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Series contains various projects produced by René Balcer in collaboration with other artists. Material consists of flash cards, a minidisc, correspondence and documentation and drafts of the poem “Backbone” used in Xu Bing’s exhibit at the Virginia Museum of Fine Arts.

Series consist of scrapbooks put together by René Balcer. The scrapbooks contain newspaper clippings, printed articles, magazine clippings, invitations, awards, photographs, and passes. The material chronicles Balcer’s participation in the Law & Order, Law & Order: Criminal Intent and the Law & Order: Los Angeles series.

Series contains documents used for research and script development for Law & Order and Law & Order: Criminal Intent. Material consists of newspaper articles and printouts of research ideas focusing on themes of murder, kidnapping, suicide, law enforcement, informants, manslaughter, conflict of interest, jury misconduct, self-incrimination, the mob, juveniles, witness, surveillance, attorney-client privilege, tax fraud, and issues regarding aids, homosexuality, and transsexuality. The contents also feature a list of story ideas used in both series.

Series consists of research associated with the series Law & Order: Los Angeles (LOLA). Material consists of news articles from newspapers and online news sources that were explored and consulted for story ideas for the series.

Series contains articles relating to René Balcer and his work. Material consists of articles about the three Law & Order television series, a printout of webpage search results for Law & Order, blog posts about the shows, printouts of interviews with Balcer, audio interview about screen writing, and articles dealing with Universal and Vivendi studios.

Series consists of publicity and advertisement material collected by René Balcer. Material consists of publicity pamphlets for the Calligraffiti exhibit, publicity material for the production Gung Ho, and ads related to the Law & Order franchise.

Series contains a wide variety of publications and research documentation that were part of Alfie Roberts and Patricia Cambridge's personal library as well as the Library at the Alfie Roberts Institute.

Series includes books, booklets, newspapers, journals, magazines, brochures, articles, photocopies of book chapters, clippings, booklets, pamphlets, leaflets, reports, flyers, government publications, press releases, newsletters, speeches and interview transcripts, poems, songs lyrics, books and records catalogues, documents with annotations and some handwritten notes.

The series is organized into the following four sub-series:
C025/C1 Books
C025/C2 Booklets
C025/C3 Periodicals
C025/C4 Research Documentation
C025/C5 Business Cards

The series provides information on awards Brian McKenna received between 1970 and 2010.

The series contains correspondence, newspaper clippings, statues, plaques, a pewter, a medal, and several ACTRA Awards programs.

The series provides information on the relations between La Centrale and other organizations operating in the art scene, as well as information about the Quebec and Canadian cultural scene. It includes a data bank about art related organizations in Canada, USA and Europe from the early 1990s. The series also contains documents related to the RCAAQ [Regroupement des centres d’artistes autogérés du Québec], of which La Centrale was a member.

The series contains correspondence, reports, brochures, minutes, press clippings, reference documentation, a contract, and posters.

Series provides information about Alfie Roberts' affiliation to the 150 Emancipation Committee, the St. Vincent and Grenadines Association of Montreal, the 11th World Festival for Youth and Students and the International Caribbean Service Bureau. This series also contains documentation pertaining to Patricia Cambridge’s involvement with the Project Genesis and the St. Vincent and Grenadines Association of Montreal. In addition, it contains materials concerning the activities of other community organizations, as well as information about conferences organized by community organizations and non-community organization in Canada and overseas.

Series includes leaflets, flyers, posters, correspondence, newsletters, event programs, brochures, press releases, periodicals, meeting minutes and agendas, administrative and financial documents, speech transcripts, clippings, objects, photographs, sound recording and notebooks.

