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The Gerald Clark fonds contains documents pertaining to the Gerald Cohen's professional life and documents current events occuring in the period that he was active as a newspaper correspondent.

The fonds is composed of research materials, notes, drafts of articles and books, clippings of articles, correspondence, and speeches, among other materials. It also includes recorded interviews with world figures.

The fonds documents the Public Relations efforts to establish effective communication services for the first 27 years of Concordia. It mainly consists of documentation on academic, social and cultural events (e.g. convocations, lectures, award ceremonies) and on various administrative and academic matters. The fonds also includes some records from the Sir George Williams University Information Office.

The fonds mainly includes press releases, information bulletins, media coverage records, information files on University people and events; correspondence, addresses and speeches, promotional materials, and general administrative records. It also includes some sound recordings and moving images as well as a large amount of photographs.

The fonds is organized into the following series:

I002/4120 Governing Bodies Committees
I002/4130 Organizational Charts and Mandates
I002/4210 University Policies and Procedures
I002/5110 Planning
I002/5112 Reports, Studies and Analysis
I002/5113 Statistics
I002/5160 University Events
I002/5160A Conference, Seminars and Lectures
I002/5160B Convocations
I002/5160C Homecoming
I002/5160D Memorial Golf Tournaments
I002/5160E Scholarships, Awards and Prizes
I002/5160F Shuffles
I002/5160G Special Events
I002/5170 External Relations
I002/5171 Conference and Seminars External
I002/5410 Internal News and Announcements
I002/5420 Media Relations
I002/5430 Media Coverage
I002/5450 Concordia University Publications
I002/6430 Pension Plans
I002/7110 Funding and Investments
I002/7210 Official Budgets
I002/8110 Space Management
I002/9211 Historical Evolution
I002/9211A Buildings and Properties
I002/9211B Concordia History
I002/9211C Correspondence
I002/9211D People
I002/9211E Student Life
I002/9211F Units and Programs
I002/9211G Various topics
I002/9211H Audio visual documents
I002/9211I Photographs
I002/9500 Sport Activities

This fonds consists of various posters promoting public lectures organized by the Liberal Arts College. This fonds also contains an audio recording from the inaugural George Rudé Lecture given by Eric Hobsbawn.

The documents provide a portrait of English-language theatrical activity in Quebec, primarily in the period after the founding of QDF in 1972. The fonds contains budget, fundraising, and other financial records, legal documents, human resources documents, correspondence, records of the Quebec Drama Festival 1974-1984, documents relating to QDF-sponsored workshops, seminars, and programs, materials on the Dominion Drama Festival, theatre programs, and photographs. There is also material that was collected for a history of English-language theatre in Quebec.

The Bob McKenna fonds contains documents pertaining to the film “About the Corridart Affair,” produced by Bob McKenna in 2001.

The fonds contains original material used for the production of the film “About the Corridart Affair.” The documents consist primarily of on-camera interviews with the artists involved in the exhibition "Corridart dans la rue Sherbrooke," bearing witness to the artists’ careers and to the legal proceedings following the dismantling of the exhibition. Also included in the fonds are the film itself and a poster announcing the film, along with electronic photographs and newspaper clippings used in the production of the film.

The fonds documents the mission, structure, administration, programs, activities, facilities, and evolution of the Quebec YMCA (as of 2009, Le Y du Québec) from its founding in 1854 to the late 20th century.

The records include founding documents, annual reports, committee minutes, financial statements and other financial records, employee files, files on buildings and facilities, and administrative files and correspondence relating to programs such as summer camps and courses.

The fonds also includes architectural drawings, scrapbooks of press clippings, brochures, and other promotional materials, photographs of Quebec YMCA events and activities from the late 19th century until the late 20th century, and objects such as flags, signs, plaques, pins and medals.

The fonds is organized in the following series:

P0202/1 Founding Documents, Constitution, By-Laws, Histories
P0202/2 Reports and Minutes
P0202/3 Financial Administration
P0202/4 Human Resources Administration
P0202/5 Branches, Buildings, Facilities
P0202/6 Programs
P0202/7 External Relations
P0202/8 Photographs

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

The Mary Morter fond contains documents pertaining to theater in Montreal. More specifically, the fonds is composed of materials concerning the Instant Theatre and the Pendulum Theatre, both located in Montreal and founded and run by Mary Morter in the 1960s and 1970s. The fonds provides an overview of the programming at both theatres. It also provides insight into how the theaters were perceived by the public. In addition, the fonds contains a number of documents focusing on the play North American Indian Legends by Pendulum Theatre. Documents created by other theatres located in Montreal or Toronto provide additional insight into the English-speaking theatre scene in those cities in the 20th century.

