Affichage de 17220 résultats

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Waiting for the Messiah
F001-AT-51 · Pièce · 1983
Fait partie de Irving Layton fonds

The interview was used for Irving Layton's autobiography Waiting for the Messiah. Layton talks about his High school years.
Waiting for the Messiah
F001-AT-53 · Pièce · 1984
Fait partie de Irving Layton fonds

The interview was used for Irving Layton's autobiography Waiting for the Messiah. Among other topics, Layton talks about the Montreal scene during the Depression and his political orientation.
Waiting for the Messiah
F001-AT-54 · Pièce · 1984
Fait partie de Irving Layton fonds

The interview was used for Irving Layton's autobiography Waiting for the Messiah. Among other topics, Layton talks about his political orientation, the Oxford-Cambridge debate, Layton's column in the Failt-Ye-Times, and the Social Research Club. Includes readings of "Days of wrath", "Epigraph for a common grave", "News of the phoenix", "Portrait of a pseudo-Socialist", and "Vignette".
Layton on Conrad
F001-VT-04 · Pièce · 1980
Fait partie de Irving Layton fonds

Produced by Peter Mallet and Media Productions in Toronto, Ontario.
Georgiantics 1942
Georgiantics 1942
P0069-02-07 · Pièce · 1942
Fait partie de Fred Kerner fonds

Sailors Swing: Hughie Capra, Adeline Ciment, Fritzie Miller, Blanche Perlove, Anita Sanchez (second from left) Pat Walsh at microphone: Lorna Moore
Georgiantics 1942
Georgiantics 1942
P0069-02-12 · Pièce · 1942
Fait partie de Fred Kerner fonds

At Brownsburg after the show, the local community fed the entire crew before they boarded buses en route back to Montreal. Among faces discernable in the crowd are Ray Brooks, Zangwill Godlovich, Helen Pearson, Lorna M oore, Merv Gelfand, Andy Fyfe, Roslyn Gurberg, Jean Lockhart, Anita Sanchez, Dorothy Marshall, and Mortimer Tunis.
Georgiantics 1942
Georgiantics 1942
P0069-02-13 · Pièce · March 14, 1942
Fait partie de Fred Kerner fonds

For the first time in its four-year history, Georgiantics had a prevue performance. The date was March 14, 1942, and the run-through venue was the community centre at Brownsbuurg, P.Q. The hall was filled to capacity and conductor Merv Gelfand prepares to raise his baton on the overture.