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Archival description
Black Theater Workshop fonds
F034 · Fonds · [1940]-2016, predominant 1972-2013

The Black Theater Workshop fonds is composed of materials created and compiled by the Black Theater Workshop (BTW) and contains materials documenting the activities and operations of the BTW from its founding in 1972 to 2016. Textual records and other materials document the BTW's administration, finances, awards, plays, programming, promotional activities, communications, and facilities, among other things. Documents are also reflective of the BTW's contributions to Montreal’s Black communities and to theater in Canada.

The fonds is divided into the following series :
F034/A Administration
F034/B Financial records
F034/C External relations
F034/D Productions / Programming

The fonds is composed of financial documents, grant applications, board meeting minutes, reports, play scripts, newspapers and newspaper clippings, promotional material, correspondence; graphic materials such as photographs, posters, logos, drawings, sound recordings, moving images, and some objects, among others.

Black Theater Workshop
Wynne Francis fonds
P0043 · Fonds · 1941-1997

The fonds documents Wynne Francis' teaching activities and her writings on Canadian literature.

The fonds includes correspondence, notes, articles, and manuscripts.

Francis, Wynne
P007 · Collection · 1941 - 1999

The purpose of the Oral History-Montreal Studies program is to document the history of the Montreal metropolitan area. Sponsored by Shell Canada, the program funds projects which make accessible the oral history of Greater Montreal, through systematic interviewing of leaders and witnesses of the labour, industrial, cultural, social, religious, and ethnic scene since World War II. The project is administered by the Concordia University Library.

The collection provides information on the history of Greater Montreal. It consists of recorded interviews of individuals as well as some transcripts and application forms for some of the projects. The projects are:

Little Burgundy / La Petite Bourgogne
A Comparison of the Influence of Anne Savage and Arthur Lismer
Hugh Percival Illsley, Architect: 1896-198-
Rabbi Lavy Becker: Social Worker, Businessman, and Father-in-law
Interviews with John Bland
The Dutch of Quebec
The Montreal Chinese Community
The Children's Theatre in Montreal
Women and War Work in Montreal
The Montreal Art Community
Omer Heroux: French Canadian Journalist
Norma Springford
Black Montrealers: A Piece of the Multicultural Mosaic
The Rise of Consulting Engineering in Montreal
Women Scientists in Montreal, 1920-1960
The Contribution of Holocaust Survivors to the Cultural and Social Institutions of Montreal
Véhicule Art (Montreal) Inc. 1972-1983
Alfred Pinsky: Analysis of Great Works of Art (ART 460 course)
Female Academics at Concordia University (Sir George Williams and Loyola College): The First Generation, 1940-1975.
Concordia University. Records Management and Archives
C036 · Collection · 1941-1994, predominant 1944-1958

The collection provides information on the careers of Peter McDonald and Frances Belfrage. It is focused on McDonald’s work as a writer, producer, and director for the Canadian Broadcasting Corporation between 1942 and 1958. It includes scripts written and/or produced by Peter McDonald, and scripts written by Frances Belfrage for the Canadian Broadcasting Corporation.

The Peter McDonald and Frances B. McDonald (Belfrage) collection contains photographs, scripts, newspaper clippings, correspondence, press releases, one audio cassette, and one VHS tape.

The Peter McDonald and Frances B. McDonald (Belfrage) collection is divided into two series:

• C036/A Peter McDonald Career
• C036/B Frances Belfrage Scripts

McDonald, Peter
F022 · Fonds · [ca.1946]-2016

The Norman Marshall Villeneuve fonds documents Norman Marshall Villeneuve’s career as a jazz musician. It also contains records relating to other Canadian as well as American jazz musicians. Materials in this fonds are dated between 1946 and 2016, with the majority of the documents dating from 1960s to the1980s. Most of the material was created in Toronto, Ontario, and Montreal, Quebec.

The fonds includes newspaper clippings, photographs, posters, programs, magazines, drawings and notes.