The Mary Morter fonds contains theatre programs, photographs, posters, correspondence, magazines, scrapbooks of newspaper clippings, a sound recording, and various plays, among other documents.

The fonds includes Dr. Saccá's Concordia University Board of Governors meeting files from February 1995 to April 2000. The files include annotated agendas, handwritten notes, minutes, meeting documents, and copies of notes regarding the meetings that were sent to Fine Arts Department faculty members. The fonds includes materials related to Dr. Saccá's activities as principal of the Simone de Beauvoir Institute and her participation in Concordia University's organizational review.

The materials in the fonds document Vernon Isaac’s life as a jazz musician and the Canadian jazz scene of the 1970s to 1990s. The fonds also contains information about Vernon Isaac’s family.

The fonds includes personal documents, photographs of Vernon Isaac’s family, friends and other performers, press clippings, programs, posters, commemorative plaques, and sound and audiovisual recordings of Vernon Isaac.

The fonds is organized into the following series:
P0228/A. Textual records
P0228/B. Scrapbooks, photo albums and other graphic material
P0228/C Audio-visual material
P0228/D Objects

The fonds includes financial and administrative documents including minutes and documents on the AHGSA annual conferences and other activities.

It is organized in four series :
GOVERNANCE
ADMINISTRATION
EVENTS AND ACTIVITIES
COMMUNICATIONS

The fonds contains documents related to the memorial service held for Morton Stelcner by CUFA on September 25, 2000.

The fonds provides information on rhythm and blues music in Montreal.

The fonds contains a Concordia University paper written in 2000, entitled Notes in Time: A Brief Oral History of Montreal's Rhythm and Blues Club Circuit, on the club circuit in Montreal 1967-1999. It includes video interviews with four rhythm and blues musicians and a laser copy of an exterior photograph of the Montreal night club Rockhead's Paradise.

The David Lee fonds illustrates David Lee’s work as an author as well as the life of Paul Bley. It contains material related to the biography of the Montreal-born jazz pianist Paul Bley (1932-2016), entitled “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee, published by Vehicule Press in 1998.

The fonds includes transcripts of interviews with Paul Bley; manuscripts for the book “Stopping Time : Paul Bley and the Transformation of Jazz” by Paul Bley and David Lee; correspondence; and photographs, among other documents.

The fonds provides information on the activities and administration of CUPA and its involvement in various cases.

The fonds consists of minutes, correspondence, reports and documentation on social events, general ledgers, membership surveys and listings, the association's constitution and by-laws, and copies of the newsletter.

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series includes CORRESPONDENCE related to Frank's career at Concordia University, records linked to his Long Service Recognition (after 25 years at Concordia University) and articles published (in collaboration with C. Y. Cheung, O. Mitran, G. Barnea, S. J. Knak Jensen, O. G. Mouritsen and K. Nath among others) between 1969 and 1997.

The PRIVATE LIFE series is comprised of records related to Frank's EDUCATION, most notably a thesis submitted to the University of British Columbia and to McGill University.

The fonds documents Concordia University’s management and decision making.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Board of Governors and its associated committees.

The fonds documents Concordia University’s decisions on the main academic matters.

It mainly consists of meeting minutes (open and closed) and supporting documents of the Senate and its associated committees.

The fonds documents Wynne Francis’ friendship with Irving Layton. It consists of letters, sound recordings, research material and notes for Francis’ unfinished biography of Irving Layton, photographs, promotional material, written works, poems, and teaching notes. The Wynne Francis Fonds is part of the Irving Layton Collection.

The fonds has been divided into 9 series:
F006/A Sound Recordings
F006/B Clippings
F006/C Correspondence
F006/D Manuscripts, Articles, and Drafts
F006/E Photographs
F006/F Poems
F006/G Promotional Material
F006/H Research Material
F006/I Teaching Material

The fonds provides information on Montreal's Black jazz scene from the 1920s to the 1960s, chronicling the lives of three women - Tina Baines Brereton, Bernice Jordan Whims, and Olga Spencer Foderingham - who danced in night clubs such as Rockhead's Paradise, The Terminal, and Café St. Michel.

The fonds consists of materials gathered, and in some cases created, during the National Film Board of Canada's production of Show Girls / Les Girls. It includes research notes, edited sequences on videotape, video tapes and transcripts of interviews with the film's principals, audio tapes of interviews with various sources, stock footage, shot lists, clippings of night clubs ads, historical reference books, and VHS copies of the documentary.

