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The David Lee fonds illustrates David Lee’s work as an author as well as the life of Paul Bley. It contains material related to the biography of the Montreal-born jazz pianist Paul Bley (1932-2016), entitled “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee, published by Vehicule Press in 1998.

The fonds includes transcripts of interviews with Paul Bley; manuscripts for the book “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee; correspondence; and photographs, among other documents.

Le fonds contient une montre en or sur laquelle est inscrite «.J. Curran Q.C.L.L.D. on his 40th birthday by the Irishmen of Montreal, February 22, 1882».

The fonds highlights the personal and professional lives of Vincent and Olga Diniacopoulos as antiquarians, collectors, art dealers and travelers. It is comprised of personal letters from, and copies of letters to, family members, friends, and business associates. There are identification documents, passports, and other travel documents, school records and other materials from Olga and Denis’ childhoods’. The fonds includes personal/family photographs, negatives and slides ranging from the 19th century to the 1990s. There are photographs of antiques and works of art; however, many of the subjects are not identified. There are also many publications (books, newspapers) that were collected by the fonds creators throughout the years. Among these written documents is a travel diary and as well as some letters from the 19th century which cannot be clearly linked to the creators of the fonds, but are nevertheless an interesting source of information.

P0174/A Correspondence
P0174/B Personal life
P0174/C Business documents
P0174/D Ars Classica gallery
P0174/E Publications
P0174/F Chartres … Algérie … Rennes … Orange … Marseille …
P0174/G Unidentified letters

The fonds documents the activities of Concordia International. The following RCRP categories are contained within this fonds:

1220 Student Exchange Programs
2430 Awards & Scholarships Programs
4130 Organizational Charts & Mandates
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5170 External Relations
5420 Media Relations
5430 Media coverage

Le fonds témoigne de la gestion et de la croissance d'une poste radiophonique AM et FM à Montréal dès les années 1930 jusqu'aux années 1990, ainsi qu'aux activités professionnelles du propriétaire, Jack Tietolman. Il porte surtout sur l'administration et sur le fonctionnement de la société de portefeuille Radio Futura et des stations radiophoniques CKVL et CKOI. Le fonds témoigne également de l'engagement sociale et communautaire de Jack Tietolman dans de nombreuses associations.

Le fonds comprend principalement des documents administratifs et financiers, des documents portant sur la vente de publicité, et d'autres portant sur la radiodiffusion. Il contient aussi des documents et des objets personnels.

Le fonds regroupe les séries suivantes:

P113/A Documents personnels
P113/B Administration de stations radiophoniques

Le fonds du Black Community Resource Centre (BCRC) fournit des informations sur l'administration, les finances, les projets, les services et les activités du BCRC depuis sa création en 1992 jusqu'en 2021. Le fonds comprend également une vaste documentation sur plusieurs partenariats entre le BCRC et d'autres organisations avec lesquelles il s'est associé dans le cadre de divers programmes et ateliers.

Le fonds du Black Community Resource Centre se compose principalement de documents textuels qui détaillent le processus administratif de l'organisation et les activités quotidiennes du BCRC. Le fonds contient des accords de partenariat, des procès-verbaux, des ordres du jour, des bulletins d'information, de la correspondance, des rapports annuels, des documents financiers, des évaluations de projets, des diapositives de présentations et des descriptions de postes de travail, entre autres documents administratifs. Aussi, le fonds comprend des photographies, des affiches et du matériel promotionnel pour plusieurs événements et programmes offerts par le BCRC et d'autres organisations, y compris aussi le Programme de préparation à l'école, le Bureau des bénévoles, House of King and Queens, et le festival A Taste of the Caribbean (Goût des Caraïbes). Il contient également de la documentation de recherche et d'autres documents conservés par le BCRC pour être utilisés dans son centre de ressources.

The fonds provides information on the activities of the committee.

The fonds contains correspondence and other records on help given to Hungarian refugee students and statistics on the attendance of Hungarian refugee students at Canadian universities and colleges.

The fonds provides information on alumni activities. There are also records related to the Loyola Hall of Fame and the Loyola Medal.

