The fonds provides information on The Georgian and Loyola News, and on the activities of The Link.

The fonds consists of the publication The Link, minutes of staff meetings, letters to the editor, and other administrative files. The fonds includes photographs of a variety of subjects from The Georgian.

The fonds documents the activities of the Concordia University Department of Art History. This fonds consists mainly of course outlines, curriculum development files and publications. The following RCRP categories are contained within this fonds:

1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisals
1312 Course File
1313 Course Outlines
1410 Recruitment - Academic Appointment
1421 CUFA Academic Dossiers
1430 CUPFA Academic & Professional Dossiers
2120 Enrolment Statistics
2240 Thesis and Dissertation - Management
2410 Student Orientation Activities
2430 Awards & Scholarships Programs
3210 Chairs
4130 Organizational Chart and Mandate
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5160 University Events
5430 Media Relations
5450 University Publications
5461 Promotional Material
6111 Job Profiles
9430 Information & Orientation Activities

The following publications are included in this fonds:

• Briefs/News/Views, 1988 (PUB-126)
• Concordia Undergraduate Journal of Art History, 2005-2019 (PUB-387)
• Volute : Concordia Fine Arts Magazine, 1991-1994 (PUB-348)
• Yiara Magazine, 2015-2019
• Art History Course Guides, 1982-1989

The fonds gives information on the history and activities of the department and on contemporary dance in Montreal as well.
The fonds mainly includes newspaper clippings, leaflets, show programs, and posters from 1978-1994 and 2003-2007. The fonds also includes video recordings of four lectures given in 2013, parts of the Mover Over Lecture Series. The lecturers were Marie-Hélène Falcon, Marten Spangberg, Sarah Chase, and Guy Cools.

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series is comprised of 8 sub-series. The CORRESPONDENCE sub-series consists of letters, postcards and greeting cards from peers (artists, writers, professors, humanists, publishers) of Beissel including Angelika Arend, Werner Berchem, Werner Berg, Per Brask, Ronnie Brown, Anthony Cassils, Patrick Drysdale, Leo Enright, Heide Fruth-Sachs, Keith Garebian, Gary Geddes, Albert-Reiner Glaap, Amanda Hale, Jack Herbert, Jürgen Jankofsky, Anne Kulling, Renée Makino, Helmut Markus, Rob McLennan, Najwa Nasr, Anja Oppermann, Bruno Petrenko, Andrew Proctor, Uta Regoli, Walter Riedell, Gillian Rimington, Gerd Rohmann, Fruma Rothberg Sanders, Desmond Scott, John Smith, Richard Thain, Axel Vieregg and Norman Yates, to name a few. There is also an extended correspondence with Edward Lacey, Walter Bauer and Wolfgang Bottenberg.

The WRITINGS sub-series includes notebooks, manuscript and some correspondence related to Beissel's works in poetry (What If Zen Gardens, Season of Blood suite, Cantos North, The Dragon and the Pearl, Feel with your Eyes, etc.) and theatre (Inuk in the Sun, Under Coyote's Eye, For Crying Out Loud, Goya, The Noose and Improvisations for Mr. X., etc.) mostly but also essays (On the High Wires of the Imagination, Recovering the Child Inside or How to Write for Sarah and Jason, The Second Humanist Revolution: Eco-Humanism, Epic in Transition: A Challenge to the Contemporary Poet, etc.) and prose (The Sniper, As Flies to Wanton Boys, etc.). The sub-series also contains records related to the Irving Layton Festschrift published by Concordia that Beissel edited with Joy Bennett in the beginning of the 1990's.

The TRANSLATION subseries includes notes and manuscripts of translations of works by Pablo Neruda, Tor Age Bringsvaerd, François Charron, Tankred Dorst, Shie Min, André Simard, Helmut Markus and Henrik Ibsen among others, but most notably Walter Bauer and Peter Huchel.

The CONFERENCES, TOURS AND RESEARCH TRIPS sub-series is comprised of correspondence, promotional material, speaking notes and travel reports related to Beissel's participation in many conferences, talks, festivals around the world including Peru, Kenya, China, Japan and Mexico but mostly in Canada and Germany where he often toured extensively. It also contains records one the Face-to-Face National Conference on Contemporary English-Canadian Theatre Beissel helped organize at Concordia University in 1975.

