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The series illustrates the activities of the Quatuor de Jazz libre du Québec (1967-1975), the Val-David Artistic Colony (1970), the Ferme du Petit Québec libre (1970-1973) and l'Amorce (1972-1974), including the political dimension of these jazz-related initiatives.
The series includes, but is not limited to newspaper clippings, newsletters, statements, a historical overview, plans, project outline, a manifesto, pamphlets, and posters.

The series illustrates the political orientation of the Jazz libre du Québec through newspapers collected by Yves Charbonneau during the 1970s (predominantly 1973).
The series contains issues of the Bulletin de liaison du comité provisoire de coordination Indépendance-socialisme, the Guardian, Fedayin : Journal de l’Association Québec-Palestine, Patriote haïtien, Black Panther : Intercommunal News Service, Indochine vaincra, and Sud Vietnam en lutte.

The series documents the visual arts studies undertaken by Yves Charbonneau in the 1980s at the Cegeps of Matane and St-Jerome, concentrating on photography. The photographs give an impression of the life in a coastal area of Quebec during the 1980s, mostly through landscape photography and portraits.
The series includes photographs in form of negatives, prints, slides, and contact sheets, as well as two moving images, some class papers, and notes related to one of the films.

Series documents the historical and organizational development of the Black Theatre Workshop (BTW), from its beginnings in 1965 as the Trinidad & Tobago Association (TTA) Drama group, through its incorporation as the BTW in 1972, to today. This series contains materials concerning the work of the Board of Directors and related committees. It also documents the planning and the management of human resources at the BTW.

The series is divided into the following sub-series :
F034/A1 History and constitution
F034/A2 Meetings and committees
F034/A3 Human resources
F034/A4 Planning

The series contains, among other documents, letters patent, programs, newspaper clippings, a constitution, historical outlines, photographs, play scripts, letterheads, logos, poster, newsletters, membership lists, briefs, mission statements, correspondence, meeting minutes, reports, lists of board members, organizational charts, job descriptions, meeting notes, grant applications, and contracts.

The series gives an overview of the financial situation of the Black Theatre Workshop throughout the years, from its beginnings in the early 1970s to 2013. It documents the financial support received by the Black Theatre Workshop through grants and fundraising campaigns on the one hand, and the expenses of the organization on the other hand.

This series is divided into the following sub-series :
F034/B1 Accounting
F034/B2 Funding

The series contains, among other documents, agreements, publicity, financial statements, expense reports, budgets, ledger pages, invoices, grant applications, reports, newspaper articles and newspapers, fundraising plans, presentation folios, correspondence, photographs, invitations, and program descriptions.

This series provides information on the relationship between the Black Theatre Workshop (BTW) and other cultural, political or social organizations. The series contains documentation pertaining to the relationships between the BTW and other organizations working within the Montreal Black community, including Union United Church. It is also composed of materials that provide insight into the relationships between the BTW and organizations and suppliers working within or supporting theater and the arts in Montreal. Among others, you will find information about other theater groups, including the Centaur Theater and the Dance Theatre of Harlem, and a number of humanitarian organizations. Several documents in this series are related to the Martin Luther King Jr. Federal Holiday Commission or Black History Month. One folder illustrates the history of Union United Church. The series also includes a brief about visible minorities’ art and culture, a report about subventions given to theatre companies, some issues of community newspapers like Community Contact, and a collection of newspaper clippings documenting not only the work of the Black Theatre Workshop, but Black life in Montreal and the theatre scene as well.

The series contains, among other documents, promotional material, photographs, correspondence, moving images, newsletters, newspapers and newspaper clippings, play scripts, sound recordings, study proposals, leases, permits, reports, programs, and briefs.

This series documents the various plays produced by the Black Theatre Workshop (BTW) from its beginnings in the early 1970s to 2013, as well as other events organized by the theatre.

This series is divided into the following sub-series :
F034/D1 General audience
F034/D2 Theater for Young Audiences program
F034/D3 Youthworks

This series contains photographs, programs, press releases, newspapers and newspaper clippings, drawings, floor plans, collages, project proposals, reports, entrance tickets, box office records, correspondence, goboes, promotional material, educational material (teachers’ guides), financial records, contracts, booking sheets, performance evaluations, sheet music, play scripts, meeting notes, communications, schedules, moving images, and sound recordings, among other documents.

The series documents the management and development of the Black Studies Center from its beginnings as National Black Coalition Quebec Institute of Research, founded and directed by Dr. Clarence Bayne, to 2007. It provides important insight into the administration and organizational structure of the Black Studies Center. It also contains information about the building occupied by the Black Studies Center, located at 1968 De Maisonneuve West in Montreal.

