Affichage de 502 résultats

The series provides information on the preparation and distribution of publications and brochures produced by the University. It consists of records relating to The Paper, the Garnet, Concordia Magazine, The Georgian Spirit: The Story of Sir George Williams University by Henry F. Hall, theses, and the University Handbook. It contains notes, correspondence, statements, and drafts of publications.

The series provides information on the acquisition, planning, construction, renovation, use, and rental of buildings. It includes documents related to the administration and maintenance of properties.

The series provides information on legal matters in which S.G.W. was involved. It contains notices, legal opinions, contracts and agreements, records related to special cases of student infringement of the code of conduct, complaints, transcripts of court hearings in which S.G.W.U. was involved in the period 1968-1972, correspondence, and reports. The series is divided into the following subseries:

I010/13A Legal affairs
I010/13B Legal opinions
I010/13C Law suits.

The series provides information on insurance plans for employees of the Y.M.C.A. in 1956-1957, and a 1966 proposal for insurance for the Henry F. Hall Building. It contains correspondence and notes.

The series consists of external and internal correspondence sent and received by the Principal or the Rector, including invitations and congratulations.

The series provides information on the financing of the University through Quebec provincial government grants, fund-raising, and gifts as well as donations for the Henry F. Hall Building, the Student Loan Fund, and other special projects. It includes records on financial planning and correspondence. The series is divided into the following sub-series:

I010/10A Government of Quebec
I010/10B Fund-raising.

The series provides information on the various steps involved in the planning, authorization, adoption, evaluation, and modification of courses or programs by departments of S.G.W. The series includes academic planning materials, proposals, course descriptions, course outlines, notes, and correspondence. The series is divided into four sub-series:

I010/09A Curriculum general
I010/09B Arts, Science, and Commerce
I010/09C Faculty of Fine Arts
I010/09D Engineering.

The series provides information on various cooperative activities and exchanges between Sir George Williams and other organizations in Canada or other jurisdictions, including libary cooperation with McGill University, exchange programs with France, Ontario, the People's Republic of China, Costa Rica, Germany, Greece, Guatemala, Malaysia, Saudi Arabia, the United States, Venezuela, and the English-Speaking Union of the Commonwealth. The series contains correspondence and reports.

The series provides information on the Principals' or Rectors' participation in seminars, conferences, receptions, installations, convocations, and special activities held on or off campus, and on events they participated in. The series includes lectures, speeches, correspondence, documents relating to the organization of internal conferences, notes, invitations, and citations. It contains photographs of the official opening of the Weisman Gallery and of convocations. The series is divided into the following sub-series:

I010/07A Conferences and seminars external
I010/07B Conferences and seminars internal
I010/07C Special activities.

The series provides information on the proposal for the Application of Simulation on Computers for Long-range Efficient Planning in a University System (ASCLEPIUS) project in 1969, and on the use of the main computer in the Computer Centre in 1983. It contains a report, memoranda, a petition, and notes.

The series provides information on student life, university planning and development, publicity, personnel, and numerous other matters. It includes records of internal committees, subcommittees, advisory committees, search committees, task forces, the Board of Governors, and the Senate. The series contains correspondence, reports, membership lists, a code of conduct, a copy of the University charter, and records related to bylaws and amendments, appointments, resignations, and election to and attendance at committees.

The series includes a large number of files covering a wide range of activity. A detailed list of file titles is given in the box contents listing included as an appendix to this finding aid. The committee files are grouped as follows: General, Board of Governors, Financial Aid to Students, Planning and Priorities, Publicity and Identity, Search Committees, Senate, Space and Buildings, University Committee on Development, and University Council on Student Life.

The series provides information on the acquisition, planning, construction, renovation, use, and rental of buildings. It includes documents related to the administration and maintenance of properties.

The series provides information on the spending of money by S.G.W. It contains records on revised budgets for departments and offices (1962-1967), and on financial separation from the Y.M.C.A. (1967). It includes financial statements for the periods 1957-1958 and 1962-1967, budget control reports for 1966-1968, and the Treasurer's report for 1968.

The series provides information on S.G.W.'s capital and operating budgets.

The series provides information on the relations between S.G.W. and external associations.

The series illustrates the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1960s to 2018. It depicts Sur Rodney (Sur)’s career as an artist, his involvement in the art scene and his relation to fellow artists. It gives an insight in the life of various artists by the means of personal correspondence exchanged with Sur Rodney (Sur), exhibition catalogues, and documents related to The Sur Rodney (Sur) Show (1980) and the All New Sur Rodney (Sur) Show (1981), which were both presenting artists from the Manhattan's Lower East Side art scene. Artists mentioned in the series are, among others, Andreas Senser, Gracie Mansion, Geoffrey Hendricks, Pauline Graham Leathem, Ronald Heydon, Nan Goldin, John Brill and Lorraine O'Grady. The series covers subjects like Black Contemporary Art, Performance art, and Queer Art. It also refers to Visual Aids, an organization working on AIDS awareness through art projects, while supporting artists living with AIDS and archiving their work.

