Showing 361 results

The sub-series documents the Wilderness Survival Camp program. It includes a director's report and other materials.

This sub-series provides an overview of the Black Theatre Workshop's (BTW) financial situation from the early 1970s to 2008. It also provides insight into the resources required to produce plays and other programming at the BTW.

This sub-series contains financial statements, budgets, ledger pages, invoices, and other financial documents related to the activities of the BTW.

Sub-series consists of records compiled for provincial survey. Sub-series contains questionnaires, working documents and reports.

The subseries provides information on artists who are members of articule or who participated in events organized by the gallery. Artist files document not only the artist’s participation at articule, but also projects not related to the gallery. They also include biographical information about the artists.

The subseries contains agreements, artist books, art works, 2 calendars, correspondence, brochures, CVs, exhibition contracts, financial records, flyers, booklets, exhibition catalogs, photographs, newspaper articles, notebooks, posters, collector’s cards, invitation cards, portfolios, postcards, project descriptions, publications, and other documents

The sub-series provides information on the relations between Optica and other organizations and persons.

The sub-series contains correspondence with government organizations, other galleries, artists, and associations.

The subseries provides information on the 6-part documentary series about the National Film Board.

The subseries includes project proposal, clippings, communiqués, outlines for each episode, correspondence, press releases, handwritten notes.

The subseries provides information on two short documentaries Brian McKenna produced between 1972 and 1974. It contains incomplete scripts for The 1974 Municipal Election and Thomas D'Arcy McGee.
Thomas D’Arcy McGee was McKenna’s first film, that he wrote and directed for CBC City at 6 in 1973, a thirteen- minutes documentary on the assassination of Thomas D'Arcy McGee.

The sub-series provides information on the agreements and preparations surrounding the activities of the gallery.

The sub-series contains documents related to the presentation of all these activities, such as contract agreements, correspondence, posters, photographs, audiovisual materials, and exhibition catalogues.

The subseries documents employment practices at the Black Studies Center from its beginnings to 2000.

The subseries contains, among other documents, contracts, agreements, organizational charts, resumes, work schedules, job descriptions, attendance register, lists, correspondence, and personal documents of staff members.

The sub-series relates to the organization of the gallery’s exhibitions and its other activities.

The sub-series includes permits, mailing lists, directories, correspondence, event calendars, publicity materials, and contracts with external publications.

Subseries contains 2 original artworks from the exhibition Windows: From the Inside Out: Painting, Photography, Ceramic and Sculpture (1973), and a t-shirt with a photograph of the founding members of Powerhouse Gallery.

The sub-series concerns the merger that was finalized in 1974 with the formation of Concordia University from the union of Loyola College and Sir George Williams University. The sub-series contains correspondence, organization charts, news releases, reports, legal documents, enrolment statistics, and other records relating to legal, financial, personnel, academic, and administrative aspects of the merger process. It includes records on Concordia University by-laws, the election of the new Board of Governors, the selection of Concordia University officers, the transfer of assets and liabilities, the transfer of Loyola property, naming the new university, and the Loyola community's position on the merger process.

Documents in the sub-series relate to the operational transition from Loyola College as an independent entity through its merger with Sir George Williams to form Concordia University. The sub-series contains correspondence, press clippings, minutes, job descriptions, organization charts, enrolment statistics, news releases, legal documents, and other records related to the academic and administrative organization of Concordia University. It includes records on positions and appointments, financing and development, curriculum planning, space planning, and the restructuring of various departments.

The sub-series gives information on the gallery’s fund-raising activities, including special events and campaigns.

The sub-series contains permits, correspondence, lists of potential donor organizations, receipts, registrations, programs, information bulletins, and invitations.

The sub-series contains correspondence, reports, minutes, news releases, clippings, and other records related to the Council of Universities report The General Orientation of English-speaking Universities and the Future of Bishop's and Loyola. It includes records on comments regarding Council of Universities recommendations.

The sub-series documents agreements and preparations for exhibitions.

The sub-series includes contracts of agreements, correspondence, posters, photographs, (prints, slides, negatives), audiovisual documents, and exhibition catalogues.

The subseries provides information on Brian McKenna's contribution to CBC radio in 1971. It contains scripts of news coverage of political activities at the time when McKenna was parliamentary correspondent in Ottawa.

The sub-series documents Peter Madden’s work as a poet.

The sub-series contains drafts and final versions of poems as well as some paintings used as illustrations.

The subseries provides an overview of the Black Studies Center’s funding through grants, investments, fund raising campaigns and donations. By the means of grant applications and reports, the series also informs about projects conducted by the Black Studies Center.
The subseries contains, among other documents, grant applications, correspondence, bank statements, balance sheets, receipts, brochures, project reports, and an address.

Subseries provides information on Isacsson’s interests in social issues and activism, and his involvement in the documentary filmmaking community.

Subseries includes photographs, newsletters, press releases, handwritten notes, correspondence, documentation about Isacsson’s attendance and participation to various seminars, list of attendees, panel descriptions, seminar programs and promotional material, committees meeting minutes, research material, and video of the 8eme Rancontres internatinales du documentaires.

The sub-series gives information on the funding of the gallery.

The sub-series contains grant applications and correspondence with granting bodies.

Sub-series consists of records documenting the relations between the University and the A.U.C.C. Sub-series contains memoranda, reports and minutes.

The sub-series presents McKenna’s contributions to magazines (The Gazette, The Last Post, Weekend Magazine, Literary Review of Canada, MacLean’s) and The Canadian Encyclopedia, including book reviews in The Gazette.

The sub-series contains newspaper articles, a magazine, and correspondence.

The sub-series documents Montreal YMCA programs related to immigrants, multiculturalism, and refugees, including YMCA collaboration with government and non-governmental organizations. It includes reports, correspondence, and other materials.

Sub-series consists of records documenting the relations between the University and the Conseil des Universités. Sub-series contains reports, minutes, special projects and correspondence.

Sub-series consists of records documenting the relations between the University and C.R.E.P.U.Q. and all its sub-committees and special work group. Sub-series contains minutes, reports and correspondence.

The subseries provides an overview of the research conducted or supported by the Black Studies Center, predominantly in the 1970s. It provides information on various subjects, including international student enrolment, African arts and crafts, Black identity, Black history, the Montreal music scene, visible minorities in Montreal schools, and research about several countries.

The series contains, among other documents, questionnaires, notes, research papers, studies, correspondence, statistics, address lists, reports, biographical sketches, and meeting minutes.

La sous-série témoigne des différents fournisseurs de matériaux avec lesquels Lucien Desmarais faisait affaires.

Elle comprend des catalogues de fournitures ainsi que les coordonnées des fournisseurs, des listes de fournitures, des échantillons et de la correspondance.

La sous-série porte sur plusieurs artistes textiles internationaux.

Elle est constituée de documents textuels, de photographies, d'affiches et d'une bande sonore.