La collection se compose de documents accumulés par Margaret Griffin et Clara Gutsche. Elle illustre principalement la fondation et la première exposition de Powerhouse Gallery, maintenant La Centrale Galerie Powerhouse. D'autre materiel porte sur le magasin d'artisanat Flaming Apron et sur diverses expositions organisées à La Centrale Galerie Powerhouse. La collection contient des documents créés par Margaret Griffin, Leslie Busch, Billie-Joe Mericle et Stansje Plantenga, tous membres fondateurs de Powerhouse Gallery. Ils ont été crées principalement entre 1972 et 1974, avec des documents sélectionnés de 2001 et 2004. Certains documents ont été annotés par Margaret Griffin et Clara Gutsche en 2014. Les documents reliés à la création et l'histoire de la Powerhouse Gallery comprennent de la correspondance, des coupures de journaux, des propositions, des descriptions, des chronologies, des publications, des affiches, des diapositives, des négatifs, une brochure, un dessin, une peinture et des vêtements. Ces matériaux concernent principalement la première exposition du Musée, Windows : From the Inside Out : Painting, Photography, Ceramic and Sculpture, présentée au 1210, avenue Greene à Westmount, Québec, en 1973. D'autre documents illustrent diverses expositions organisées à la Powerhouse Gallery et à la Centrale Galerie Powerhouse, notamment: Codpieces: Phallic Paraphernalia (1974), The Past to the Present (2001) et Powerhouse: Where are we now? (2001). Le matériel concernant les activités de The Flaming Apron, une boutique d'artisanat à Notre-Dame-de-Grâce, comprend des vêtements, de la céramique et un bulletin. La collection contient également des publications de La Centrale Galerie Powerhouse, dont Women’s Bookworks (1979) et Les Centrelles (2004), ainsi que des articles liés aux centres d’art et d’artistes au Canada.
La collection est divisée en 3 séries :
C011 / A. Galerie Powerhouse / La Centrale Galerie Powerhouse
C011 / B. The Flaming Apron
C011 / C. L'art au Canada
La collection Victoria Stanton et Vincent Tinguely contient des matériaux concernant la théorie, la pratique et l'histoire de la poésie orale. Il documente également en profondeur l’histoire de la scène du "Spoken Word" à Montréal des années 1960 à 2001. De manière significative, la collection documente la rédaction et la publication du livre "Impure: Reinventing the Word" de Victoria Stanton et Vincent Tinguely (conundrum press, 2001).La collection contient des entretiens menés par Stanton et Tinguely avec 75 poètes, auteurs, artistes et interprètes français et anglais, dont Heather O'Neill, Jonathan Goldstein, Michel Garneau, John Giorno, Zoe Whittall, Jean-Paul Daoust, Simon Dardick, Catherine Kidd, Geneviève Letarte, Naila Keleta-Mae, Hélène Monette, Trish Salah, Anne Stone, Todd Swift et Debbie Young, entre autres. La collection comprend 52 CD, 12 mini-CD, 4 LP, 8 cassettes et 5 vidéocassettes documentant le "Spoken word" et la poésie publiées entre 1971 et 2014; des coupures de journaux; des notes et documents de travail; des brouillons et des traductions de manuscrits; des épreuves; de la correspondance; et du matériel de recherche, entre autres documents. La collection inclut aussi des documents concernant les festivals littéraires de Montréal, y compris Métropolis bleu et le festival Voix d’Amériques.
Sans titreThe fonds provides information on the executive and administration of the International and Ethnic Association Council and its activities.
The fonds consists of IEAC administrative records such as minutes, budget allocations, correspondence, election documentation, membership lists, and activity reports. It also contains photographs and posters related to IEAC activities.
The Graeme Clyke fonds consists of materials created and accumulated by Graeme Baxter Clyke related to the Negro Community Centre (NCC), Union United Church, Royal Arthur School, Little Burgundy, and Saint-Henri. Photographs showcase programs and activities offered at NCC, including dance and music lessons, arts and crafts, wood working, sports, summer camps, and games. They also depict NCC staff, including but not limited to Stanley Clyke, Emily Clyke, Lawrence Sitahal, Daisy Peterson Sweeney, Martha Griffiths, and Mrs. Palmas. Photographs also show the interior and exterior of the NCC, Union United Church, Royal Arthur School, and the Universal Negro Improvement Association (U.N.I.A.). They also depict many other buildings around Little Burgundy and Saint-Henri. Students and teachers at the NCC and Royal Arthur School appear throughout the photographs, as do members of the Union United Church. Textual records in the fonds consist of those documenting the administration of the NCC, including its programs, activities, and services, and the memorial service of Roy States.
