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The collection documents the Concordia University initiatives regarding HIV/AIDS from the end of the 1980s. It consists of records produced by the Concordia HIV/AIDS Project, instructors of the HIV/AIDS courses, and the Office of the Rector.

The fonds mainly includes committee meetings, reports, programs, press clippings, course packs, sponsorship kits and posters.

The fonds is organized into the following series and sub-series:
I0031/1330. – Teaching Activities
I0031/1330A. – AIDS/HIV: Cultural, Social, and Scientific Aspects of the Pandemic Course
I0031/1330B. – HIV/AIDS: An Interdisciplinary Introduction Course
I0031/1340. – Training and Practicums-Management
I0031/4210. – University Policies and Procedures
I0031/5111. – Committees and Meetings
I0031/5160. – University Events

[sic] Exhibition Opening Night featuring performances by of Les Véritées Voilées by Mirha-Soleil Ross with Mark Karbusicky, Good Mourning! From Mountain to Crescent by Louise Dubreuil, an untitled piece by Ed Johnson and Bodies and Behaviours, by Adam McNair with Maria Piazza, Wanda Underwood and Miki Nishida. Becky Ip and Sarah Mangle also contributed to the performances.

The art exhibition featured works by Kira Abelsohn, Nelly Bassily, Rob Bucci, Sarah Butler, Louise Dubreuil, Julian Goodstein, Aerin Hack, Kristin Hanley, Rachel James and Amy Siegel, Phil Kennedy, Patrick Lonergan, Erin MacCarthy, Rachel Miles, Kathleen Morbey, Tanya Robin Nesi, Emma Park, Parick Garon Sayegh, Erin Silver and Clara Bird, Kimberly Thibeault. The performances and exhibition were co-curated by Tagny Duff, Erin Silber and Brett Tabor.