Dorothy Rath Fonds consist of records relating to Dorothy Rath as Layton’s friend. Records include correspondence between Rath and Layton, photographs of Dorothy Rath, Irving Layton, and friends, audio recordings of Layton’s public readings, video clips of Layton’s television appearances and book readings, newspaper clippings relating to Layton’s works, and promotional and publicity material regarding Layton’s appearances. The Dorothy Rath Fonds is part of the Irving Layton Collection.

The fonds is divided into 8 series:
F007/A Audio recordings
F007/B Clippings
F007/C Correspondence
F007/D Photographs
F007/E Poems
F007/F Promotional Material
F007/G Sculptures
F007/H Video recordings

The fonds provides information on the personal and professional life of Douglass B. Clarke. It also provides some information on his family.

The fonds includes clippings, photographs, theater programs related to the plays in which Clarke was involved, diplomas, certificates, correspondence, cards, scrapbooks and drawings. There is also a draft copy of Decades of Decisions and an honorary life membership certificate to the Association of Alumni of S.G.W.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

Fonds consists of materials accumulated by Edith Mather resulting from her friendship with Irving Layton. This fonds is predominantly composed of photographic prints, negatives, and slides of Irving Layton, Betty (Sutherland) Layton, Aviva (Cantor) Layton, and children Max Layton, Naomi Layton, and David Layton. It also contains a painting of Irving Layton by Edith Mather.

Collection is divided into 2 series:
C010/A. Photographs
C010/B. Artwork

The fonds provides information on rhythm and blues music in Montreal.

The fonds contains a Concordia University paper written in 2000, entitled Notes in Time: A Brief Oral History of Montreal's Rhythm and Blues Club Circuit, on the club circuit in Montreal 1967-1999. It includes video interviews with four rhythm and blues musicians and a laser copy of an exterior photograph of the Montreal night club Rockhead's Paradise.

The fonds mainly provides information on his teaching activities at Concordia and administrative duties as Director of the SGW Art Galleries.

The fonds includes course outlines, reference materials on art, student exams and papers, committee minutes and correspondence.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The fonds provides information on the events that occurred at Concordia University on the afternoon of August 24, 1992.

The fonds consists of the account of the events prepared by Elizabeth Horwood, transcripts from the 911 conversation, transcripts of the court hearings, and a pamphlet.

The fonds includes Dr. Saccá's Concordia University Board of Governors meeting files from February 1995 to April 2000. The files include annotated agendas, handwritten notes, minutes, meeting documents, and copies of notes regarding the meetings that were sent to Fine Arts Department faculty members. The fonds includes materials related to Dr. Saccá's activities as principal of the Simone de Beauvoir Institute and her participation in Concordia University's organizational review.

The description of this fonds is not yet available. Please contact Concordia University Records Management and Archives for more information: archives@concordia.ca.

The description of this fonds is not available. Please contact Concordia University Libraries Special Collections for more information.

The fonds documents the financial management of Concordia University.

The fonds includes financial statements, general ledgers (on microfiches for some years) and account charts, control budget reports, some committee minutes (e.g. Budget and Audit committees) and general administrative records. There are also file copies of financial reports sent to the Quebec government such as the Rapport financier annuel, the Rapport périodique de dépenses d’investissement.

The fonds provides information on student activities at Sir George between 1949 and 1953 such as freshman and graduation balls.

The fonds consists of photographs taken on various occasions.

The fonds provides information on activities organised by the Sir George Williams Liberal Club and its guest speakers, such Lester B. Pearson, Leader of the Opposition, in 1958; Mr. Pearson would be prime minister of Canada from 1963 to 1968 and receive the Nobel Peace Prize in 1957.

The fonds consists of correspondence, clippings, photocopies of photographs on student life and the Liberal Club, a Sir George Williams College silk scarf, and a frosh button.

The fonds includes correspondence and other materials related to his supervision of the PhD thesis of Concordia University doctoral student Edward Kissi, and of the Master's thesis of Bertha Kimambo. It includes materials documenting the administrative activities and evolution of the Sir George Williams University Library, and after the University's 1974 merger with Loyola College, the Concordia University Library. There are also materials related to Chalk's activities in opposition to the Vietnam War and to his activity on the Intra-University History Committee.