The Graeme Clyke fonds is divided into 4 series:
• F027/A Negro Community Centre
• F027/B Union United Church
• F027/C Royal Arthur School
• F027/D Little Burgundy and Saint-Henri
The Black Studies Centre fonds contains materials documenting the administration, services, and activities of the Black Studies Centre from its beginnings as the National Black Coalition Quebec Institute of Research until 2014. The fonds also documents the Centre’s role within Montreal’s Black communities, as well as its relationships to other organizations working within and outside Montreal. In addition, the Black Studies Centre fonds is an important source of reference documentation pertaining to the history, culture, and contributions of Black communities in Canada: it contains a rich collection of newspapers, periodicals, and books, dating from 1969 to 2012, including but not limited to copies of Contrast (1969-1999), Community Contact (1998-2008), Afro-Can (1981-1984), Focus Umoja (1974-1978), Uhuru (1969-1970), and Umoja (1969-1970, 1990), as well as books that were previously held in the collection of the Black Studies Centre’s Library.
The fonds is divided into the following series:
F034/A Administration
F034/B Financial records
F034/C External relations
F035/D Programming and Services
F035/E Research
F035/F Reference documentation
The Black Studies Centre fonds contains, among other documents, meeting minutes, agendas, reports, policies, correspondence, letters patent, statistics, photographs, architectural plans, deeds of sale, insurance policies, permits, contracts, agreements, organizational charts, resumes, job descriptions, lists, financial documents, grant applications, brochures, by-laws, directories, newspapers and newspaper articles, press releases, newsletters, leaflets, flyers, invitations, catalogs, notes, index cards, moving images, sound recordings, posters, biographies, schedules, attendance records, stories, poems, song texts, drawings, forms, costumes, research papers, bibliographies, bibliographic records, interview transcripts, reproductions of historical documents, speeches, summaries of newspaper articles, accession records, subscriptions, a guest book, books, magazines, periodicals, and a musical instrument.
Sans titreThis fonds documents the administrative activities of the Department of Mechanical, Industrial and Aerospace Engineering. The following RCRP categories are contained within this fonds:
1331 Examination & Test - Questionnaires
1410 Recruitment - Academic Appointments
1430 CUPFA - Academic and Professional Dossier
5111 Meetings of Units
5112 Reports, Studies & Analyses
5160 University Events
5220 Litigation
5430 Media Coverage
5450 University Publications
5461 Promotional Material
The fonds provides information on Christopher Jackson’s career as university administrator and teacher in the department of Music at Concordia University.
The TEACHING subseries includes records related to Christopher Jackson's employment at Concordia University such as his Full Professor application as well as a University Chorus course manual. The ADMINISTRATION subseries is comprised of files related to the Grey Nuns project, in which Jackson was involved. It includes copies of the Catalogue partiel d'oeuvres d'art de la Maison-Mère des Soeurs Grises de Montréal from 1973, as well as some reports and studies related to the development of the building acquired by Concordia in 2007.
The CONSULTING SERVICES subseries is comprised of correspondence related to Jackson's work as a technical consultant to appraise organs with the Comité spécial pour le projet d'orgues du Grand Séminaire de Montréal, the Hyde Park Community United Methodist Church, the Comité de l'orgue Saint-Pierre-Apôtre, the Fabrique Saint-Léon de Westmount or the Fabrique Notre-Dame between 1983 and 1994.
The COMITÉ DES ORGUES DE LA FONDATION DU PATRIMOINE RELIGIEUX DU QUÉBEC subseries testifies of Jackson's involvement with the committee from1988 to 2009, with records such as agendas, meeting minutes and some correspondence. The subseries also includes technical reports on church organs in St-Paul-d'Abbotsford, Sherbooke, Dunham, St-Paul de Grand-Mère, St-Narcisse or Saint-Lambert, among others.
The RESEARCH ANDREFERENCE DOCUMENTATION subseries includes files with miscellaneous documentation on different subjects close to Jackson's expertise such as Music of New France, Auguste Fay (organ builder), and historical organs.
The fonds also includes promotional material related to the Orfeo of Claudio Monteverdi concert as well as the Liliane M. Stewart funeral that Jackson was a musical director of and some correspondence with the Organ Historical society (1989-1999) and the Studio de musique ancienne (1989-1999).
