Affichage de 350 résultats

The fonds consists mainly of correspondence received by Sir William Hales Hingston and a few letters received by Mrs. Hingston and their sons William, Donald, and Harold.

There are also photographs, press clippings, brochures, invitations, manuscripts of Sir William's writings, business cards, maps and objects. The fonds includes a scrapbook of press clippings relating to Sir William Hingston's political and professional life, an official document appointing him to the Ottawa Improvement Commission in 1902, the original letters patent related to Sir William's knighthood, and a circa 1889 photograph of Sir William. Also included is an album containing 92 wedding and travel photographs of the Hingston family.

The fonds is organized into the following series:

P0134/A Sir William Hales Hingston
P0134/B Family correspondence
P0134/C Family history

The fonds provides detailed information on major issues, such as globalization, the effects of new technology on the workplace and the transition to a knowledge economy, and their impact on education at the post-secondary level in Canada. It contains materials documenting the pressures faced by post-secondary institutions in Canada due to increasing enrollment and decreasing funding from the federal government.

The fonds consists of reports, studies, research materials, questionnaires and survey results stemming from the work of the Task Forces and resulting in the C-HEF’s publications
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The fonds contains material related to C-HEF symposia on such topics as private sector investment in research & development and Canadian K-12 education reform. It also contains correspondence with members and associates of the C-HEF, related associations and Canadian federal government departments, as well as newsletters sent to members updating them on the C-HEF’s activities.

The fonds includes meeting notices, agendas, minutes and supporting documentation for monthly Board of Director meetings and annual general meetings. It contains press clippings documenting the coverage of C-HEF and its members’ activities and the response to the C-HEF’s publications. The fonds also contains photographic material from events such as annual general meetings and publication launches, and 117 slides from presentations, primarily given at the 1985 C-HEF Annual Meeting in Toronto.

C-HEF Publications:

• Partnership for Growth: Corporate-University Collaboration in Canada / Ensemble vers l’avenir: La collaboration entreprises-universités au Canada (1984) commissioned by the Forum and prepared by Judith Maxwell and Stephanie Currie of Currie, Coopers & Lybrand
• Addresses to the Forum / Allocutions au Forum (1984)
• Spending Smarter: Corporate-University Cooperation in Research and Development / Investir plus sagement: La collaboration entreprises-universités en Recherche et development (1985) by the Task Force on Research and Development.
• Making the Match: Canada’s University Graduates and Corporate Employers (1986) by the Task Force on Human Resource Management and the Status of Higher Education
• From Patrons to Partners / Du mécénat au partenariat (1987) by the Task Force on Funding Higher Education: Corporate Support for Universities
• Going Global: Meeting the Need for International Business Expertise in Canada (1988) by the Task Force on International Business Education and Partnership for International Development
• To Be Our Best: Learning for the Future (1990), and Learning Goals for K-12 Education / Objectifs d’apprentissage de la maternelle au secondaire: Nous accomplir (1992) by the Standing Committee on Education
• Directory to International Business Education in Canada (1991)

Fonds consists of research material and oral history interviews conducted by Merrily Weisbord for the writing of The Strangest Dream. The interviews cover various aspects of the evolution of the Communist Party of Canada (renamed the Labour Progressive Party in 1943) and the life of some of its Quebec members.

Fonds includes more than 20 hours of sound recordings consisting of interviews with about fifteen individuals who were members of the party between the 1930s and the 1950s, such as Lea Roback, Irene Kon, Gilles Hénault and Fred Taylor. All the players, from the upper middle class intellectual Stanley Ryerson to the working class lumber camp labour organizer, Gérard Fortin, are included. There is also a 15 minute recorded message by Paul Robeson urging Montreal voters to reelect Fred Rose in 1945. Fonds also includes interview notes and transcriptions, correspondence, and printed materials.

Le Fonds François Brault se compose principalement de diapositives portant sur l'art sacré au Québec, mais aussi de diapositives portant sur la production de films et de livres d'art.

The fonds provides information on the activities, evolution, and social involvement of the Caribbean Students' Union.

The fonds consists of programs, reports, and other documentation on activities held by the Caribbean Students' Union; expense reports and budgets; lists of members; correspondence with internal and external bodies, and policies and procedures.

Le fonds témoigne des activités de la galerie Véhicule Art (Montréal) Inc. et de certains artistes qui y ont exposé ou performé. Le fonds porte aussi sur la gestion du projet Investigation of the Activities of Véhicule Art (Montréal) Inc., 1972-1983.