The Franklyn Harvey collection contains books, periodicals, and other documents that composed the library of Franklyn Harvey. This material is indicative of Harvey's interest and involvement in the Caribbean left and serves as a catalogue documenting, among other topics, the Caribbean left; activism in the Caribbean; politics, economic growth, change, and renewal in the Caribbean; political economy; communism; socialism; nationalism; power; and poverty.

The Franklyn Harvey collection contains 275 textual documents, mostly in English, 4 optical discs, and 1 map.

The fonds consists primarily of slides on liturgical art in Quebec. It includes slides on the production of films and books on art.

The fonds provides information on university administration.

The fonds consists of correspondence, speeches, press clippings, and a booklet on the opening of the Henry F. Hall Building, as well as photographs of the Norris Building and the Hall Building.

The fonds provides information on science, technology, and society.

The fonds consists of correspondence, reports, and various texts from Fred Knelman's teaching career at Concordia University and from his activities as a speaker and writer.

The fonds provides information on The Georgian and the Georgiantics during the late 1930s and 1940s, and the Alumni Association during the 1960s and 1970s.

The fonds consists of clippings, event programs, lists of participants, working rules, correspondence, and photographs of Georgiantics scenes and performers and of alumni events.

Frederick Krantz edited the book History from Below: Studies in Popular Protest and Popular Ideology in Honour of George Rudé.

The fonds consists of a copy of the book, manuscript copies of the articles contributed for the book, correspondence with contributors and the publisher, a list of contributors, and curricula vitae.

The materials relate primarily to Gail Bourgeois’ work as curator of the exhibitions “amour-horreur”, taking place at La Centrale Gallery, Montreal, in 1999, and “Powerhouse: Who We Are Now”, at the McClure Gallery, Westmount, Quebec in 2001. The fonds also documents other implications of Gail Bourgeois at La Centrale.

The fond includes without limitations correspondence, submissions, newspaper clippings, publicity, photographs, and posters.

The fonds provides information on Gail Valaskakis' work at Loyola College as a teacher of communication arts

The fonds consists of correspondence, guidebooks, brochures, invitations, and clippings.

The fonds provides information on the history of the Garnet Key Society of Concordia University and its founding institution Sir George Williams University.

The fonds consists of handbooks, minutes of meeting, correspondence, lists of nominations, and Garnet Key garments and objects.

The fonds mainly provides information on Dr. Boyd’s research and teaching in Education. There are also some documents relating to the Centre for Instructional Technology at Sir George Williams University in the 1970s.

The fonds mostly includes correspondence, articles, lectures, reports, and course material.

The fonds provides information primarily on the study of the crowd in history and on European revolutions.

The fonds consists of research notes, correspondence, and manuscripts. It includes microfilmed documents from other archives.

The Gerald Clark fonds contains documents pertaining to the Gerald Cohen's professional life and documents current events occuring in the period that he was active as a newspaper correspondent.

The fonds is composed of research materials, notes, drafts of articles and books, clippings of articles, correspondence, and speeches, among other materials. It also includes recorded interviews with world figures.

The Gerry Hanson fonds contains documentation pertaining to Montreal's music scene during the big-band era, and illustrates Gerry Hanson’s life as a musician.

The fonds consists of 12 photographs showcasing Montreal orchestras in which Hanson performed, including the Westernaires, the Blue Serenaders, the Alouette Band, and Paul Beauregard’s Orchestra. The performers depicted in these photographs are mostly identified. The fonds also includes photocopies of press clippings.

The collection consists of materials accumulated by Gertrude and Carl Katz related to Gertrude's friendship and working relationship with Irving Layton. The documents concern the life and work of Irving Layton.

The collection includes correspondence, poems, offprints and reprints, programs, photographs, clippings, financial documents, a transcript, a deed of sale, books and a phonographic record.

The collection is divided into six series:
C010/A. Correspondence
C010/B. Poetry and publications
C010/C. Promotional materials
C010/D. Photographs
C010/E. Clippings
C010/F. Financial documents

The fonds consists mainly of recordings of radio broadcasts featuring musical performances by Gordie Fleming and his group. Most were broadcast on Radio-Canada and CBC on Lower Canada Swing, Saturday Set, Les joyeux troubadours, Jazz en liberté and Les fantaisistes.