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Performing Arts
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Clyde Duncan Fonds

  • P018
  • Fonds
  • [193-]-1986

The fonds provides information about Clyde Duncan's career as a jazz musician.

The fonds contains musical engagement contracts (1939-1940), the Canadian Federation of Musicians by-laws (1930), concert programs, press clippings, photographs, and sound recordings.

Duncan, Clyde

Russell (Russ) Dufort fonds

  • F020
  • Fonds
  • [195-] ; [199-]

The Fonds contains materials documenting the career of drummer Russell (Russ) Dufort. It includes materials related to Dufort's time with the Johnny Holmes Orchestra, the Stardusters, and the Royal Canadian Airforce band. The fonds also includes arrangements purchased from Russell Dufort from the Escorts.

The fonds is composed of annotated scores, set lists, photographs, correspondence, newspaper clippings, a business card, a membership card, swizzle sticks from Montreal clubs, and a wooden box used by the Escorts to transport their music, among other materials.

Dufort, Russell

Peter Madden fonds

  • F025
  • Fonds
  • 1961-2009

The Peter Madden fonds is composed of materials spanning Peter Madden’s career as a writer from the 1970s to the beginning of the 21st century. A major part of Peter Madden’s work reflects his experience in prison.

Documents include manuscripts, drafts, scripts, notes, correspondence, journals, notebooks and press clippings related to performances of Peter Madden's plays. The fonds contains examples of both published and unpublished poems, short stories, plays, and screenplays. It permits to follow the development of a play from the idea to its final version.

The fonds is organized in the following series:

F025/ A Personal Life
F025/ B Professional Life
F025/ C Literary work

Madden, Peter

David (Dave) Clark fonds

  • F021
  • Fonds
  • [19--]-2006

The David Clark fonds provides insight into the career of musician David Clark in the second half of the 20th century. It documents Dave Clark’s professional activity as an instrumentalist; bandleader, arranger and transcriber; and as a teacher. The fonds also documents Dave Clark’s involvement in the Fossils Club of Montreal and serves to document some of the club's musical performances.

The fonds includes musical scores, sheet music, and song books, covering both classical music and jazz; scripts for plays; programs; sound recordings; plaques; and photographs. In addition to published music, the fonds includes music arranged or transcribed by Dave Clark and other musicians.

The fonds is organized into the following series:
F021/A Fossils Club of Montreal
F021/B Musical scores
F021/C Sound recordings

Clark, David

Yves Charbonneau fonds

  • F033
  • Fonds
  • [194-?], [196-]-2007, predominantly 1970-[198-]

The fonds documents Yves Charbonneau's musical career until 1975 on the one hand, and his photographic exploitations during the 1980s on the other hand. It gives an insight into the organization of the Quatuor du Jazz libre du Québec (1967-1975), the Val-David Artistic Colony (1970), the Ferme du Petit Québec libre (1970-1973) and l'Amorce (1972-1974), while highlighting the political dimension of these jazz-related initiatives.
The fonds is divided into the following series :
F033/A – Jazz libre du Québec
F033/B – Political newspapers
F033/C - Visual arts studies
The fonds contains legal documents, press clippings, leaflets, and notes concerning the activities of free music in Petit Québec libre and in l’Amorce. The fonds also contains political newspapers collected by Yves Charbonneau during the 1970s, as well as photographs related to Charbonneau’s visual arts studies, including portraits, landscape photography, and still-lifes.

Charbonneau, Yves

Black Theater Workshop fonds

  • F034
  • Fonds
  • [1940]-2016, predominant 1972-2007

The Black Theater Workshop fonds is composed of materials created and compiled by the Black Theater Workshop (BTW) and contains materials documenting the activities and operations of the BTW from its founding in 1972 until its 2007-2008 season. Documents are also reflective of the BTW's contributions to Montreal’s Black communities and to theater in Canada. Textual records and other materials document the BTW's administration, finances, awards, plays, programming, promotional activities, communications, and facilities, among other things.

The fonds is divided into the following series :
F034/A Administration
F034/B Financial records
F034/C External relations
F034/D Productions / Programming

The fonds is composed of textual records, including without limitations financial documents, grant applications, board meeting minutes, reports, play scripts, newspapers and newspaper clippings, promotional material, and correspondence; graphic materials as photographs, posters, logos, drawings, and others, sound recordings, moving images, and a T-shirt.

Black Theater Workshop

Meilan Lam fonds

  • P135
  • Fonds
  • 1931-1999

The fonds provides information on Montreal's Black jazz scene from the 1920s to the 1960s, chronicling the lives of three women - Tina Baines Brereton, Bernice Jordan Whims, and Olga Spencer Foderingham - who danced in night clubs such as Rockhead's Paradise, The Terminal, and Café St. Michel.

The fonds consists of materials gathered, and in some cases created, during the National Film Board of Canada's production of Show Girls / Les Girls. It includes research notes, edited sequences on videotape, video tapes and transcripts of interviews with the film's principals, audio tapes of interviews with various sources, stock footage, shot lists, clippings of night clubs ads, historical reference books, and VHS copies of the documentary.

Lam, Meilan

Oliver

Rehearsal of Oliver, held in Loyola College. Directed by Maxim Mazumdar (holding script), the Artful Dodger (Edda Gburek) and Oliver (Heather Stanley). David Paltiel, playing one of the Fagan's boys, sits on the stage.

Oliver

Rehearsal of Oliver, held in Loyola College. From left to right, Pierre Fregeau as Balloon-seller, Heather Stanley as Oliver, Carol McCormick as Nancy, an unidentified woman, Chris Barry as a man in the crowd, Colleen as a woman in the crowd, Mrs. Louise Burns as a milk maid and Brian Counihan as a knife grinder.

The Visit

The Visit, put on by the Actors Company at Loyola College. From left to right, Grant Lowe, an unidentified man, Sandra Smith, an unidentified man and Doug Feggans.

Siobhan McKenna

Siobhan McKenna, great lady of Irish theatre, in "Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.

Siobhan McKenna

Siobhan McKenna, great lady of Irish theatre, on stage performing in "Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.

Siobhan McKenna

Siobhan McKenna, performing in Here Are Ladies", a series of portraits of women in the literature of Irish authors. She played to an enthusiastic audience which packed the F.C.Smith Auditorium.

Siobhan McKenna

Siobhan McKenna, the great lady of Irish theatre, as Winnie in Samuel Beckett's "Happy Days" reads ultimate destiny on a toothbrush handle, one of a series of portraits of women in the literature of Irish authors exhibited in "Here Are Ladies".

Siobhan McKenna

Siobhan McKenna, the great lady of Irish theatre, as Winnie in Samuel Beckett's "Happy Days" reads ultimate destiny on a toothbrush handle, one of a series of portraits of women in the literature of Irish authors exhibited in "Here Are Ladies".

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