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The fonds documents Concordia University’s decisions on the main academic matters.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Senate and its associated committees.

The Al Baculis fonds documents Al Baculis’ career as a jazz musician.

The fonds consists of arrangements written by Al Baculis in the 1960s. It includes scores for Caravan, I believe in you, Love for sale, Out of Bounds, Round the Bend, Say si si, Will you still be mine?, and Wives and Lovers.

The fonds is related to the exhibition Corridart dans la rue Sherbrooke that was organized by the Arts and Culture Committee of the 1976 international Olympic Games held in Montreal.
The fonds consists of material related to the installation Rues-Miroirs, a 60 feet long and 8 feet high photomontage by the McKenna brothers, which encompassed a panoramic view of five or six blocks of Sherbrooke street and St. Laurent street. The fonds is composed of 16 from a total of 20 panels forming the original artwork, three draft models of the photomontage, the original explanative board and one button advertising the Corrid'Art exhibition.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Collection of pamphlets, unpublished papers, manuscripts, and books relating to the 1963-71 Royal Commission on Bilingualism and Biculturalism. Also included are items dealing with bilingualism and multiculturalism with an emphasis on Ukrainian Quebec groups.

The fonds provides information on the administration and activities of the Faculty Club.

The fonds includes minutes, correspondence, financial records, agreements, menus, and other records. It also includes the seal of the Faculty Club.

The fonds consists of 2 colour photographs of Dutkewych’s sculpture Suspension One. Suspension One was the prototype of Suspension Two, which was installed in the Lafontaine park next to the hospital Notre-Dame as part of the exhibition Corridart dans la rue Sherbrooke in Montreal, Quebec in 1976. Sponsored by the Arts and Culture Committee of the international Olympic Games held in Montreal, the exhibition was dismanteled by the city before its opening.

Le fonds document la carrière du batteur Russell (Russ) Dufort. Il comprend des documents liés à l'époque que Dufort a passé avec le Johnny Holmes Orchestra, les Stardusters et l'orchestre de l'Aviation royale canadienne. Le fonds comprend également des arrangements des Escorts, achetés par Russell Dufort.
Le fonds est composé, entre autres, de partitions annotées, de setlists, de photographies, de correspondance, de coupures de journaux, d'une carte de visite, d'une carte de membre, de bâtonnets à cocktail de clubs de Montréal et d'une boîte en bois utilisée par les Escorts pour transporter leur musique.

Le fonds David Clark donne un aperçu de la carrière du musicien David Clark dans la deuxième moitié du 20e siècle. Le fonds documente l'activité professionnelle de Dave Clark en tant qu'instrumentiste, chef d'orchestre, arrangeur et transcripteur, et en tant qu'enseignant. Le fonds documente également l'implication de Dave Clark au sein du Fossils Club of Montréal et sert à documenter certaines des performances musicales du club.

Le fonds comprend des partitions musicales, et des recueils de chansons, couvrant à la fois la musique classique et le jazz; des scripts pour pièces de théâtre; des programmes; des enregistrements sonores; des plaques commémoratives; et des photographies. En plus de la musique publiée, le fonds comprend de la musique arrangée ou transcrite par Dave Clark et d'autres musiciens.

Le fonds est organisé selon les séries suivantes :
F021 / Fossils Club of Montreal
F021 / B Partitions musicales
F021 / C Enregistrements sonores

Le fonds St. Ann's Young Men's Society contient des documents relatifs aux activités et aux fonctions de la St. Ann's Young Men's Society. Le fonds document les programmes de la Société en athlétisme, en art dramatique, en débat et en théâtre. Les documents concernent également le fonctionnement général et l'administration de la Société.

Le fonds inclut sans limitation de la correspondance, des rapports (rapports annuels, rapports du trésorier, rapports du secrétaire, rapports du bibliothécaire, rapports de réunion et rapports d'activité), des dépliants, des calendriers d'événements, des programmes, des contrats, des listes de participants, des états financiers, des coupures de journaux, des reçus et un grand livre.

Le fonds Norman Marshall Villeneuve documente la carrière de Norman Marshall Villeneuve en tant que musicien de jazz. Il contient également des documents relatifs à d'autres musiciens de jazz canadiens et américains. Les documents de ce fonds sont datés entre 1946 et 2016, la majorité des documents datant des années 1960 aux années 1980. La plupart du matériel a été créé à Toronto, en Ontario, et à Montréal, au Québec.

Le fonds comprend des coupures de journaux, des photographies, des affiches, des programmes, des magazines, des dessins et des notes.