Sans titreThe fonds documents the activities of the Concordia University Department of Sociology and Anthropology. The fonds is organized into the following series according to the Concordia University Records Classification and Retention Plan (RCRP):
1313 Course Outlines, 1985-2012
1410 Recruitment - Academic Appointments, 2012-2013
2430 Awards and Scholarships - Programs, 2008-2012
4160 Official University Identification
4210 University Policies, 2012-2013
5111 Meetings of Units, 2012-2013
5113 Statistics, 2012
5160 University Events, 2012
Le fonds offre des informations sur l’administration, la programmation et sur les activités de la galerie La Centrale. Il englobe le développement de la galerie dès ses débuts en 1973 jusqu'en 2013. Le fonds document l’histoire de la galerie aussi bien que son rôle dans la scène artistique montréalaise. En plus des évènements et expositions organise par La Centrale, le fonds illustre des évènements montréalais comme le Mois de la performance, Viva!, le Mois de la photographie, et le festival HTMlles. Le fonds contient aussi de l’information biographique sur un grand nombre d’artistes répartis à travers le monde.
Le fonds est composé d’une grande variété de documents, y compris des procès-verbaux, des bulletins d'information, des rapports, des coupures de presse, des publications, des CV d'artistes, de la correspondance, des photographies, des affiches et autres publicités, des programmes, des documents financiers et des objets.
Le fonds est organisé selon les séries suivantes:
P128/A. Administration
P128/B. Ressources financières
P128/C. Programmation
P128/D. Communication
P128/E. Artistes et événements
P128/F. Publications
P128/G. Relations externes
P128/H. Ressources immobilières
P128/I. Affaires juridiques
P128/J. Gestion des membres
P128/K. Ressources humaines
P128/L. Sondages
The L’Entraide Missionnaire collection primarily consists of textual materials collected by L’Entraide Missionnaire during the course of their activities in the Democratic Republic of Congo, Rwanda, and Uganda. Materials do not document the administration and functions of L’Entraide Mission, but reflect their presence and activities in Africa. The documents in this collection were given to the organization during the course of their work in the field and consist of fist-hand information from the ground in the countries where L’Entraide Missionaire was working from 1993 to 2013. Much of the documentation concerns mining in the Democratic Republic of Congo.
The collection mostly contains textual records, including reports and summaries; correspondence; ministerial declarations; statutes, agreements, and conventions; financial statements; contracts and other legal documents; and texts documenting debates, among other material.
Sans titreThe fonds is organized in 2 series: PERSONNAL LIFE and PROFESSIONNAL LIFE.
The PERSONNAL LIFE series is comprised of 1 subseries: the EDUCATION sub-series is comprised of records related to Frank Barry’s early education in art at the Ealing School of Art, the Hornsey School of Art and the Carisbrooke Grammar School where he was and Art Masters, and records from his later studies in Art Education at Sir George Williams University. It includes notes on different artists and pedagogical notes on different books related to his master’s degree in art education. It also includes multiple diplomas of the different schools he attended. The PERSONNAL LIFE series also includes personal correspondence.
The PROFESSIONNAL LIFE series is comprised of 2 subseries. The TEACHING subseries is comprised of 1 sub-subseries: the SIR GEORGE WILLIAMS UNIVERSITY AND CONCORDIA UNIVERSITY sub-subseries is comprised of course notes and bibliographies of the Psychology 591 course, a “Guide pédagogique” sent to translation and research for his theses in team-teaching in art education. The TEACHING subseries also contains a notebook from Carisbrooke Grammar school and art exams from Northmount High School.
The CREATION AND ARTWORKS subseries is comprised of 2 sub-subseries. The MONTREAL sub-subseries is comprised of sketchbooks, drawings, artwork and unpublished works produced most notably in Montreal and at other places. The OTHERS sub-subseries is comprised of sketchbooks, drawings, artwork and unpublished works created before he moved to Montreal. It includes drawings of war times and many sketches of the Isle of Whight in the UK where his children were born.
The PROFESSIONNAL LIFE series also includes articles and different press clippings mentioning Frank Barry’s work. It includes records of his involvement in the Provincial Association of Protestant Teachers of Quebec (PAPT) and the Associations of Arts Specialists of the Protestant School Board of Greater Montreal. It also includes Frank Barry’s Sir Georges Williams access card, a notebook and correspondence.
Sans titreThe Hour collection is composed of 72 bound volumes of the Hour newspaper published between 1993 and 2011 and those issues published under the name Hour Community in 2011 and 2012. The bound volumes comprise almost every issue of Hour and Hour Community published between February 1993 and May 2012, with the exception of volume 2, numbers 18 to 35 (1994), which are missing from the collection. The collection also contains the prototype of Hour.