The fonds is organized into the following series:
F022/A Newspaper clippings and magazines
F022/B Photographs
F022/C Posters
F022/D Correspondence
F022/E Notes

Villeneuve, Norman Marshall
P0263 · Fonds · 1941-2003, predominant 1978-1995

The fonds provides information on the administration of the Concordia Student Union and also on some of its founding student associations from Loyola and Sir George Williams.

The fonds mainly consists of minutes, financial records, reports, and correspondence.

Concordia University. Concordia Student Union
Henry Beissel fonds
P0287 · Fonds · 1941 - 2022

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series is comprised of 8 sub-series. The CORRESPONDENCE sub-series consists of letters, postcards and greeting cards from peers (artists, writers, professors, humanists, publishers) of Beissel including Angelika Arend, Werner Berchem, Werner Berg, Per Brask, Ronnie Brown, Anthony Cassils, Patrick Drysdale, Leo Enright, Heide Fruth-Sachs, Keith Garebian, Gary Geddes, Albert-Reiner Glaap, Amanda Hale, Jack Herbert, Jürgen Jankofsky, Anne Kulling, Renée Makino, Helmut Markus, Rob McLennan, Najwa Nasr, Anja Oppermann, Bruno Petrenko, Andrew Proctor, Uta Regoli, Walter Riedell, Gillian Rimington, Gerd Rohmann, Fruma Rothberg Sanders, Desmond Scott, John Smith, Richard Thain, Axel Vieregg and Norman Yates, to name a few. There is also an extended correspondence with Edward Lacey, Walter Bauer and Wolfgang Bottenberg.

The WRITINGS sub-series includes notebooks, manuscript and some correspondence related to Beissel's works in poetry (What If Zen Gardens, Season of Blood suite, Cantos North, The Dragon and the Pearl, Feel with your Eyes, etc.) and theatre (Inuk in the Sun, Under Coyote's Eye, For Crying Out Loud, Goya, The Noose and Improvisations for Mr. X., etc.) mostly but also essays (On the High Wires of the Imagination, Recovering the Child Inside or How to Write for Sarah and Jason, The Second Humanist Revolution: Eco-Humanism, Epic in Transition: A Challenge to the Contemporary Poet, etc.) and prose (The Sniper, As Flies to Wanton Boys, etc.). The sub-series also contains records related to the Irving Layton Festschrift published by Concordia that Beissel edited with Joy Bennett in the beginning of the 1990's.

The TRANSLATION sub-series includes notes and manuscripts of translations of works by Pablo Neruda, Tor Age Bringsvaerd, François Charron, Tankred Dorst, Shie Min, André Simard, Helmut Markus and Henrik Ibsen among others, but most notably Walter Bauer and Peter Huchel.

The CONFERENCES, TOURS AND RESEARCH TRIPS sub-series is comprised of correspondence, promotional material, speaking notes and travel reports related to Beissel's participation in many conferences, talks, festivals around the world including Peru, Kenya, China, Japan and Mexico but mostly in Canada and Germany where he often toured extensively. This sub-series includes a number of audio recordings created during his attendance at the Cultural Congress of Havana which took place January 4-11, 1968. It also contains records one the Face-to-Face National Conference on Contemporary English-Canadian Theatre Beissel helped organize at Concordia University in 1975.

The TEACHING sub-series includes records related to Beissel's work at the University of the West Indies, the University of Alberta and the Munich University in Germany, but mostly at Concordia University as a full professor at the Department of English and as a coordinator of the Creative Writing Program he was instrumental in establishing and coordinating. The sub-series is comprised of correspondence, evaluations, some meeting minutes and course notes on modern European literature, Canadian literature and modern drama.

The COMMUNITY ENGAGEMENT sub-series testifies of Beissel's involvement with different organizations and associations (the League of Canadian Poets, the Humanist Association of Ottawa, the Universities Faculty Committee for Peace in Vietnam, the Canadian Humanists Publications, the Book and Periodical Development Council, the Writers' Union of Canada, the International Theatre Institute, the Playwrights Guild of Canada and more) and his work as an editor of the magazines Humanist Perspectives and Edge. It is comprised mostly of correspondence but also includes some meeting agendas, minutes and notes.

