The fonds documents the personal and professional life of Don Bell, his work as a magazine journalist and used and rare book dealer and many features of life in Montreal and elsewhere during his working life.

It includes personal and family documents, correspondence, manuscripts, research materials, notebooks, and photographs.

The Ann Charney fonds provides information on Ann Charney’s journalistic and literary career as well as her personal life. It documents both Charney's fiction and non-fiction writings from the 1960s until 2009, and provides insight into the process of publishing from the author’s point of view. The fonds also includes information on the Blue Metropolis foundation, a not-for-profit organization located in Montreal, Quebec, responsible for the annual Blue Metropolis Montreal International Literary Festival. Finally, the fonds provides a glimpse into the life of Jewish emigrants. It also contains information about Canadian and international artists working during the second half of the 20th century.

The fonds contains drafts and final versions of novels and short stories written by Ann Charney; personal and professional correspondence; newspaper articles; publicity material; meeting minutes; agreements; financial documents; photographs; reports; and magazines, among other documents.

The fonds is organized into the following series:

P0237/A Fiction
P0237/B Non-fiction
P0237/C Correspondence
P0237/D Blue Metropolis

The fonds relates to language and cultural policy in Quebec. First, it provides information on the implementation of bill 101, also known as Charter of the French Language, and the reactions of Anglophone publishers. Second, it provides information on the protest against the so-called Arpin-report, published 1991 under the title “Une politique de la culture et des arts”.

The fonds includes without limitation correspondence, newspaper clippings, government publications, newsletters, court documents

The fonds is organized into the following series:

P0197/A Quebec Publisher fight against Bill 101
P0197/B Fight against Arpin Report

The Hour collection is composed of 72 bound volumes of the Hour newspaper published between 1993 and 2011 and those issues published under the name Hour Community in 2011 and 2012. The bound volumes comprise almost every issue of Hour and Hour Community published between February 1993 and May 2012, with the exception of volume 2, numbers 18 to 35 (1994), which are missing from the collection. The collection also contains the prototype of Hour.

The Logos collection contains 27 issues of Logos, published between 1967 and 1972. It also contains three issues of The Local Rag, also published in Montreal, which date to 1969, and one issue of The Astral Projection (published in the 1960s or 1970s).

The fonds provides information on the editing and publishing work of Véhicule Press.

The fonds consists of manuscripts, published and bound books, and publicity materials; production materials including correspondence, pamphlets, layouts and sketches for covers, printing templates, printing quotes, typescripts, page proofs with corrections, editors' and authors' notes, biographies of authors, curricula vitae, pictures of various authors and agendas; and posters and post cards that were printed for the Véhicule Art gallery.

The Gerald Clark fonds contains documents pertaining to the Gerald Cohen's professional life and documents current events occuring in the period that he was active as a newspaper correspondent.

The fonds is composed of research materials, notes, drafts of articles and books, clippings of articles, correspondence, and speeches, among other materials. It also includes recorded interviews with world figures.

The fonds provides information on French-language theatre and visual arts in Montreal and elsewhere from the late 1950s through the 1980s.

The fonds contains the manuscript of an unpublished history of French theatre in Quebec, manuscripts of articles and talks, theatre programs, theatre photographs, clippings, and other documents. For instance, there are files on Montreal theatre productions (e.g., Théâtre du Rideau Vert and Théâtre de Quat'sous), authors (e.g., Gratien Gélinas and Michel Tremblay), and actors (e.g., Denise Pelletier).

The fonds documents Daniel Feist’s work as a freelance broadcaster, journalist, musician and teacher, including his travels and participation in events such as Montreal’s Nuits d’Afrique festival, the United Nations Conference on Racism, music awards, and others. The material mainly covers the genre of world-beat music (also known as world music) in the period from 1990 to 2005. Some sound recordings of music performances include interviews with the artists.

The fonds includes without limitations biographies of artists, drafts of articles, consulting reports, teaching material, correspondence, books, sound recordings (digital audio tapes, reel-to-reel tapes, cassette tapes, and CDs), newspaper clippings, notes, and photographs (on CD-ROM and printed out in black and white).

The fonds is organized in the following series:

P0203/A. – Personal life.

P0203/B. – Broadcasting.

P0203/C. – Radio consulting.

P0203/D. – Print journalism.

P0203/E. – Teaching.

P0203/F. – Resource materials.