The TEACHING sub-series includes records related to Beissel's work at the University of the West Indies, the University of Alberta and the Munich University in Germany, but mostly at Concordia University as a full professor at the Department of English and as a coordinator of the Creative Writing Program he was instrumental in establishing and coordinating. The sub-series is comprised of correspondence, evaluations, some meeting minutes and course notes on modern European literature, Canadian literature and modern drama.

The COMMUNITY ENGAGEMENT sub-series testifies of Beissel's involvement with different organizations and associations (the League of Canadian Poets, the Humanist Association of Ottawa, the Universities Faculty Committee for Peace in Vietnam, the Canadian Humanists Publications, the Book and Periodical Development Council, the Writers' Union of Canada, the International Theatre Institute, the Playwrights Guild of Canada and more) and his work as an editor of the magazines Humanist Perspectives and Edge. It is comprised mostly of correspondence but also includes some meeting agendas, minutes and notes.

The DISTINCTIONS sub-series is comprised of records related to the prizes and awards Beissel either won or was nominated for, including a Literary Award in Honour of Walter Bauer, an Ottawa Book Award and a Concordia University Alumni Associations Honorary Life Membership.

The MEDIA COVERAGE sub-series includes miscellaneous press clippings, reviews of Beissel's prose, poetry and plays as well as promotional material related to his publications, correspondence with poetry magazines as well as an extensive interview with Per Brask.

The PRIVATE LIFE series is comprised of 3 sub-series. The EDUCATION sub-series includes records related to Beissel's studies at University of Toronto: course notes, correspondence and syllabi of the courses he attended to. The sub-series also includes earlier course notes and writings [ca.1943-1950].

The JOURNALS sub-series includes the many diaries Beissel held between 1941 and 2015, including travel diaries written in Cuba, Kenya, Japan, England and China and a German war camp journal.

The CORRESPONDENCE sub-series consists of letters, greeting cards and postcards from friends and family members, including Beissel's parents and his daughters.

The fonds mainly provides information on Sister Prudence Allen’s research, teaching activities, and her religious life. Some materials are related, among others, to religious figures such as Hildergard of Bingen and Edith Stein, as well as philosophical perspectives on woman. The fonds also gives genealogical information on the Allen family and the Oneida Community

The fonds includes lectures, speeches, and articles; correspondence, daily journals, and photographs. The fonds also includes three dolls made by Sr. Prudence Allen’s grandmother, Christine Hamilton Allen (1875-1952), a social worker who worked closely with Eleonar Roosevelt during the Suffrage Movement. There are other artifacts such as a Tree of Life embroidered for Sr. Prudence Allen by Gretta Nemiroff.

The Sur Rodney (Sur) fonds gives an insight into the life and career of Sur Rodney (Sur), from his childhood in Montreal until today. It informs about his family background and early life as part of Montreal’s black community during the 1950s and 1960s. The fonds illustrates Sur Rodney’s work as an artist and activist, and it presents the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1960s to 2018, by the means of personal correspondence exchanged with Sur Rodney (Sur), exhibition catalogues, and documents related to The Sur Rodney (Sur) Show (1980) and the All New Sur Rodney (Sur) Show (1981). It also contains information about the AIDS crisis, the organization Visual Aids and Sur Rodney’s implication within this context.

The fonds is organized into the following series:

P0234/A The Adams family and Sur Rodney (Sur)’s personal life
P0234/B The Artist Sur Rodney (Sur) and fellow artists

The fonds includes, but is not limited to, photographs, art works, scrap-books, posters, speaking notes, correspondence, programs, flyers, newspaper clippings, ephemera, publications with contributions by Sur Rodney (Sur), moving images and sound recordings.

Le fonds du Black Community Resource Centre (BCRC) fournit des informations sur l'administration, les finances, les projets, les services et les activités du BCRC depuis sa création en 1992 jusqu'en 2021. Le fonds comprend également une vaste documentation sur plusieurs partenariats entre le BCRC et d'autres organisations avec lesquelles il s'est associé dans le cadre de divers programmes et ateliers.

Le fonds du Black Community Resource Centre se compose principalement de documents textuels qui détaillent le processus administratif de l'organisation et les activités quotidiennes du BCRC. Le fonds contient des accords de partenariat, des procès-verbaux, des ordres du jour, des bulletins d'information, de la correspondance, des rapports annuels, des documents financiers, des évaluations de projets, des diapositives de présentations et des descriptions de postes de travail, entre autres documents administratifs. Aussi, le fonds comprend des photographies, des affiches et du matériel promotionnel pour plusieurs événements et programmes offerts par le BCRC et d'autres organisations, y compris aussi le Programme de préparation à l'école, le Bureau des bénévoles, House of King and Queens, et le festival A Taste of the Caribbean (Goût des Caraïbes). Il contient également de la documentation de recherche et d'autres documents conservés par le BCRC pour être utilisés dans son centre de ressources.