The DISTINCTIONS sub-series is comprised of records related to the prizes and awards Beissel either won or was nominated for, including a Literary Award in Honour of Walter Bauer, an Ottawa Book Award and a Concordia University Alumni Associations Honorary Life Membership.

The MEDIA COVERAGE sub-series includes miscellaneous press clippings, reviews of Beissel's prose, poetry and plays as well as promotional material related to his publications, correspondence with poetry magazines as well as an extensive interview with Per Brask.

The PRIVATE LIFE series is comprised of 3 sub-series. The EDUCATION sub-series includes records related to Beissel's studies at University of Toronto: course notes, correspondence and syllabi of the courses he attended to. The sub-series also includes earlier course notes and writings [ca.1943-1950].

The JOURNALS sub-series includes the many diaries Beissel held between 1941 and 2015, including travel diaries written in Cuba, Kenya, Japan, England and China and a German war camp journal.

The CORRESPONDENCE sub-series consists of letters, greeting cards and postcards from friends and family members, including Beissel's parents and his daughters.

Beissel, Henry
Prudence Allen fonds
P0114 · Fonds · 1941-2022

The fonds mainly provides information on Sister Prudence Allen’s research, teaching activities, and her religious life. Some materials are related, among others, to religious figures such as Hildergard of Bingen and Edith Stein, as well as philosophical perspectives on woman. The fonds also gives genealogical information on the Allen family and the Oneida Community

The fonds includes lectures, speeches, and articles; correspondence, daily journals, and photographs. The fonds also includes three dolls made by Sr. Prudence Allen’s grandmother, Christine Hamilton Allen (1875-1952), a social worker who worked closely with Eleonar Roosevelt during the Suffrage Movement. There are other artifacts such as a Tree of Life embroidered for Sr. Prudence Allen by Gretta Nemiroff.

Allen, Prudence
Merrily Weisbord fonds
P240 · Fonds · 1941-1994

Fonds consists of research material and oral history interviews conducted by Merrily Weisbord for the writing of The Strangest Dream. The interviews cover various aspects of the evolution of the Communist Party of Canada (renamed the Labour Progressive Party in 1943) and the life of some of its Quebec members.

Fonds includes more than 20 hours of sound recordings consisting of interviews with about fifteen individuals who were members of the party between the 1930s and the 1950s, such as Lea Roback, Irene Kon, Gilles Hénault and Fred Taylor. All the players, from the upper middle class intellectual Stanley Ryerson to the working class lumber camp labour organizer, Gérard Fortin, are included. There is also a 15 minute recorded message by Paul Robeson urging Montreal voters to reelect Fred Rose in 1945. Fonds also includes interview notes and transcriptions, correspondence, and printed materials.

Weisbord, Merrily
Bruce Le Dain fonds
P0294 · Fonds · 1941 - 1999

The fonds provides information on the professional life of Canadian artist Bruce Le Dain.

It is comprised of journals held more or less regularly by Le Dain between 1963 and 1999. They include records of personal accounting and painting income summaries as well as some correspondence and press clippings.

The CORRESPONDENCE subseries includes letters exchanged with fellow Canadian artist John Little between 1974 and 1992. It also includes a binder of miscellaneous correspondence and memorabilia as well as some reference documentation on the subject of art.

The DISTINCTIONS subseries includes framed honours granted to Le Dain: an Honorary Life Membership to the Arts Club of Montreal in 1994 as well as a recognition from the Royal Canadian Academy of Arts (RCA) for his contribution in the arts of painting in 1985.

The fonds also includes a wooden box custom-made by Le Dain, a box he used to store his tools when he was painting.

Le Dain, Bruce
Guy Thouin fonds
F040 · Fonds · 1942 - 2021

The fonds documents Guy Thouin’s career from the 1950s to 2021, including his time at the Quatuor de jazz libre du Québec (1967-1971), L’Infornie (1969-1971), The Heart Ensemble (1989-present), and Nouveau Jazz Libre du Québec (2012). The fonds also provides information about Thouin’s personal life, including his early years in elementary school, his time playing with the cadets, moments with his family and friends, his studies in Quebec, and his life in India.

