Subseries contains documents used by John Gilmore for research purposes. It includes a variety of sound recordings, mostly of music performances, and one film.
The sub-series contains music scores, note book exercises and other textual items concerning music theory and technique relating to Herb Johnson.
The sub-series contains cards, articles, press clippings, graphic promotional material, photographs and other textual items concerning the career in the music industry of Herb Johnson.
The sub-series contains correspondence received from friends and acquaintances in the music business.
Subseries provides information about the project Mr. Clean.
Subseries includes research material on Floyd Landis, Dick Pound and doping in sports, and handwritten notes.
Photographs, business cards, newspaper articles, correspondence, maps, a speech, sheet music, Canadian Press charter and by-laws
The sub-series documents the YMCA's reflection on its mission, mandate, objectives, philosophy, values, and role.
Subseries contains primary research material used by John Gilmore. Subseries is composed of arrangements, posters, and sheet music, among other documents.
Subseries provides information about an unfunded project titled MI'KMAQ Science.
Subseries includes handwritten notes, research documents, correspondence, greeting card, clippings, and videocassettes.
The sub-series concerns the merger that was finalized in 1974 with the formation of Concordia University from the union of Loyola College and Sir George Williams University. The sub-series contains correspondence, organization charts, news releases, reports, legal documents, enrolment statistics, and other records relating to legal, financial, personnel, academic, and administrative aspects of the merger process. It includes records on Concordia University by-laws, the election of the new Board of Governors, the selection of Concordia University officers, the transfer of assets and liabilities, the transfer of Loyola property, naming the new university, and the Loyola community's position on the merger process.
The subseries gives an insight into the galleries life and functioning by providing information on membership, member recruitment, daily communication among members, and subscriptions to articule from 1983 to 2002.
The subseries contains leaflets, subscriptions, member lists, four notebooks, general correspondence send to members by articule, and biographical information of some artists.
The subseries reflects the role of the gallery’s members as active part of the organization. It presents documents collected by various members, including founding members, from the gallery’s beginnings in 1973 to 1999.
The subseries includes documents donated by :
Celine Boucher
Gail Bourgeois
Sheena Gourlay
Margaret Griffin
Suzanne Harwood
Gail Lauzzana
Pauline Morier
Joanna Nash
Ann Pearson
Petronella (Nell) Tenhaaf
The subseries includes newsletters, posters, correspondence, meeting minutes, invitations, newspaper clippings, photographs (mostly contact sheets), publications, a drawing, and an artist book.
The subseries provides information about the members of La Centrale throughout the years.
The subseries contains membership forms, membership applications, lists of members, correspondence, and a CV.
This sub-series provides insight into the administration and organizational structure of the Black Theatre Workshop (BTW). The BTW is governed by a Board of directors, to which all committees and directors report. It includes documents related to meetings of the Board of Directors; Executive Committee; Management Committee; and the Planning and Priorities committee. It also contains documents concerning General meetings and meetings of temporary committees.
This sub-series contains, among other documents, meeting minutes, reports, correspondence, lists of board members, organizational charts, job descriptions, meeting notes, and various documents presented or discussed at the meetings, as well as newspaper clippings, and grant applications.
The subseries provides insight into the administration and organizational structure of the Black Studies Center, as well as into the decision-making process, programming and other issues discussed at meetings of the Black Studies Center. The subseries includes documents related to the Board of directors, the Library Committee, staff meetings, and others.
The subseries contains, among other documents, meeting minutes, agendas, mandates, reports, policies, correspondence, and memos.
The subseries provides information about committees involved in the administration of Articule, from the gallery’s beginnings in 1979 to 2015.
The subseries includes meeting minutes of the General Assembly, the Board of Directors, and various committees, as well as documents discussed during these meetings (calendars, contracts, forms, press releases, reports, budgets), notes, a strategic plan, photographs taken during a General Assembly, and a proposal.
The subseries provides information about committees involved in the administration of the La Centrale.
The subseries includes meeting minutes of the general assembly, the board of directors, and various permanent and ad hoc committees. It also includes documents consulted during the meetings and recordings of meetings.
The sub-series contains information related to McKenna’s production companies, including personnel and equipment.
McKenna Purcell Productions Inc. was formed in the fall of 1980. It was superceded by Wartime Productions Inc. in 1989. Both companies were incorporated by Brian McKenna and Susan Purcell.
The sub-series contains, among other documents, annual reports, financial statements, certificates, correspondence, a webpage template, CVs, pamphlets, newspaper articles, advertisements, photographs, project proposals, sound recordings, a video, and documents related to the companies’ incorporations.
Subseries documents the production process and provides information about the film Maxime, McDuff et Mcdo.
Subseries includes research report, meeting minutes, photographs, correspondence, handwritten notes, contracts, transcripts, broadcasting information, printed cartoons and caricatures, flyers, newspaper clippings and the film in videocassette.
The sub-series contains information about the Max Bell Fellowship and student proposals.
The sub-series contains, among others, newspaper articles, correspondence, notes, film proposals, and an open letter.
The materials in the sub-series document the activities of managerial groups in which executives of the Montreal YMCA have taken part. The records include correspondence, reports, minutes and other meeting documents, as well as various working documents, reports, studies, and publications. The materials are arranged in the following sub-sub-series:
P0145/04D01 - Meetings, conferences, administration.
P0145/04D02 - Publications and studies.
The sub-series contains correspondence, minutes, receipts, membership lists, clippings, financial statements, pamphlets, and other records relating to a 1919-1922 fundraising campaign whose goal was to raise $300,000 for a building fund.
The sub-series presents McKenna’s contributions to magazines (The Gazette, The Last Post, Weekend Magazine, Literary Review of Canada, MacLean’s) and The Canadian Encyclopedia, including book reviews in The Gazette.
The sub-series contains newspaper articles, a magazine, and correspondence.
Subseries provides information about the project Macal River.
Subseries includes documents on coalition to stop fortis and Chalillo Dam project, handwritten notes, correspondence, press release and clippings.
Subseries documents the production process and provides information about the project the film Ma vie réelle.
Subseries includes contracts, handwritten notes, articles, leaflet and brochures, research documentation, film summary, budget and notes.
The sub-series contains correspondence, reports, news releases, and other records documenting deliberations regarding the merger of Loyola College and Sir George Williams University.
The sub-series contains correspondence, assignment sheets, schedules, reports, an honour roll, lists of prospects, and other records related to Loyola's Development Program. Its goal was to raise $6,600,000 for capital needs.
The sub-series illustrates Brian McKennas journalistic debuts with the Loyola News in the 1960s.
The Sub-series contains mainly newspaper clippings, several issues of Loyola News, a photograph, and notes.