Le fonds est organisé selon les séries suivantes :
F022/A Coupures de journaux et magazines
F022/B Photographies
F022/C Affiches
F022/D Correspondance
F022/E Notes

Le fonds de la famille O'Farrell documente la vie professionnelle et privée de la famille O'Farrell entre 1877 et 1899. Le fonds comprend 2 registres décrivant les achats effectués au magasin général appartenant à la famille O'Farrell à Saint-Malachie, Québec entre 1890 et 1896; 4 journaux écrits par Mary Bridget O'Farrell concernant la vie privée de la famille (1898-1899) ; et 1 registre (rôle d'imposition) (1877-1883) documentant la fiscalité dans la ville de Saint-Malachie. Des notes, de la correspondance et des pages supplémentaires peuvent être trouvées dans tous les registres.

Le fonds de la famille O'Farrell est divisé en 2 séries :

F026/A Documents d'entreprise
F026/B Documents personnels

The Graeme Clyke fonds consists of materials created and accumulated by Graeme Baxter Clyke related to the Negro Community Centre (NCC), Union United Church, Royal Arthur School, Little Burgundy, and Saint-Henri. Photographs showcase programs and activities offered at NCC, including dance and music lessons, arts and crafts, wood working, sports, summer camps, and games. They also depict NCC staff, including but not limited to Stanley Clyke, Emily Clyke, Lawrence Sitahal, Daisy Peterson Sweeney, Martha Griffiths, and Mrs. Palmas. Photographs also show the interior and exterior of the NCC, Union United Church, Royal Arthur School, and the Universal Negro Improvement Association (U.N.I.A.). They also depict many other buildings around Little Burgundy and Saint-Henri. Students and teachers at the NCC and Royal Arthur School appear throughout the photographs, as do members of the Union United Church. Textual records in the fonds consist of those documenting the administration of the NCC, including its programs, activities, and services, and the memorial service of Roy States.

The Graeme Clyke fonds is divided into 4 series:
• F027/A Negro Community Centre
• F027/B Union United Church
• F027/C Royal Arthur School
• F027/D Little Burgundy and Saint-Henri

The fonds provides information on Cathy Mullen’s the teaching activities at Concordia as well as her research interests on curriculum development and teaching in photography, light-based media, and digital arts.

The fonds includes course materials, research files, articles, press clippings, minutes, and correspondence.

The fonds provides information on the administration of the Concordia Student Union and also on some of its founding student associations from Loyola and Sir George Williams.

The fonds mainly consists of minutes, financial records, reports, and correspondence.

The fonds mainly provides information on Linda Kay’s research on the pioneering female journalists who travelled together to cover St. Louis World’s Fair in 1904 and on the Canadian Women’s Press Club (CWPC).

The fonds includes research materials mainly composed of correspondence, articles, and photocopies of various documents (mainly 1887-1904) related to the pioneering female journalists. It also contains interviews with CWPC members during the Centennial anniversary of the Club in 2004 and recordings of the entire event which includes a re-enactment of the original Sweet Sixteen trip to the World’s Fair in St. Louis in 1904. There are also original documents related to one of the 1904 pioneering female journalist, Alice Asselin (nee LeBoutillier): five photographs (1930s-1950s), and a few textual records on the history of the LeBoutillier family.

The fonds documents the administration and activities of the Centre for Mature Students, between 1977 and 2007. It mainly consists of reports, correspondence, and promotional material.

The fonds consists of the agendas and minutes of meetings of the Interim Council, 1975-1977, and of the Council for the following years.

La collection contient le manuscrit intitulé "The Dark History of Montreal for 130 Years" (La sombre histoire de Montréal pendant 130 ans), écrit par Révérend John Douglas Borthwick. Le manuscrit, daté de 1897, semble couvrir certains des sujets de son livre "History of Montreal, including the streets of Montreal" («Histoire de Montréal, y compris les rues de Montréal») (1897).

The fonds provides information on the activities and management of the department.

The fonds includes curriculum development files, course outlines, minutes of departmental meetings, scholarship programs, and brochures. The fonds also includes research material on a Community Development Study of the Cree of the Mistassini-Chibougamau Region of Québec initiated in 1962 by Richard D. McDonald and Hedley Dimock, (both former Directors of the Centre for Human Relations and Community Studies and Chairmen the Department of Applied Social Science).

The collection documents the Concordia University initiatives regarding HIV/AIDS from the end of the 1980s. It consists of records produced by the Concordia HIV/AIDS Project, instructors of the HIV/AIDS courses, and the Office of the Rector.

The fonds mainly includes committee meetings, reports, programs, press clippings, course packs, sponsorship kits and posters.

The fonds is organized into the following series and sub-series:
I0031/1330. – Teaching Activities
I0031/1330A. – AIDS/HIV: Cultural, Social, and Scientific Aspects of the Pandemic Course
I0031/1330B. – HIV/AIDS: An Interdisciplinary Introduction Course
I0031/1340. – Training and Practicums-Management
I0031/4210. – University Policies and Procedures
I0031/5111. – Committees and Meetings
I0031/5160. – University Events

Scope and content creation in progress.