The series is organized into the following eight sub-series:
C025/B1 St. Vincent and the Grenadines Association of Montreal
C025/B2 Emancipation 150 Committee
C025/B3 National Council of St. Vincent and Grenadines Associations in Canada
C025/B4 11th World Festival of Youth and Students
C025/B5 Project Genesis
C025/B6 Alfie Roberts Institute
C025/B7 Other Community Organizations
C025/B8 Conferences

Series consists of production documents associated with the series Law & Order. Material consists of filming schedules, drafts and final scripts, administrative documents, cast list, set diagrams, props, research, broadcasting standards, screen credits beat sheets, DVDs of episodes, and the Law & Order production bible featuring samples of forms, sample budgets, press releases, production report and schedules, wardrobe and custom notes, props breakdown, location scouting information, crew and cast lists, and character breakdowns.

Series consists of production documents associated with the series Law & Order: Criminal Intent (LOCI). Material consists of filming schedules, scripts, administrative documents, cast lists, research regarding clearance of character and company names used in the production, broadcasting standards, screen credits, consulting documents, and beat sheets.

The series provides information about surveys conducted by La Centrale, as well as gallery statistics.

The series contains survey forms as well as statistics and reports derived from surveys.

Series consists of seminar and conference documents. Material consists of speeches made by René Balcer at conferences and seminars on the subject of television and script-writing.

Series contains copies of interviews conducted by Harriet Eisenkraft.

The series contains documentation relating to Ann Charney’s involvement with the Blue Metropolis Foundation, a not-for-profit organization located in Montreal, Quebec. The series gives information on the organization itself, its magazine, the Blue Metropolis Montreal International Literary Festival, and other events arranged by the organization. It also contains evidence of Ann Charney’s participation in such events. The series also illustrates the "Write pour ecrire" project, the literary event at the origin of the Blue Metropolis Festival. "Write pour ecrire" took place in 1996 and was organized by Linda Leith, Ann Charney and Mary Soderstrom, in partnership with the Union des écrivaines et des écrivains québécois (UNEQ).

The series contains newspaper articles, publicity material, meeting minutes, correspondence, financial documents, reports, and a special presentation issue of the Blue Metropolis magazine, among other documents.

The series provides information on the literary work of Peter Madden.

The series contains drafts and final versions of plays, poems and stories written by Peter Madden, as well as photographs, newspaper clippings, ephemera and an audio reel related to some of his plays. It includes among others scrips of One Man, The Night No One Yelled, and Leave my Kids Alone.

The series is organized into the following sub-series:

F025/ C1 Plays
F025/ C2 Poems
F025/ C3 Short Stories

The series provides an insight into Ann Charney's personal and professional lives. The series contains materials documenting Ann Charney’s personal life, as well as that of the people around her, and contains correspondence sent to her by various family members and friends, including Melvin Charney and fellow artists like Morty Schiff, Joyce Ravid, Alison Strayer, Susan Kealey, Moyra Davey, Joan Micklin Silver, Geraldine Sherman, Elizabeth Spencer, Lionel Tiger, Christina McCall, George Szanto, and others. The series also illustrates Ann Charney’s professional life, by the means of correspondence with various literary agents, publishers and editors, the UNEQ (Union des écrivaines et écrivains Québécois), as well as granting agencies.

The series contains letters, mostly handwritten, postcards, photographs, and newspaper clippings.

Series contains awards, plaques and certificates awarded to René Balcer. Material consists of Emmy Award certificates, transcripts for high school, college, and university, from the Quebec Department of Education, music certificates and grades, and a certificate of promotion.

The series relates to Ann Charney’s work as an author. It presents her literary work in form of novels and short stories, and illustrates her life as a writer. The series includes material on Dobryd, Rousseau’s Garden, Distantly Related to Freud and several short stories, as well as unpublished works. In addition, the series documents Charney's interactions with small Canadian and international publishing houses, with which she was corresponding. Publishing houses include, among others, Vehicule Press and Permanent Press.

The series contains novels and short stories written by Ann Charney, correspondence with literary agents and publishers, as well as publicity material, magazines, and catalogs.

Series provides an extensive collection of artists’ files, providing an important record of the Conseil Quebecois de l’estampe (CQE) members and their work.