The fonds provide information on activities of the Concordia Chapter.
The fonds consists of the programs for the 14th and 15th Annual Bridge-Building Competition and the results from the 14th competition.

The fonds provides information on art in Canada and on the publication of the journal.

The fonds consists of manuscripts, correspondence, reviews, a logbook of manuscripts received, published issues, financial records, minutes, copies of grant applications, and subscription and advertising files.

Fonds consists of materials accumulated by Edith Mather resulting from her friendship with Irving Layton. This fonds is predominantly composed of photographic prints, negatives, and slides of Irving Layton, Betty (Sutherland) Layton, Aviva (Cantor) Layton, and children Max Layton, Naomi Layton, and David Layton. It also contains a painting of Irving Layton by Edith Mather.

Collection is divided into 2 series:
C010/A. Photographs
C010/B. Artwork

The fonds documents the career of drummer Russell (Russ) Dufort. It includes materials related to Dufort's time with the Johnny Holmes Orchestra, the Stardusters, and the Royal Canadian Airforce band. The fonds also includes arrangements purchased from Russell Dufort from the Escorts.

The fonds is composed of annotated scores, set lists, photographs, correspondence, newspaper clippings, a business card, a membership card, swizzle sticks from Montreal clubs, and a wooden box used by the Escorts to transport their music, among other materials.

The fonds is related to Jack Gillmore’s work as an actor, writer, and director of Canada’s first radio plays in Vancouver, B.C. between 1925-1935. Gillmore was a member of the CNRV Players and performed over a hundred plays on the radio including but not limited to, “Peg O’ My Heart”, “R.U.R.”, and “The Zepplin’s Passenger” (Zeppelin's Passenger). Gillmore’s memoir includes his reminiscences on his career on the radio, his experiences as a car salesman in the 1920s, his marine equipment businesses in the 1930s and 1940s, and events he lived through between 1902 and 1977. The fonds also includes material relating to the deposit.

The fonds consists of photocopies of annotated scripts, essays, notes, production sheets, correspondence, and press clippings. It also includes a contact sheet, and Gillmore's memoirs.

The fonds is organized into the following series:

• F052/A Historical Information
• F052/B Scripts

The fonds is about the personal and professional life of Denis Diniacopoulos as a photographer and a teacher.
There are personal letters, documents, passports and diplomas, as well as various photographs, negatives, proofsheets and slides created by Denis Diniacopoulos in his work. You can also find teaching materials that he used and a number of photographs by his students. There's also various publications to which Denis Diniacopoulos contributed throughout his work.

P0247/A Correspondence
P0247/B Personal Life
P0247/C Teaching
P0247/D Photography
P0247/E Publications

The fonds mainly provides information on Keith White’s life as musician and on Jazz music in Montreal, in the 1950s and 1960s. There is also information on Keith White’s various working and teaching experiences, and his friendships.

The fonds is composed of more than 500 music recordings; music scores; five unpublished texts of reminescence such as Noting the Scene [1989]; six texts on mathematics; and around 200 photographs (prints, slides, and digital).

The fonds contains documentation pertaining to the career of the jazz musician Ted Elfstrom and provides information on the Mart Kenney Orchestra, the Ted Elfstrom Octet, the Montreal Woodwind Chamber Group, Oscar Peterson, and the Montreal Jazz Festival.

The fonds includes programs, newspaper articles, invitations, audio recordings, and photographs.

The fonds provides information on the professional life of Canadian artist Bruce Le Dain.

It is comprised of journals held more or less regularly by Le Dain between 1963 and 1999. They include records of personal accounting and painting income summaries as well as some correspondence and press clippings.

The CORRESPONDENCE subseries includes letters exchanged with fellow Canadian artist John Little between 1974 and 1992. It also includes a binder of miscellaneous correspondence and memorabilia as well as some reference documentation on the subject of art.

The DISTINCTIONS subseries includes framed honours granted to Le Dain: an Honorary Life Membership to the Arts Club of Montreal in 1994 as well as a recognition from the Royal Canadian Academy of Arts (RCA) for his contribution in the arts of painting in 1985.

The fonds also includes a wooden box custom-made by Le Dain, a box he used to store his tools when he was painting.

The fonds provides information on the editing and publishing work of Véhicule Press.

The fonds consists of manuscripts, published and bound books, and publicity materials; production materials including correspondence, pamphlets, layouts and sketches for covers, printing templates, printing quotes, typescripts, page proofs with corrections, editors' and authors' notes, biographies of authors, curricula vitae, pictures of various authors and agendas; and posters and post cards that were printed for the Véhicule Art gallery.