The Blue Metropolis Foundation fonds provides information on the Blue Metropolis Foundation from its beginnings in 1997 to 2005. The fonds documents not only the administrative organisation of the Foundation, but also includes materials related to the Blue Metropolis Literary Festival's held between 1999 and 2004. The Festival takes place annually in Montreal, Quebec. The fonds also contains information about the artists which participated in the festival in various years.

The fonds contains administrative records, minutes, correspondence, financial records, programs, publicity material, photographs, biographical information, and newspapers.

The fonds is organized in the following series:
P0232/A Administrative records
P0232/B Blue Metropolis Literary Festival
P0232/C Writers
P0232/D Year-round Literacy activities

The Underground Newspaper Collection is comprised of 178 copies of underground, alternative newspapers, newsletters, and journals, mostly published in Canada and the United States. These publications discuss both local and international issues of interest to the communities responsible for their creation. Among many other topics, the following subjects are represented throughout this collection: Vietnam war, defections, and the anti-war movement; anti-establishment and counterculture movements; Black power; poverty; socialism; music, art, and literature; and environmentalism.

The Underground Newspaper Collection contains copies of Up to the Neck, Old Mole, This Paper Belongs to the People, View from the Bottom, Rising up Angry, Berkeley Tribe, Move Speak, The Sea-Turtle and the Shark, Good times, Sabot, Broadside and the Free Press, Ann Arbor Argus, Freedom Anarchist Weekly, The Long Beach Free Press, The 4th Estate, Los Angeles Free Press, Quicksilver Times, The Bond – the Serviceman’s Newspaper, American Avatar, High Gauge, The Post-American, The Second Front, Free Ranger International News Service, Mobilizer, Guerilla, Your Military Left, Aboveground, The Rebel, Yankee Refugee, Yankee Refugee – West Coast Newsletter of American Exiles, Antithesis, Soul Force, Socialist Standard, Free Press, Hotcha!, Hapt, Athelstane, The Niagara Peninsula Free Press Aquarius, Orpheus, Bellicume, Bulldozer, Afterthrought, Carpe Diem, The Panic Button, and Alternate Society. The collection also contains other underground publications, including Black and Red – The Revolutionary Project, a Selective Service Memorandum on Channeling, and Niagara Liberation Front publications.

The fonds is related to Jack Gillmore’s work as an actor, writer, and director of Canada’s first radio plays in Vancouver, B.C. between 1925-1935. Gillmore was a member of the CNRV Players and performed over a hundred plays on the radio including but not limited to, “Peg O’ My Heart”, “R.U.R.”, and “The Zepplin’s Passenger” (Zeppelin's Passenger). Gillmore’s memoir includes his reminiscences on his career on the radio, his experiences as a car salesman in the 1920s, his marine equipment businesses in the 1930s and 1940s, and events he lived through between 1902 and 1977. The fonds also includes material relating to the deposit.

The fonds consists of photocopies of annotated scripts, essays, notes, production sheets, correspondence, and press clippings. It also includes a contact sheet, and Gillmore's memoirs.

The fonds is organized into the following series:

• F052/A Historical Information
• F052/B Scripts

The Magnus Isacsson fonds documents the life and work of Magnus Isacsson from 1971 to 2017. It contains materials covering his early career as a TV producer, his experience as a freelance journalist and educator, and the many years he spent working as an independent filmmaker. The fonds provides insight into Isacsson’s projects, including completed, unfinished, and unreleased works. The fond also includes documentation on the release, screening, and critical reception of his films.

The Magnus Isacsson fonds contains records in a variety of media and formats that detail the administrative and creative processes behind his work in radio, television and film. Among other types of documents, the fonds contains Isacsson’s research and notes; shooting tapes, raw footage, and master tapes in several formats; sound recordings; photographs; promotional material; contracts; correspondence; project proposals; articles and newspaper clippings; financial records; and teaching material.

The Magnus Isacsson fonds is divided into 3 series:
• F037/A Documentary Projects
• F037/B Journalism and writing
• F037/C Personal papers
• F038/D Television Work

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

The Paul Monty collection contains documents related to the history and decisions of the Canadian Radio-Television and Telecommunications Commission (CRTC) dating from its inception on April 1, 1968 until 2019. Documents are filed by topic and issue to facilitate research on the history of Canadian broadcasting policy and regulation.

The collection contains analog and digital materials concerning broadcasting; broadcasting distribution undertakings; radio; television and telecommunications; and discretionary services. Documents include annual reports and other reports; official publications; acts, regulations, and decisions; policy statements and policies; bibliographies; lists; newspaper articles; and speeches, among other materials.