Le fonds documente la carrière de Guy Thouin à partir des années 1950 jusqu’en 2021, y compris son passage au Quatuor de jazz libre du Québec (1967-1971), à L'Infornie (1969-1971), au Heart Ensemble (1989-présent) et au Nouveau Jazz Libre du Québec (2012). Le fonds fournit également des renseignements sur la vie personnelle de Thouin, y compris ses premières années à l'école primaire, son temps avec les cadets, des moments avec sa famille et ses amis, ses études au Québec et sa vie en Inde.

Le fonds Guy Thouin contient des photographies, des partitions musicales composées par Guy Thouin entre 1968 et 2020, des enregistrements sonores et audiovisuels de concerts, des affiches, des coupures de presse sur Guy Thouin et ses projets musicaux, des dépliants, curriculum vitae, des notes biographiques, des cartes postales, des communiqués de presse, un certificat de naissance et de baptême ainsi qu'un certificat de licence d'opticien.

Le fonds Guy Thouin est divisé en 4 séries :
F040/A Partitions
F040/B Photographies
F040/C Carrière musicale
F040/D Documents personnels

The fonds provides information on Pnina Gagnon’s professional life as an artist. It consists of records on her creative works, exhibitions, writings and publications, media coverage, correspondence and conferences or talks she took part in.

The fonds also contains records about her private life. It consists mainly of personal correspondence, journals and agendas, records on her education, family, travels and spirituality.

The fonds provides information about Ira Robinson’s research and teaching career.
The fonds is divided in 5 main series:

• ADMINISTRATION
• AWARDS AND RECOGNITION
• LECTURES AND CONFERENCES
• RESEARCH AND PUBLISHING
• TEACHING

It consists of course files, records on the many conferences, colloquiums and lectures Robinson took part in, records on the books and articles he published throughout the years. There are also records related to his involvement with the Jewish Public Library and his role as a leader in the field of Canadian Jewish Studies.

The fonds provides information on art history related topics and on the publication of the journal.

The fonds contains administrative records, manuscripts, published issues and graphic materials (such as posters and logos).

The fonds provides information on the activities and management of the Centre.

The fonds includes files related to the curriculum of the Humanities PHD program, minutes of meetings, reports and statistics, posters related to events organized by the Center, files related to the website of the Center, job profiles and promotional material.

The fonds is organized in the following series:

1131 Curriculum Development Files
1140 Academic Program Management
1160 Academic Program Appraisals
1313 Course Outlines
1410 Recruitment - Academic Appointments
2120 Enrollment Statistics
2410 Student Orientation Activities
2430 Awards & Scholarships - Programs
3310 Research Projects - Description
4120 Governing Bodies – Committees
5110 Administrative Planning
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5160 University Events
5170 External Relations
5440 Websites
5460 Marketing Campaigns
5461 Promotional Material
6111 Job Profiles
7200 Budgets
9130 Alumni Relations

The fonds documents the activites of the Concordia University FOFA Gallery. The fonds is organized in the following series:
2410 STUDENT ORIENTATION ACTIVITIES (2010-2011)
4130 MISSION STATEMENT AND MANDATE (2005-2006)
5111 MEETINGS OF UNITS (2015)
5170 EXTERNAL RELATIONS (2013-2017)
5160 UNIVERSITY EVENTS (2006-2016)
5420 MEDIA RELATIONS ([200?])
5430 MEDIA COVERAGE (2007-2014)
5461 PROMOTIONAL MATERIAL (2013-2017)
5450 UNIVERSITY PUBLICATIONS (2006-2008)
5451 LEGAL DEPOSIT (2007)
9120 DONOR FILES (2015)
9240 ART GALLERIES PROGRAMMING (2006-2019)
9241 ART GALLERIES EXHIBITIONS (2006-2019)

This fonds documents the administrative activities of Hospitality Concordia. This fonds also contains a number of ephemeral objects, including former Concordia blazer jackets. The fonds is organized in the following series:

