Affichage de 20822 résultats

Description archivistique
12165 résultats avec objets numériques Afficher les résultats avec des objets numériques
P240-11-003.1 · Pièce · 1977
Fait partie de Merrily Weisbord fonds

Interview with Lea Roback, conducted by Merrily Weisbord (First visit) for her research on Canadian communists (The Strangest Dream, Montreal: Véhicule Press, 1994). Recorded on October 25, 1977.
Part 1: 16 min., 2 sec.
Part 2: 15 min., 59 sec.
Part 3: 16 min., 21 sec.
Part 4: 16 min., 3 sec.
Part 5: 16 min., 1 sec.
Part 6: 16 min., 21 sec.

Sans titre
Merrily Weisbord fonds
P240 · Fonds · 1941-1994

Fonds consists of research material and oral history interviews conducted by Merrily Weisbord for the writing of The Strangest Dream. The interviews cover various aspects of the evolution of the Communist Party of Canada (renamed the Labour Progressive Party in 1943) and the life of some of its Quebec members.

Fonds includes more than 20 hours of sound recordings consisting of interviews with about fifteen individuals who were members of the party between the 1930s and the 1950s, such as Lea Roback, Irene Kon, Gilles Hénault and Fred Taylor. All the players, from the upper middle class intellectual Stanley Ryerson to the working class lumber camp labour organizer, Gérard Fortin, are included. There is also a 15 minute recorded message by Paul Robeson urging Montreal voters to reelect Fred Rose in 1945. Fonds also includes interview notes and transcriptions, correspondence, and printed materials.

Sans titre
P234/B · Série · [ca. 1960]-1963, 1972-2022
Fait partie de Sur Rodney (Sur) fonds

The series illustrates the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1960s to 2018. It depicts Sur Rodney (Sur)’s career as an artist, his involvement in the art scene and his relation to fellow artists. It gives an insight in the life of various artists by the means of personal correspondence exchanged with Sur Rodney (Sur), exhibition catalogues, and documents related to The Sur Rodney (Sur) Show (1980) and the All New Sur Rodney (Sur) Show (1981), which were both presenting artists from the Manhattan's Lower East Side art scene. Artists mentioned in the series are, among others, Andreas Senser, Gracie Mansion, Geoffrey Hendricks, Pauline Graham Leathem, Ronald Heydon, Nan Goldin, John Brill and Lorraine O'Grady. The series covers subjects like Black Contemporary Art, Performance art, and Queer Art. It also refers to Visual Aids, an organization working on AIDS awareness through art projects, while supporting artists living with AIDS and archiving their work.

The series is organized into the following sub-series:
P0234/ B1 Sur Rodney (Sur)’s talks, presentations and writings
P0234/ B2 Works of fellow artists
P0234/ B3 Correspondence with fellow artists

The series contains, but is not limited to, correspondence, newspaper articles, drafts, scrapbooks, exhibition catalogs, magazines and other publications, posters, notebooks, calendars, photographs, flyers, moving images, a press kit, a sound recording, and an Acker Awards box.

P234/A · Série · [ca. 1900]-2017
Fait partie de Sur Rodney (Sur) fonds

The series documents Sur Rodney (Sur)’s childhood in Montreal and his family background, illustrating the life of a black family in Montreal in the second half of the 20th century. Most of the documents have been collected by Jean [Gertrude Peters] Gordon.
The series contains correspondence between Sur Rodney (Sur) and his parents, Desmond Adams and Jean Adams, and documents related to family members, namely Desmond Rupert Adams, Sur Rodney (Sur)’s grandmother Hazel Irene Pierce, and Rodney’s brother David Adams. Several photo albums illustrate Sur Rodney’s childhood and his larger family. This series also contains documents related to the Negro Community Centre (NCC) and Union United Church, which both were frequented by family members, as well as Expo 67 and the Watchtower Society. Furthermore, the series informs about Sur Rodney (Sur)’s name change and his marriage to Geoffrey Hendricks.

The series includes, but is not limited to, correspondence, photographs, leaflets, programs, flyers, forms, diploma, passports and other pieces of identification, artwork, postcards, brochures, newspaper clippings, a scrapbook and an autograph book.

Correspondence with fellow artists
P234/ B3 · Sous-série · 1976-2009, 2018
Fait partie de Sur Rodney (Sur) fonds

The subseries illustrates the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1970s to 2009. It gives an insight in the life of various artists by the means of personal correspondence exchanged with Sur Rodney (Sur). The sub-series includes a scrap-book containing letters, photographs and drawings send to Sur Rodney (Sur) by artist Pauline Graham Leathem. The sub-series includes as well extensive correspondence with Ronald Heydon, photographer John Brill and artist Lorraine O'Grady. It also contains correspondence with artists Jordan Arseneault, Ann Fensterstock, Arnaud Gosselin, Angel Borrero, Carlo Pittore, Elspeth Duncan, Phyllis Wright, Al Hansen, Ruth Kligman, Adrian Piper, Ray Johnson, and others. Some of these artists were active, like Sur Rodney (Sur), with Visual Aids, an organization working on AIDS awareness through art projects, while supporting artists living with AIDS and archiving their work.

