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This fonds documents the administrative activities of the Department of Studio Art. It mainly consists of folders for part-time faculty, curriculum development files, and unit meeting notes. The following RCRP categories are contained within this fonds:

1131 Curriculum Development (1980-2000)
1140 Academic Program Management (1984-1995)
1160 Academic Program Appraisals (1985-1992)
1220 Student Exchange Programs (1988-1995)
1313 Course Outlines (1980-2015)
1410 Academic Appointments (1984-2012)
1430 Part-time Faculty - Academic and Professional Dossier (1974-2019)
2110 Student Recruitment (1990-1995)
2120 Enrolment Statistics (1987-1995)
2430 Awards & Scholarships - Programs (1978-1995)
2470 Relations with Student Associations (1994-1998)
4120 Governing Bodies (1986-1995)
4130 Organizational Charts & Mandates (1991-1993)
5110 Administrative Planning (19185-1994)
5111 Meeting of Units (1984-1997)
5112 Reports, Studies & Analyses (1989)
5113 Statistics (1986-1996)
5120 General Administrative Management (1985-1998)
5123 Procedures, Guidelines and Templates (1982-1998)
5160 University Events (1987-1999)
5170 External Relations (1991-1992)
5270 Copyrights (1997-1998)
5461 Promotional Material (1989-1993)
6111 Job Profiles (1989-1990)
6120 Advisory Search Committee & Evaluations (1993)
9200 Archives, Libraries and Art Galleries Holdings (1991)
9213 Historical Evolution (1987-1989)

The fonds provides information on the academic and administrative activities of the department of Theological Studies.

The following series of records are included:

1131 Curriculum Development (1974-2017)
1140 Academic Program Management (1974-2005)
1160 Academic Program Appraisals (1965-1974)
1210 Academic Cooperation (2006-2018)
1310 Academic Session Organization (1974-1981)
1313 Course Outlines (1984-2020)
2120 Enrolment Statistics (1972-1981)
2430 Awards and Scholarships - Programs (1974-1981)
3140 Recognition, Awards and Prizes to Researchers (1974-1975)
3210 Research Chairs (2001)
5111 Meetings of Units (1966-2019)
5112 Reports, Studies and Analyses (1974-2006)
5113 Statistics (2014)
5160 University Events (1972-1976)
5170 External Relations (1967-1994)
5461 Promotional Material (1974-1979)

The Desmond Rupert Adams fonds consists of personal, family, and studio photographs including studio portraits, commercial assignments and personal explorations. The majority of the photographs are portraits. Some photographs depict Expo '67, the Olympic games in Montreal 1976, and street life in Montreal.

The fonds contains a variety of photographic formats, art works, and exhibition prints. There are photo albums, some audio-visual documents and some studio client files.

The fonds documents the personal and professional life of Don Bell, his work as a magazine journalist and used and rare book dealer and many features of life in Montreal and elsewhere during his working life.

It includes personal and family documents, correspondence, manuscripts, research materials, notebooks, and photographs.

The fonds provides information on Boisvert's professional life and private life.
The Professional Life series is organized in 9 sub-series:
CONCORDIA UNIVERSITY ADMINISTRATION
CONFERENCE, SEMINARS
DISTINCTIONS
HOUSE OF COMMONS
MONTREAL DIOCESAN THEOLOGICAL COLLEGE ADMINISTRATION
PHOTOS
PRIESTHOOD
RESEARCH
TEACHING
WRITINGS

The Private Life series is organized in 3 sub-series:
CORRESPONDENCE
EDUCATION
PHOTOS

The fonds is composed of a text book, a few photographs and newspaper clippings related to Professor Peets’s career as Registrar in the 1960s.

The fonds documents Dora Pleet’s relationship with Irving Layton. It further contains material about Layton collected by Pleet. Material consists of correspondence, magazine and newspaper clippings, periodicals, a leaflet, a pamphlet, posters, and copies of various poems by Irving Layton. The Dora Pleet fonds is part of the Irving Layton Collection.

