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Description archivistique
Department of History fonds
I0054 · Fonds · 1966 - 2008

The fonds documents the activities of the Concordia University Department of History. This fonds consists mainly of general correspondence, course evaluations, curriculum development files and publications. The following RCRP categories are contained within this fonds:

1110 Academic Planning
1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisal
1210 Academic Cooperation
1421 CUFA - Academic Dossier
1430 CUPFA - Academic Dossier
5110 Administrative Planning
5111 Meetings of Units
5113 Statistics
5120 General Administrative Management
5160 University Events
5170 External Relations
5410 Institutional Communication
5450 University Publications
5461 Promotional Material
8100 Real Estate Management

The following publications are included in this fonds:

  • Concordia University History Journal, 1983-1984 (PUB-028)
  • Concordia History Students Journal, 1978 (PUB-054)
  • TimeLines – Newsletter of the Concordia History Department, 2003-2008 (PUB-339)
  • Historiae – Concordia Undergraduate Journal of History, 2003-2008 (PUB-345)
  • History in the Making – Annual Conference for Graduate Students of History, 1998-2005 (PUB-347)
  • History Course Guides, 1975-2000
  • History Graduate Programme Newsletter, 1986-1900
Sans titre
Susan Briscoe fonds
P0281 · Fonds · 1966 - 2018

The fonds highlights Susan Briscoe's professional life as an educator and writer. It consists of records pertaining to her teaching and research work while at Dawson College. A personal records series consists of born-digital photos taken by Susan Briscoe on subjects including: Flora and fauna, family and travel.

Sans titre
Donald L. Boisvert fonds
P0286 · Fonds · 1965 - 2019

The fonds provides information on Boisvert's professional life and private life.
The Professional Life series is organized in 9 sub-series:
CONCORDIA UNIVERSITY ADMINISTRATION
CONFERENCE, SEMINARS
DISTINCTIONS
HOUSE OF COMMONS
MONTREAL DIOCESAN THEOLOGICAL COLLEGE ADMINISTRATION
PHOTOS
PRIESTHOOD
RESEARCH
TEACHING
WRITINGS

The Private Life series is organized in 3 sub-series:
CORRESPONDENCE
EDUCATION
PHOTOS

Sans titre
I0048 · Fonds · 2006 - 2017

The fonds documents the activities of the Concordia University Department of Geography, Planning and Environment. This fonds consists mainly of part-time CUPFA academic dossiers. The following RCRP categories are contained within this fonds:

1410 Recruitment - Academic Appointments
1430 CUPFA - Academic & Professional Dossiers
5461 Promotional Material

Department of Art History fonds
I0070 · Fonds · 1982 - 2023

The fonds documents the activities of the Concordia University Department of Art History. This fonds consists mainly of course outlines, curriculum development files and publications. The following RCRP categories are contained within this fonds:

1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisals
1312 Course File
1313 Course Outlines
1410 Recruitment - Academic Appointment
1421 CUFA Academic Dossiers
1430 CUPFA Academic & Professional Dossiers
2120 Enrolment Statistics
2240 Thesis and Dissertation - Management
2410 Student Orientation Activities
2430 Awards & Scholarships Programs
3210 Chairs
4130 Organizational Chart and Mandate
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5160 University Events
5430 Media Relations
5450 University Publications
5461 Promotional Material
6111 Job Profiles
9430 Information & Orientation Activities

The following publications are included in this fonds:

  • Briefs/News/Views, 1988 (PUB-126)
  • Concordia Undergraduate Journal of Art History, 2005-2019 (PUB-387)
  • Volute : Concordia Fine Arts Magazine, 1991-1994 (PUB-348)
  • Yiara Magazine, 2015-2019
  • Art History Course Guides, 1982-1989
Sans titre
Ingrid Bachmann fonds
P0285 · Fonds · [ca.1986] - 2017