The fonds consists of by-laws, correspondence, accounting records, lists of nominations, honours presentations documentation, reference documentation on various social activities organised for the alumni members, minutes, fund raising literature, and membership lists, as well as photographs and audiovisual records of activities, publications and memorabilia. There are also four reels of microfilmed press clippings.

The fonds is reflective of Hall’s forty-year career as a counselor, instructor, and administrator at Sir George Williams University in Montreal, Quebec and leader in the field of Canadian education. Materials in this fonds also highlight Hall’s life-long work with the Young Men’s Christian Association (YMCA) of Montreal, his commitment to the growth of Sir George, his role as a respected public figure, his participation in the scientific and religious communities of Montreal, and his diverse personal interests including astronomy, biology, and the history of the Eastern Townships.

The fonds primarily consists of Hall’s teaching notes and course outlines, research, correspondence, his drafts of "The Georgian Spirit: The Story of Sir George Williams University," typed addresses and presentation notes, and conference materials, as well as personal documents such as notebooks, educational records, and gifts. Also included are awards, diplomas and certificates, photographic material, memorabilia, and materials collected and used by Hall such as reports, publications, manuscripts, and press clippings.

The fonds is arranged in the following nine series:

P0006/A Personal records
P0006/B Teaching materials and research
P0006/C Correspondence
P0006/D Addresses, records from special events, and conference materials
P0006/E "The Georgian Spirit" manuscripts
P0006/F YMCA
P0006/G Eastern Townships
P0006/H Photographs
P0006/I Collected press clippings

The fonds is organized in two series PRIVATE LIFE and PROFESSIONAL LIFE.

The PROFESSIONAL LIFE series contains a TEACHING sub-series with records on Howard Fink's career at Sir George Williams and Concordia University: an agenda, miscellaneous correspondence, course outlines, an honour student file, examination questionnaire samples. There's a sub-series titled COMMUNITY ENGAGEMENT related to his involvement with the Canadian Association of Emeriti and Retired Academics (CAERA), the Ontario Confederation of University Faculty Associations (OCUFA) and the Association for the Study of Canadian Radio and Television (ASCRT). The POETRY READING SERIES and the FACE TO FACE CONFERENCE sub-series include correspondence, programmes, publicity and other records related to the logistics of those events. The RESEARCH sub-series contains record about a France-Quebec collaboration on the study radio-drama tradition. The fonds also contains records about the Centre for Broadcasting Studies Fink helped establishing and the CBC Radio Drama Bibliography.

The PRIVATE LIFE series contains personal correspondence.

Le fonds Magnus Isacsson documente la vie et l'œuvre de Magnus Isacsson de 1971 à 2014. Il contient des documents couvrant son début de carrière comme producteur de télévision, son expérience comme journaliste indépendant et éducateur ainsi que des nombreuses années qu'il a travaillé comme cinéaste indépendant. Le fonds donne un aperçu des projets d'Isacsson et comprend des œuvres complétés, inachevées et inédites. Le fonds inclut également de la documentation sur la sortie, la projection et la réception critique de ses films.

Le fonds Magnus Isacsson contient des documents sur divers supports et formats qui détaillent les processus administratifs et créatifs de son travail à la télévision, au cinéma et comme éducateur. Entre autres types de documents, le fonds contient la recherche et les notes d'Isacsson; des bandes de tournage, des séquences brutes et des bandes maîtresses dans plusieurs formats; des enregistrements sonores; des photographies; du matériel promotionnel; des contrats; de la correspondance; des propositions de projets; des articles et coupures de journaux; des dossiers financiers; et du matériel pédagogique.

Le Fonds Magnus Isacsson est organisé selon les séries suivantes:
• F038/A Projets documentaires
• F038/B Journalisme et écriture
• F038/C Papiers personnels
• F038/D Travail à la télévision

The fonds provides information on the editing and publishing work of Véhicule Press.

