE subseries includes articles and reviews of Bachmann's works.

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Bruce Le Dain fonds
P0294 · Fonds · 1941 - 1999

The fonds provides information on the professional life of Canadian artist Bruce Le Dain.

It is comprised of journals held more or less regularly by Le Dain between 1963 and 1999. They include records of personal accounting and painting income summaries as well as some correspondence and press clippings.

The CORRESPONDENCE subseries includes letters exchanged with fellow Canadian artist John Little between 1974 and 1992. It also includes a binder of miscellaneous correspondence and memorabilia as well as some reference documentation on the subject of art.

The DISTINCTIONS subseries includes framed honours granted to Le Dain: an Honorary Life Membership to the Arts Club of Montreal in 1994 as well as a recognition from the Royal Canadian Academy of Arts (RCA) for his contribution in the arts of painting in 1985.

The fonds also includes a wooden box custom-made by Le Dain, a box he used to store his tools when he was painting.

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Barry Frank fonds
P0293 · Fonds · 1962 - 2000

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series includes CORRESPONDENCE related to Frank's career at Concordia University, records linked to his Long Service Recognition (after 25 years at Concordia University) and articles published (in collaboration with C. Y. Cheung, O. Mitran, G. Barnea, S. J. Knak Jensen, O. G. Mouritsen and K. Nath among others) between 1969 and 1997.

The PRIVATE LIFE series is comprised of records related to Frank's EDUCATION, most notably a thesis submitted to the University of British Columbia and to McGill University.

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Howard Fink fonds
P0292 · Fonds · 1964 - 2004

The fonds is organized in two series PRIVATE LIFE and PROFESSIONAL LIFE.

The PROFESSIONAL LIFE series contains a TEACHING sub-series with records on Howard Fink's career at Sir George Williams and Concordia University: an agenda, miscellaneous correspondence, course outlines, an honour student file, examination questionnaire samples. There's a sub-series titled COMMUNITY ENGAGEMENT related to his involvement with the Canadian Association of Emeriti and Retired Academics (CAERA), the Ontario Confederation of University Faculty Associations (OCUFA) and the Association for the Study of Canadian Radio and Television (ASCRT). The POETRY READING SERIES and the FACE TO FACE CONFERENCE sub-series include correspondence, programmes, publicity and other records related to the logistics of those events. The RESEARCH sub-series contains record about a France-Quebec collaboration on the study radio-drama tradition. The fonds also contains records about the Centre for Broadcasting Studies Fink helped establishing and the CBC Radio Drama Bibliography.

The PRIVATE LIFE series contains personal correspondence.

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Martin Duckworth fonds
P0290 · Fonds · 1975 - 2017

The fonds consists of records pertaining to Duckworth's professional life as a movie director and cinematographer. The PRODUCTIONS sub-series contains records related to development of movies he worked on: contracts, proposals, correspondence, notes, research and reference documentation, photos and some media coverage.

The TEACHING sub-series is comprised of correspondence, course outlines, class lists, teaching and student evaluations, a sample of student works and some notes.

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Philip Szporer fonds
P0289 · Fonds · 1980 - 2022

The fonds provides information on Philip Szporer's career as a part-time instructor at Concordia University but also as a filmmaker and a journalist. The PROFESSIONAL LIFE series includes material related to Stress, the Official Journal of the International Institute of Stress and its Affiliates Szporer edited in the beginning of the 1980's, some of films he directed as well as conferences and festivals he attended or actively took part in. The DISTINCTIONS sub-series is comprised of records related to the Jacqueline Lemieux Prize and the Distinguished Teaching Award he received in 2010 and 2016, respectively. The TEACHING sub-series contains course outlines, records related to the CUPFA grants Szporer received throughout the years, some correspondence, a working copy of the Concordia University Contemporary Dance Department Assessment Report he produced in 2001 as well as some course materials, including slides on the history of modern dance as well as the works of dancers: Doris Humphrey, Isadora Duncan, Loie Fuller, Maud Allen, Martha Graham, Ruth St. Denis, and Twyla Tharp among others. The WRITINGS sub-series includes articles Szporer wrote for Dance Connection, Dance Journal USA, Cinema Canada as well as Concordia's Thursday Report.

The PERSONAL LIFE series contains a case study on the distribution of 'Not a Love Story' submitted to the department of Communication Studies in 1981 while Szporer was completing his graduate studies at Concordia University.

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Robert E. Wall fonds
P0288 · Fonds · 1963 - 1976

The fonds provides information on Wall’s professional life as an instructor and researcher on early politics in Massachusetts.

