Affichage de 349 résultats

Description archivistique
Department of English fonds
I0086 · Fonds · 1939-2005, predominant 1971-2005

The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2005. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972.

The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings.

Sans titre
Fonds Tina Brereton
P074 · Fonds · [194-]

Le fonds est constitué de photographies évoquant les moments où Tina Brereton dansait dans des spectacles accompagnés de musique de jazz au Café St-Michel, à Montréal durant les années 1940.

Sans titre
Yves Charbonneau fonds
F033 · Fonds · [194-?], [196-]-2007, predominantly 1970-[198-]

Le fonds témoigne partiellement de la carrière musicale, jusqu'en 1975, d’Yves Charbonneau ainsi que du Quatuor de Jazz du Québec (1967-1975), de la colonie artistique de Val-David (1970), de la Ferme du Petit Québec libre (1970-1973), et du café expérimental L'Amorce (1972-1974). Le tout est complété par des journaux politiques ramassés par Yves Charbonneau durant les années 1970. Le fonds comprend aussi des documents textuels et des photographies en lien avec les études en arts visuels entrepris par Yves Charbonneau au lendemain de la rupture du Jazz libre.

Le fonds est divisé dans les séries suivants :

F033/A – Jazz libre du Québec
F033/B – Journaux politiques
F033/C - Études en arts visuels

On y retrouve des documents juridiques, des coupures de presse, des tracts, des notes, des photographies ainsi que deux images en mouvement.

Sans titre
Gerry Hanson fonds
P0175 · Fonds · [194-]-1983

The Gerry Hanson fonds contains documentation pertaining to Montreal's music scene during the big-band era, and illustrates Gerry Hanson’s life as a musician.

The fonds consists of 12 photographs showcasing Montreal orchestras in which Hanson performed, including the Westernaires, the Blue Serenaders, the Alouette Band, and Paul Beauregard’s Orchestra. The performers depicted in these photographs are mostly identified. The fonds also includes photocopies of press clippings.

Sans titre
Fonds Johnny Holmes
P0016 · Fonds · [194-]-1989

Le fonds porte sur le jazz à Montréal, surtout à la radio, durant les années 1950 et 1960.

Il est constitué d'arrangements originaux de Johnny Holmes, d'enregistrements des émissions radiophoniques de la CBC, de coupures de presse et de photographies.

Sans titre
The Cathespian Guild fonds
P142 · Fonds · 1940-1954

The fonds provides information on the annual Catholic Drama Festival organized by the Guild between 1940 and 1953.

The fonds contains some handouts on the Cathespian Guild and a few programs and photographs of some of the annual Catholic Drama Festivals. It also contains the Drama Festival award book entitled Award for Distinguished Achievement in Catholic Theatre.

Sans titre
Huntly Bourne fonds
P0208 · Fonds · [194-?]

The fonds illustrates the Montreal jazz scene in the 1940s by means of images of the Johnny Holmes band.

The fonds consists of 6 b&w photographs, of which one is an original, the other five are copies.

Sans titre
Fonds Maurice Tynes
F031 · Fonds · [194-] ; 1959-1961 ; 1978

Le fonds Maurice Tynes contient du matériel iconographique et textuel documentant le service de Maurice Tynes dans les Forces armées canadiennes.

Le fonds contient quatre photographies en noir et blanc et deux documents textuels.

Sans titre
Fonds du Black Theatre Workshop
F034 · Fonds · [1940]-2016, predominant 1972-2013

The Black Theater Workshop fonds is composed of materials created and compiled by the Black Theater Workshop (BTW) and contains materials documenting the activities and operations of the BTW from its founding in 1972 to 2016. Textual records and other materials document the BTW's administration, finances, awards, plays, programming, promotional activities, communications, and facilities, among other things. Documents are also reflective of the BTW's contributions to Montreal’s Black communities and to theater in Canada.

The fonds is divided into the following series :
F034/A Administration
F034/B Financial records
F034/C External relations
F034/D Productions / Programming

The fonds is composed of financial documents, grant applications, board meeting minutes, reports, play scripts, newspapers and newspaper clippings, promotional material, correspondence; graphic materials such as photographs, posters, logos, drawings, sound recordings, moving images, and some objects, among others.

Sans titre
Wynne Francis fonds
P0043 · Fonds · 1941-1997

The fonds documents Wynne Francis' teaching activities and her writings on Canadian literature.

The fonds includes correspondence, notes, articles, and manuscripts.