The fonds is divided into five series:
F019 / A. Correspondence
F019 / B. Clippings
F019 / C. Periodicals
F019 / D. Poems
F019 / E. Promotional material

The fonds provides information on Montreal Children's Theatre and its founders.

The fonds consists of five scrapbooks including press clippings and articles, as well as photographs, a video cassette of a media interviews with Dorothy Davis [ca. 1983, 1984] and of a report on her death in 1993, and the honourary degrees conferred by Concordia University on Dorothy Davis and Violet Walters in 1984.

The Dorothy Harper collection contains materials documenting the the life of Dorothy Harper, specifically her interest in jazz music.

The collection contains two sound recordings and 54 photographs. A number of the photographs showcase jazz clubs in Montreal, including the Café Esquire and El Morocco. Other images show Oscar Peterson in concert, while many depict scenes from Dorothy Harper's life in Montreal in the mid-1940s.

Dorothy Rath Fonds consist of records relating to Dorothy Rath as Layton’s friend. Records include correspondence between Rath and Layton, photographs of Dorothy Rath, Irving Layton, and friends, audio recordings of Layton’s public readings, video clips of Layton’s television appearances and book readings, newspaper clippings relating to Layton’s works, and promotional and publicity material regarding Layton’s appearances. The Dorothy Rath Fonds is part of the Irving Layton Collection.

The fonds is divided into 8 series:
F007/A Audio recordings
F007/B Clippings
F007/C Correspondence
F007/D Photographs
F007/E Poems
F007/F Promotional Material
F007/G Sculptures
F007/H Video recordings

The fonds provides information on the personal and professional life of Douglass B. Clarke. It also provides some information on his family.

The fonds includes clippings, photographs, theater programs related to the plays in which Clarke was involved, diplomas, certificates, correspondence, cards, scrapbooks and drawings. There is also a draft copy of Decades of Decisions and an honorary life membership certificate to the Association of Alumni of S.G.W.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

Fonds consists of materials accumulated by Edith Mather resulting from her friendship with Irving Layton. This fonds is predominantly composed of photographic prints, negatives, and slides of Irving Layton, Betty (Sutherland) Layton, Aviva (Cantor) Layton, and children Max Layton, Naomi Layton, and David Layton. It also contains a painting of Irving Layton by Edith Mather.

Collection is divided into 2 series:
C010/A. Photographs
C010/B. Artwork

The fonds provides information on rhythm and blues music in Montreal.

The fonds contains a Concordia University paper written in 2000, entitled Notes in Time: A Brief Oral History of Montreal's Rhythm and Blues Club Circuit, on the club circuit in Montreal 1967-1999. It includes video interviews with four rhythm and blues musicians and a laser copy of an exterior photograph of the Montreal night club Rockhead's Paradise.

The fonds mainly provides information on his teaching activities at Concordia and administrative duties as Director of the SGW Art Galleries.

The fonds includes course outlines, reference materials on art, student exams and papers, committee minutes and correspondence.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The fonds provides information on the events that occurred at Concordia University on the afternoon of August 24, 1992.

The fonds consists of the account of the events prepared by Elizabeth Horwood, transcripts from the 911 conversation, transcripts of the court hearings, and a pamphlet.

The fonds includes Dr. Saccá's Concordia University Board of Governors meeting files from February 1995 to April 2000. The files include annotated agendas, handwritten notes, minutes, meeting documents, and copies of notes regarding the meetings that were sent to Fine Arts Department faculty members. The fonds includes materials related to Dr. Saccá's activities as principal of the Simone de Beauvoir Institute and her participation in Concordia University's organizational review.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

The ESSE arts + opinions collection provides information about ESSE arts + opinions magazine from 1987 to 2023. The collection consists of administrative records, photographs and promotional material that document the functions and activities of the magazine during its early stages of publication between 1987 to 1998. The collection also includes documentation about the artists and contributors that were involved in the editorial work of the magazine.

The collection contains essays, drafts, articles, correspondence, financial records, minutes and agendas, handwritten notes, manuscripts, photographs, and newspaper clippings about ESSE arts + opinions. It also includes information related to contributors, press releases, promotional material such as flyers, and postcards and leaflets. The collection contains 19 issues of the magazine published between 1987 and 2011.