The fonds documents the professional life of Boyce Richardson.

It includes manuscripts of articles, research materials, correspondence, newspaper clippings, film proposals and scripts, and photographs of the James Bay Cree community.

The fonds consists of interviews conducted by Harriet Eisenkraft.

Fonds consists of a record of the research Taras Grescoe conducted during the process of writing his books Sacré Blues, The Devil's Picnic, and The End of Elsewhere. They document Quebec Society, global tourism, and the prohibited food and substance business.

The records include sound recordings and transcripts of interviews, research materials, drafts of book chapters and articles, travel note books, and correspondence.

The fonds is witness to the management and growth of a Montreal AM and FM radio station from the 1930s to the 1990s, and to the professional and community activities of owner Jack Tietolman.

The fonds consists mainly of administrative and financial records, advertising sales records, broadcasting records, and personal records and memorabilia.

The fonds is organized into the following series:

P0113/A Personal records
P0113/B Radio stations management

Fonds contains records relating to the research and writing of Peter Desbarats’ monograph René: A Canadian in Search of a Country. Material consists of transcripts, notes, manuscript and typed drafts and corrections, and correspondence between Desbarats and René Levesque and Desbarats and Dick Brown from Canadian Magazine.

The fonds is divided into three series:
F009/A Interviews
F009/B Manuscripts
F009/C Correspondence

The fonds provides information on Hugh P. Illsley's military service, his travel to Europe with his family, and his work as a Montreal architect.

The fonds consists of correspondence, a photograph album, sets of photographs, ledgers, and scrapbooks.

The collection provides visual information on World War II. The pictures were taken in Europe, Japan, China, the Philippines, and the Arctic. The collection also includes National Film Board photojournalism on uranium mining for nuclear power in Canada, and other topics.

The collection consists of pictures, many of them produced under the auspices of the War Records Office of International News Agencies. The Collection contains news service photographs as well as photographs from the Canadian Armed Forces. Also included are original identifying captions that accompanied their transmission by news media wire services. Most of the photographers remain unidentified. They made their photographs while on assignment for international news agencies or the War Records Office for distribution to the news media.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Fonds consists of research material and oral history interviews conducted by Merrily Weisbord for the writing of The Strangest Dream. The interviews cover various aspects of the evolution of the Communist Party of Canada (renamed the Labour Progressive Party in 1943) and the life of some of its Quebec members.

Fonds includes more than 20 hours of sound recordings consisting of interviews with about fifteen individuals who were members of the party between the 1930s and the 1950s, such as Lea Roback, Irene Kon, Gilles Hénault and Fred Taylor. All the players, from the upper middle class intellectual Stanley Ryerson to the working class lumber camp labour organizer, Gérard Fortin, are included. There is also a 15 minute recorded message by Paul Robeson urging Montreal voters to reelect Fred Rose in 1945. Fonds also includes interview notes and transcriptions, correspondence, and printed materials.

The fonds documents William Stewart's early life, his family, his work as a World War II war correspondent, his later work as a journalist and executive with Canadian Press, and his activities in retirement. The fonds also documents the history of Canadian Press/La Presse Canadienne, Canadian politics, journalism, French-English relations in Canada, figures such as Roger Lemelin, J.W. Pickersgill, Claude Ryan, Clyde Gilmour, and other subjects.

The fonds includes news and feature articles by William Stewart in various forms (drafts, wire copy, clippings), correspondence received and sent, photographs, artwork, reports, newsletters, family documents, articles by other writers, and a small number of objects related to his work as a war correspondent and his later activity.

The materials are arranged in the following series:
P0195/1 Early life, family, visual art, diaries, personal documents, honors and awards
P0195/2 Correspondence with friends and colleagues
P0195/3 Canadian Press
P0195/4 Retirement, freelance activity
P0195/5 Canadian Press War Correspondents' Association
P0195/6 Canadian War Correspondents Association
P0195/7 Research materials

The fonds consists of materials documenting the journalistic career of Jacques Trépanier and primarily concern the Montreal arts scene.

The fonds is primarily composed of press clippings from "La Patrie," organized in two scrapbooks. These scrapbooks contain a variety of clippings, including several articles documenting Montreal nightclubs during the period between 1950 and 1954. These articles were published under the headline "La Ronde des cabarets." This fonds also contains some correspondence and 45 press photographs.