The fonds provides information on Ingrid Bachman's professional life as a contemporary artist and as a teacher at Concordia University and at the Art Institute of Chicago, her involvement with Design Cooperative and the Banff Art Residency Program. The CONFERENCE, LECTURES, TALKS subseries includes records related to the Conversations in Contemporary Art (CICA), the Studio Arts Visiting Artists Program as well as texts for presentations and lectures Bachmann gave at the Art Libraries Society of North America (ARLIS) conference and the Practice-Led Research Conference, to name a few. The PROJECTS subseries is comprised of notes, video scripts, promotional material and press clippings of reviews, and other records related to the logistics of coordinating and producing art installations such as Fault Lines, Digital Crustaceans, Nomad Web, Berlin Stories and 48 Hours/48 Rooms, among others. This subseries also includes the ProWeave software. The TEACHING subseries contains outlines and assignment directives of courses Bachman gave at the Art Institute of Chicago and Concordia University and the WRITINGS subseries records related to articles Bachmann published. The MEDIA COVERAGE subseries includes articles and reviews of Bachmann's works.

Sans titre
Fonds Conseil québécois de l’estampe
F037 · Fonds · [1971] ; 1978-2008

Le fonds du Conseil québécois de l'estampe (CQE) offre de l’informations sur l'administration, les finances, les publications et les activités de programmation du CQE dès sa fondation en 1978 jusqu’à 2005, date à laquelle l’organisation a changé son nom pour Arprim (Regroupement pour la promotion de l'art imprimé). Le fonds comprend également une vaste collection de dossiers d’artistes, fournissant un registre important des membres du CQE et de leur travail. Les dossiers d’artistes contiennent des photographies, des catalogues d'expositions, des coupures de journaux, des dépliants et d'autres documents. Le fonds contient également le bulletin Bon-à-tirer, publié par le CQE, de la documentation concernant la publication du Code d’éthique et de la documentation annuelle du Prix Albert-Dumouchel¸ parmi d’autres documents.

Le Fond Conseil québécois de l’estampe est organisé selon les séries suivantes:

  • F037/A Administration
  • F037/B Programmation
  • F037/C Publications
  • F037/D Adhésion
  • F037/E Ressources financières
Sans titre
I0107 · Fonds · 1982 - 2019

This fonds documents the administrative activities of the Institute for Cooperative Education. The following RCRP categories are contained within this fonds:

2430 Awards & Scholarships
5112 Reports, Studies & Analyses
5160 University Events
5430 Media Coverage
5450 University Publications
5461 Promotional Material

The following publications are included in this fonds:

  • Hire Education Newsletter, 2003-2004 (PUB-335)
  • Sco-op Newsletter, 1984
Fonds Magnus Isacsson
F038 · Fonds · 1969 - 2017

Le fonds Magnus Isacsson documente la vie et l'œuvre de Magnus Isacsson de 1971 à 2014. Il contient des documents couvrant son début de carrière comme producteur de télévision, son expérience comme journaliste indépendant et éducateur ainsi que des nombreuses années qu'il a travaillé comme cinéaste indépendant. Le fonds donne un aperçu des projets d'Isacsson et comprend des œuvres complétés, inachevées et inédites. Le fonds inclut également de la documentation sur la sortie, la projection et la réception critique de ses films.

Le fonds Magnus Isacsson contient des documents sur divers supports et formats qui détaillent les processus administratifs et créatifs de son travail à la télévision, au cinéma et comme éducateur. Entre autres types de documents, le fonds contient la recherche et les notes d'Isacsson; des bandes de tournage, des séquences brutes et des bandes maîtresses dans plusieurs formats; des enregistrements sonores; des photographies; du matériel promotionnel; des contrats; de la correspondance; des propositions de projets; des articles et coupures de journaux; des dossiers financiers; et du matériel pédagogique.

Le Fonds Magnus Isacsson est organisé selon les séries suivantes:
• F038/A Projets documentaires
• F038/B Journalisme et écriture
• F038/C Papiers personnels
• F038/D Travail à la télévision

Sans titre
Black Studies Centre fonds
F035 · Fonds · 1912-2014

The Black Studies Centre fonds contains materials documenting the administration, services, and activities of the Black Studies Centre from its beginnings as the National Black Coalition Quebec Institute of Research until 2014. The fonds also documents the Centre’s role within Montreal’s Black communities, as well as its relationships to other organizations working within and outside Montreal. In addition, the Black Studies Centre fonds is an important source of reference documentation pertaining to the history, culture, and contributions of Black communities in Canada: it contains a rich collection of newspapers, periodicals, and books, dating from 1969 to 2012, including but not limited to copies of Contrast (1969-1999), Community Contact (1998-2008), Afro-Can (1981-1984), Focus Umoja (1974-1978), Uhuru (1969-1970), and Umoja (1969-1970, 1990), as well as books that were previously held in the collection of the Black Studies Centre’s Library.