The subseries consists of, but is not limited to, correspondence, newspaper clippings, drafts, and a scrapbook.

Works of fellow artists
P234/ B2 · Sous-série · 1963, [ca. 1973]-2022
Fait partie de Sur Rodney (Sur) fonds

The subseries illustrates the art scene around Sur Rodney (Sur), focussing especially on artists from the New York East Village, but including some international artists as well. It gives an insight in the artistic career of various artists, as there are, among others, Andreas Senser, Gracie Mansion, Geoffrey Hendricks, and photographer Timothy Greathouse. The sub-series covers subjects like Black Contemporary Art, performance art, Queer Art, and the problematic of Aids. The sub-series includes the documentary "I'll be your Mirror", screened at the Los Angeles Gay and Lesbian film festival and featuring photographer Nan Goldin and the lower east side of Manhattan during the 1980s and HIV/AIDS. It also includes an Acker Award box from 2014, containing original art works and mementos contributed by the awardees.

The subseries consists of, but is not limited to, newspaper articles, exhibition catalogs, magazines, and other publications, correspondence, a poster, and an Acker Awards box.

P234/ B1 · Sous-série · [1960], 1972-2022
Fait partie de Sur Rodney (Sur) fonds

The subseries illustrates Sur Rodney (Sur)’s career as an artist and his involvement in the art scene, from the beginning of his career in the 1960s to today. It documents Sur Rodney (Sur)’s various actions and implications not only as an artist, but also as spokesperson for artists from marginalized groups and especially those living with HIV/AIDS.
The subseries includes material on various of Sur Rodney’s projects, such as, among others, the video production The Scary truth About Cockroaches & Landlords, various exhibitions, Sur Rodney (Sur)’s contributions to numerous publications, his participation in various panels and talks, especially his presentation at the CCA Panel : Art Minus Hype : American Art in the 1980’s (1997), and the television shows Sur Rodney (Sur) Show (1980) and All New Sur Rodney (Sur) Show (1981), both moderated by Sur Rodney (Sur). In these shows Sur Rodney (Sur) presented artists from the Manhattan's Lower East Side art scene.
The subseries also includes interviews with Sur Rodney (Sur).

The subseries contains, but is not limited to, scripts, notebooks, calendars, a scrapbook, photographs, flyers, newspaper articles, magazines and other publications, moving images, a press kit, posters, and a sound recording.

Sur Rodney (Sur) fonds
P234 · Fonds · [ca. 1900]-2022, predominantly 1974-2019

The Sur Rodney (Sur) fonds gives an insight into the life and career of Sur Rodney (Sur), from his childhood in Montreal until today. It informs about his family background and early life as part of Montreal’s black community during the 1950s and 1960s. The fonds illustrates Sur Rodney’s work as an artist and activist, and it presents the North-American and more precisely the New York East Village art scene around Sur Rodney (Sur) from the 1960s to 2018, by the means of personal correspondence exchanged with Sur Rodney (Sur), exhibition catalogues, and documents related to The Sur Rodney (Sur) Show (1980) and the All New Sur Rodney (Sur) Show (1981). It also contains information about the AIDS crisis, the organization Visual Aids and Sur Rodney’s implication within this context.

The fonds is organized into the following series:

P0234/A The Adams family and Sur Rodney (Sur)’s personal life
P0234/B The Artist Sur Rodney (Sur) and fellow artists

The fonds includes, but is not limited to, photographs, art works, scrap-books, posters, speaking notes, correspondence, programs, flyers, newspaper clippings, ephemera, publications with contributions by Sur Rodney (Sur), moving images and sound recordings.

Sans titre
David Lee fonds
P233 · Fonds · 1984-2000

The David Lee fonds illustrates David Lee’s work as an author as well as the life of Paul Bley. It contains material related to the biography of the Montreal-born jazz pianist Paul Bley (1932-2016), entitled “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee, published by Vehicule Press in 1998.

The fonds includes transcripts of interviews with Paul Bley; manuscripts for the book “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee; correspondence; and photographs, among other documents.

Sans titre
Boyce Richardson fonds
P231 · Fonds · 1948-2003

The fonds documents the professional life of Boyce Richardson.

It includes manuscripts of articles, research materials, correspondence, newspaper clippings, film proposals and scripts, and photographs of the James Bay Cree community.

Sans titre
Objects
P228/ D · Série · [197-?]-1993
Fait partie de Vernon Isaac fonds

The series contains materials that document the Ottawa International Jazz Festival and Jazz Ottawa.

It contains four Jazz Ottawa badges and three plaques from the Ottawa International Jazz Festival.

Audio-visual material
P228/ C · Série · 1962-1998
Fait partie de Vernon Isaac fonds

The series contains documentation pertaining to the history of jazz in Canada in the second half of the 20th century. It documents Vernon Isaac’s career as a jazz musician through recordings of the LVJ Trio, Vernon Isaac’s Big Band, Jazz Ottawa and an interview with Vernon Isaac. It also includes recordings of Allan Wellman and Oliver Jones.

