Affichage de 12491 résultats

Interview with Bernice Jordan conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 58 sec.
Part 2: 46 min., 10 sec.
Part 3: 33 min., 28 sec.

Interview with Bernice Jordan conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 58 sec.
Part 2: 46 min., 10 sec.
Part 3: 33 min., 28 sec.

interview with Bernice Jordan conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 58 sec.
Part 2: 46 min., 10 sec.
Part 3: 33 min., 28 sec.

Interview with Tina Brereton conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 26 sec.
Part 2: 30 min., 27 sec.
Part 3: 33 min., 59 sec.
Part 4: 27 min., 28 sec.

Interview with Tina Brereton conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 26 sec.
Part 2: 30 min., 27 sec.
Part 3: 33 min., 59 sec.
Part 4: 27 min., 28 sec.

Interview with Tina Brereton conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 26 sec.
Part 2: 30 min., 27 sec.
Part 3: 33 min., 59 sec.
Part 4: 27 min., 28 sec.

Interview with Tina Brereton conducted by Meilan Lam for the production of "Show Girls" (1998), a film on Montreal's golden club era through the voices of three dancers.
Part 1: 56 min., 26 sec.
Part 2: 30 min., 27 sec.
Part 3: 33 min., 59 sec.
Part 4: 27 min., 28 sec.

Track 1: Merchant Navy Show (June 27, 1944), 6 min., 36 sec.
Track 2: Assignment (July 20, 1959), 5 min., 56 sec.

Track 1: Merchant Navy Show (June 27, 1944), 6 min., 36 sec.
Track 2: Assignment (July 20, 1959), 5 min., 56 sec.

Harlequin Records. "Pallet On The Floor" by Lorna Dean.
This track on Side 2: 3 min., 9 sec.

Harlequin Records. "The World Is Waiting For The Sunrise" by Bert Niosi & His Orchestra.
This track on Side 2: 2 min., 50 sec.

Harlequin Records. "Honeysuckle Rose" by Mynie Sutton.
This track on Side 2: 3 min., 59 sec.

Harlequin Records. "If I Could Be With You" by Oscar Peterson.
This track on Side 2: 2 min., 3 sec.

Harlequin Records. "Flying Home" by Oscar Peterson.
This track on Side 2: 1 min., 22 sec.

Harlequin Records. "Moanin' At The Montmartre" by George Sealy & His Orchestra.
This track on Side 2: 3 min., 6 sec.

Harlequin Records. "One O'Clock Jump" by Allan McIver & Orchestra.
This track on Side 2: 4 min., 5 sec.

Harlequin Records. "Christopher Columbus" by Sandy DeSantis Orchestra.
This track on Side 2: 3 min., 31 sec.

Harlequin Records. "Bugle Call Rag" by Morgan Thomas & His Orchestra.
This track on Side 1: 2 min., 20 sec.

Harlequin Records. "Darktown Strutters' Ball" by Trump Davidson & His Orchestra.
This track on Side 1: 2 min., 51 sec.

Harlequin Records. "I Just Want To Be Known As "Susie's Feller"" by Gilbert Watson & His Orchestra.
This track on Side 1: 3 min., 27 sec.

Harlequin Records. "Up and At 'Em" by Dave Caplan's Toronto Band.
This track on Side 1: 2 min., 55 sec.

Harlequin Records. "How's Your Folks and My Folks" by New Princes' Toronto Band.
This track on Side 1: 2 min., 56 sec.

Harlequin Records. "Lazy Drag" by Millard Thomas & His Chicago Novelty Orchestra.
This track on Side 1: 2 min., 26 sec.

Harlequin Records. "Cotton Pickers Ball" by Guy Lombardo's Royal Canadians.
This track on Side 1: 2 min., 49 sec.

Harlequin Records. "Music (Makes The World Go Round)" by Melody Kings & Willie Eckstein.
This track on Side 1: 2 min., 36 sec.

Harlequin Records. "Delirious Rag" by Harry Thomas.
This track on Side 1: 2 min., 36 sec.

On the Continental label - Side A: "(She's) He's Funny That Way" from the MGM Picture "The Postman Rings Twice" by Mary Osborne with Mary Lou Williams' Girl Stars. Mary Lou Williams - piano; Bridget O'Flynn - vibraharp; Bea Taylor - bass. Composed by Rich A. Whiting and Neil Moret. Side B: "D.D.T" by Mary Lou Williams' Girl Stars. Mary Lou Williams - piano; Bridget O'Flynn - vibraharp; Mary Osborne - guitar; Marjory Hyams - drums; Bea Taylor - bass. Composed by Leonard Feather.

On the Continental label - Clyde Hart's All Stars. Trummie Young - trombone; Don Byas - tenor sax; Dizzy Gillespie - trumpet; Charlie Parker - alto sax; Clyde Hart - piano; Mike Bryan - guitar; All Hall - bass; Spec's Powell - drums; vocals by Rubberlegs Williams. "What's The Matter Now" arranged by Clyde Hart. "That's The Blues" composed by Rubberlegs Williams and Morty Shad.

On the Apollo label - Georgie Auld and Orchestra. "Concerto For Tenor" composed by Bud Johnson. "Taps Miller" composed by Count Basie.

On the Sensation label - Detroit Lord Nelson and His Boppers. "Stardust" composed by Carmichael. "Ratio and Proportion" composed by Nelson.