2420 Support Services for Students (2007-2014)
4130 Organizational Charts and Mandates (2005-2010)
4210 University Policies (2004-2010)
5110 Administrative Planning (2006-2018)
5111 Meetings of Units (2004-2017)
5112 Reports, Studies and Analyses (2004-2013)
5160 University Events (2004-2017)
5170 External Relations (2009-2015)
5174 Supplier Files (2005-2015)
5420 Media Relations (2011)
5460 Marketing Campaigns (2004-2015)
6110 Staff and Position Management (2005-2010)
8100 Real Estate Management (2009-2013)
8121 Estate Inventories (2008-2009)
8134 Renovation - Unit Files (2008-2013)
8340 Sustainability Program (2010-2011)

This fonds documents the administrative activities of the School of Irish Studies. This fonds also includes an important number of posters used to promote various activities and events organized by the School of Irish Studies. The following RCRP categories are contained within this fonds:

1131 Curriculum Development
1410 Recruitment - Academic Appointment
2430 Awards and Scholarships - Programs
5112 Reports, Studies and Analyses
5160 University Events
5170 External Relations
5430 Media Coverage
5440 Websites
5450 University Publications
5460 Marketing
5461 Promotional Material

This fonds documents the administrative activities of the Institute for Cooperative Education. The following RCRP categories are contained within this fonds:

2430 Awards & Scholarships
5112 Reports, Studies & Analyses
5160 University Events
5430 Media Coverage
5450 University Publications
5461 Promotional Material

The following publications are included in this fonds:

• Hire Education Newsletter, 2003-2004 (PUB-335)
• Sco-op Newsletter, 1984

The fonds provides information on Boisvert's professional life and private life.
The Professional Life series is organized in 9 sub-series:
CONCORDIA UNIVERSITY ADMINISTRATION
CONFERENCE, SEMINARS
DISTINCTIONS
HOUSE OF COMMONS
MONTREAL DIOCESAN THEOLOGICAL COLLEGE ADMINISTRATION
PHOTOS
PRIESTHOOD
RESEARCH
TEACHING
WRITINGS

The Private Life series is organized in 3 sub-series:
CORRESPONDENCE
EDUCATION
PHOTOS

The fonds documents the activities of the Concordia University Department of Finance. The fonds is organized in the following series:

1310 Academic Session Organization (2011)
1313 Course Outlines (1979-2017)
1331 Examination and Test - Questionnaires (1996-2019)
5111 Meetings of Units (1978-2017)

The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.

The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.

The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.

Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists such as Jean Dubuffet, Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few.

The fonds documents the activities of the University Communications Services, mainly for the period of 2002-2009. It mainly consists of correspondence, reports, press and internal releases, newspaper clippings, photographs and moving images.

The fonds is organized in the following series:
I0185/5100 Departmental Management
I0185/5400 Communications

The fonds highlights Susan Briscoe's professional life as an educator and writer. It consists of records pertaining to her teaching and research work while at Dawson College. A personal records series consists of born-digital photos taken by Susan Briscoe on subjects including: Flora and fauna, family and travel.

The fonds documents the activities of the Office of the Dean and some academic departments, mainly for the period of 1975 to 1995. The fonds includes the administrative records of the Council of the Faculty. It also includes the records (4 boxes) of the Permanent Review Committee on the Status of Women of the Faculty Council which existed between 1984 and 1994.

The fonds consists of reports, correspondence, minutes of meetings (such as Deans and Chairs meetings and Council committee meetings) and some photographs and audio visual materials mainly on University events.

Le fonds documente la carrière musicale de Bob Redmond comme membre des Stardusters, des Escorts et du Johnny Holmes Orchestra.

Le fonds contient les écrits de Bob Redmond sur sa carrière. Il contient aussi de la correspondance, des coupures de presse et des documents publicitaires. Il inclut des articles par Bob Redmond sur l'époque des big bands à Montréal et son roman, jamais publié, Swing Easy Blackbird! Bye Bye.