The series contains sound recordings and moving images.

P228/ B · Série · [193-?]-2000
Fait partie de Vernon Isaac fonds

The series illustrates Vernon Isaac’s personal life as well as his career as a musician, and includes documents concerning his work with Three Jacks and a Jill, the Vernon Isaac trio, Jazz Ottawa, Ebony in Rhythm, and others. The photographs mostly relate to Vernon Isaac's work as a musician, but also includes images of him as a soldier, and of his family and friends. Some images depict his travels to Greenland and Alert, Nunavut. The series also includes publicity photographs showcasing other artists (some publicity photographs are inscribed by the artists).

The series contains 11 photo albums of various sizes, 10 scrapbooks (composed of press clippings, photographs, advertisements, correspondence, programs, postcards), loose photographs, posters, and a drawing.

Textual records
P228/ A · Série · 1939-2000
Fait partie de Vernon Isaac fonds

The series provides information on Vernon Isaac and other jazz musicians. It presents Isaac’s life as a musician as well as his family. It also contains material on Jazz Ottawa.

The series contains, among other materials, personal papers, newspaper clippings, correspondence, flyers, programs, biographies, invitations, newsletters, meeting minutes, financial documents and certificates.

Vernon Isaac fonds
P228 · Fonds · [193-?]-2000

The materials in the fonds document Vernon Isaac’s life as a jazz musician and the Canadian jazz scene of the 1970s to 1990s. The fonds also contains information about Vernon Isaac’s family.

The fonds includes personal documents, photographs of Vernon Isaac’s family, friends and other performers, press clippings, programs, posters, commemorative plaques, and sound and audiovisual recordings of Vernon Isaac.

The fonds is organized into the following series:
P0228/A. Textual records
P0228/B. Scrapbooks, photo albums and other graphic material
P0228/C Audio-visual material
P0228/D Objects

Sans titre
Linda Leith fonds
P227 · Fonds · 1944-2008

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Sans titre
Taras Grescoe fonds
P223 · Fonds · 1982 - 2022

Fonds consists of materials related to the life and work of Taras Grescoe and documents the research conducted during the process of writing the following publications: Sacré Blues (2000), The End of Elsewhere (2003), The Devil's Picnic (2005), Bottomfeeder: How to Ear Ethically in a World of Vanishing Seafood (2008), Straphanger: Saving Our Cities and Ourselves from the Automobile (2012), and Shanghai Grand: Forbidden Love and International Intrigue in a Doomed World (2016). These publications document Quebec society, tourism, the environment, history, and the prohibited food and substance business, among other topics.
The fonds includes audio interviews and transcripts and interview transcripts, research documentation, drafts of book chapters and articles, travel notebooks, correspondence, and manuscripts.

The records include sound recordings and transcripts of interviews, research materials, drafts of book chapters and articles, travel notebooks, and correspondence.

Sans titre
Gerald Clark fonds
P220 · Fonds · 1939-2001

The Gerald Clark fonds contains documents pertaining to the Gerald Cohen's professional life and documents current events occuring in the period that he was active as a newspaper correspondent.

The fonds is composed of research materials, notes, drafts of articles and books, clippings of articles, correspondence, and speeches, among other materials. It also includes recorded interviews with world figures.

Sans titre
Father Thomas McEntee (3 of 3)
P204-11-057.3 · Pièce · 1991
Fait partie de Patricia Burns fonds

Interview with Father Thomas McEntee on December 6, 1991.
Part 1: 44 min., 52 sec.
Part 2: 35 min., 6 sec.
Part 3: 34 min., 56 sec.

Sans titre
Father Thomas McEntee (2 of 3)
P204-11-057.2 · Pièce · 1991
Fait partie de Patricia Burns fonds

Interview with Father Thomas McEntee on December 6, 1991.
Part 1: 44 min., 52 sec.
Part 2: 35 min., 6 sec.
Part 3: 34 min., 56 sec.

Sans titre
Father Thomas McEntee (1 of 3)
P204-11-057.1 · Pièce · 1991
Fait partie de Patricia Burns fonds

Interview with Father Thomas McEntee on December 6, 1991.
Part 1: 44 min., 52 sec.
Part 2: 35 min., 6 sec.
Part 3: 34 min., 56 sec.

Sans titre
May E. Cutler (2 of 2)
P204-11-055.2 · Pièce · 1993
Fait partie de Patricia Burns fonds

Interview with May E. Cutler on July 15, 1993.
Part 1: 1 hr., 3 min., 30 sec.
Part 2: 10 min., 27 sec.

Sans titre
May E. Cutler (1 of 2)
P204-11-055.1 · Pièce · 1993
Fait partie de Patricia Burns fonds

Interview with May E. Cutler on July 15, 1993.
Part 1: 1 hr., 3 min., 30 sec.
Part 2: 10 min., 27 sec.

Sans titre