The series is organized into the following sub-series:
P0234/ B1 Sur Rodney (Sur)’s talks, presentations and writings
P0234/ B2 Works of fellow artists
P0234/ B3 Correspondence with fellow artists

The series contains, but is not limited to, correspondence, newspaper articles, drafts, scrapbooks, exhibition catalogs, magazines and other publications, posters, notebooks, calendars, photographs, flyers, moving images, a press kit, a sound recording, and an Acker Awards box.

The series documents Sur Rodney (Sur)’s childhood in Montreal and his family background, illustrating the life of a black family in Montreal in the second half of the 20th century. Most of the documents have been collected by Jean [Gertrude Peters] Gordon.
The series contains correspondence between Sur Rodney (Sur) and his parents, Desmond Adams and Jean Adams, and documents related to family members, namely Desmond Rupert Adams, Sur Rodney (Sur)’s grandmother Hazel Irene Pierce, and Rodney’s brother David Adams. Several photo albums illustrate Sur Rodney’s childhood and his larger family. This series also contains documents related to the Negro Community Centre (NCC) and Union United Church, which both were frequented by family members, as well as Expo 67 and the Watchtower Society. Furthermore, the series informs about Sur Rodney (Sur)’s name change and his marriage to Geoffrey Hendricks.

The series includes, but is not limited to, correspondence, photographs, leaflets, programs, flyers, forms, diploma, passports and other pieces of identification, artwork, postcards, brochures, newspaper clippings, a scrapbook and an autograph book.

The series contains materials that document the Ottawa International Jazz Festival and Jazz Ottawa.

It contains four Jazz Ottawa badges and three plaques from the Ottawa International Jazz Festival.

The series contains documentation pertaining to the history of jazz in Canada in the second half of the 20th century. It documents Vernon Isaac’s career as a jazz musician through recordings of the LVJ Trio, Vernon Isaac’s Big Band, Jazz Ottawa and an interview with Vernon Isaac. It also includes recordings of Allan Wellman and Oliver Jones.

The series contains sound recordings and moving images.

The series illustrates Vernon Isaac’s personal life as well as his career as a musician, and includes documents concerning his work with Three Jacks and a Jill, the Vernon Isaac trio, Jazz Ottawa, Ebony in Rhythm, and others. The photographs mostly relate to Vernon Isaac's work as a musician, but also includes images of him as a soldier, and of his family and friends. Some images depict his travels to Greenland and Alert, Nunavut. The series also includes publicity photographs showcasing other artists (some publicity photographs are inscribed by the artists).

The series contains 11 photo albums of various sizes, 10 scrapbooks (composed of press clippings, photographs, advertisements, correspondence, programs, postcards), loose photographs, posters, and a drawing.

The series provides information on Vernon Isaac and other jazz musicians. It presents Isaac’s life as a musician as well as his family. It also contains material on Jazz Ottawa.

The series contains, among other materials, personal papers, newspaper clippings, correspondence, flyers, programs, biographies, invitations, newsletters, meeting minutes, financial documents and certificates.

The series relates to Peter K. Johnston’s activities as a collector of jazz-related items. It documents Johnston’s relations to other collectors as well as to Peter Levinson, who wrote a biography on Harry James in 1999, and his involvement in the Montreal Vintage Music Society (MVMS) and the Canadian Collectors’ Congress.

The series includes correspondence, directories, reference documentation, and photographs, among other material.

The series documents the jazz scenes in both the United States and Canada in the second half of the 20th century. It refers not only to celebrated jazz musicians like Louis Armstrong and Oscar Peterson, but also to a variety of less well-known known performers.

The series includes two scrapbooks, 4 wall calendars, biographical information, discographies, press clippings, memorabilia, moving images, a sound recording, and a magazine, among other material.

The series illustrates the career of Harry James, an American Jazz musician. Harry James was born in Albany, Georgia, United States in 1916. He was a trumpet player and band leader during the Big Band Era. Harry James was married to actress Betty Grable. He died in 1983.

The series includes without limitations two scrapbooks, photographs, correspondence, discographies, press clippings, posters, and several issues of The Music Maker, a magazine published by the Harry James Appreciation Society.

Contains records related to Stewart's career in the Canadian press.

The series is divided in sub-series:
P0195/3A 1933-1940
P0195/3B World War II Europe 1941-1945 and post-war
P0195/3C World War II Southeast Asia Command 1945 and post-war
P0195/3D Far East correspondent 1945-1947
P0195/3E Quebec City bureau chief 1948-1952
P0195/3F Montreal bureau chief 1952-1974
P0195/3G CP General executive 1975-1979

Contains correspondence between Stewart and his colleagues and friends.

Contains materials relating to Stewart's personal life and accomplishments.

The series is arranged in sub-series:
P0195/1A Early life
P0195/1B Family
P0195/1C Visual art
P0195/1D Diaries
P0195/1E Passports, other personal documents
P0195/1F Honours, awards

Contains Stewart's research materials on a variety of topics, including the Meech Lake Accord and politics in Quebec.