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The series provides insight into the activities and services offered by the Black Studies Center, including day camps, lecture series, immigration aid, exhibitions, and workshops, as well as other educational programs.

The series contains, among other documents, leaflets, flyers, invitations, programs, posters, newspaper clippings, biographies, schedules, correspondence, reports, attendance records, lists, meeting minutes, plays, stories, poems, song texts, illustrations, drawings, photographs, notes, forms, drafts, financial records, a discussion transcript, costumes, a guest book, and a musical instrument.

The series provides information on the nature, selection, administration and promotion of activities that took place at Véhicule Art Inc., including exhibitions, poetry readings, video screenings, and educational programs.

The series contains jury selection criteria; exhibition requests that were rejected or unanswered, or accepted but never held; mailing lists of teachers, artists, galleries and spaces; publicity materials, including calendars of events; external contact information; a guest book; posters; general information on Poetry Véhicule, Video Véhicule, and Prime Video; educational program material; and liquor and meeting permits.

The series is organized into the following sub-series:
P0027/04a Jury selection
P0027/04b Exhibition requests
P0027/04c Mailing lists
P0027/04d Publicity
P0027/04e Educational program
P0027/04f Permits

The series provides information on the exhibition and event programming at the gallery including the selection process.

The series contains exhibition proposals by various artists, including visual material and CVs, as well as selection files and meeting minutes of the Programming committee, including special committees like the Committee of the 25th anniversary. The series also contains the annual programming leaflets.

The series provides information on exhibition and event programming at Articule. Articule has several programming committees, as well as the selection committee, deciding over the content of regular exhibitions, special projects, and the programming booklet, which is published annually and documents all events of the previous year. The annual curatorial exhibition, organised by the Board of Directors, helps shape the gallery’s identity.

The series contains without limitations advertisements, budgets, calendars, communiques, contracts, invitations, lists, newspaper clippings, press releases, flyers, leaflets, policies, postcards, a press kit, programs, programming booklets, project proposals, an exhibition catalog, decisions, and posters.

Series documents the exhibitions and events organized by the Conseil Quebecois de l’estampe (CQE) in Canada as well as exhibitions abroad in collaboration to other institutions.

Series contains yearly documentation of the Prix Albert-Dumouchel, correspondence, grant request from the CQE to the Ministry of Cultural Affairs, photographs, printed promotional material for events, communiqués, press releases and newspaper clippings, exhibition catalogues, list of artworks and prices, list of exhibitors, exhibition contracts between the CQE and galleries and other documents.

The materials in the series document senior managers of the Montreal YMCA, their training and professional development, and various organizations to which they belonged, such as the Association of Secretaries.

The materials are arranged as follows:

P0145/04A Individual senior employed officers.
P0145/04B Staff professional development.
P0145/04C Training for YMCA secretaryship (Fellowship Plan).
P0145/04D Managerial groups.
P0145/04D01 Meetings, conferences, administration.
P0145/04D02 Publications, studies.

The series provides information on the professional life of Peter Madden. The series contains work-related correspondence, contracts, notes and some magazines concerning North American literature and theater.

This series documents the various plays produced by the Black Theatre Workshop (BTW) from its beginnings in the early 1970s to 2013, as well as other events organized by the theatre.

This series is divided into the following sub-series :
F034/D1 General audience
F034/D2 Theater for Young Audiences program
F034/D3 Youthworks

This series contains photographs, programs, press releases, newspapers and newspaper clippings, drawings, floor plans, collages, project proposals, reports, entrance tickets, box office records, correspondence, goboes, promotional material, educational material (teachers’ guides), financial records, contracts, booking sheets, performance evaluations, sheet music, play scripts, meeting notes, communications, schedules, moving images, and sound recordings, among other documents.

The series contains printed material which pertains to Irish culture and history, or to other associated societies.

The series contains bulletins, pamphlets, souvenir programs, press clippings, and The McGee Review, which was published in 1929 by the D’Arcy McGee Memorial Camp Campaign to promote support among the Montreal Irish community for the creation of the D'Arcy McGee Camp for young boys.

Series contains documents concerning the history, exhibitions, and publications of Powerhouse Gallery, now La Centrale Galerie Powerhouse. Documents mainly concern the Galley’s first exhibition Windows: From the Inside Out: Painting, Photography, Ceramic and Sculpture (1973).

This series consists mostly of posters created by Louise Artibello-Villeneuve advertising concerts of Norman Marshall Villeneuve’s Jazz band, but also includes posters of other concerts in which Norman Marshall Villeneuve participated.

The series provides information on Véhicule Art's promotion of the exhibitions and performances held in its space.

The series contains posters.

The series illustrates the political orientation of the Jazz libre du Québec through newspapers collected by Yves Charbonneau during the 1970s (predominantly 1973).
The series contains issues of the Bulletin de liaison du comité provisoire de coordination Indépendance-socialisme, the Guardian, Fedayin : Journal de l’Association Québec-Palestine, Patriote haïtien, Black Panther : Intercommunal News Service, Indochine vaincra, and Sud Vietnam en lutte.