The Guy Thouin fonds contains photographs, music scores composed by Guy Thouin from 1968 to 2020, sound and audiovisual recordings of live performances, posters, records, clippings about Guy Thouin and his musical projects, flyers, curriculum vitae, biographical notes, postcards, press releases, certificate of birth and baptism, and certificate of optician license.

The Guy Thouin fonds is divided into 4 series:
F040/A Scores
F040/B Photographs
F040/C Musical career
F040/D Personal records

Thouin, Guy
P0028 · Fonds · 1942-1979, predominant 1969-1975

The fonds provides information on the administration of the Sir George Williams Part-Time Students' Association of Concordia University, and its evolution from an administrative and financial perspective.

The fonds consists of minutes, correspondence, financial records, advertising, a constitution and by-laws, and a plaque from the SGW Unitarian Club.

Concordia University. Sir George Williams Part-Time Students’ Association of Concordia University
Johnny Reno fonds
P0065 · Fonds · 1943

The Johnny Reno fonds consists of two photographs of Percy Ferguson's Victory Serenadors, including Oscar Peterson, at Canadian Pacific's Rosemont Hall in Montreal in 1943.

Reno, Johnny
Henry Whiston fonds
P158 · Fonds · 1943-1976, predominant 1956-1976

The fonds is a source of jazz history in the mid-20th century.

The fonds consists of 491 reel-to-reel audio tapes. Most of them contain interviews conducted by Henry Whiston with jazz personalities, in preparation for the show "Jazz at Its Best" and other radio shows. The interviews served as source material from which excerpts were edited into the program. A large part of the documents are related to Glenn Miller or the Duke Ellington orchestra.

Whiston, Henry
Linda Leith fonds
P227 · Fonds · 1944-2008

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Leith, Linda
Dorothy Harper collection
C024 · Collection · [1945 ?] ; [1946]

The Dorothy Harper collection contains materials documenting the the life of Dorothy Harper, specifically her interest in jazz music.

The collection contains two sound recordings and 54 photographs. A number of the photographs showcase jazz clubs in Montreal, including the Café Esquire and El Morocco. Other images show Oscar Peterson in concert, while many depict scenes from Dorothy Harper's life in Montreal in the mid-1940s.

Harper, Dorothy
Fonds Victor Teboul
P0274 · Fonds · 1945 - 2019

Le fonds comprend des documents relatifs à la vie personnelle de Victor Teboul : sa famille, ses études ainsi que ses activités professionnelles de journaliste, écrivain, conférencier et animateur.  Le fonds témoigne du travail de M. Teboul axé sur la question des identités juive et québécoise, la communauté juive égyptienne et sa propre expérience.

Le fonds contient principalement des articles publiés par M. Teboul, des manuscrits, de la correspondance, des photographies, et des coupures de presse. Le fonds contient également plusieurs documents audiovisuels, notamment une entrevue inédite de M. Teboul avec Renée Lévesque dans le cadre d'une table ronde diffusée sur le circuit interne de l'Université Sir George Williams en 1970 réalisée lors de ses études.

Untitled
Viviane Namaste fonds
P0205 · Fonds · 1946 - 2010

The fonds provides information related to Namaste’s book “C’était du spectacle! L’histoire des artistes transsexuelles à Montréal, 1955-1985 » (Montréal : McGill-Queen’s University Press, 2005). and projet Polyvalence, on HIV/AIDS prevention for people with bisexual practices.

The fonds contains research notes, press clippings, articles, articles and communications written by Viviane Namaste, correspondence, grant applications, and photographs. The fonds also include sound recordings of interviews conducted by Namaste for her book on transsexual artists and transcripts of interviews done for the Projet Polyvalence.

