From left to right, standing : Mimi Littman, Ben Turenne, Michel Girouard, Andrew Lamb, Pablo Bravo and Jeff Peters.
From left to right, sitting : Aislinn Rose and Andrea Blois.
CD #1 is comprised of lectures 1 to 5 and CD#2 is comprised of lectures 6 to 10.
His Excellency Mr. Pierre Dupuy, Commissioner General of the 1967 Universal and International Exhibition and recipient of a degree of Doctor of Laws, honoris causa awarded by Sir George Williams University.
A Dalai Lama's talk at the International Institute of Integral Human Sciences (IIIHS).
Collections is composed of photographic reproductions of 12 prints and drawings of the City of Montreal. The original prints and drawings are dated between 1761 and 1871.
This series documents the history of radio dramas in Vancouver, B.C. between 1925 and 1935, and Jack Gillmore’s involvement with the CNRV Players, Radio Artists Review, and the radio stations that broadcasted their programs. The fonds also includes photographs of the Association for the Study of Canadian Radio and Television’s 1983 conference and material relating to the deposit.
The series contains photocopies of essays, notes, production sheets, correspondence, and press clippings. It also includes a contact sheet and Gillmore's memoir.
The sub-series documents the creation of histories of the Montreal YMCA. It holds research notes, manuscripts, correspondence, and other documents related to Harold C. Cross' book One Hundred years of Service with Youth: The Story of the Montreal Y.M.C.A. 1851-1951, published by the YMCA in 1951.
The sub-series includes timelines and historical sketches, research notes, correspondence, essays, press clippings, books, photographs, and other materials.
This sub-series documents the historical development of the Black Theatre Workshop (BTW), from its beginnings in 1965 as the Trinidad & Tobago Association (TTA) Drama group, through its incorporation as the BTW in 1972, to today. It also contains material pertaining to the Negro Theatre Guild, formed by members of the Montreal Black community in the early 1940s.
The sub-series contains, among other documents, letters patent, programs, newspaper clippings, a constitution, historical outlines, photographs, notes, play scripts, letterheads, logos, poster, studies, a newsletter, membership lists, briefs, mission statements, and correspondence.
The subseries illustrates the historical development of the Black Studies Center from its beginnings as National Black Coalition Quebec Institute of Research, to 2007.
The subseries contains, among other documents, an overview of the history of the Black Studies Centre, a case study, meeting agendas and minutes, letters patent, a constitution, an organizational chart, statistics, a brief, correspondence, an incorporation agreement, a video of the opening reception of the institute, a brochure, proposals, lists, programs, registered charity information returns, a photograph, descriptive texts of the BSC, a letterhead, two logos, the Black Studies Center Newsletter vol. 1, no. 1 (June 1974), and working documents related to its production.
The subseries provides information on the establishment of La Centrale in 1973. It also contains documentation related to its development.
The subseries includes by-laws, organizational charts, mandates, audio and video recordings, and other documents related to the functioning of the gallery.
The subseries provides information on the establishment and administrative development of articule from 1980 to 2014.
The subseries includes by-laws, copies of letters patent, annual reports, registered charity forms, mandates, drafts, historical overviews, policies, and other documents related to the functioning of the gallery.
From left to right : Amar Khoday, Mark Proudman, Suzanne Bate, Jason McLinton, Dolores Houseman and Nancy Renwick.