The series Professional Life is organized in 4 sub-series:

  • MICHIGAN STATE UNIVERSITY
  • RESEARCH
  • SIR GEORGE WILLIAMS UNIVERSITY
  • WRITINGS
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Henry Beissel fonds
P0287 · Fonds · 1941 - 2022

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series is comprised of 8 sub-series. The CORRESPONDENCE sub-series consists of letters, postcards and greeting cards from peers (artists, writers, professors, humanists, publishers) of Beissel including Angelika Arend, Werner Berchem, Werner Berg, Per Brask, Ronnie Brown, Anthony Cassils, Patrick Drysdale, Leo Enright, Heide Fruth-Sachs, Keith Garebian, Gary Geddes, Albert-Reiner Glaap, Amanda Hale, Jack Herbert, Jürgen Jankofsky, Anne Kulling, Renée Makino, Helmut Markus, Rob McLennan, Najwa Nasr, Anja Oppermann, Bruno Petrenko, Andrew Proctor, Uta Regoli, Walter Riedell, Gillian Rimington, Gerd Rohmann, Fruma Rothberg Sanders, Desmond Scott, John Smith, Richard Thain, Axel Vieregg and Norman Yates, to name a few. There is also an extended correspondence with Edward Lacey, Walter Bauer and Wolfgang Bottenberg.

The WRITINGS sub-series includes notebooks, manuscript and some correspondence related to Beissel's works in poetry (What If Zen Gardens, Season of Blood suite, Cantos North, The Dragon and the Pearl, Feel with your Eyes, etc.) and theatre (Inuk in the Sun, Under Coyote's Eye, For Crying Out Loud, Goya, The Noose and Improvisations for Mr. X., etc.) mostly but also essays (On the High Wires of the Imagination, Recovering the Child Inside or How to Write for Sarah and Jason, The Second Humanist Revolution: Eco-Humanism, Epic in Transition: A Challenge to the Contemporary Poet, etc.) and prose (The Sniper, As Flies to Wanton Boys, etc.). The sub-series also contains records related to the Irving Layton Festschrift published by Concordia that Beissel edited with Joy Bennett in the beginning of the 1990's.

The TRANSLATION sub-series includes notes and manuscripts of translations of works by Pablo Neruda, Tor Age Bringsvaerd, François Charron, Tankred Dorst, Shie Min, André Simard, Helmut Markus and Henrik Ibsen among others, but most notably Walter Bauer and Peter Huchel.

The CONFERENCES, TOURS AND RESEARCH TRIPS sub-series is comprised of correspondence, promotional material, speaking notes and travel reports related to Beissel's participation in many conferences, talks, festivals around the world including Peru, Kenya, China, Japan and Mexico but mostly in Canada and Germany where he often toured extensively. This sub-series includes a number of audio recordings created during his attendance at the Cultural Congress of Havana which took place January 4-11, 1968. It also contains records one the Face-to-Face National Conference on Contemporary English-Canadian Theatre Beissel helped organize at Concordia University in 1975.

The TEACHING sub-series includes records related to Beissel's work at the University of the West Indies, the University of Alberta and the Munich University in Germany, but mostly at Concordia University as a full professor at the Department of English and as a coordinator of the Creative Writing Program he was instrumental in establishing and coordinating. The sub-series is comprised of correspondence, evaluations, some meeting minutes and course notes on modern European literature, Canadian literature and modern drama.

The COMMUNITY ENGAGEMENT sub-series testifies of Beissel's involvement with different organizations and associations (the League of Canadian Poets, the Humanist Association of Ottawa, the Universities Faculty Committee for Peace in Vietnam, the Canadian Humanists Publications, the Book and Periodical Development Council, the Writers' Union of Canada, the International Theatre Institute, the Playwrights Guild of Canada and more) and his work as an editor of the magazines Humanist Perspectives and Edge. It is comprised mostly of correspondence but also includes some meeting agendas, minutes and notes.

The DISTINCTIONS sub-series is comprised of records related to the prizes and awards Beissel either won or was nominated for, including a Literary Award in Honour of Walter Bauer, an Ottawa Book Award and a Concordia University Alumni Associations Honorary Life Membership.

The MEDIA COVERAGE sub-series includes miscellaneous press clippings, reviews of Beissel's prose, poetry and plays as well as promotional material related to his publications, correspondence with poetry magazines as well as an extensive interview with Per Brask.

The PRIVATE LIFE series is comprised of 3 sub-series. The EDUCATION sub-series includes records related to Beissel's studies at University of Toronto: course notes, correspondence and syllabi of the courses he attended to. The sub-series also includes earlier course notes and writings [ca.1943-1950].