The Eveline Mason Letters Collection documents Eveline’s life before, during, and after the Second World War as she moved between Canada, the United Kingdom, and the United States. The letters describe her experience of moving alone from Montreal to Scotland at a young age, and her plans of pursuing a university degree at Glasgow University, where she met Alexander Cairncross, the recipient of the letters. The contents of the letters also tell of Eveline’s passage back to Canada at the start of the war, her struggles obtaining employment, finding her place in the workforce as a stenographer, her experience and thoughts of living and working in the United States during the war, and finally her return to the United Kingdom.

The collection includes 102 handwritten and typed letters.

The fonds documents the activities of the Concordia University Facilities Management. This fonds primarily consists of records relating to building construction (including architectural plans), renovation projects, estate inventories, property files, and minutes of meetings.

The fonds documents the activities of the Loyola College Faculty of Science.

This fonds consists mainly of meetings of units and reports: meetings from the Department of Chemistry, the Department of Computer Science, the Department of English, the Department of Geology, the Department of Mathematics, the Department of Philosophy, the Department of Physics, the Department of Political Science, the Department of Psychology and the Department of Theology.

The following RCRP categories are contained within this fonds:

1110 Academic Planning (1973-1974)
1131 Curriculum Development (1969-1973)
2120 Enrolment Statistics (1968-1975)
4110 Charter & By-Laws (1962-1970)
4120 Governing Bodies (1964-1974)
4130 Organizational Charts & Mandates (1968-1974)
4210 University Policies (1965-1973)
4130 Organizational Charts and Mandates (1971-1972)
5111 Meetings of Units (1964-1974)
5112 Reports, Studies and Analyses (1967-1970)
5113 Statistics (1965-1972)
5120 General Administrative Management (1962-1970)
5170 External Relations (1967-1974)
5173 Professional Services (1969)
5450 University Publications (1971-1972)
5461 Promotional Material (1971-1972)
6500 Labour Relations (1969-1970)
7220 Financial Statements & Reports (1968)
8121 Estate Inventories (1967)

The fonds documents the financial management of Concordia University.

The fonds includes financial statements, general ledgers (on microfiches for some years) and account charts, control budget reports, some committee minutes (e.g. Budget and Audit committees) and general administrative records. There are also file copies of financial reports sent to the Quebec government such as the Rapport financier annuel, the Rapport périodique de dépenses d’investissement.

The fonds provides information on activities organised by the Sir George Williams Liberal Club and its guest speakers, such Lester B. Pearson, Leader of the Opposition, in 1958; Mr. Pearson would be prime minister of Canada from 1963 to 1968 and receive the Nobel Peace Prize in 1957.

The fonds consists of correspondence, clippings, photocopies of photographs on student life and the Liberal Club, a Sir George Williams College silk scarf, and a frosh button.

The fonds documents the activites of the Concordia University FOFA Gallery. The fonds is organized in the following series:
2410 STUDENT ORIENTATION ACTIVITIES (2010-2011)
4130 MISSION STATEMENT AND MANDATE (2005-2006)
5111 MEETINGS OF UNITS (2015)
5170 EXTERNAL RELATIONS (2013-2017)
5160 UNIVERSITY EVENTS (2006-2016)
5420 MEDIA RELATIONS ([200?])
5430 MEDIA COVERAGE (2007-2014)
5461 PROMOTIONAL MATERIAL (2013-2017)
5450 UNIVERSITY PUBLICATIONS (2006-2008)
5451 LEGAL DEPOSIT (2007)
9120 DONOR FILES (2015)
9240 ART GALLERIES PROGRAMMING (2006-2019)
9241 ART GALLERIES EXHIBITIONS (2006-2019)

The fonds consists primarily of slides on liturgical art in Quebec. It includes slides on the production of films and books on art.

The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.

The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.

The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.

Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few. The subseries also includes scrapbooks containing extensive correspondence on or about Jean Dubuffet.