The fonds is divided into the following series:
F034/A Administration
F034/B Financial records
F034/C External relations
F035/D Programming and Services
F035/E Research
F035/F Reference documentation

The Black Studies Centre fonds contains, among other documents, meeting minutes, agendas, reports, policies, correspondence, letters patent, statistics, photographs, architectural plans, deeds of sale, insurance policies, permits, contracts, agreements, organizational charts, resumes, job descriptions, lists, financial documents, grant applications, brochures, by-laws, directories, newspapers and newspaper articles, press releases, newsletters, leaflets, flyers, invitations, catalogs, notes, index cards, moving images, sound recordings, posters, biographies, schedules, attendance records, stories, poems, song texts, drawings, forms, costumes, research papers, bibliographies, bibliographic records, interview transcripts, reproductions of historical documents, speeches, summaries of newspaper articles, accession records, subscriptions, a guest book, books, magazines, periodicals, and a musical instrument.

Sans titre
Facilities Management fonds
I0135 · Fonds · 1913 - 2016

The fonds documents the activities of the Concordia University Facilities Management. This fonds primarily consists of records relating to building construction (including architectural plans), renovation projects, estate inventories, property files, and minutes of meetings.

Sans titre
Fonds Irish Canadian Heritage Society
P123 · Fonds · 1964-1973

Le fonds documente les activités de la Irish Canadian Heritage Society depuis la fondation de l’organisation en 1965 jusqu’en 1973. Il reflète les intérêts des Irlandais montréalais dans la culture de leur pays d’origine. Le fonds contient également des informations sur d'autres organisations liées aux communautés irlandaises d'Amérique du Nord, notamment sur l'Irish American Heritage Society.

Le fond comprend sans limitations des copies de la constitution de la société, des procès-verbaux, des états financiers, des rapports annuels, de la correspondance, des invitations, des discours, des photographies, des listes des membres, des coupures de journaux, des bulletins d'information, des livrets et un tampon.

Sans titre
Jack Gillmore fonds
F052 · Fonds · [19--] ; 1927-1991, predominant 1927-1935

The fonds is related to Jack Gillmore’s work as an actor, writer, and director of Canada’s first radio plays in Vancouver, B.C. between 1925-1935. Gillmore was a member of the CNRV Players and performed over a hundred plays on the radio including but not limited to, “Peg O’ My Heart”, “R.U.R.”, and “The Zepplin’s Passenger” (Zeppelin's Passenger). Gillmore’s memoir includes his reminiscences on his career on the radio, his experiences as a car salesman in the 1920s, his marine equipment businesses in the 1930s and 1940s, and events he lived through between 1902 and 1977. The fonds also includes material relating to the deposit.

The fonds consists of photocopies of annotated scripts, essays, notes, production sheets, correspondence, and press clippings. It also includes a contact sheet, and Gillmore's memoirs.

The fonds is organized into the following series:

  • F052/A Historical Information
  • F052/B Scripts
Sans titre
Katherine Tweedie fonds
P0126 · Fonds · 1978-1982

The fonds is a valuable source of information on photographic work done in the late 1970s and early 1980s by anglophone and francophone photographers in Quebec.

The fonds consists of taped interviews done by Katherine Tweedie with Quebec photographers, including, among others:

  • Louise Abbot
  • Michel Campeau
  • Roger Charbonneau
  • Tim Clark (Concordia Faculty Member)
  • Serge Clément
  • Michael Flomen
  • Pierre Gaudard
  • Tom Gibson (Former Concordia University Faculty Member)
  • Norman Grégoire
  • Pierre Guimond
  • Clara Gutsche (Concordia University Faculty Member)
  • John Max
  • David Miller
  • Gabor Szilasi (Former Concordia University Faculty Member)
  • Sam Tata (Recipient of an honorary doctorate from Concordia University)

The fonds also include typed transcripts of the interviews and a published transcript of a talk based on the interviews, which was given in 1979 by Katherine Tweedie at "Canadian Perspectives: a Conference on Photography in Canada".

