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The fonds provides information on Anne Savage's activities as an artist and art teacher. There is also information on other Canadian artists.

The fonds consists of correspondence, art works and copies, scrapbooks, pedagogical notes, biographical documents, public lectures, photographs, catalogues and other materials associated with exhibitions, and press clippings. Also included are taped interviews with Anne Savage by H.A. Calvin.

The fonds is organized according to the following series:

P0146/1 Biography
P0146/2 Public lectures
P0146/3 Pedagogical notes
P0146/4 Miscellaneous by and about Anne Savage
P0146/5 Correspondence to Anne Savage
P0146/6 Correspondence from Anne Savage
P0146/7 Miscellaneous correspondence
P0146/8 Unidentified correspondence
P0146/9 Photographs
P0146/10    Anne Savage: family and neighbours; clippings
P0146/11    Baron Byng High School
P0146/12    Art education: pamphlets and papers
P0146/13    Clippings: art education
P0146/14    Clippings: art; artists; exhibitions; museums
P0146/15    Exhibitions: announcements, catalogues, entry forms, and artist statements
P0146/16    A.Y. Jackson
P0146/17    Florence Wyle
P0146/18    Transcripts [of interviews with Anne Savage]
P0146/19    Scrapbook I
P0146/20    Scrapbook II
P0146/21    Scrapbook III

The fonds consists of a Loyola jacket worn by Harry Hemens as a student, and his chancellor's hood.

The fonds provides information on academic activities and policies.

The fonds consists of proceedings of conferences and a guide to academic policies and practices.

The collection provides visual information on Sir George Williams and his family.

The collection consists of photographs of paintings of Sir George Williams, photographs of Sir George Williams, photographs of the church he attended, photographs of his tombstone with his great-granddaughters Pamela Williams-Demetriade and Rosalie Williams Sinclair, and a biography of Sir George Williams by J.E. Hodder.

The fonds provides information on the history of ideological Anti-Semitism.

The fonds consists of the text of lectures on the history of ideological anti-Semitism given by Norman Cohn during his stay at Concordia University.

The fonds provides information on art in Montreal.

The fonds consists of clippings.

The fonds provides information on the activities and administration of CUPA and its involvement in various cases.

The fonds consists of minutes, correspondence, reports and documentation on social events, general ledgers, membership surveys and listings, the association's constitution and by-laws, and copies of the newsletter.

The fonds consists of a letter of thanks from Henry F. Hall to his colleagues on the occasion of his retirement as principal of Sir George Williams University in 1962 and three photographs of Clifford Sparling.

The fonds provides information on the administration of the LSCC and the involvement of the LSCC in events and classes at Concordia University.

The fonds consists of correspondence, lesbian studies documentation, advertising for events, clippings, minutes, budgets, subsidy applications, a panel proposal, conference documentation, and buttons.

The fonds provides information on CPSA activities and events.

The fonds consists of photocopies of CPSA administrative records, including correspondence with visiting lecturers, memos, and tutorial materials. It includes a CPSA T-shirt and photographs of the first Astronomy and Astrophysics Workshop.

The fonds provides information on research in and the teaching of engineering.

The fonds consists of Matthew Douglass' course files, course notes, articles, and working documents and the files he gathered as departmental chair.

The fonds consists of drawings for theatre sets.

The fonds provides information on the incorporation of the Thomas More Institute under provincial and federal legislation, the recognition of its curriculum, and the agreement that was in force between the Institute and the Université de Montréal.

The fonds consists of the Institute's letters patent, Father O'Connor's correspondence, and letters of agreement.

The fonds mainly provides information on his teaching activities at Concordia and administrative duties as Director of the SGW Art Galleries.

The fonds includes course outlines, reference materials on art, student exams and papers, committee minutes and correspondence.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The fonds documents Concordia University’s management and decision making.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Board of Governors and its associated committees.

Most of the documents in the fonds are related to Michael Sheldon's career as a writer. They include copies of his fictional books; copies of magazines containing articles that he wrote, including some that were ghost-written by Michael Sheldon for executives of companies where he worked; manuscripts and articles on public relations practice; tear-sheets and clippings; and correspondence.

The fonds provides information on student activities at Sir George in the 1950s such as freshman parade, carnival, and student exchange weekend at Cornell University, Ithaca NY.

The fonds consists of photographs taken on various occasions.

The fonds provides information on student activities at Sir George between 1949 and 1953 such as freshman and graduation balls.

The fonds consists of photographs taken on various occasions.