The fonds consists of manuscripts, published and bound books, and publicity materials; production materials including correspondence, pamphlets, layouts and sketches for covers, printing templates, printing quotes, typescripts, page proofs with corrections, editors' and authors' notes, biographies of authors, curricula vitae, pictures of various authors and agendas; and posters and post cards that were printed for the Véhicule Art gallery.

The fonds provides information on the activities of the Concordia Institute for Canadian Jewish Studies from 1987 until 2013.

It contains annual reports, event files, publications, promotional materials, minutes and press clippings.

The Black Studies Centre fonds contains materials documenting the administration, services, and activities of the Black Studies Centre from its beginnings as the National Black Coalition Quebec Institute of Research until 2014. The fonds also documents the Centre’s role within Montreal’s Black communities, as well as its relationships to other organizations working within and outside Montreal. In addition, the Black Studies Centre fonds is an important source of reference documentation pertaining to the history, culture, and contributions of Black communities in Canada: it contains a rich collection of newspapers, periodicals, and books, dating from 1969 to 2012, including but not limited to copies of Contrast (1969-1999), Community Contact (1998-2008), Afro-Can (1981-1984), Focus Umoja (1974-1978), Uhuru (1969-1970), and Umoja (1969-1970, 1990), as well as books that were previously held in the collection of the Black Studies Centre’s Library.

The fonds is divided into the following series:
F034/A Administration
F034/B Financial records
F034/C External relations
F035/D Programming and Services
F035/E Research
F035/F Reference documentation

The Black Studies Centre fonds contains, among other documents, meeting minutes, agendas, reports, policies, correspondence, letters patent, statistics, photographs, architectural plans, deeds of sale, insurance policies, permits, contracts, agreements, organizational charts, resumes, job descriptions, lists, financial documents, grant applications, brochures, by-laws, directories, newspapers and newspaper articles, press releases, newsletters, leaflets, flyers, invitations, catalogs, notes, index cards, moving images, sound recordings, posters, biographies, schedules, attendance records, stories, poems, song texts, drawings, forms, costumes, research papers, bibliographies, bibliographic records, interview transcripts, reproductions of historical documents, speeches, summaries of newspaper articles, accession records, subscriptions, a guest book, books, magazines, periodicals, and a musical instrument.

Le fonds couvre la carrière journalistique de Jacques Trépanier au début des années 1950 et documente principalement la scène artistique montréalaise. Le fonds se compose surtout de coupures de presse de La Patrie, conservées dans deux spicilèges. Plusieurs articles sont des chroniques portant sur les clubs de nuit à Montréal de 1950 à 1954, publiés sous une rubrique intitulée « La Ronde des cabarets ». Le fonds inclut également une quarantaine de photos de presse et quelques pièces de correspondance.

The fonds consists of a Loyola jacket worn by Harry Hemens as a student, and his chancellor's hood.

The fonds consists of the agendas and minutes of meetings of the Interim Council, 1975-1977, and of the Council for the following years.

The fonds provides information on the activities and management of the Computer Centre/Computing Services at Concordia between 1974 and 1996 and during its period at Sir George between 1970 and 1974. There are also some files which document the activities of the Loyola College Computing Centre (1970-1971) and its Data Processing Department (1971-1974). The fonds also includes the research material for the History of Computing Services Project, realized in 1995-1996, which include recorded interviews with employees of the unit and its four directors: Graham Martin, Ivan Fuchs, Jack Fearnley, and John Woodrow.

The fonds mainly consists of reports, correspondence, minutes of meetings, handbooks, computer program files, photographs and videos of employee social events, and sound recordings.

The fonds documents the administration and activities of the Centre for Mature Students, between 1977 and 2007. It mainly consists of reports, correspondence, and promotional material.

The fonds provide information on activities of the Concordia Chapter.
The fonds consists of the programs for the 14th and 15th Annual Bridge-Building Competition and the results from the 14th competition.

The fonds documents Concordia University’s management and decision making.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Board of Governors and its associated committees.

The fonds mainly documents the CIT and Concordia AV Department audio-visual productions and photographs made for the University community. There are also some textual administrative records, mostly composed of the documents of Gary Boyd, AV Assistant Director, Research & Development.