Le fonds contient des dossiers d'expostions et d'artistes, incluant des photographies d'oeuvres d'art. On y retrouve aussi de la publicité, comme des coupures de presse, et un rapport de recherche sur Véhicule Art.

The fonds illustrates life of an Irish immigrant family in the eastern Townships in the 19th century, and gives information on the decendants of John McCorkill.

The fonds consists of letters, accounting records, legal documents, and genealogical information on the McCorkill family.

The fonds mainly provides information on teaching activities and her administrative career at Concordia University.

The fonds includes minutes, reports and correspondence. The fonds also includes her research files on GEMA (Committee on Gender Equity in Matter Academic), Simone de Beauvoir Institute, Department of Sociology and Anthropology and Planning Committee, Status of Women at Concordia University (Committee), Women’s Studies, Oral History Project, Pay Equity Committee, Ph. D in Humanities Program and CUFA (Concordia University Faculty Association).

The fonds is mainly composed of CUTV member’s productions which amounts to approximately 250 titles.
The textual records are organized in 3 series:

• PRODUCTIONS
• ADMINISTRATION
• COMMUNICATION

The PRODUCTIONS series includes records on different shows produced by CUTV and include scripts, release forms, crew lists, inventories. The ADMINISTRATION series includes membership forms, budget files, some minutes from the CUTV Executive and correspondence. The COMMUNICATION series includes some press clippings, promotional material and photos.

The fonds provides information on alumni activities. There are also records related to the Loyola Hall of Fame and the Loyola Medal.

The fonds consists of by-laws, correspondence, accounting records, lists of nominations, honours presentations documentation, reference documentation on various social activities organised for the alumni members, minutes, fund raising literature, and membership lists, as well as photographs and audiovisual records of activities, publications and memorabilia. There are also four reels of microfilmed press clippings.

The fonds provides information on the Concordia Graduate History Students' Association annual conferences.

The fonds consists of schedules, expense records, correspondence, and conference proceedings.

The fonds provides information on union activity. It gives complete information on a 1973 strike of members of the Sir George Williams University library staff. It also provides information on Nancy Marrelli's service as director of the Concordia University Archives, primarily long-service awards.

The fonds consists of minutes of meetings of negotiation, correspondence, clippings, copies of a collective agreement, publicity and pamphlets, a mailing list, and long service awards from Concordia University.

The fonds provides information on the activities and management of the Computer Centre/Computing Services at Concordia between 1974 and 1996 and during its period at Sir George between 1970 and 1974. There are also some files which document the activities of the Loyola College Computing Centre (1970-1971) and its Data Processing Department (1971-1974). The fonds also includes the research material for the History of Computing Services Project, realized in 1995-1996, which include recorded interviews with employees of the unit and its four directors: Graham Martin, Ivan Fuchs, Jack Fearnley, and John Woodrow.

The fonds mainly consists of reports, correspondence, minutes of meetings, handbooks, computer program files, photographs and videos of employee social events, and sound recordings.

Le fonds témoigne des activités administratives de la Galerie Optica, à partir de ses débuts en 1972 jusqu'à 1992.

Le fonds contient des documents tels que des programmes d'expositions, des curriculum vitae et des portfolios d'artistes, des pièces audiovisuelles provenant d'expositions, des dossiers d'employés, des dossiers financiers, des demandes de subvention et de la correspondance. Le fonds regroupe les séries suivantes:

P056/1 Finances
P056/2 Administration
P056/3 Ressources humaines
P056/4 Programmation
P056/5 Expositions et activités

The fonds mainly documents the professional activities of John F. Laffey as a History Department faculty member at Sir George Williams University and Concordia University.

The fonds consists of correspondence, course and lecture notes, clippings, and a few personal documents.

