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The fonds documents Concordia University’s management and decision making.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Board of Governors and its associated committees.

The fonds mainly documents the CIT and Concordia AV Department audio-visual productions and photographs made for the University community. There are also some textual administrative records, mostly composed of the documents of Gary Boyd, AV Assistant Director, Research & Development.

The fonds includes sound recordings (e.g. audio reels, compact cassettes) and moving images (e.g. film reels, video reels, videocassettes). For instance, the fonds contains most of the original audio reels of the SGWU Poetry series recorded for the English department between 1965 and 1974 (see the Concordia SpokenWeb project which uses this material). The fonds also includes photographs made by the AV Photographic section for the University community. This material is mainly composed of faculty and staff portraits and pictures of University events, dated between 1979 and 1994.

Fonds provides information on the activities of the Academic Planning Office from 1967 to 1984, years for which J. H. Whitelaw was Curriculum Coordinator, Associate Vice-Rector and Vice-Rector (Academic). It also provides information on related activities in which J. H. Whitelaw was involved from 1961-1984.

Fonds contains mainly curriculum, statistics, textual records, correspondence, minutes, reports, press clippings, procedures and policies. The fonds is organized according to the following series:

I0038/01 Associations
I0038/02 Budget
I0038/03 Budget Control and Accounting
I0038/04 Committees
I0038/05 Computer Facilities and Operations
I0038/06 Cooperation and Exchange Activities
I0038/07 Curriculum & Programmes
I0038/08 Departmental Affairs
I0038/09 Financing
I0038/10 General Correspondence
I0038/11 Publications
I0038/12 Relations / Services External
I0038/13 Relations / Services Internal
I0038/14 Research Activities
I0038/15 Staff General
I0038/16 Staff Teaching
I0038/17 Statistics
I0038/18 Student Life
I0038/19 University Organizations, Policy and Planning

The fonds provides information on the career of Walter Boudreau and on L'Infonie and the Quatuor de Jazz Libre du Québec, as well as Raoul Duguay, musicians Pierre Leduc and Jean Préfontaine, and the Société de Musique contemporaine du Quebec (SMCQ).

The fonds consists of musical scores and composition notes for Walter Boudreau's compositions and arrangements, press clippings, photographs, posters, sound recordings, and a robe worn by Boudreau in L'Infonie.

This fonds documents the administrative activities of the Centre for Continuing Education. The following RCRP categories are contained within this fonds:

1130 Program Feasibility & Development
1140 Academic Program Management
1210 Academic Cooperation - Agreements
1313 Course Outlines
1331 Examination & Test - Questionnaires
2120 Enrolment Statistics
2320 Diploma Management
2420 Support Services for Students
5111 Meetings of Units
5112 Report, Studies and Analyses
5170 External Relations
5440 Websites
5461 Promotional Material

This fonds documents the administrative activities of the Département de Français of the Sir George Williams University. The following RCRP categories are contained within this fonds:

5111 Meeting of Units
5450 University Publications

The following publication are included in this fonds:

• Course Guides (1973-1975)

The fonds consists of the original of a cartoon by Aislin related to the dismantling ordered by the City of Montreal of the Corridart exhibition that was sponsored by the Arts and Culture Committee of the international Olympic Games held in Montreal. The cartoon appeared on the editorial page of the Montreal Gazette on July 15, 1976.

The fonds relates to the exhibition Corridart on Sherbrooke street, a major project of the Arts and Culture program of the 1976 international Olympic Games in Montreal, taking place in July 1976. More precisely, the fonds gives information on Archigrok’s installation “Pine Forest” as part of the Corridart exhibition.

The fonds consists of correspondence, quotes for material, contracts, and the official invitation to participate at Corridart.

The fonds contains items related to the exhibition Corridart dans la rue Sherbrooke, including posters, program pamphlets, maps, a leaflet dispenser, a photograph, and a video related to Charney's installation in the exhibition, Les Maisons de la rue Sherbrooke.

The collection consists of materials assembled by the plaintiffs' lawyers and deposited with the Quebec Superior Court in connection with the Corridart case. The collection documents the conception and execution of Corridart, as well as its abrupt dismantling and the legal proceedings that followed. There are materials related to the careers of the artists who participated in the court case, and information about related legal precedents.

The collection includes an inventory by Melvin Charney of the sites along Sherbrooke Street, explaining the conception of Corridart as a rue-musée qu'on visite à pied. There is also a comprehensive set of photographs of Corridart, documenting the common elements (the continuous assemblage), as well as the works exhibited along Sherbrooke Street, the panels of text, and the sites of activities. These photographs trace the entire Corridart route from east to west. There are photographs documenting the dismantling. Others show impounded works and several illustrate damage to works. The collection includes project proposals, planning documents, contracts between artists and COJO, correspondence, articles from legal journals, reports of meetings, blueprints, and sketches. There are also artists' curricula vitae, photographs, brochures, and other documents related to the artists' careers that were assembled to establish their status as professional artists.