Series contains a typescript of Irving Layton’s “The Red Moujhik,” and offprints of the poet’s “A Tall Man Executes a Jog” (1958), “Cain” (1961), and “On the Assassination of President Kennedy” (1964). Appended to “The Red Moujhik” is a letter signed by Irving Layton. Series also contains a catalogue based on exhibition of Irving Layton’s books, a list of the poet’s rare and out-of-print books, and a transcript of a rare recording of the short story “The World We Live In” by Irving Layton that aired on CBC’s “Wednesday Night Short Stores” on August 24, 1960. Series also contains rare first editions, limited editions, and presentation copies of Irving Layton’s books. Books include The Bull Calf and Other Poems (1956), Improved Binoculars (1956), A laughter in the Mind (1958), The Swinging Flesh (1961), Love Where the Nights are Long (1962), The Laughing Rooster (1964), Periods of the Moon (1967), The Shattered Plinths (1968), The Whole Bloody Bird (1969), Nail Polish (1971), Lovers and Lesser Men (1973), Seventy-five Greek Poems (1974), The Pole Vaulter (1974), For My Brother Jesus (1976), The Covenant (1977), Treici Poesie e Sette Disegni (1978), Waiting for the Messiah (1985), Anvil Blood (1973), and New Holes in the Wall (1973). Series also contains a phonographic record of Irving Layton reading his poetry at Le Hibou in 1963.

Material consists of three poems written by Layton and published in newspapers. The first leaf of poems is entitled Two Poems by Irving Layton and includes the poems “At the Belsen Memorial,” and “Rhine Boat Trip.” The second leaf includes a poem published in The Covenant entitled “Dialogue.”

The series illustrates Irving Layton’s literary work. It contains photocopies of various poems by Irving Layton, including The Incarnation, The bull calf, Cain, After Auschwitz, The Burning Bush, Post-Auschwitz Jew, The Black Huntsman, Song for Naomi, Love Letters, Rhine Boat Trip, and Catacombe dei Cappucini.

Series contains records related to Russell Thornton fonds. Material consists of twelve typescript poems including: “Diverse Pleasure,” “Dracula,” “The Cyst,” “The Ettore,” “With Love and Admiration,” “Monsters,” “Koré,” “The High Cost of Living,” “A Shmuck with Talent,” “The Nativity,” “And They all Fall Down,” “Final Reckoning: After Theognis,” and “Attending Suzanne’s Funeral.”

Material consists of poems written by Layton to Francis, a portfolio of poems, and several prints of Layton’s Reflections on an Old Ontario Cemetery.

Material consists of typed poems and an offprint of the poem “Catacombe dei Cappuccini” by Layton that was given to Dorothy Rath.

Material consists of handwritten and a typewritten drafts of the poem "Wagschal Exhibition” composed spontaneously by Irving Layton at the exhibit.

Consists of handwritten and photocopied poems including: “There Were No Signs,” “The Flaming Maple,” “New year’s Poem for Veneranda,” “Kali in the Suburbs,” “Thank You Veneranda,” “Veneranda Dancing,” “On Revisiting Montreal After An Absence of Five Weeks,” “August Strindberg,” “Carmen,” “Wagschal Exhibition,” “Whitehern,” “Manikins,” “Dionysians in a Bad Time,” and “Psychologists.”

The series documents the Montreal YMCA's mission statements, philosophy, values, policies, procedures, planning process, and evolving organizational structure. It includes documents related to planning exercises including surveys and other research.

The series includes staff policy and procedure manuals and policy statements on a range of issues and related records; demographic and other studies of client groups; reports, correspondence, minutes, agendas, charts and tables, brochures, maps, and other records.

The series is arranged as follows:

P0145/05A Mission.
P0145/05B Organization charts, directories.
P0145/05C Organizational review.
P0145/05D Policies, procedures.
P0145/05D01 Manuals.
P0145/05D02 Policies.
P0145/05D03 Language policy.
P0145/05E Planning, surveys.
P0145/05E01 1925 Montreal YMCA Population Study.
P0145/05E02 1946 Hugg Study.
P0145/05E03 1949-1952 Branch Study.
P0145/05E04 Guide Lines to the Sixties.
P0145/05E05 1964-1969 Planning and Development.
P0145/05E06 1969-1970 Planning Process.
P0145/05E07 1971 Planning Process Mobilization.
P0145/05E08 Development Plan for 1980-1985.
P0145/05E09 1984-1987 Strategic Plan.
P0145/05E10 1986-1988 Strategic Planning Review.
P0145/05E11 1990s surveys.
P0145/05E12 Small surveys and planning exercises.
P0145/05E13 Proposals for unrealized branches, facilities.
P0145/05E14 Source materials.

This series is about the work of Denis Diniacopoulos as a professional photographer, mostly working under the name Denis Vincent.

The series consists of a set of colour and black and white photographic prints. It provides visual documentation of the entire Corridart exhibition (except for the work Street Spectrum by Trevor Goring) made between the time its installation was complete and before it was dismantled. The series includes photographs of the dismantling by Montreal city workers, and of some of the elements of Corridart in storage in the municipal pound. The identity of the photographer(s) is unknown.

Material consists of photos, negatives, and slides of Irving Layton at public readings, Irving Layton with Rath and friends at restaurants in Toronto, photos of Layton’s home in Montreal, Layton at book launches, and with his son Max.

Consists of portraits of Irving Layton, photographs of Veneranda with Layton at Maimonides Geriatric Centre, Veneranda and Layton at Niagara-on-the-Lake with poems written on the back, a portrait with a handwritten note, and a Biddles New Year’s menu with two photographs.

Series contains photographs relating to the Carolyn Smith fonds. Material consists of portraits of Irving Layton, photographs of Layton, Smith and Doug Brown, Mike Day, and a photograph of Dorothy, Stuart, and Irving.

Series contains 364 photographs, many of which serve to document life in Montreal during the 1930s through to the 1970s.

Series is composed of photographic prints, negatives, and slides, of Irving Layton, Betty (Sutherland) Layton, Aviva (Cantor) Layton, and children Max Layton, Naomi Layton, and David Layton.