Namaste, Viviane
George Rudé fonds
P0009 · Fonds · 1946 - 1989

The fonds mostly provides provides information on Rudé's professional life. The professional life series is divided in 5 main sub-series:

  • CONFERENCES & SEMINARS
  • TEACHING
  • RESEARCH
  • WRITINGS
  • CORRESPONDENCE

The material focuses primarily on the study of the crowd in history, European revolutions and protests, crime and punishment in Britain and Australia. The fonds consists of research notes, correspondence, course outlines, notes for presentations given at different conferences and seminars, manuscripts, press clippings of articles on Rudé or reviews of his many publications. It includes microfilmed documents from other archives and other reference documentation: photocopies of different articles and publications.

The fonds also contains some information about his private life.

Rudé, George
Thomas More Institute fonds
P0075 · Fonds · 1946-1967

The fonds provides information on the incorporation of the Thomas More Institute under provincial and federal legislation, the recognition of its curriculum, and the agreement that was in force between the Institute and the Université de Montréal.

The fonds consists of the Institute's letters patent, Father O'Connor's correspondence, and letters of agreement.

Thomas More Institute
François-Marc Gagnon fonds
P0280 · Fonds · 1946-2019

The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.

The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.

The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.

Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few. The subseries also includes scrapbooks containing extensive correspondence on or about Jean Dubuffet.

Gagnon, François-Marc
Roger Verschingel fonds
P0173 · Fonds · 1947 - 1991

The fonds provides information on Professor Verschingel’s teaching activities at SGW and Concordia University.

The fonds includes personal papers such as diplomas and student papers, and course materials for the courses he taught at SGW and Concordia University.

Verschingel, Roger H.
Mark P. Brault fonds
P0058 · Fonds · 1947-1956

The fonds provides information on the Loyola College Dramatic Society.

The fonds consists of press clippings on plays given by the dramatic society and theatre programs for Society productions.

Brault, Mark P.
John Buell fonds
P0148 · Fonds · 1947 - 1990

The fonds provides information on John Buell as an author and on the Loyola College Dramatic Society.

The fonds includes manuscripts of novels, plays and radio plays; Loyola Reviews for 1955, 1959, 1960, and 1961; and clippings, programs, correspondence, and photographs related to the Loyola College Dramatic Society.

Buell, John
Harold Potter fonds
P0196 · Fonds · 1947 - 1976

The fonds provides information on Harold Potter’s teaching activities at SGW and Concordia University.

The fonds contains term papers, course outlines, examinations, minutes, and drafts of articles.

Potter, Harold
Jacques Trépanier fonds
P246 · Fonds · 1947-1954

The fonds consists of materials documenting the journalistic career of Jacques Trépanier and primarily concern the Montreal arts scene.

The fonds is primarily composed of press clippings from "La Patrie," organized in two scrapbooks. These scrapbooks contain a variety of clippings, including several articles documenting Montreal nightclubs during the period between 1950 and 1954. These articles were published under the headline "La Ronde des cabarets." This fonds also contains some correspondence and 45 press photographs.

Trépanier, Jacques
Lewis J. Poteet fonds
P0269 · Fonds · 1948-2017

The fonds provides information on Lewis Poteet’s research on language, dialect and slang. The fonds also gives genealogical information on the Poteet family.

The fonds contains research materials, drafts, correspondence with other lexicographers and writers, and notes. The fonds also includes materials on Poteet’s latest literary project: Voetsek – Revisiting Swasiland and Soweto, a narrative non-fiction memory of his childhood in South Africa.

Poteet, Lewis J.
Boyce Richardson fonds
P231 · Fonds · 1948-2003

The fonds documents the professional life of Boyce Richardson.

It includes manuscripts of articles, research materials, correspondence, newspaper clippings, film proposals and scripts, and photographs of the James Bay Cree community.

Richardson, Boyce
David Stanger fonds
P0017 · Fonds · 1948 - 1951

The fonds provides information on David Stanger's activities as photographer for various Sir George Williams campus activities such as the carnival and ski meet. The fonds documents student life.

The fonds consists of pictures taken on various occasions.

Stanger, David
P0046 · Fonds · 1948-1960

The fonds provides information on academic activities and policies.

The fonds consists of proceedings of conferences and a guide to academic policies and practices.

MacGuigan S.J., J. Gerald