The fonds documents the activities of the Concordia University Department of History. This fonds consists mainly of general correspondence, course evaluations, curriculum development files and publications. The following RCRP categories are contained within this fonds:

1110 Academic Planning
1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisal
1210 Academic Cooperation
1421 CUFA - Academic Dossier
1430 CUPFA - Academic Dossier
5110 Administrative Planning
5111 Meetings of Units
5113 Statistics
5120 General Administrative Management
5160 University Events
5170 External Relations
5410 Institutional Communication
5450 University Publications
5461 Promotional Material
8100 Real Estate Management

The following publications are included in this fonds:

• Concordia University History Journal, 1983-1984 (PUB-028)
• Concordia History Students Journal, 1978 (PUB-054)
• TimeLines – Newsletter of the Concordia History Department, 2003-2008 (PUB-339)
• Historiae – Concordia Undergraduate Journal of History, 2003-2008 (PUB-345)
• History in the Making – Annual Conference for Graduate Students of History, 1998-2005 (PUB-347)
• History Course Guides, 1975-2000
• History Graduate Programme Newsletter, 1986-1900

The fonds highlights Susan Briscoe's professional life as an educator and writer. It consists of records pertaining to her teaching and research work while at Dawson College. A personal records series consists of born-digital photos taken by Susan Briscoe on subjects including: Flora and fauna, family and travel.

The fonds provides information on Boisvert's professional life and private life.
The Professional Life series is organized in 9 sub-series:
CONCORDIA UNIVERSITY ADMINISTRATION
CONFERENCE, SEMINARS
DISTINCTIONS
HOUSE OF COMMONS
MONTREAL DIOCESAN THEOLOGICAL COLLEGE ADMINISTRATION
PHOTOS
PRIESTHOOD
RESEARCH
TEACHING
WRITINGS

The Private Life series is organized in 3 sub-series:
CORRESPONDENCE
EDUCATION
PHOTOS

The fonds documents the activities of the Concordia University Department of Art History. This fonds consists mainly of course outlines, curriculum development files and publications. The following RCRP categories are contained within this fonds:

1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisals
1312 Course File
1313 Course Outlines
1410 Recruitment - Academic Appointment
1421 CUFA Academic Dossiers
1430 CUPFA Academic & Professional Dossiers
2120 Enrolment Statistics
2240 Thesis and Dissertation - Management
2410 Student Orientation Activities
2430 Awards & Scholarships Programs
3210 Chairs
4130 Organizational Chart and Mandate
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5160 University Events
5430 Media Relations
5450 University Publications
5461 Promotional Material
6111 Job Profiles
9430 Information & Orientation Activities

The following publications are included in this fonds:

• Briefs/News/Views, 1988 (PUB-126)
• Concordia Undergraduate Journal of Art History, 2005-2019 (PUB-387)
• Volute : Concordia Fine Arts Magazine, 1991-1994 (PUB-348)
• Yiara Magazine, 2015-2019
• Art History Course Guides, 1982-1989

The fonds provides information on Ingrid Bachman's professional life as a contemporary artist and as a teacher at Concordia University and at the Art Institute of Chicago, her involvement with Design Cooperative and the Banff Art Residency Program. The CONFERENCE, LECTURES, TALKS subseries includes records related to the Conversations in Contemporary Art (CICA), the Studio Arts Visiting Artists Program as well as texts for presentations and lectures Bachmann gave at the Art Libraries Society of North America (ARLIS) conference and the Practice-Led Research Conference, to name a few. The PROJECTS subseries is comprised of notes, video scripts, promotional material and press clippings of reviews, and other records related to the logistics of coordinating and producing art installations such as Fault Lines, Digital Crustaceans, Nomad Web, Berlin Stories and 48 Hours/48 Rooms, among others. This subseries also includes the ProWeave software. The TEACHING subseries contains outlines and assignment directives of courses Bachman gave at the Art Institute of Chicago and Concordia University and the WRITINGS subseries records related to articles Bachmann published. The MEDIA COVERAGE subseries includes articles and reviews of Bachmann's works.

Jazz Music; Canadian Jazz Scene; Montreal Nightlife

Le fonds du Conseil québécois de l'estampe (CQE) offre de l’informations sur l'administration, les finances, les publications et les activités de programmation du CQE dès sa fondation en 1978 jusqu’à 2005, date à laquelle l’organisation a changé son nom pour Arprim (Regroupement pour la promotion de l'art imprimé). Le fonds comprend également une vaste collection de dossiers d’artistes, fournissant un registre important des membres du CQE et de leur travail. Les dossiers d’artistes contiennent des photographies, des catalogues d'expositions, des coupures de journaux, des dépliants et d'autres documents. Le fonds contient également le bulletin Bon-à-tirer, publié par le CQE, de la documentation concernant la publication du Code d’éthique et de la documentation annuelle du Prix Albert-Dumouchel¸ parmi d’autres documents.

Le Fond Conseil québécois de l’estampe est organisé selon les séries suivantes:

• F037/A Administration
• F037/B Programmation
• F037/C Publications
• F037/D Adhésion
• F037/E Ressources financières