Le fonds Dorothy Rath est constitué de documents relatifs à Dorothy Rath en tant qu'amie d'Irving Layton. Le fonds comprend de la correspondance entre Rath et Layton, des photographies de Dorothy Rath, d'Irving Layton et d'amis, des enregistrements sonores de lectures publiques de Layton, des vidéoclips d'apparitions télévisuelles et de lectures de livres de Layton, des coupures de presse relatives aux œuvres de Layton ainsi que du matériel promotionnel et publicitaire concernant les apparitions de Layton. Le Dorothy Rath Fonds fait partie de la collection Irving Layton.
Le fonds est divisé en huit séries :
F007/A Enregistrements sonores
F007/B Coupures de presse
F007/C Correspondance
F007/D Photographies
F007/E Poèmes
F007/F Matériel promotionnel
F007/G Sculptures
F007/H Enregistrements vidéo

Le fonds Irving Layton documents la vie de Irving Layton en tant qu’écrivain.
Le fond comprend de la correspondance entre les membres de la famille, les professionnels, les amis, les journaux et périodiques, les collèges et les universités, les critiques des œuvres de Layton, les lettres de fans, les documents publiés, les tirés à part de poèmes, des transcriptions d'entrevues, la publicité pour les apparitions publiques et les lectures, les critiques de ses œuvres, des articles en langue étrangère, des manuscrits et des brouillons de monographies et de poèmes, des coupures de journaux, des cahiers, des journaux, des calendriers, des horaires, des ordres du jour, des documents personnels, y compris des factures, des factures, des finances, des récompenses et des certificats, et du matériel audiovisuel.
Le fonds est divisé en 16 séries:
F001 / A Objets
F001 / B Enregistrements sonores
F001 / C Coupures de presse
F001 / D Conférences et festivals
F001 / E Correspondance
F001 / F Dessins
F001 / G Manuscrits, poèmes, articles et essais
F001 / H Cahiers et journaux
F001 / I Documents personnels
F001 / J Photographies
F001 / K Apparitions publiques
F001 / L Critiques
F001 / M Agendas
F001 / N Scrapbooks
F001 / O Entrevues
F001 / P Enregistrements vidéo

The fonds provides information on the events that occurred at Concordia University on the afternoon of August 24, 1992.

The fonds consists of the account of the events prepared by Elizabeth Horwood, transcripts from the 911 conversation, transcripts of the court hearings, and a pamphlet.

The fonds documents Wynne Francis' teaching activities and her writings on Canadian literature.

The fonds includes correspondence, notes, articles, and manuscripts.

The fonds mainly provides information on the activities of Thé-Arts Loyola and general music and drama productions at Concordia University.

The fonds contains press clippings, theatre programs, small posters, and a souvenir book of the 25th anniversary of Thé-Arts’ reunion in 1997. It also contains slides of Thé-Arts productions Applause and Once Upon a Mattress which were donated by photographer Jeff Barber, former student and a member of Thé-Arts Loyola.

Le fonds porte sur l'administration et les activités de la Société du 5 avril à Montréal, de ses débuts en 1990 jusqu'à la cessation de ses opérations en 1997. Il témoigne principalement des efforts de la Société visant la mise sur pied d'un centre d'artistes autogérés et à l'acquisition éventuelle d'un bâtiment à ces fins.

Le fonds se compose entre autres d'études de faisabilité, de dossiers de travail, de correspondance et de documents promotionnels.

Le fonds regroupe les séries suivantes :

P170/A Administration
P170/A, 1 Documents constitutifs et historiques
P170/A, 2 Assemblées statutaires

P170/B Finances
P170/B, 1 Financement
P170/B, 2 Comptabilisation
P170/B, 3 Opérations bancaires
P170/B, 4 Impôts et taxes
P170/B, 5 États financiers

P170/C Ressources mobilières et immobilières
P170/C, 1 Ressources mobilières
P170/C, 2 Ressources immobilières

P170/D Communications et relations publiques

P170/E Études de faisabilité
P170/E, 1 Documents de travail
P170/E, 2 Documentation de référence
P170/E, 3 Dossiers sur les membres
P170/E, 4 Listes d'équipement requis
P170/E, 5 Rapports

The fonds provides information on activities of the Graduate Students' Association and the support it has given to other associations and individuals at Concordia.

The fonds consists of minutes, funding requests, correspondence, financial records, activity reports, representative listings, and election documentation.

The Negro Community Centre/Charles H. Este Cultural Centre fonds contains records relating to the operation of the Negro Community Centre/Charles H. Este Cultural Centre. It contains textual records and other materials documenting the mission; structure; administration; building and facilities; and programs and services offered at the Centre, dating from its founding in the late 1920s until it ceased its operations. The fonds also contains materials dating to after the closure of the Centre.