Sans titre
Concordia Student Union fonds
P0263 · Fonds · 1941-2003, predominant 1978-1995

The fonds provides information on the administration of the Concordia Student Union and also on some of its founding student associations from Loyola and Sir George Williams.

The fonds mainly consists of minutes, financial records, reports, and correspondence.

Sans titre
Henry Beissel fonds
P0287 · Fonds · 1941 - 2022

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series is comprised of 8 sub-series. The CORRESPONDENCE sub-series consists of letters, postcards and greeting cards from peers (artists, writers, professors, humanists, publishers) of Beissel including Angelika Arend, Werner Berchem, Werner Berg, Per Brask, Ronnie Brown, Anthony Cassils, Patrick Drysdale, Leo Enright, Heide Fruth-Sachs, Keith Garebian, Gary Geddes, Albert-Reiner Glaap, Amanda Hale, Jack Herbert, Jürgen Jankofsky, Anne Kulling, Renée Makino, Helmut Markus, Rob McLennan, Najwa Nasr, Anja Oppermann, Bruno Petrenko, Andrew Proctor, Uta Regoli, Walter Riedell, Gillian Rimington, Gerd Rohmann, Fruma Rothberg Sanders, Desmond Scott, John Smith, Richard Thain, Axel Vieregg and Norman Yates, to name a few. There is also an extended correspondence with Edward Lacey, Walter Bauer and Wolfgang Bottenberg.

The WRITINGS sub-series includes notebooks, manuscript and some correspondence related to Beissel's works in poetry (What If Zen Gardens, Season of Blood suite, Cantos North, The Dragon and the Pearl, Feel with your Eyes, etc.) and theatre (Inuk in the Sun, Under Coyote's Eye, For Crying Out Loud, Goya, The Noose and Improvisations for Mr. X., etc.) mostly but also essays (On the High Wires of the Imagination, Recovering the Child Inside or How to Write for Sarah and Jason, The Second Humanist Revolution: Eco-Humanism, Epic in Transition: A Challenge to the Contemporary Poet, etc.) and prose (The Sniper, As Flies to Wanton Boys, etc.). The sub-series also contains records related to the Irving Layton Festschrift published by Concordia that Beissel edited with Joy Bennett in the beginning of the 1990's.

The TRANSLATION sub-series includes notes and manuscripts of translations of works by Pablo Neruda, Tor Age Bringsvaerd, François Charron, Tankred Dorst, Shie Min, André Simard, Helmut Markus and Henrik Ibsen among others, but most notably Walter Bauer and Peter Huchel.

The CONFERENCES, TOURS AND RESEARCH TRIPS sub-series is comprised of correspondence, promotional material, speaking notes and travel reports related to Beissel's participation in many conferences, talks, festivals around the world including Peru, Kenya, China, Japan and Mexico but mostly in Canada and Germany where he often toured extensively. This sub-series includes a number of audio recordings created during his attendance at the Cultural Congress of Havana which took place January 4-11, 1968. It also contains records one the Face-to-Face National Conference on Contemporary English-Canadian Theatre Beissel helped organize at Concordia University in 1975.

The TEACHING sub-series includes records related to Beissel's work at the University of the West Indies, the University of Alberta and the Munich University in Germany, but mostly at Concordia University as a full professor at the Department of English and as a coordinator of the Creative Writing Program he was instrumental in establishing and coordinating. The sub-series is comprised of correspondence, evaluations, some meeting minutes and course notes on modern European literature, Canadian literature and modern drama.

The COMMUNITY ENGAGEMENT sub-series testifies of Beissel's involvement with different organizations and associations (the League of Canadian Poets, the Humanist Association of Ottawa, the Universities Faculty Committee for Peace in Vietnam, the Canadian Humanists Publications, the Book and Periodical Development Council, the Writers' Union of Canada, the International Theatre Institute, the Playwrights Guild of Canada and more) and his work as an editor of the magazines Humanist Perspectives and Edge. It is comprised mostly of correspondence but also includes some meeting agendas, minutes and notes.

The DISTINCTIONS sub-series is comprised of records related to the prizes and awards Beissel either won or was nominated for, including a Literary Award in Honour of Walter Bauer, an Ottawa Book Award and a Concordia University Alumni Associations Honorary Life Membership.

The MEDIA COVERAGE sub-series includes miscellaneous press clippings, reviews of Beissel's prose, poetry and plays as well as promotional material related to his publications, correspondence with poetry magazines as well as an extensive interview with Per Brask.

The PRIVATE LIFE series is comprised of 3 sub-series. The EDUCATION sub-series includes records related to Beissel's studies at University of Toronto: course notes, correspondence and syllabi of the courses he attended to. The sub-series also includes earlier course notes and writings [ca.1943-1950].