The fonds includes sound recordings (e.g. audio reels, compact cassettes) and moving images (e.g. film reels, video reels, videocassettes). For instance, the fonds contains most of the original audio reels of the SGWU Poetry series recorded for the English department between 1965 and 1974 (see the Concordia SpokenWeb project which uses this material). The fonds also includes photographs made by the AV Photographic section for the University community. This material is mainly composed of faculty and staff portraits and pictures of University events, dated between 1979 and 1994.

Fonds provides information on the activities of the Academic Planning Office from 1967 to 1984, years for which J. H. Whitelaw was Curriculum Coordinator, Associate Vice-Rector and Vice-Rector (Academic). It also provides information on related activities in which J. H. Whitelaw was involved from 1961-1984.

Fonds contains mainly curriculum, statistics, textual records, correspondence, minutes, reports, press clippings, procedures and policies. The fonds is organized according to the following series:

I0038/01 Associations
I0038/02 Budget
I0038/03 Budget Control and Accounting
I0038/04 Committees
I0038/05 Computer Facilities and Operations
I0038/06 Cooperation and Exchange Activities
I0038/07 Curriculum & Programmes
I0038/08 Departmental Affairs
I0038/09 Financing
I0038/10 General Correspondence
I0038/11 Publications
I0038/12 Relations / Services External
I0038/13 Relations / Services Internal
I0038/14 Research Activities
I0038/15 Staff General
I0038/16 Staff Teaching
I0038/17 Statistics
I0038/18 Student Life
I0038/19 University Organizations, Policy and Planning

Le fonds porte sur la carrière musicale de Walter et aussi sur la carrière des ensembles musicaux L'Infonie et le Quatuor de Jazz Libre du Québec, ainsi que sur Raoul Duguay et les musiciens Pierre Leduc et Jean Préfontaine.

Le fonds est constitué de trois spicilèges comprenant des notes de composition, des partitions musicales des compositions originales de Walter Boudreau, des coupures de presse, des arrangements, des photographies, des affiches ainsi que d'une robe de cérémonie portée par Boudreau dans L'Infonie.

This fonds documents the administrative activities of the Centre for Continuing Education. The following RCRP categories are contained within this fonds:

1130 Program Feasibility & Development
1140 Academic Program Management
1210 Academic Cooperation - Agreements
1313 Course Outlines
1331 Examination & Test - Questionnaires
2120 Enrolment Statistics
2320 Diploma Management
2420 Support Services for Students
5111 Meetings of Units
5112 Report, Studies and Analyses
5170 External Relations
5440 Websites
5461 Promotional Material

Le fonds contient une caricature d'Aislin, liée à la démolition, ordonnée par la Ville de Montréal, de l'exposition Corridart. Cette exposition avait été commanditée par le Programme des arts et de la culture des Jeux olympiques de Montréal. La caricature est apparue dans la page éditoriale de la Gazette le 15 juillet 1976.

The fonds relates to the exhibition Corridart on Sherbrooke street, a major project of the Arts and Culture program of the 1976 international Olympic Games in Montreal, taking place in July 1976. More precisely, the fonds gives information on Archigrok’s installation “Pine Forest” as part of the Corridart exhibition.

The fonds consists of correspondence, quotes for material, contracts, and the official invitation to participate at Corridart.

Le fonds se compose de pièces provenant de l'exposition Corridart dans la rue Sherbrooke, incluant des affiches, des dépliants, des cartes géographiques, un distributeur de dépliants, une photographie et un document vidéo concernant l'installation de Monsieur Charney, Les Maisons de la rue Sherbrooke.

Le fonds renseigne sur l'oeuvre créée par Jean Noël pour Corridart.

Le fonds contient des dispositives de son oeuvre et une affiche pour une exposition de l'oeuvre en 1997 au Musée d'art contemporain de Montréal.

The fonds provides information on the administration of the LSCC and the involvement of the LSCC in events and classes at Concordia University.

The fonds consists of correspondence, lesbian studies documentation, advertising for events, clippings, minutes, budgets, subsidy applications, a panel proposal, conference documentation, and buttons.