The fonds documents the history of the Negro Community Centre/Charles H. Este Cultural Centre, its role in Little Burgundy and the greater Montreal area, and its relationships to other organizations, including but not limited to the Coloured Women's Club of Montreal; Union United Church; Red Feather Services; Federated Appeal of Greater Montreal; and Centraide. The fonds also includes documentation related to the Walker Credit Union and Afro-Can. The Brotherhood of Sleeping Car Porters is also mentioned in the documentation.

The Negro Community Centre/Charles H. Este Cultural Centre fonds includes a wide variety of textual records, including but not limited to administrative records; ledgers and other financial records; correspondence; board and committee meeting minutes and related records; reports; calendars, flyers, posters, descriptions and other documentation relating to programs, services, and events taking place at the Centre; photographic materials, including prints and negatives; architectural drawings and plans; clothing; and ephemera.

The fonds provides information on the editing and publishing work of Véhicule Press.

The fonds consists of manuscripts, published and bound books, and publicity materials; production materials including correspondence, pamphlets, layouts and sketches for covers, printing templates, printing quotes, typescripts, page proofs with corrections, editors' and authors' notes, biographies of authors, curricula vitae, pictures of various authors and agendas; and posters and post cards that were printed for the Véhicule Art gallery.

Le fonds témoigne de la gestion et de la croissance d'une poste radiophonique AM et FM à Montréal dès les années 1930 jusqu'aux années 1990, ainsi qu'aux activités professionnelles du propriétaire, Jack Tietolman. Il porte surtout sur l'administration et sur le fonctionnement de la société de portefeuille Radio Futura et des stations radiophoniques CKVL et CKOI. Le fonds témoigne également de l'engagement sociale et communautaire de Jack Tietolman dans de nombreuses associations.

Le fonds comprend principalement des documents administratifs et financiers, des documents portant sur la vente de publicité, et d'autres portant sur la radiodiffusion. Il contient aussi des documents et des objets personnels.

Le fonds regroupe les séries suivantes:

P113/A Documents personnels
P113/B Administration de stations radiophoniques

The fonds mainly provides information on Leah Sherman’s teaching activities.

The fonds includes research and teaching materials, visiting artist and lectures files, correspondence and exhibition catalogues

The fonds mainly documents the CIT and Concordia AV Department audio-visual productions and photographs made for the University community. There are also some textual administrative records, mostly composed of the documents of Gary Boyd, AV Assistant Director, Research & Development.

The fonds includes sound recordings (e.g. audio reels, compact cassettes) and moving images (e.g. film reels, video reels, videocassettes). For instance, the fonds contains most of the original audio reels of the SGWU Poetry series recorded for the English department between 1965 and 1974 (see the Concordia SpokenWeb project which uses this material). The fonds also includes photographs made by the AV Photographic section for the University community. This material is mainly composed of faculty and staff portraits and pictures of University events, dated between 1979 and 1994.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Le fonds contient des documents qui témoignent de l'amitié entre Wynne Francis et Irving Layton. Le fonds est constitué de lettres, d'enregistrements sonores, de matériel de recherche et de notes pour la biographie inachevée d'Irving Layton par Wynne Francis, de photographies, de matériel publicitaire, d’œuvres écrites, de poèmes et de notes pédagogiques. Le fonds Wynne Francis fait partie de la collection Irving Layton.
Le fonds a été divisé en neuf séries :
F006/A Enregistrements sonores
F006/B Coupures de presse
F006/C Correspondance
F006/D Manuscrits, articles et brouillons
F006/E Photographies
F006/F Poèmes
F006/G Matériel promotionnel
F006/H Matériel de recherche
F006/I Matériel d'enseignement

Le fonds se compose de documents recueillis ou créés durant la production du documentaire Show Girls de l'Office national du film du Canada. Il porte sur la scène du jazz montréalaise des années 1920 aux années 1960 et fait la chronique de la vie de trois femmes, Tina Baines Brereton, Bernice Jordan Whims et Olga Spencer Foderingham, qui ont fait partie de chorus lines dans des boîtes de nuit comme Rockhead's Paradise, The Terminal et le Café St-Michel.

Le fonds comprend des notes de recherche, des séquences inédites, des vidéocassettes, des transcriptions d'entrevues avec les protagonistes du film, des enregistrements sonores d'entrevues de différentes sources, des plans d'archives, des listes de plans, des coupures de presse de publicités des boîtes de nuit, des livres de référence et des copies VHS du documentaire.