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Archival description
Only top-level descriptions Concordia University Library, Special Collections Collection
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Adrian Arcand collection

  • C004
  • Collection

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

African newspaper collection

  • C008
  • Collection
  • 1979-1996

The African Newspaper Collection consists of Taifa Leo (1979-1988; 1992-1996), the Daily Nation and Sunday Nation (1979-1985), and The Standard (1982-1995). The newspapers that compose this collection were published in Kenya between 1979 and 1996.

Antique maps collection

  • C005
  • Collection
  • [1570-18--]

Collection is composed mostly of early cartographers' depictions of Upper and Lower Canada, the Saint Lawrence River, and the East Coast of North America. Collection also contains eighteenth and nineteenth century maps of Europe, including maps of London and the surrounding areas.

Concordia University Archives Jazz collection

  • P078
  • Collection
  • [193-]-[196-]

Collection provides information on jazz music in Montreal from the 1930s through the 1960s. The collection complements other fonds and collections housed in the Concordia University Archives and Concordia University Library, Special Collections.

The collection includes swizzle sticks and other memorabilia from Montreal jazz night clubs such as Rockhead's Paradise, the Rainbow Bar Café, and Dinty Moore's. It also contains sound recordings, photographs of Rockhead's Paradise and owner Rufus Rockhead, sheet music, videotape copies of televisions shows on jazz musicians Oliver Jones, Paul Bley, and Oscar Peterson, and a copy of the book Montreal Confidential by Al Palmer.

Concordia University. Records Management and Archives

Concordia University performance recordings collection

  • C015
  • Collection
  • 1986-2005

Collection consists of 1278 audio recordings of musical performances by Concordia students, faculty and guests. They were recorded at the Loyola Chapel and at the Oscar Peterson Concert Hall between 1986 and 2005. Most are in audio cassette format with the latest ones on compact disc.

Corridart collection

  • P119
  • Collection
  • 1976-1981

The collection consists of materials assembled by the plaintiffs' lawyers and deposited with the Quebec Superior Court in connection with the Corridart case. The collection documents the conception and execution of Corridart, as well as its abrupt dismantling and the legal proceedings that followed. There are materials related to the careers of the artists who participated in the court case, and information about related legal precedents.

The collection includes an inventory by Melvin Charney of the sites along Sherbrooke Street, explaining the conception of Corridart as a rue-musée qu'on visite à pied. There is also a comprehensive set of photographs of Corridart, documenting the common elements (the continuous assemblage), as well as the works exhibited along Sherbrooke Street, the panels of text, and the sites of activities. These photographs trace the entire Corridart route from east to west. There are photographs documenting the dismantling. Others show impounded works and several illustrate damage to works. The collection includes project proposals, planning documents, contracts between artists and COJO, correspondence, articles from legal journals, reports of meetings, blueprints, and sketches. There are also artists' curricula vitae, photographs, brochures, and other documents related to the artists' careers that were assembled to establish their status as professional artists.

The collection is arranged into the following two series:

P119/1 Textual and related documents
P119/2 Photographs of Corridart installations

Corridart dans la rue Sherbrooke

Dorothy Harper collection

  • C024
  • Collection
  • [1945 ?] ; [1946]

The Dorothy Harper collection contains materials documenting the the life of Dorothy Harper, specifically her interest in jazz music.

The collection contains two sound recordings and 54 photographs. A number of the photographs showcase jazz clubs in Montreal, including the Café Esquire and El Morocco. Other images show Oscar Peterson in concert, while many depict scenes from Dorothy Harper's life in Montreal in the mid-1940s.

Harper, Dorothy

Franklyn Harvey collection

  • C028
  • Collection
  • [19--] ; 1954-2009, predominant 1970-1988

The Franklyn Harvey collection contains books, periodicals, and other documents that composed the library of Franklyn Harvey. This material is indicative of Harvey's interest and involvement in the Caribbean left and serves as a catalogue documenting, among other topics, the Caribbean left; activism in the Caribbean; politics, economic growth, change, and renewal in the Caribbean; political economy; communism; socialism; nationalism; power; and poverty.

The Franklyn Harvey collection contains 275 textual documents, mostly in English, 4 optical discs, and 1 map.