The fonds is composed of a text book, a few photographs and newspaper clippings related to Professor Peets’s career as Registrar in the 1960s.

The fonds consists of 16 photographs on the construction of the Henry F. Hall building in 1964. It also includes two 1970 items of correspondence with Dr. Henry F. Hall about the development of the Engineering at Sir George Williams University and a few clippings on the expansion of this institution in the 1960s.

The fonds provides information on the activities and management of the Mel Hoppenheim School of Cinema, mainly between 1981 to 2010. The fonds contains course outlines (between 1978-1996), brochures and posters related to events organized by the School (e.g. the Annual Year End Screening Student Films), meeting minutes and notes (e.g. School Council and Advisory Board), correspondence with external organizations and press clippings, among other things.

The fonds provides information on Ana Cappelluto’s project with the CNC on Quebec theatre costume designers, mainly between 1997 and 2000.
The fonds mainly consists of a web site entitled “Archive de costume de Montréal / Montréal Costumes Archive”. There are also a few administrative records and some reference materials on the history of costumes.

This transfer contains administrative records from the Department of Religions and Cultures and the Department of Religion. The following RCRP categories are contained within this records transfer:

1313 Course Outlines
1131 Curriculum Development
1140 Academic Program Management
1210 Academic Cooperation Agreement
1410 Recruitment Academic Appointment
1421 CUFA Academic Dossier
1430 CUPFA Academic Dossier
2430 Awards & Scholarships Programs
2470 Relations with Student Associations
3110 Funding Programs for Research
3210 Research Chairs
4150 Honorary Distinction
5111 Meetings of Units
5112 Reports, Studies & Analyses
5160 University Events
5170 External Relations
5450 University Publications
5461 Promotional Material

The following publications are included in this fonds:

• Department of Religion Newsletter, 2005
• Chair in Hindu Studies Newsletter, 2003
• Graduate Student Newsletter, 1996-1999
• Course Guides, 1976-2004
• Faculty Research Interests and Publications, 1998-2004
• Journal of Religion - Concordia Religion Students Association (CRSA), 2004-2007
• Journal of Religions and Cultures, 1996-2008 (PUB-313)
• Local Knowledge from the Third Eye, 2002

The fonds provides information about Ira Robinson’s research and teaching career.
The fonds is divided in 5 main series:

• ADMINISTRATION
• AWARDS AND RECOGNITION
• LECTURES AND CONFERENCES
• RESEARCH AND PUBLISHING
• TEACHING

It consists of course files, records on the many conferences, colloquiums and lectures Robinson took part in, records on the books and articles he published throughout the years. There are also records related to his involvement with the Jewish Public Library and his role as a leader in the field of Canadian Jewish Studies.

The fonds is comprised of 10 photos.

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series includes CORRESPONDENCE related to Frank's career at Concordia University, records linked to his Long Service Recognition (after 25 years at Concordia University) and articles published (in collaboration with C. Y. Cheung, O. Mitran, G. Barnea, S. J. Knak Jensen, O. G. Mouritsen and K. Nath among others) between 1969 and 1997.

The PRIVATE LIFE series is comprised of records related to Frank's EDUCATION, most notably a thesis submitted to the University of British Columbia and to McGill University.

The fonds provides information on Philip Szporer's career as a part-time instructor at Concordia University but also as a filmmaker and a journalist. The PROFESSIONAL LIFE series includes material related to Stress, the Official Journal of the International Institute of Stress and its Affiliates Szporer edited in the beginning of the 1980's, some of films he directed as well as conferences and festivals he attended or actively took part in. The DISTINCTIONS sub-series is comprised of records related to the Jacqueline Lemieux Prize and the Distinguished Teaching Award he received in 2010 and 2016, respectively. The TEACHING sub-series contains course outlines, records related to the CUPFA grants Szporer received throughout the years, some correspondence, a working copy of the Concordia University Contemporary Dance Department Assessment Report he produced in 2001 as well as some course materials, including slides on the history of modern dance as well as the works of dancers: Doris Humphrey, Isadora Duncan, Loie Fuller, Maud Allen, Martha Graham, Ruth St. Denis, and Twyla Tharp among others. The WRITINGS sub-series includes articles Szporer wrote for Dance Connection, Dance Journal USA, Cinema Canada as well as Concordia's Thursday Report.

The PERSONAL LIFE series contains a case study on the distribution of 'Not a Love Story' submitted to the department of Communication Studies in 1981 while Szporer was completing his graduate studies at Concordia University.