Sans titre
Public Relations Department fonds
I0002 · Fonds · 1963 - 2001

The fonds documents the Public Relations efforts to establish effective communication services for the first 27 years of Concordia. It mainly consists of documentation on academic, social and cultural events (e.g. convocations, lectures, award ceremonies) and on various administrative and academic matters. The fonds also includes some records from the Sir George Williams University Information Office.

The fonds mainly includes press releases, information bulletins, media coverage records, information files on University people and events; correspondence, addresses and speeches, promotional materials, and general administrative records. It also includes some sound recordings and moving images as well as a large amount of photographs.

The fonds is organized into the following series:

I002/4120 Governing Bodies Committees
I002/4130 Organizational Charts and Mandates
I002/4210 University Policies and Procedures
I002/5110 Planning
I002/5112 Reports, Studies and Analysis
I002/5113 Statistics
I002/5160 University Events
I002/5160A Conference, Seminars and Lectures
I002/5160B Convocations
I002/5160C Homecoming
I002/5160D Memorial Golf Tournaments
I002/5160E Scholarships, Awards and Prizes
I002/5160F Shuffles
I002/5160G Special Events
I002/5170 External Relations
I002/5171 Conference and Seminars External
I002/5410 Internal News and Announcements
I002/5420 Media Relations
I002/5430 Media Coverage
I002/5450 Concordia University Publications
I002/6430 Pension Plans
I002/7110 Funding and Investments
I002/7210 Official Budgets
I002/8110 Space Management
I002/9211 Historical Evolution
I002/9211A Buildings and Properties
I002/9211B Concordia History
I002/9211C Correspondence
I002/9211D People
I002/9211E Student Life
I002/9211F Units and Programs
I002/9211G Various topics
I002/9211H Audio visual documents
I002/9211I Photographs
I002/9500 Sport Activities

Sans titre
Fonds La Centrale
P128 · Fonds · 1971-2013

Le fonds offre des informations sur l’administration, la programmation et sur les activités de la galerie La Centrale. Il englobe le développement de la galerie dès ses débuts en 1973 jusqu'en 2013. Le fonds document l’histoire de la galerie aussi bien que son rôle dans la scène artistique montréalaise. En plus des évènements et expositions organise par La Centrale, le fonds illustre des évènements montréalais comme le Mois de la performance, Viva!, le Mois de la photographie, et le festival HTMlles. Le fonds contient aussi de l’information biographique sur un grand nombre d’artistes répartis à travers le monde.

Le fonds est composé d’une grande variété de documents, y compris des procès-verbaux, des bulletins d'information, des rapports, des coupures de presse, des publications, des CV d'artistes, de la correspondance, des photographies, des affiches et autres publicités, des programmes, des documents financiers et des objets.

Le fonds est organisé selon les séries suivantes:

P128/A. Administration
P128/B. Ressources financières
P128/C. Programmation
P128/D. Communication
P128/E. Artistes et événements
P128/F. Publications
P128/G. Relations externes
P128/H. Ressources immobilières
P128/I. Affaires juridiques
P128/J. Gestion des membres
P128/K. Ressources humaines
P128/L. Sondages

Sans titre
Howard Fink fonds
P0292 · Fonds · 1964 - 2004

The fonds is organized in two series PRIVATE LIFE and PROFESSIONAL LIFE.

The PROFESSIONAL LIFE series contains a TEACHING sub-series with records on Howard Fink's career at Sir George Williams and Concordia University: an agenda, miscellaneous correspondence, course outlines, an honour student file, examination questionnaire samples. There's a sub-series titled COMMUNITY ENGAGEMENT related to his involvement with the Canadian Association of Emeriti and Retired Academics (CAERA), the Ontario Confederation of University Faculty Associations (OCUFA) and the Association for the Study of Canadian Radio and Television (ASCRT). The POETRY READING SERIES and the FACE TO FACE CONFERENCE sub-series include correspondence, programmes, publicity and other records related to the logistics of those events. The RESEARCH sub-series contains record about a France-Quebec collaboration on the study radio-drama tradition. The fonds also contains records about the Centre for Broadcasting Studies Fink helped establishing and the CBC Radio Drama Bibliography.