Harvey, Franklyn

Gertrude Katz collection

  • C010
  • Collection
  • 1956-2007, predominant 1956-1983

Collection consists of materials accumulated by Gertrude Katz and Carl Katz related to her friendship and working relationship with Irving Layton. Documents concern the life and work of the poet.

Materials resulting from Katz’s relationship with Irving Layton include: correspondence, poems, offprints and reprints, programs, photographs, clippings, financial documents, a transcript, a deed of sale, and books and a phonographic record.

Collection is divided into 6 series:
C010/A. Correspondence
C010/B. Poetry and publications
C010/C. Promotional materials
C010/D. Photographs
C010/E. Clippings
C010/F. Financial documents

Katz, Gertrude

Historic images of Montreal

  • C006
  • Collection
  • 1761–1871

Collections is composed of photographic reproductions of 12 prints and drawings of the City of Montreal. The original prints and drawings are dated between 1761 and 1871.

Ida Hodes and Jonathan Williams collection

  • C014
  • Collection
  • 1955 – 1959

Collection composed of letters and postcards written by the founder of Jargon Press, Jonathan Williams, to Ida Hodes. The letters contain information about poetry and publications, about subscriptions, poetry and poetry circles in the United States, a discussion of career prospects, and publicity for recent publications by Jargon Press.

Williams, Jonathan

Irving Layton clipping collection

  • C002
  • Collection
  • 1935 – 1993

Collection contains newspaper clippings relating to Irving Layton. These clippings review his work, comment on events held to honour Layton and his work, include interviews with the poet, document reviews by fans, and include articles about Irving Layton and Canadian poets in general. Clippings were taken from several large Canadian newspapers from Montreal, Toronto, Hamilton, Ottawa, Regina, Saskatoon, and Vancouver and include newspapers and magazines such as the Gazette, the Toronto Star, the Georgian, Poetry Canadian Review, Saturday Night, The Canadian Forum, Sunday Star and the Telegram.

Bowden Clipping Service

J. B. Rudnyckyj collection

  • C016
  • Collection
  • [195-]-[197-]

Collection of pamphlets, unpublished papers, manuscripts, and books relating to the 1963-71 Royal Commission on Bilingualism and Biculturalism. Also included are items dealing with bilingualism and multiculturalism with an emphasis on Ukrainian Quebec groups.

Jacques Cambay Collection

  • C019
  • Collection
  • [ca.1977-1988]

The Jacques Cambay Collection is the result of Jacques Cambay ‘s research into stained-glass in Quebec, and the contributions of artists working in stained-glass to the Province's artistic heritage. The collection documents stained-glass windows existing in Quebec churches during the 1970s and 1980s. It also includes information pertaining to select churches. In addition, the collection documents the works of a number of stained glass artists, including Guido Nincheri, Charles William Kelsey, and Flavien St. Pierre, and the stained-glass studio "Canadian Pittsburgh Industries Limited" (C.P.I.). Importantly, it contains oral history interviews conducted by Cambay with artists working in stained glass.

The Jacques Cambay collection is composed mostly of photographic materials in form of prints and slides, but also audio cassettes and textual records. As textual materials, the collection consists in pamphlets, newspaper clippings, correspondence, extracts from reference works, and handwritten notes. An index of Quebec churches with stained glass windows completes the collection.

Cambay, Jacques

John Douglas Borthwick collection

  • C021
  • Collection
  • 1897

The collection contains the manuscript titled "The Dark History of Montreal for 130 Years" by Reverend John Douglas Borthwick. the manuscript, dated 1897, appears to cover some of the same topics that are found in his book "History of Montreal, including the streets of Montreal" (1897).

Borthwick, John Douglas

Kenneth S. Muer collection

  • P106
  • Collection
  • [190-]-[194-]

The collection consists of sheet music for a variety of musical styles.

Muer, Kenneth S.

Kenya National Archives microfilm collection

  • C003
  • Collection
  • [196-]

Mainly consists of archival materials documenting the actions and activities of the British colonial and the post-colonial governments in Kenya between the late 1880s through the early 1960s. 139 microfilm reels contain copies of thousands of government records, including annual and quarterly reports, intelligence reports, correspondence, secretariat circulars, and record books, amongst others. These once confidential records serve to document the economic, social, religious, and political upheavals in Kenya in the twentieth century leading to its independence from the United Kingdom in 1963.