The collection is arranged into the following two series:

P0119/1 Textual and related documents
P0119/2 Photographs of Corridart installations

The fonds provides information on the artwork "FFF (banderoles)" which Jean Noël created for the exhibition Corridart in Montreal in 1976.

The fonds consists of slides of Noël's artwork and a poster for a 1977 exhibit of the work at the Montreal Museum of Contemporary Art.

The collection documents the Concordia University initiatives regarding HIV/AIDS from the end of the 1980s. It consists of records produced by the Concordia HIV/AIDS Project, instructors of the HIV/AIDS courses, and the Office of the Rector.

The fonds mainly includes committee meetings, reports, programs, press clippings, course packs, sponsorship kits and posters.

The fonds is organized into the following series and sub-series:
I0031/1330. – Teaching Activities
I0031/1330A. – AIDS/HIV: Cultural, Social, and Scientific Aspects of the Pandemic Course
I0031/1330B. – HIV/AIDS: An Interdisciplinary Introduction Course
I0031/1340. – Training and Practicums-Management
I0031/4210. – University Policies and Procedures
I0031/5111. – Committees and Meetings
I0031/5160. – University Events

The fonds provides information on the administration of the LSCC and the involvement of the LSCC in events and classes at Concordia University.

The fonds consists of correspondence, lesbian studies documentation, advertising for events, clippings, minutes, budgets, subsidy applications, a panel proposal, conference documentation, and buttons.

The fonds documents the activities of the Sir George Williams Department of Physical Education between 1959 and 1975.

It contains press releases, press clippings, programs, reports, photographs, objects, videos of sport games and activities, etc.

The fonds is organized in the following series:

5420 Media Relations
5430 Media Coverage
9510 Recreation and Athletics Activities Programs
9530 Sport Regular Season
9540 Championships and Tournaments
9550 Sport Awards and Events

The fonds provides information on the events surrounding the 1969 Computer Centre Incident at Sir George Williams University. Dr. Marsden was a member of the Hearing Committee appointed to consider the accusation of racism against Professor Perry Anderson.

The fonds consists of official and unofficial transcripts of the hearings, proceedings, correspondence, clippings, and a chronology of the events.

The fonds provides information on Vic Vogel's musical career. The fonds contains original scores for music composed and arranged by Vic Vogel from the mid-1960s to 2006. Among many other scores, it includes Vogel’s composition for the 1976 Montreal Olympics. It also contains scores by other composers, as well as correspondence, sound recordings, moving images, contracts, financial documents, magazines and other publications, photographs, posters, and newspaper clippings.
The fonds is divided into the following series :
P082/A Musical scores
P082/B Audio-visual material
P082/C Textual records
P082/D Graphic material

The fonds provides information on the evolution of Sir George Williams University and on the beginning of Concordia University. This fonds is mainly composed Dr. John W. O’Brien’s files as Principal of SGWU until 1974 and as Concordia University’s first Rector until May 1984. There are also some Michael Sheldon's files as Assistant to Principal of SGWU.

The fonds includes such textual records as correspondence, minutes, financial and other reports, clippings, and procedures and policies. It includes photographs, cartographic items, artifacts, and sound recordings. The fonds is divided into the following series:

I010/01 Associations
I010/02 Budget
I010/03 Budget control and accounting
I010/04 Buildings and properties
I010/05 Committees
I010/06 Computer facilities and operations
I010/07 Conferences, seminars, and special activities
I010/08 Cooperation and exchange activities
I010/09 Curriculum and programs
I010/10 Financing
I010/11 General correspondence
I010/12 Insurance
I010/13 Legal affairs and contracts
I010/14 Libraries and documentation centres
I010/15 Publications
I010/16 Publicity and public relations
I010/17 Relations /services, external
I010/18 Relations /services, internal
I010/19 Research activities
I010/20 Scholarships, awards and prizes
I010/21 Staff, general
I010/22 Staff, administrative and support
I010/23 Staff, teaching
I010/24 Statistics
I010/25 Student life
I010/26 Student records
I010/27 Teaching activities
I010/28 University organizations, policy and planning
I010/29 Photographs

The fonds mainly provides information on the Computer Centre incident at Sir George Williams University on February 11, 1969. There is also a file on the Committee on Academic Plant, on which Steven Scheinberg sat.

The fonds includes reports, studies, minutes, and clippings.

The fonds consists of 16 photographs on the construction of the Henry F. Hall building in 1964. It also includes two 1970 items of correspondence with Dr. Henry F. Hall about the development of the Engineering at Sir George Williams University and a few clippings on the expansion of this institution in the 1960s.

The fonds highlights Susan Briscoe's professional life as an educator and writer. It consists of records pertaining to her teaching and research work while at Dawson College. A personal records series consists of born-digital photos taken by Susan Briscoe on subjects including: Flora and fauna, family and travel.