The series is divided into the following subseries:
F035/A1 History and constitution
F035/A2 Meetings and committees
F035/A3 Facilities Management
F035/A4 Human resources
F035/A5 Legal Affairs

The series contains, among other documents, meeting minutes, agendas, reports, policies, correspondence, memos, a case study, letters patent, a constitution, statistics, a video of the opening reception of the institute, proposals, programs, registered charity information returns, photographs, architectural plans, descriptive texts of the BSC, a letterhead, two logos, deeds of sale, a certificate of location, insurance policies, permits, contracts, agreements, organizational charts, resumes, work schedules, job descriptions, attendance register, lists, insurance claims, funding requests, and the Black Studies Center Newsletter vol. 1, no. 1 (June 1974), including working documents related to its production.

The series provides an overview of the Black Studies Center’s financial situation between 1966 to 2007. By the means of grant applications and reports, the series also provides information about various projects undertaken by the Black Studies Center.
The series is divided into the following subseries:
F035/B1 Accounting
F035/B2 Funding

The series contains, among other documents, financial statements, expense reports, budgets, grant applications, correspondence, bank statements, balance sheets, receipts, brochures, project reports, tax accounts, by-laws, invoices, ledgers, journals, loans, and an address.

The series provides insight into the relationships between the Black Studies Center and other organizations, such as the Black Community Resource Centre (BCRC), National Black Coalition of Canada (NBCC), Black Community Central Administration of Quebec (BCCAQ), Black Community Council of Quebec, Black Theatre Workshop (BTW), Negro Community Centre (NCC), Quebec Board of Black Educators (QBBE), Montreal Negro Alumni Group, Open Door Society, Maison d’Haiti, Nova Scotia Human Rights Commission, Black Action Party, and more. It also contains information about the relationship between the Black Studies Centre and the municipal government. In some instances, documents that concern the internal operations of these organizations, including financial statements, meeting minutes, and letters patent, among others, can be found. The series also contains information about organizations that existed prior to the foundation of the Black Studies Center, including the Trinidad & Tobago Association, the Conference Committee, and the Conference on West Indian Affairs. Finally, the series illustrates carnivals, exhibitions, conferences, and major events like the World Black and African Festival of Arts and Culture in Lagos. Several folders contain documents that are related to the Montreal cultural magazine The Real Scene.
The series contains, among other documents, correspondence, directories, financial documents, meeting minutes, reports, annual reports, programs, bylaws, newspapers and newspaper articles, press releases, newsletters, leaflets, flyers, bills, briefs, invitations, brochures, play scripts, mail registers, letters patent, proposals, communications, magazines, catalogs, photographs, notes, index cards, moving images, sound recordings, and posters.

The series provides insight into the activities and services offered by the Black Studies Center, including day camps, lecture series, immigration aid, exhibitions, and workshops, as well as other educational programs.

The series contains, among other documents, leaflets, flyers, invitations, programs, posters, newspaper clippings, biographies, schedules, correspondence, reports, attendance records, lists, meeting minutes, plays, stories, poems, song texts, illustrations, drawings, photographs, notes, forms, drafts, financial records, a discussion transcript, costumes, a guest book, and a musical instrument.

The series provides an overview of research conducted, supported or collected by the Black Studies Center, predominantly in the 1970s. It provides information on the history, culture, contributions and experiences of Black populations in Montreal, America, and Africa. Subjects covered include the visual arts, Black identity, the Montreal music scene, minorities in the education system, and politics, among many others

The series is divided in the following two subseries:

F035/E1 Research conducted or supported by the Black Studies Centre
F035/E2 Research papers collected by the Black Studies Centre

The series contains, among other documents, surveys, questionnaires, notes, research papers, correspondence, statistics, address lists, project reports, biographical sketches, and meeting minutes.

The series documents the Black Studies Centre’s efforts to make crucial information about Black history and culture available to the community by providing access to a vast collection of books and other textual material, slides, audio recordings and films. This documentation is represented not only through the original card catalog, lists and bibliographies, but also through a wide array of publications collected by the Center that are available as part of the fonds. In addition, the series contains documents pertaining to the organization of the Black Studies Centre library and the work of its employees.
The series contains both fiction and non-fiction writing related to the life, culture, and contributions of Black communities throughout Canada, the United States, Africa, and the Caribbean, from the end of the 18th century to today. The series also includes documents concerning significant events. Several folders in this series document the Sir George Williams Affair, also sometimes referred to as the Sir George Williams Computer Centre Incident, the Anderson Affair, and the Sir George Williams University Computer Riot.
The series is divided into the following subseries:

F035/F1 BCS Library collection
F035/F2 BCS Newspaper collection
F035/F3 Other reference documentation

The series contains, among other documents, bibliographies, bibliographic records, biographies, catalogues, drawings, flyers, class papers, interview transcripts, reproductions of historical documents, reviews, poems, essays, speeches, summaries of newspaper articles, song texts, short stories, lists, leaflets, brochures, newsletters, pamphlets, play scripts, booklets, studies, accession records, photographs, thesis, reports, magazine and newspaper articles, correspondence, newspapers, magazines, subscriptions, notes, and press releases.