The Collection is divided into 6 series, which were assigned to the documents when they were first microfilmed by Syracuse University:
C003/A Provincial and district annual and quarterly reports
C003/B Provincial and district record books
C003/C Provincial and district handing over reports
C003/D Correspondence
C003/E Intelligence reports
C003/F Secretariat circulars

Kenya National Archives

L'Entraide Missionnaire collection

  • C022
  • Collection
  • [1993-2013]

The L’Entraide Missionnaire collection primarily consists of textual materials collected by L’Entraide Missionnaire during the course of their activities in the Democratic Republic of Congo, Rwanda, and Uganda. Materials do not document the administration and functions of L’Entraide Mission, but reflect their presence and activities in Africa. The documents in this collection were given to the organization during the course of their work in the field and consist of fist-hand information from the ground in the countries where L’Entraide Missionaire was working from 1993 to 2013. Much of the documentation concerns mining in the Democratic Republic of Congo.

The collection mostly contains textual records, including reports and summaries; correspondence; ministerial declarations; statutes, agreements, and conventions; financial statements; contracts and other legal documents; and texts documenting debates, among other material.

L'Entraide Missionnaire

Lawrence Hayward collection

  • C018
  • Collection
  • [19--] ; [1966-1978]

The Lawrence Hayward collection contains documentation concerning Lawrence Hayward’s research on Canadian sculptors working between 1840 and 1910. The collection contain material on a diverse array of artists, including Charles Adamson, Walter S. Allward, Emile Brunet, John Lisney Banks, Allan Archibald Cameron, Frederick Alexander Turner Dunbar, Ulric Stonewall Jackson Dunbar, Merle Foster, George William Hill, Frances Norma Loring, Hamilton T. C. P. MacCarthy, Vernon March, Charles Duncan Mckechnie, Robert Tait McKenzie, Eleanor Milne, Lauréat Vallière, Marshall Wood, Percy Wood, and Florence Wyle, among others.

The collection consists of research materials, correspondence, reports, index cards, slides, photographs, and drawings documenting Lawrence Hayward’s research into Canadian sculptors. Research files contain materials compiled by Hayward, including clippings, biographical information, articles, correspondence, and catalogues, among other items.

Hayward, Lawrence

Margaret Griffin and Clara Gutsche collection

  • C011
  • Collection
  • 1972-2014, predominant 1972-1974

Collection consists of materials accumulated by Margaret Griffin and Clara Gutsche, mostly relating to the founding and first exhibition of Powerhouse Gallery, now La Centrale Galerie Powerhouse. Items also document The Flaming Apron craft store, and various exhibitions held at La Centrale Galerie Powerhouse. This collection contains items created by Margaret Griffin, Leslie Busch, Billie-Joe Mericle, and Stansje Plantenga, founding members of Powerhouse Gallery. Materials in this collection are primarily dated 1972-1974, with select documents dated 2001 and 2004. Some documents were annotated by Margaret Griffin and Clara Gutsche in 2014.

Materials documenting the establishment and history of Powerhouse Gallery include: correspondence, newspaper clippings, proposals, descriptions, timelines, publications, posters, slides, negatives, a leaflet, a drawing, a paintings, and clothing. These materials primarily concern the Gallery’s first exhibition, Windows: From the Inside Out: Painting, Photography, Ceramic and Sculpture (1973), presented at 1210 Greene Avenue in Westmount, Quebec. Items also document various exhibitions held at Powerhouse Gallery and La Centrale Galerie Powerhouse, including: Codpieces: Phallic Paraphernalia (1974), The Past to the Present (2001), and Powerhouse: Where are we now? (2001). Materials concerning the activities of The Flaming Apron, a craft store in Notre-Dame-de-Grâce, include: clothing, ceramics, and a newsletter. This collection also contains La Centrale Galerie Powerhouse publications, including Women’s Bookworks (1979) and Les Centrelles (2004), as well as items related to art and artist run centers in Canada.