The JOURNALS sub-series includes the many diaries Beissel held between 1941 and 2015, including travel diaries written in Cuba, Kenya, Japan, England and China and a German war camp journal.

The CORRESPONDENCE sub-series consists of letters, greeting cards and postcards from friends and family members, including Beissel's parents and his daughters.

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Donald L. Boisvert fonds
P0286 · Fonds · 1965 - 2019

The fonds provides information on Boisvert's professional life and private life.
The Professional Life series is organized in 9 sub-series:
CONCORDIA UNIVERSITY ADMINISTRATION
CONFERENCE, SEMINARS
DISTINCTIONS
HOUSE OF COMMONS
MONTREAL DIOCESAN THEOLOGICAL COLLEGE ADMINISTRATION
PHOTOS
PRIESTHOOD
RESEARCH
TEACHING
WRITINGS

The Private Life series is organized in 3 sub-series:
CORRESPONDENCE
EDUCATION
PHOTOS

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Tom Gibson fonds
P0284 · Fonds

The fonds consists of photos, work prints, contact sheets and negatives created by Gibson over the years. The photos were taken during his many travels but mostly in Montreal, Toronto, New York, London, Edinburgh.

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Ira Robinson fonds
P0283 · Fonds · 1974 - 2021

The fonds provides information about Ira Robinson’s research and teaching career.
The fonds is divided in 5 main series:

  • ADMINISTRATION
  • AWARDS AND RECOGNITION
  • LECTURES AND CONFERENCES
  • RESEARCH AND PUBLISHING
  • TEACHING

It consists of course files, records on the many conferences, colloquiums and lectures Robinson took part in, records on the books and articles he published throughout the years. There are also records related to his involvement with the Jewish Public Library and his role as a leader in the field of Canadian Jewish Studies.

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Pnina Gagnon fonds
P0282 · Fonds · 1953 - 2021

The fonds provides information on Pnina Gagnon’s professional life as an artist. It consists of records on her creative works, exhibitions, writings and publications, media coverage, correspondence and conferences or talks she took part in.

The fonds also contains records about her private life. It consists mainly of personal correspondence, journals and agendas, records on her education, family, travels and spirituality.

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Susan Briscoe fonds
P0281 · Fonds · 1966 - 2018

The fonds highlights Susan Briscoe's professional life as an educator and writer. It consists of records pertaining to her teaching and research work while at Dawson College. A personal records series consists of born-digital photos taken by Susan Briscoe on subjects including: Flora and fauna, family and travel.

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François-Marc Gagnon fonds
P0280 · Fonds · 1946-2019

The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.

The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.

The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.

Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few. The subseries also includes scrapbooks containing extensive correspondence on or about Jean Dubuffet.

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Jane Hackett fonds
P0278 · Fonds · 1972-1997, predominant 1972-1975

The fonds mainly provides information on the activities of Thé-Arts Loyola and general music and drama productions at Concordia University.

The fonds contains press clippings, theatre programs, small posters, and a souvenir book of the 25th anniversary of Thé-Arts’ reunion in 1997. It also contains slides of Thé-Arts productions Applause and Once Upon a Mattress which were donated by photographer Jeff Barber, former student and a member of Thé-Arts Loyola.

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Leila Sujir fonds
P0277 · Fonds · 1972 - 2008

The fonds provides information on the Sujir’s art projects and professional activities as an artist researcher and faculty member at Concordia for the period between 1972 and 2008.

The fonds consists of project administrative records, research materials and video and audio recordings of her film productions.

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Robert N. Wilkins fonds
P0276 · Fonds · 1967 - 1970, [ca. 2009]

The fonds consists of one sound recording and 43 photographs (slides, prints, and digital) related to various events which occurred at Sir George Williams University in 1967, 1969, and 1970.

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Martin Singer fonds
P0275 · Fonds · 1972 - 2009

The fonds provides information on Martin Singer’s research and teaching between 1972 and 2009. It also documents his career as a university administrator at Concordia University.

The fonds consists of course materials, lectures, reports, and presentations. There is for instance material related to the extensive field trips to East Asia in 1975 and 1976 (which include more than 700 slides and a few sound recordings of lectures and interviews. The fonds also contains extensive research material related to the Martin Singer research projects on Canadian academic relations with China, sponsored respectively by IDRC (1982-1986) and AUCC (1994-1996). This material is composed of cassette tapes of interviews made with numerous Canadian and Chinese academics and government and NGO officials across Canada.

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Fonds Victor Teboul
P0274 · Fonds · 1945 - 2019

Le fonds comprend des documents relatifs à la vie personnelle de Victor Teboul : sa famille, ses études ainsi que ses activités professionnelles de journaliste, écrivain, conférencier et animateur.  Le fonds témoigne du travail de M. Teboul axé sur la question des identités juive et québécoise, la communauté juive égyptienne et sa propre expérience.