The series provides information on articule’s establishment, and the gallery’s historical and administrative development from its beginnings in 1979 to 2016.
It gives an insight in the work of various committees involved in the gallery’s administration, provides information on membership, member recruitment, and subscriptions to articule, as well as information on the management of personnel. It informs about different job positions, recruitment, as well as working conditions at the gallery.
Finally, it documents the various locations of articule gallery throughout the years.

The series is organized into the following sub-series:

F036/A1 History and founding documents
F036/A2 Meetings and committees
F036/A3 Facilities Management
F036/A4 Membership
F036/A5 Human Resources

The series includes without limitations floorplans, photographs, correspondence, lease agreements, drafts, insurance policies, by-laws, copies of letters patent, mandates, historical overviews, policies, meeting minutes, calendars, contracts, forms, press releases, reports, budgets, notes, a strategic plan, a proposal, leaflets, subscriptions, member lists, notebooks, a notice of assessment, salary declarations, job descriptions, job postings, subvention requests, and biographical information of some artists.

The series provides an overview of articules’s financial situation from the early 1980s to 2017. It provides information on funding sources, budget management, and taxes. It includes information on different funding programs, mostly from government agencies, and the organization of fundraising events.

The series is organized into the following sub-series:
F036/B1. Accounting
F036/B2. Financial Reports
F036/B3. Funding

The series contains invoices, general ledgers, reports, journals, tax forms, financial statements, correspondence, budgets, statistics, a strategic plan, grant applications, contact lists, CVs, reference documentation, communiqués, drafts, notes, lists of artists and sold works, promotional material, a publication, questionnaires, and over 300 photographs.

The series provides information on exhibition and event programming at Articule. Articule has several programming committees, as well as the selection committee, deciding over the content of regular exhibitions, special projects, and the programming booklet, which is published annually and documents all events of the previous year. The annual curatorial exhibition, organised by the Board of Directors, helps shape the gallery’s identity.

The series contains without limitations advertisements, budgets, calendars, communiques, contracts, invitations, lists, newspaper clippings, press releases, flyers, leaflets, policies, postcards, a press kit, programs, programming booklets, project proposals, an exhibition catalog, decisions, and posters.

The series provides information on the relations between Articule and other organizations operating in the art scene, as well as information about the Quebec and Canadian cultural scene. It includes several folders related to the Société du 5 avril, the RCAAQ [Regroupement des centres d’artistes autogérés du Québec] and the Association of National Non-Profit Artists Centres (ANNPAC). Articule was a member of the Société du 5 avril, and is currently a member of the RCAAQ. The series includes several volumes of Parallelogramme, published by the Association of National Non-Profit Artists Centres (ANNPAC) /Regroupement d'Artistes des Centres Alternatifs (RACA). The series also documents international events in which Articule participated.

The series contains, without limitations, artist books, catalogs, memoires, communiques, correspondence, drawings, financial statements, flyers, hand-outs, invoices, a repertoire, reports, a brochure, letters patent, lists, meeting minutes, publications, a manifest, notes, press clippings, programs, a project description, regulations, statistics, subscription forms, surveys, and a T-shirt.

The series provides information on events organized by articule and on participating artists. It documents exhibitions, performances, conferences, workshops, video screenings, poetry readings, and fundraising activities, from the gallery’s beginnings in the 1970s to 2020. Artist files document not only the artist’s participation at articule, but also include biographical information and documentation about projects not related to the gallery.

The series is organized into the following sub-series:
F036/E1. Artist files
F036/E2. Event files
F036/E3. Guest books

The subseries contains guest books, agreements, artist books, artworks, biographies, brochures, buttons, catalogs, contracts, correspondence, CVs, financial records, flyers, invitations, newspaper articles, notes, leaflets, plans, greeting cards, information cards, postcards, posters, printing plates, templates, press releases, project descriptions, programs, publications, statements, T-shirts, visitor logs, calendars, booklets, photographs, notebooks, collector’s cards, portfolios, and other documents.