The fonds mainly provides information on Sister Prudence Allen’s research, teaching activities, and her religious life. Some materials are related, among others, to religious figures such as Hildergard of Bingen and Edith Stein, as well as philosophical perspectives on woman. The fonds also gives genealogical information on the Allen family and the Oneida Community

The fonds includes lectures, speeches, and articles; correspondence, daily journals, and photographs. The fonds also includes three dolls made by Sr. Prudence Allen’s grandmother, Christine Hamilton Allen (1875-1952), a social worker who worked closely with Eleonar Roosevelt during the Suffrage Movement. There are other artifacts such as a Tree of Life embroidered for Sr. Prudence Allen by Gretta Nemiroff.

The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976.

This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs.

There is little documentation for the activities of the Véhicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities.

The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization.

The fonds is organized into the following series:
P0027/01 Organization
P0027/02 Personnel
P0027/03 Finances
P0027/04 Programming
P0027/05 Artists, exhibitions and performances
P0027/06 Associations
P0027/07 Correspondence
P0027/08 Photographs
P0027/09 Sound recordings
P0027/10 Posters

The fonds is comprised of 10 photos.

The fonds provides information on Montreal's Black jazz scene from the 1920s to the 1960s, chronicling the lives of three women - Tina Baines Brereton, Bernice Jordan Whims, and Olga Spencer Foderingham - who danced in night clubs such as Rockhead's Paradise, The Terminal, and Café St. Michel.

The fonds consists of materials gathered, and in some cases created, during the National Film Board of Canada's production of Show Girls / Les Girls. It includes research notes, edited sequences on videotape, video tapes and transcripts of interviews with the film's principals, audio tapes of interviews with various sources, stock footage, shot lists, clippings of night clubs ads, historical reference books, and VHS copies of the documentary.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

The fonds is related to Jack Gillmore’s work as an actor, writer, and director of Canada’s first radio plays in Vancouver, B.C. between 1925-1935. Gillmore was a member of the CNRV Players and performed over a hundred plays on the radio including but not limited to, “Peg O’ My Heart”, “R.U.R.”, and “The Zepplin’s Passenger” (Zeppelin's Passenger). Gillmore’s memoir includes his reminiscences on his career on the radio, his experiences as a car salesman in the 1920s, his marine equipment businesses in the 1930s and 1940s, and events he lived through between 1902 and 1977. The fonds also includes material relating to the deposit.

The fonds consists of photocopies of annotated scripts, essays, notes, production sheets, correspondence, and press clippings. It also includes a contact sheet, and Gillmore's memoirs.

The fonds is organized into the following series:

• F052/A Historical Information
• F052/B Scripts

The fonds provides information on Anne Savage's activities as an artist and art teacher. There is also information on other Canadian artists.

The fonds consists of correspondence, art works and copies, scrapbooks, pedagogical notes, biographical documents, public lectures, photographs, catalogues and other materials associated with exhibitions, and press clippings. Also included are taped interviews with Anne Savage by H.A. Calvin.

The fonds is organized according to the following series:

P0146/1 Biography
P0146/2 Public lectures
P0146/3 Pedagogical notes
P0146/4 Miscellaneous by and about Anne Savage
P0146/5 Correspondence to Anne Savage
P0146/6 Correspondence from Anne Savage
P0146/7 Miscellaneous correspondence
P0146/8 Unidentified correspondence
P0146/9 Photographs
P0146/10    Anne Savage: family and neighbours; clippings
P0146/11    Baron Byng High School
P0146/12    Art education: pamphlets and papers
P0146/13    Clippings: art education
P0146/14    Clippings: art; artists; exhibitions; museums
P0146/15    Exhibitions: announcements, catalogues, entry forms, and artist statements
P0146/16    A.Y. Jackson
P0146/17    Florence Wyle
P0146/18    Transcripts [of interviews with Anne Savage]
P0146/19    Scrapbook I
P0146/20    Scrapbook II
P0146/21    Scrapbook III

The fonds consists of interviews conducted by Harriet Eisenkraft.

The fonds mainly provides information on Leah Sherman’s teaching activities.

The fonds includes research and teaching materials, visiting artist and lectures files, correspondence and exhibition catalogues

The fonds documents the activites of the Concordia University FOFA Gallery. The fonds is organized in the following series:
2410 STUDENT ORIENTATION ACTIVITIES (2010-2011)
4130 MISSION STATEMENT AND MANDATE (2005-2006)
5111 MEETINGS OF UNITS (2015)
5170 EXTERNAL RELATIONS (2013-2017)
5160 UNIVERSITY EVENTS (2006-2016)
5420 MEDIA RELATIONS ([200?])
5430 MEDIA COVERAGE (2007-2014)
5461 PROMOTIONAL MATERIAL (2013-2017)
5450 UNIVERSITY PUBLICATIONS (2006-2008)
5451 LEGAL DEPOSIT (2007)
9120 DONOR FILES (2015)
9240 ART GALLERIES PROGRAMMING (2006-2019)
9241 ART GALLERIES EXHIBITIONS (2006-2019)