The PRIVATE LIFE series contains personal correspondence.

Sans titre
Fraser F. Fulton fonds
P0101 · Fonds · 1964-1971

The fonds provides information on university administration.

The fonds consists of correspondence, speeches, press clippings, and a booklet on the opening of the Henry F. Hall Building, as well as photographs of the Norris Building and the Hall Building.

Sans titre
CUTV fonds
P0024 · Fonds · 1975 - 1995

The fonds is mainly composed of CUTV member’s productions which amounts to approximately 250 titles.
The textual records are organized in 3 series:

  • PRODUCTIONS
  • ADMINISTRATION
  • COMMUNICATION

The PRODUCTIONS series includes records on different shows produced by CUTV and include scripts, release forms, crew lists, inventories. The ADMINISTRATION series includes membership forms, budget files, some minutes from the CUTV Executive and correspondence. The COMMUNICATION series includes some press clippings, promotional material and photos.

Sans titre
I0187 · Fonds · 1999

The fonds provides information on the activities of the Concordia Institute for Canadian Jewish Studies from 1987 until 2013.

It contains annual reports, event files, publications, promotional materials, minutes and press clippings.

Sans titre
Patricia Morley fonds
P0141 · Fonds · 1985-1988

The fonds provides information on the evolution of Patricia Morley's relationship with Canadian critic / journalist Kenneth Shorey. Shorey knew the artist William Kurelek, subject of a biography by Patricia Morley published in 1986, and some of the letters give details about Kurelek.

The fonds consists of approximately 250 pieces of outgoing and incoming correspondence, arranged chronologically.

Sans titre
Fonds Galerie d’art Optica
P056 · Fonds · 1971-1996

Le fonds témoigne des activités administratives de la Galerie Optica, à partir de ses débuts en 1972 jusqu'à 1992.

Le fonds contient des documents tels que des programmes d'expositions, des curriculum vitae et des portfolios d'artistes, des pièces audiovisuelles provenant d'expositions, des dossiers d'employés, des dossiers financiers, des demandes de subvention et de la correspondance. Le fonds regroupe les séries suivantes:

P056/1 Finances
P056/2 Administration
P056/3 Ressources humaines
P056/4 Programmation
P056/5 Expositions et activités

Galerie d'art Optica
University Communications Services fonds
I0185 · Fonds · 1989 - 2018

The fonds documents the activities of the University Communications Services, mainly for the period of 2002-2009. It mainly consists of correspondence, reports, press and internal releases, newspaper clippings, photographs and moving images.

The fonds is organized in the following series:
I0185/5100 Departmental Management
I0185/5400 Communications

Sans titre
Henry Beissel fonds
P0287 · Fonds · 1941 - 2022

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series is comprised of 8 sub-series. The CORRESPONDENCE sub-series consists of letters, postcards and greeting cards from peers (artists, writers, professors, humanists, publishers) of Beissel including Angelika Arend, Werner Berchem, Werner Berg, Per Brask, Ronnie Brown, Anthony Cassils, Patrick Drysdale, Leo Enright, Heide Fruth-Sachs, Keith Garebian, Gary Geddes, Albert-Reiner Glaap, Amanda Hale, Jack Herbert, Jürgen Jankofsky, Anne Kulling, Renée Makino, Helmut Markus, Rob McLennan, Najwa Nasr, Anja Oppermann, Bruno Petrenko, Andrew Proctor, Uta Regoli, Walter Riedell, Gillian Rimington, Gerd Rohmann, Fruma Rothberg Sanders, Desmond Scott, John Smith, Richard Thain, Axel Vieregg and Norman Yates, to name a few. There is also an extended correspondence with Edward Lacey, Walter Bauer and Wolfgang Bottenberg.