Le fonds contient principalement des articles publiés par M. Teboul, des manuscrits, de la correspondance, des photographies, et des coupures de presse. Le fonds contient également plusieurs documents audiovisuels, notamment une entrevue inédite de M. Teboul avec Renée Lévesque dans le cadre d'une table ronde diffusée sur le circuit interne de l'Université Sir George Williams en 1970 réalisée lors de ses études.

Teboul, Victor
Frank Barry fonds
P0273 · Fonds · [ca. 1930]-2013

The fonds is organized in 2 series: PERSONNAL LIFE and PROFESSIONNAL LIFE.

The PERSONNAL LIFE series is comprised of 1 subseries: the EDUCATION sub-series is comprised of records related to Frank Barry’s early education in art at the Ealing School of Art, the Hornsey School of Art and the Carisbrooke Grammar School where he was and Art Masters, and records from his later studies in Art Education at Sir George Williams University. It includes notes on different artists and pedagogical notes on different books related to his master’s degree in art education. It also includes multiple diplomas of the different schools he attended. The PERSONNAL LIFE series also includes personal correspondence.

The PROFESSIONNAL LIFE series is comprised of 2 subseries. The TEACHING subseries is comprised of 1 sub-subseries: the SIR GEORGE WILLIAMS UNIVERSITY AND CONCORDIA UNIVERSITY sub-subseries is comprised of course notes and bibliographies of the Psychology 591 course, a “Guide pédagogique” sent to translation and research for his theses in team-teaching in art education. The TEACHING subseries also contains a notebook from Carisbrooke Grammar school and art exams from Northmount High School.

The CREATION AND ARTWORKS subseries is comprised of 2 sub-subseries. The MONTREAL sub-subseries is comprised of sketchbooks, drawings, artwork and unpublished works produced most notably in Montreal and at other places. The OTHERS sub-subseries is comprised of sketchbooks, drawings, artwork and unpublished works created before he moved to Montreal. It includes drawings of war times and many sketches of the Isle of Whight in the UK where his children were born.

The PROFESSIONNAL LIFE series also includes articles and different press clippings mentioning Frank Barry’s work. It includes records of his involvement in the Provincial Association of Protestant Teachers of Quebec (PAPT) and the Associations of Arts Specialists of the Protestant School Board of Greater Montreal. It also includes Frank Barry’s Sir Georges Williams access card, a notebook and correspondence.

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Ana Cappelluto fonds
P0272 · Fonds · 1997-2000, [2015]

The fonds provides information on Ana Cappelluto’s project with the CNC on Quebec theatre costume designers, mainly between 1997 and 2000.
The fonds mainly consists of a web site entitled “Archive de costume de Montréal / Montréal Costumes Archive”. There are also a few administrative records and some reference materials on the history of costumes.

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P0271 · Fonds · 2004-2020

The fonds provides information on art history related topics and on the publication of the journal.

The fonds contains administrative records, manuscripts, published issues and graphic materials (such as posters and logos).

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Thomas Waugh fonds
P0270 · Fonds · 1980 - 2017

The fonds provides information on Thomas Waugh’s teaching activities with his contributions to the development of courses in Film Studies, Interdisciplinary Studies and on issues related to the HIV/AIDS pandemic at Concordia University.

The TEACHING subseries includes performance evaluations, workload reports and course evaluations, course materials and course outlines Thomas Waugh developed, most notably on HIV/AIDS in social sciences, natural sciences and in the media.

The ADMINISTRATION subseries is comprised of records related to Thomas Waugh's participation in the HIV/AIDS Advisory Committee (1993-1998), in the Faculty of Fine Arts Task Group on Canadian and Quebec Cultural Issues (1983-1984) and in the Working Group on Curriculum of the Status of Women Committee (1986-1987).

The CONFERENCES, SEMINARS, TALKS subseries includes records related to the attendance of Thomas Waugh to various conferences in Quebec and Ontario, most notably at the Representing AIDS: Crisis and Criticism Conference held at the University of Western Ontario where he made a presentation on the theme of 'Erotic self-images in the Gay Male AIDS Melodrama' in November 1988. The subseries also contains records related to his involvement in Concordia University's HIV/AIDS Lecture Series from 1993 to 2013 with correspondence, logistics files, media coverage and promotional material.

The RESEARCH AND REFERENCE DOCUMENTATION subseries is comprised of some writings and notes as well as reference documentation on HIV/AIDS related to women and First Nations Peoples, among other subjects.