The series documents articule’s view and presentation of itself by the means of publications.
From 1981 to 1989, articule published the periodical Discussion. After 1989, the centre focused on exhibition catalogues and brochures related to exhibitions. Furthermore, the gallery maintains a website.

The series includes the gallery’s periodical Discussion, exhibition catalogs, brochures, flyers, an inventory, photographs, stickers, correspondence, legal deposit information, material related to the production and printing of various documents, especially Discussion, as well as documents related to the gallery’s web site.

The series documents the North American art scene from 1955 to 1995 but contains some information on international artists as well.

The series includes artist’s books, directories, periodicals, exhibition catalogs, and other reference documentation, bills, a poster, as well as correspondence with the publishers.

Series provides documentation about the activities of the Conseil Quebecois de l’estampe (CQE) from 1978 to 2005.

Series contains meeting minutes, agendas, voting process of the members of the administrative council, summary of projects and project proposals. It also contains documentation from special meetings regarding the publication and amendments of the Code d’éthique, correspondence and activity reports.

Series documents the exhibitions and events organized by the Conseil Quebecois de l’estampe (CQE) in Canada as well as exhibitions abroad in collaboration to other institutions.

Series contains yearly documentation of the Prix Albert-Dumouchel, correspondence, grant request from the CQE to the Ministry of Cultural Affairs, photographs, printed promotional material for events, communiqués, press releases and newspaper clippings, exhibition catalogues, list of artworks and prices, list of exhibitors, exhibition contracts between the CQE and galleries and other documents.

The series provides information about the publication projects of the CQE.

The series includes the CQE bulletin, Bon-à-tirer, from 1987 to 2005. It contains documentation about the publication of exhibition catalogues, the Livre d’art and the Code d’éthique’s French, English and Spanish versions, including drafts, revisions with handwritten notes, press releases, meeting minutes and correspondence.

Series provides an extensive collection of artists’ files, providing an important record of the Conseil Quebecois de l’estampe (CQE) members and their work.

Series contains artists’ statements, résumés, exhibition catalogues, newspaper clippings, brochures, posters, invitation cards, slides and photographs of artists’ artworks. It also contains correspondence between the artists and the CQE as well as membership forms.

Series provides information about the budget and expenses of the Conseil Quebecois de l’estampe (CQE) from 1980 to 2006.

Series consists of financial statements from 1980 to 1999, grant applications to the Ministry of Cultural Affairs and financial assistance requests to other sources. It also contains correspondence, budget and expenses reports for events and publication projects as well as invoices and contributions, providing a record of members’ registration to the CQE.

Series provides documentation about the production and filmmaking process of Magnus Isacsson’s released and unreleased documentaries and audiovisual projects, from his first independent film Uranium (1990) to Granny Power (2014).

Series contains administrative and financial records, contracts, project proposals, scripts, interviews, promotional material, flyers, posters, leaflets, shooting tapes, masters betacams, copies of English and French versions of various films, audio mixes, DVDs, research material, clippings, newspapers, magazines, handwritten notes, communiqués, award and nomination certificates, invitation cards, press releases, brochures and press coverage.

Series documents the works of Magnus Isacsson as a freelance journalist for Canadian and Swedish radio, newspapers and magazines, covering environmental and political issues across North and Central America

The series contains research documents, drafts, photographs, articles written by Isacsson, newspaper clippings, correspondence, magazines, handwritten notes, and interviews. It also contains Magnus Isacsson's blog, Documentary Field Notes and Flashpoints, accessible via Concordia University's Archive-It page.

Series documents the life of Magnus Isacsson as an educator, his involvement with the Gierson Seminar, and other affiliations within the documentary filmmaking community. It also contains articles written about Isacsson and his work as an independent filmmaker.

The series contains interviews with Magnus Isacsson and articles written about him and his work, photographs, teaching material for courses and workshops, lists of students, course syllabus, registrations to professional events, seminar programs, information concerning seminars and conferences Isacsson attended, correspondence, handwritten notes, magazines, clippings, and a printout of Magnus’s blog.

Series documents the work of Magnus Isacsson for the CBC’s English and French-language networks, where he worked as a producer for several programs, including Le Point, The Fifth State, and Contrechamps.

Series includes memorandums, photographs, sound recordings, scripts, notes on projects, correspondence, balance sheets, clippings, handwritten notes, research documentation for several projects, project proposals, and budget estimation.

Series documents Guy Thouin’s compositions from 1968 to 2020, including scores for the Heart Ensemble, Quatuor de jazz libre du Quebec, From the Basement, and other projects.

The series contains handwritten music scores.