The JOURNALS sub-series includes the many diaries Beissel held between 1941 and 2015, including travel diaries written in Cuba, Kenya, Japan, England and China and a German war camp journal.

The CORRESPONDENCE sub-series consists of letters, greeting cards and postcards from friends and family members, including Beissel's parents and his daughters.

Sans titre
Prudence Allen fonds
P0114 · Fonds · 1941-2022

The fonds mainly provides information on Sister Prudence Allen’s research, teaching activities, and her religious life. Some materials are related, among others, to religious figures such as Hildergard of Bingen and Edith Stein, as well as philosophical perspectives on woman. The fonds also gives genealogical information on the Allen family and the Oneida Community

The fonds includes lectures, speeches, and articles; correspondence, daily journals, and photographs. The fonds also includes three dolls made by Sr. Prudence Allen’s grandmother, Christine Hamilton Allen (1875-1952), a social worker who worked closely with Eleonar Roosevelt during the Suffrage Movement. There are other artifacts such as a Tree of Life embroidered for Sr. Prudence Allen by Gretta Nemiroff.

Sans titre
Merrily Weisbord fonds
P240 · Fonds · 1941-1994

Fonds consists of research material and oral history interviews conducted by Merrily Weisbord for the writing of The Strangest Dream. The interviews cover various aspects of the evolution of the Communist Party of Canada (renamed the Labour Progressive Party in 1943) and the life of some of its Quebec members.

Fonds includes more than 20 hours of sound recordings consisting of interviews with about fifteen individuals who were members of the party between the 1930s and the 1950s, such as Lea Roback, Irene Kon, Gilles Hénault and Fred Taylor. All the players, from the upper middle class intellectual Stanley Ryerson to the working class lumber camp labour organizer, Gérard Fortin, are included. There is also a 15 minute recorded message by Paul Robeson urging Montreal voters to reelect Fred Rose in 1945. Fonds also includes interview notes and transcriptions, correspondence, and printed materials.

Sans titre
Bruce Le Dain fonds
P0294 · Fonds · 1941 - 1999

The fonds provides information on the professional life of Canadian artist Bruce Le Dain.

It is comprised of journals held more or less regularly by Le Dain between 1963 and 1999. They include records of personal accounting and painting income summaries as well as some correspondence and press clippings.

The CORRESPONDENCE subseries includes letters exchanged with fellow Canadian artist John Little between 1974 and 1992. It also includes a binder of miscellaneous correspondence and memorabilia as well as some reference documentation on the subject of art.

The DISTINCTIONS subseries includes framed honours granted to Le Dain: an Honorary Life Membership to the Arts Club of Montreal in 1994 as well as a recognition from the Royal Canadian Academy of Arts (RCA) for his contribution in the arts of painting in 1985.

The fonds also includes a wooden box custom-made by Le Dain, a box he used to store his tools when he was painting.

Sans titre
Guy Thouin fonds
F040 · Fonds · 1942 - 2021

Le fonds documente la carrière de Guy Thouin à partir des années 1950 jusqu’en 2021, y compris son passage au Quatuor de jazz libre du Québec (1967-1971), à L'Infornie (1969-1971), au Heart Ensemble (1989-présent) et au Nouveau Jazz Libre du Québec (2012). Le fonds fournit également des renseignements sur la vie personnelle de Thouin, y compris ses premières années à l'école primaire, son temps avec les cadets, des moments avec sa famille et ses amis, ses études au Québec et sa vie en Inde.

Le fonds Guy Thouin contient des photographies, des partitions musicales composées par Guy Thouin entre 1968 et 2020, des enregistrements sonores et audiovisuels de concerts, des affiches, des coupures de presse sur Guy Thouin et ses projets musicaux, des dépliants, curriculum vitae, des notes biographiques, des cartes postales, des communiqués de presse, un certificat de naissance et de baptême ainsi qu'un certificat de licence d'opticien.

Le fonds Guy Thouin est divisé en 4 séries :
F040/A Partitions
F040/B Photographies
F040/C Carrière musicale
F040/D Documents personnels

Sans titre
P0028 · Fonds · 1942-1979, predominant 1969-1975

The fonds provides information on the administration of the Sir George Williams Part-Time Students' Association of Concordia University, and its evolution from an administrative and financial perspective.

The fonds consists of minutes, correspondence, financial records, advertising, a constitution and by-laws, and a plaque from the SGW Unitarian Club.