The fonds also includes records related to Thomas Waugh's input as the editor of the moving images section of the GLQ: A Journal of Lesbian and Gay Studies between 2003 and 2006.

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Lewis J. Poteet fonds
P0269 · Fonds · 1948-2017

The fonds provides information on Lewis Poteet’s research on language, dialect and slang. The fonds also gives genealogical information on the Poteet family.

The fonds contains research materials, drafts, correspondence with other lexicographers and writers, and notes. The fonds also includes materials on Poteet’s latest literary project: Voetsek – Revisiting Swasiland and Soweto, a narrative non-fiction memory of his childhood in South Africa.

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Stanley Morris fonds
P0268 · Fonds · 1964-1967

The fonds provides information on the Sir George Williams University annual staff conferences for the years of 1964, 1965, 1966, and 1967. These two-day conferences which started in 1938 were usually held each year, at the end of May or on the first days of June.

The fonds consists of minutes, articles, reports, and programs.

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Muriel Armstrong fonds
P0267 · Fonds · 1966-1969

The fonds provides information on the events which preceded the Computer Centre Incident at Sir George Williams University in 1969.

The fonds mainly consists of reports, articles, and letters. It includes a typed copy of “Chronicle of Events” happening at Sir George, which was published in the “Statement” first issue (January 28, 1969).

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Harry Hyland fonds
P0266 · Fonds · [193-?]-1969

The fonds consists of a Harry Hyland’s photo portrait, his Loyola Sports Hall of Fame plaque, and a Loyola Winter Carnival plaque (1969).

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Linda Kay fonds
P0265 · Fonds · [193-]-2017, predominant 2004-2016

The fonds mainly provides information on Linda Kay’s research on the pioneering female journalists who travelled together to cover St. Louis World’s Fair in 1904 and on the Canadian Women’s Press Club (CWPC).

The fonds includes research materials mainly composed of correspondence, articles, and photocopies of various documents (mainly 1887-1904) related to the pioneering female journalists. It also contains interviews with CWPC members during the Centennial anniversary of the Club in 2004 and recordings of the entire event which includes a re-enactment of the original Sweet Sixteen trip to the World’s Fair in St. Louis in 1904. There are also original documents related to one of the 1904 pioneering female journalist, Alice Asselin (nee LeBoutillier): five photographs (1930s-1950s), and a few textual records on the history of the LeBoutillier family.

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Kurt Jonassohn fonds
P0264 · Fonds · 1962-1970

The fonds provides information on Kurt Jonassohn's teaching career as a professor at Sir George Williams University and Concordia University as well as a researcher in the field of the history and sociology of genocides.

The ADMINISTRATION subseries includes records related to Jonassohn's involvement in the Association of University Teachers Planning Committee (SGWAUT) and the Student's Undergraduate Society. It is comprised of meeting minutes, correspondence, notes and a honorary degree nomination form for Norman Cohn.
The TEACHING subseries consists of teaching material, course outlines, course notes, readings lists as well as some promotional material (posters and brochures) related to the Summer Session in Sociology Project held at Sir George Williams University in the 1960's and 1970's.
The CONFERENCES, SEMINARS, TALKS subseries includes speaking notes, programs and correspondence related to the many conferences, symposiums and talks Jonassohn's took part in, often in collaboration with fellow Frank Chalk, such as 'Culture, Persecution, Perpetrator Intent and Their Effects on the Human Rights Agenda' presented to the Annual Meeting of the Eastern Anthropological Association in 1984 or 'Conceptualizations of Genocide and Ethnocide' presented at Famine Ukraine 1933 Symposium held in Montreal, in August 1983.
The WRITINGS subseries is comprised of some correspondence and texts and written by Jonassohn or in collaboration with Frank Chalk such as 'A Typology of Genocide and Some Implications for the Human Rights Agenda' in 1984.
The MONTREAL INSTITUTE FOR GENOCIDE STUDIES subseries includes records related to the development of the Audio-visual Collection and the Azrieli Collection of the institute as well as 'Jewish Resistance During the Holocaust', a lecture by Frank Chalk from 1995.
The CORRESPONDENCE subseries consists of communications exchanged with organizations such as the Social Sciences and Humanities Research Council (SSHRC) and the Centre for Comparative Genocide Studies and with other scholars, most notably Helen Fein, Jack Porter and Norman Cohn.
The RESEARCH AND REFERENCE DOCUMENTATION subseries is comprised of articles, papers, reports and press clippings on subjects close to history and sociology of genocides: the holocaust, the Armenian people, ethnic minorities, history revisionism and gypsy communities name a few.

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