Series contains artists’ statements, résumés, exhibition catalogues, newspaper clippings, brochures, posters, invitation cards, slides and photographs of artists’ artworks. It also contains correspondence between the artists and the CQE as well as membership forms.

Series consists of documents created, collected, and related to the Law & Order franchise. The documents consist of financial documents and network figures, ratings of Law & Order episodes, and profits for Law & Order: Criminal Intent.

Series contains promotional materials collected about Irving Layton, including invitations to events celebrating the life and work of the poet, the program for the dedication of Irving Layton Avenue in Montreal. Series also contains programs to the event “Scene: Love and Maple Syrup,” an invitation to the Concordia University convocation honoring the poet, and a bookmark to Seven Steps Bookshop where he gave many readings.

Series contains the manuscript for Swinging in Paradise: The Story of Jazz in Montreal (1989), as well as a copy of the book, correspondence, and notes concerning updates. Series also contains a copy of Who's Who of Jazz in Montreal: Ragtime to 1970 (1988).

Series is divided into 4 subseries:
P0004/B1 First draft of Swinging in Paradise
P0004/B2 Subsequent drafts of Swinging in Paradise
P0004/B3 Final publications
P0004/B4 Correspondence

The series provides an overview of the Black Studies Center’s financial situation between 1966 to 2007. By the means of grant applications and reports, the series also provides information about various projects undertaken by the Black Studies Center.
The series is divided into the following subseries:
F035/B1 Accounting
F035/B2 Funding

The series contains, among other documents, financial statements, expense reports, budgets, grant applications, correspondence, bank statements, balance sheets, receipts, brochures, project reports, tax accounts, by-laws, invoices, ledgers, journals, loans, and an address.

The series provides information about Beatrice Bazar's work and community service with several organizations, including the United Nations Association in Canada, Committee for a Community of Democrates, and the Canadian Commission for Unesco. The series also documents Bazar's honors and awards for her volunteer work and service.

The series includes correspondence, invitation cards to diplomatic events and ceremonies, photographs, newspaper clippings, Bazar's curriculum vitae, and some documents pertaining to organizations Bazar was affiliated with.

The series provides information on Wartime Production and McKenna Purcell Productions, two companies incorporated by Brian McKenna and Susan Purcell, and used to produce several films, as The Valour and the Horror. The series also provides information on administrative aspects of the Fifth Estate, people McKenna worked with or contracted for his documentaries, and the technology used by McKenna in the 1980s.

The series is organized into the following subseries:
• F1 Fifth Estate
• F2 McKenna Purcell Productions / Wartime Production

The series contains, among other documents, annual reports, budgets, newspaper articles, financial statements, certificates, correspondence, CVs, pamphlets, advertisements, photographs, project proposals, sound recordings, a webpage template, a video, and documents related to the companies’ incorporations.

The series documents the events held or sponsored by the St. Patrick’s Society, including the annual St. Patrick’s Day luncheon, the annual ball, testimonial dinners, Christmas parties, and its participation in some special projects, including the renovation of the Thomas D’Arcy McGee monument in the Côtedes-Neiges cemetery in 1949. The first annual luncheon was given on March 17th, 1834. The annual ball is given on the nearest Friday to March 17. The Society also sponsored the St. Patrick Development Foundation, a non-profit housing project for seniors that is now St. Patrick Square.

The series includes correspondence, invitations, programs, menus, press clippings, and photographs.

The series illustrates the activities of the Quatuor de Jazz libre du Québec (1967-1975), the Val-David Artistic Colony (1970), the Ferme du Petit Québec libre (1970-1973) and l'Amorce (1972-1974), including the political dimension of these jazz-related initiatives.
The series includes, but is not limited to newspaper clippings, newsletters, statements, a historical overview, plans, project outline, a manifesto, pamphlets, and posters.

The series provides information on the security management at the gallery.

The series contains police reports.