Le fonds Leon Llewellyn documents la vie et la carrière de Leon Llewellyn. De manière significative, le fonds est composé de documentation relative à la communauté noire anglophone de Montréal, incluant les activités et les fonctions de diverses organisations communautaires noires, y compris, mais sans s'y limiter, le Negro Community Centre/Charles H. Este Cultural Centre; le Centre d'études noires; le Conseil québécois des éducateurs noirs; la Black Community Central Administration of Quebec; le Conseil de la communauté noire du Québec; la Coalition nationale des Noirs du Canada; l’Association de la communauté noire de Côte-des-Neiges; l’Association de la communauté noire de Notre-Dame-de-Grâce; le Projet de développement de la communauté noire de Côte-des-Neiges; le Black Theater Workshop ; l’Association des artistes noirs ; la Société de photographie noire de Montréal; Union United Church; la Black Action Party; le National Black Coalition Institute of Research in the Black Experience; le Congrès national des femmes noires ; le Black Community Communications Media; Black Is! ; le Negro Theater Arts Club; le Revue Théâtre; l’Association des travailleurs noirs ; Black Youth Radio; et le Black Youth Television Workshop. Des documents liés à la Concordia Student Union; le Concordia University's Black Student Union; le McGill Black Student Union, la Caribbean Students' Society of McGill University; et le Black Students' Association du Collège Champlain se retrouvent également dans ce fonds. De plus, ce fonds contient divers numéros d'importants journaux et magazines communautaires, y compris, mais sans s'y limiter, Uhuru; Focus Umoja ; Focus Magazine; Afro-Can ; Afro-canadien; Contrast; The Black Voice; Montréal Camera; Community Contact; The Montreal Challenger; The Montreal Oracle; African Awakener; Canadian Tribune; Voice of Montreal; et The Black : A Canadian Journal of Self Expression. Le fonds contient également des documents liés à la publication du livre "Journey into Our Caribbean Past" d'Eric Llewellyn.
Le fonds Leon Llewellyn est composé d'une grande variété de documents textuels et graphiques, y compris des photographies, des négatifs, des planches-contacts, des croquis et des dessins, des cartes de souhaits, des journaux, des magazines, de la correspondance, des rapports, des procès-verbaux et des ordres du jour, des bulletins, des invitations, des dépliants, des brochures, des affiches, des documents financiers, des programmes et des programmes d'études, parmi beaucoup d'autres. Le fonds contient également quelques objets.
Le fonds Leon Llewellyn est divisé en trois séries :
F032/A Organismes et événements communautaires
F032/B Journaux et magazines communautaires
F032/C Documents personnels

This fonds documents the administrative activities of the Centre for Continuing Education. The following RCRP categories are contained within this fonds:

1130 Program Feasibility & Development
1140 Academic Program Management
1210 Academic Cooperation - Agreements
1313 Course Outlines
1331 Examination & Test - Questionnaires
2120 Enrolment Statistics
2320 Diploma Management
2420 Support Services for Students
5111 Meetings of Units
5112 Report, Studies and Analyses
5170 External Relations
5440 Websites
5461 Promotional Material

The fonds provides information on the administration and operations of the Canadian Journal of Political and Social Theory, CTHEORY, and New World Perspectives CultureTexts Series.

The fonds includes correspondence, manuscripts, journal subscription files, grant files, and financial records. There are copies of CJPST and books from the CultureTextsSeries (New World Perspectives).

The fonds provides information on Lewis Poteet’s research on language, dialect and slang. The fonds also gives genealogical information on the Poteet family.

The fonds contains research materials, drafts, correspondence with other lexicographers and writers, and notes. The fonds also includes materials on Poteet’s latest literary project: Voetsek – Revisiting Swasiland and Soweto, a narrative non-fiction memory of his childhood in South Africa.

The fonds mainly provides information on Linda Kay’s research on the pioneering female journalists who travelled together to cover St. Louis World’s Fair in 1904 and on the Canadian Women’s Press Club (CWPC).

The fonds includes research materials mainly composed of correspondence, articles, and photocopies of various documents (mainly 1887-1904) related to the pioneering female journalists. It also contains interviews with CWPC members during the Centennial anniversary of the Club in 2004 and recordings of the entire event which includes a re-enactment of the original Sweet Sixteen trip to the World’s Fair in St. Louis in 1904. There are also original documents related to one of the 1904 pioneering female journalist, Alice Asselin (nee LeBoutillier): five photographs (1930s-1950s), and a few textual records on the history of the LeBoutillier family.

The fonds documents the activities of the Concordia University Department of Geography, Planning and Environment. This fonds consists mainly of part-time CUPFA academic dossiers. The following RCRP categories are contained within this fonds:

1410 Recruitment - Academic Appointments
1430 CUPFA - Academic & Professional Dossiers
5461 Promotional Material