Sans titre
Fonds Johnny Reno
P0065 · Fonds · 1943

Le fonds Johnny Reno est constitué de deux photographies de l'orchestre les Victory Serenadors de Percy Ferguson à l'amphithéâtre du Canadien Pacifique à Rosemont, Montréal en 1943. Le pianiste Oscar Peterson faisait partie de ce groupe.

Sans titre
Fonds Henry Whiston
P158 · Fonds · 1943-1976, predominant 1956-1976

Les fonds porte sur l'histoire du jazz du milieu du 20ième siècle.

Le fonds est constitué de 491 bobines audio. La plupart d'entre elles contiennent des entrevues réalisées par Henry Whiston avec des personnalités du monde du jazz pour l'émission Jazz at Its Best. Ils ont servi de source documentaire et des extraits en furent inclus dans les différents émissions.

Sans titre
Linda Leith fonds
P227 · Fonds · 1944-2008

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

Sans titre
Viviane Namaste fonds
P0205 · Fonds · 1946 - 2010

The fonds provides information related to Namaste’s book “C’était du spectacle! L’histoire des artistes transsexuelles à Montréal, 1955-1985 » (Montréal : McGill-Queen’s University Press, 2005). and projet Polyvalence, on HIV/AIDS prevention for people with bisexual practices.

The fonds contains research notes, press clippings, articles, articles and communications written by Viviane Namaste, correspondence, grant applications, and photographs. The fonds also include sound recordings of interviews conducted by Namaste for her book on transsexual artists and transcripts of interviews done for the Projet Polyvalence.

Sans titre
George Rudé fonds
P0009 · Fonds · 1946 - 1989

The fonds mostly provides provides information on Rudé's professional life. The professional life series is divided in 5 main sub-series:

  • CONFERENCES & SEMINARS
  • TEACHING
  • RESEARCH
  • WRITINGS
  • CORRESPONDENCE

The material focuses primarily on the study of the crowd in history, European revolutions and protests, crime and punishment in Britain and Australia. The fonds consists of research notes, correspondence, course outlines, notes for presentations given at different conferences and seminars, manuscripts, press clippings of articles on Rudé or reviews of his many publications. It includes microfilmed documents from other archives and other reference documentation: photocopies of different articles and publications.

The fonds also contains some information about his private life.

Sans titre
Thomas More Institute fonds
P0075 · Fonds · 1946-1967

The fonds provides information on the incorporation of the Thomas More Institute under provincial and federal legislation, the recognition of its curriculum, and the agreement that was in force between the Institute and the Université de Montréal.

The fonds consists of the Institute's letters patent, Father O'Connor's correspondence, and letters of agreement.

Sans titre
François-Marc Gagnon fonds
P0280 · Fonds · 1946-2019

The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.

The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.

The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.

Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few. The subseries also includes scrapbooks containing extensive correspondence on or about Jean Dubuffet.

Sans titre
Roger Verschingel fonds
P0173 · Fonds · 1947 - 1991

The fonds provides information on Professor Verschingel’s teaching activities at SGW and Concordia University.

The fonds includes personal papers such as diplomas and student papers, and course materials for the courses he taught at SGW and Concordia University.

Sans titre
Mark P. Brault fonds
P0058 · Fonds · 1947-1956

The fonds provides information on the Loyola College Dramatic Society.

The fonds consists of press clippings on plays given by the dramatic society and theatre programs for Society productions.

Sans titre
John Buell fonds
P0148 · Fonds · 1947 - 1990

The fonds provides information on John Buell as an author and on the Loyola College Dramatic Society.

The fonds includes manuscripts of novels, plays and radio plays; Loyola Reviews for 1955, 1959, 1960, and 1961; and clippings, programs, correspondence, and photographs related to the Loyola College Dramatic Society.

Sans titre
Harold Potter fonds
P0196 · Fonds · 1947 - 1976

The fonds provides information on Harold Potter’s teaching activities at SGW and Concordia University.

The fonds contains term papers, course outlines, examinations, minutes, and drafts of articles.

Sans titre
Fonds Jacques Trépanier
P246 · Fonds · 1947-1954

Le fonds couvre la carrière journalistique de Jacques Trépanier au début des années 1950 et documente principalement la scène artistique montréalaise. Le fonds se compose surtout de coupures de presse de La Patrie, conservées dans deux spicilèges. Plusieurs articles sont des chroniques portant sur les clubs de nuit à Montréal de 1950 à 1954, publiés sous une rubrique intitulée « La Ronde des cabarets ». Le fonds inclut également une quarantaine de photos de presse et quelques pièces de correspondance.

Sans titre