Collection is divided into 3 series:
C011/A. Powerhouse Gallery/La Centrale Galerie Powerhouse
C011/B. The Flaming Apron
C011/C. Art in Canada

Griffin, Margaret

Monastère des Ursulines de Québec collection

  • C020
  • Collection
  • [198-] ; [ca. 1982]

The collection is composed of images taken by François Lachapelle for the book "Répertoire des gravures conservées au Monastère des ursulines de Québec" (1982), created in collaboration with Mario Béland. The collection includes 465 slides, both black and white and colour, showing engravings, paintings, and embroidery from the collection of the Monastère des Ursulines de Québec. It also contains a handwritten inventory, which provides details about the items in the collection of the Ursulines de Québec.

The Monastère des Ursulines de Québec collection is divided into 2 series:
• C020/A. Textual material
• C020/B. Photographic material

Monastère des Ursulines de Québec

Overdale collection

  • P169
  • Collection
  • 1986-1988

The collection documents the events which occurred in 1987 and 1988 in the Overdale neighbourhood. It witnesses to the efforts made not only by the local residents but also architects, planners, and others to influence the City of Montreal to avoid demolishing historic buildings and established neighborhoods, and to preserve the city’s built heritage.

The collection includes photographs, moving images, sound recordings, press releases, clippings, meeting notices, correspondence, reports, newsletters and statements on the Overdale resistance prepared by former residents.

Overdale

Paul Monty collection

  • C023
  • Collection
  • 1968-2018

The Paul Monty collection contains documents related to the history and decisions of the Canadian Radio-Television and Telecommunications Commission (CRTC) dating from its inception on April 1, 1968 until 2019. Documents are filed by topic and issue to facilitate research on the history of Canadian broadcasting policy and regulation.

The collection contains analog and digital materials concerning broadcasting; broadcasting distribution undertakings; radio; television and telecommunications; and discretionary services. Documents include annual reports and other reports; official publications; acts, regulations, and decisions; policy statements and policies; bibliographies; lists; newspaper articles; and speeches, among other materials.

Monty, Paul

Quinn collection

  • C001
  • Collection
  • 1931-1985

The Quinn Collection was gathered by Herbert Furlong Quinn from the 1930s to the 1970s in order to support his research.
It is principally composed of Canadian political pamphlets and newspapers covering the period from the 1930's to the beginning of the 1980s. The pamphlets present the platforms and agendas of a dozen Canadian political parties as well as several foreign parties. Political parties in Canada include: Quebec Liberal Party, Liberal Party of Canada, New Democratic Party, Labor-Progressive Party, Co-operative Commonwealth Federation, Progressive Conservative Party, Confédération des travailleurs catholiques du Canada, Union Nationale, Social Credit Party of Canada, Bloc Populaire, Canadian Student Assembly, among others. Foreign parties covered by the collection are primarily the German party Christlich Demokratische Union (CDU/ CSU), but also the US-American Socialist Labor Party and League for Industrial Democracy as well as the Republicans and Democrats during the American Presidential Campaign 1964. Furthermore, the collection includes several years of the “Bulletin” (English version), published by the government of Western Germany (Federal Republic of Germany) as well as pamphlets from the Portuguese government from the 1930s.
The collection also includes ancillary materials : First, there are articles and publications written by Herbert F. Quinn related to multiple political topics, including a manuscript of Quinn's book "The Union Nationale : Quebec Nationalism from Duplessis to Lévesque" (1979). Second, there is a selection of Canadian newspapers and newspaper clippings, covering the Canadian Federal Election Campaign of 1949 on the one hand, and the fascist movement worldwide during the 1930s on the other.
Finally, the collection includes court transcripts relating to the occupation of the Sir George Williams Computer Center in 1969, known as the Sir George Williams Affair.

The Quinn Collection contains pamphlets, brochures, statements, newsletters, addresses, policy statements, transcripts, manifestos, newspapers, and newspaper clippings. An index of the pamphlets is available.

The collection is organized in the following series:

C001/A Political Pamphlet Collection

C001/B Politics in the Media

C001/C Publications by Herbert F. Quinn

C001/D Sir George Williams Affair

Quinn, Herbert Furlong

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