The WRITINGS sub-series includes notebooks, manuscript and some correspondence related to Beissel's works in poetry (What If Zen Gardens, Season of Blood suite, Cantos North, The Dragon and the Pearl, Feel with your Eyes, etc.) and theatre (Inuk in the Sun, Under Coyote's Eye, For Crying Out Loud, Goya, The Noose and Improvisations for Mr. X., etc.) mostly but also essays (On the High Wires of the Imagination, Recovering the Child Inside or How to Write for Sarah and Jason, The Second Humanist Revolution: Eco-Humanism, Epic in Transition: A Challenge to the Contemporary Poet, etc.) and prose (The Sniper, As Flies to Wanton Boys, etc.). The sub-series also contains records related to the Irving Layton Festschrift published by Concordia that Beissel edited with Joy Bennett in the beginning of the 1990's.

The TRANSLATION sub-series includes notes and manuscripts of translations of works by Pablo Neruda, Tor Age Bringsvaerd, François Charron, Tankred Dorst, Shie Min, André Simard, Helmut Markus and Henrik Ibsen among others, but most notably Walter Bauer and Peter Huchel.

The CONFERENCES, TOURS AND RESEARCH TRIPS sub-series is comprised of correspondence, promotional material, speaking notes and travel reports related to Beissel's participation in many conferences, talks, festivals around the world including Peru, Kenya, China, Japan and Mexico but mostly in Canada and Germany where he often toured extensively. This sub-series includes a number of audio recordings created during his attendance at the Cultural Congress of Havana which took place January 4-11, 1968. It also contains records one the Face-to-Face National Conference on Contemporary English-Canadian Theatre Beissel helped organize at Concordia University in 1975.

The TEACHING sub-series includes records related to Beissel's work at the University of the West Indies, the University of Alberta and the Munich University in Germany, but mostly at Concordia University as a full professor at the Department of English and as a coordinator of the Creative Writing Program he was instrumental in establishing and coordinating. The sub-series is comprised of correspondence, evaluations, some meeting minutes and course notes on modern European literature, Canadian literature and modern drama.

The COMMUNITY ENGAGEMENT sub-series testifies of Beissel's involvement with different organizations and associations (the League of Canadian Poets, the Humanist Association of Ottawa, the Universities Faculty Committee for Peace in Vietnam, the Canadian Humanists Publications, the Book and Periodical Development Council, the Writers' Union of Canada, the International Theatre Institute, the Playwrights Guild of Canada and more) and his work as an editor of the magazines Humanist Perspectives and Edge. It is comprised mostly of correspondence but also includes some meeting agendas, minutes and notes.

The DISTINCTIONS sub-series is comprised of records related to the prizes and awards Beissel either won or was nominated for, including a Literary Award in Honour of Walter Bauer, an Ottawa Book Award and a Concordia University Alumni Associations Honorary Life Membership.

The MEDIA COVERAGE sub-series includes miscellaneous press clippings, reviews of Beissel's prose, poetry and plays as well as promotional material related to his publications, correspondence with poetry magazines as well as an extensive interview with Per Brask.

The PRIVATE LIFE series is comprised of 3 sub-series. The EDUCATION sub-series includes records related to Beissel's studies at University of Toronto: course notes, correspondence and syllabi of the courses he attended to. The sub-series also includes earlier course notes and writings [ca.1943-1950].

The JOURNALS sub-series includes the many diaries Beissel held between 1941 and 2015, including travel diaries written in Cuba, Kenya, Japan, England and China and a German war camp journal.

The CORRESPONDENCE sub-series consists of letters, greeting cards and postcards from friends and family members, including Beissel's parents and his daughters.

Sans titre
Liberal Arts College fonds
I0065 · Fonds · 1980 - 2001

This fonds consists of various posters promoting public lectures organized by the Liberal Arts College. This fonds also contains an audio recording from the inaugural George Rudé Lecture given by Eric Hobsbawn.

Sans titre
Frederick Krantz fonds
P0044 · Fonds · 1981-1985

Frederick Krantz edited the book History from Below: Studies in Popular Protest and Popular Ideology in Honour of George Rudé.

The fonds consists of a copy of the book, manuscript copies of the articles contributed for the book, correspondence with contributors and the publisher, a list of contributors, and curricula vitae.

Sans titre