Sans titreThis fonds documents the administrative activities of the Office of the Vice-President Research and Graduate Studies. Included in this fonds are documents related to the Canada Foundation for Innovation (CFI) funding program between 1997 to 2015. The following RCRP categories are contained within this fonds:
1210 Academic Co-operation - Agreements
1220 Student Exchange Programs
3110 Funding Programs for Research
3210 Research Chairs
3211 Research Projects Registry
3220 Research Co-operation
3310 Research Projects - Description
3410 Declaration of Invention
4120 Governing Bodies - Committees
4140 Official Strategic Plans
5111 Meetings of Units
5112 Reports, Studies & Analyses
5113 Statistics
5160 University Events
5170 External Relations
5171 Conferences & Seminars - External
5172 Public Relations Activities
5430 Media Coverage
5450 University Publications
5460 Marketing Campaigns
5461 Promotional Material
The fonds provides information on Bernice Goldsmith’s teaching activities at Concordia as well as her research interests in environmental impact assessment governance and laws, and environmental protection.
The fonds includes course materials, research files, daily activity agendas, conference reports and notes, correspondence, and publications.
Sans titreLe fonds est constitué de matériel créé et accumulé par René Balcer dans le cadre de son travail de réalisateur et directeur de série. Le fonds se compose principalement d'ébauches et de versions finales de scripts, de « beat-sheets », de normes de diffusion, d'horaires, de documents de recherche et de listes d'acteurs et d'équipes des séries télévisée « New York, police judiciaire », « La Loi et l'ordre : NY section criminelle », et « Los Angeles, police judiciaire » (version anglaise), et du film Hopewell. Les autres scripts inclus sont l’adaptation française de « La Loi et l'ordre : NY section criminelle », Paris: Section Criminelle, le « Movie of the Week » et des scripts télévisés dont The Ruth Snyder Story, et Hudson Valley. De plus, le fonds comprend des documents couvrant des projets individuels, des rapports sur les coûts et les frais de déplacement, divers prix et certificats obtenus par Balcer pour ses services à l'industrie de la télévision, des ordres du jour, des publications, des articles, des manuscrits et du matériel de cours. Le fonds comprend également des DVD de diverses productions, notamment « New York, police judiciaire », « La Loi et l'ordre : NY section criminelle », et « Los Angeles, police judiciaire », diverses photographies, y compris des images fixes de production et des photographies de repérage pour les lieux de tournage, des accessoires de plateau et des plans de décors.
Le fonds est divisé en 24 séries :
F011 / A Documents administratifs
F011 / B Calendriers
F011 / C Articles et blogs
F011 / D Prix et certificats
F011 / E Contrats et documents juridiques
F011 / F Correspondance
F011 / G Cours
F011 / H Dépenses
F011 / I "Hopewell"
F011 / J « New York, police judiciaire »
F011 / K Recherche et idées pour « New York, police judiciaire » et « La Loi et l'ordre : NY section criminelle »
F011 / L « La Loi et l'ordre : NY section criminelle »
F011 / M Frais liés à « New York, police judiciaire »
F011 / N « Los Angeles, police judiciaire »
F011 / O Recherche pour « Los Angeles, police judiciaire »
F011 / P Manuscrits
F011 / Q « Movie of the Week » et documents télévisés
F011 / R Recherche pour le « Movie of the Week »
F011 / S Projets
F011 / T Publications
F011 / U Publicités
F011 / V Albums de coupures
F011 / W Colloques et conférences
F011 / X Statistiques et chiffres
The fonds provides information related to Namaste’s book “C’était du spectacle! L’histoire des artistes transsexuelles à Montréal, 1955-1985 » (Montréal : McGill-Queen’s University Press, 2005). and projet Polyvalence, on HIV/AIDS prevention for people with bisexual practices.
The fonds contains research notes, press clippings, articles, articles and communications written by Viviane Namaste, correspondence, grant applications, and photographs. The fonds also include sound recordings of interviews conducted by Namaste for her book on transsexual artists and transcripts of interviews done for the Projet Polyvalence.
Sans titreLa collection documente la vie et le travail d'Alfie Roberts et de Patricia Cambridge. Elle comprend de la documentation sur leurs études postsecondaires, leur expérience professionnelle dans différentes entreprises et organisations, leur contribution à la communauté noire et leur affiliation à divers organismes communautaires tels que la St. Vincent and Grenadines Association of Montreal, le Emancipation 150 Committee, le Black Community Council of Quebec et le Project Genesis. La collection fournit des informations sur plusieurs organisations de la communauté noire à Montréal, dans le reste du Canada et en Amérique du Nord, y compris du matériel promotionnel d'événements qui donne un aperçu des activités culturelles organisées entre les années 60 et 90. De plus, la collection contient de nombreuses publications telles que des périodiques, des brochures et des livres qui faisaient partie de la bibliothèque personnelle d'Alfie et Patricia et de l'Alfie Roberts Institute. Certains des périodiques trouvés dans la collection comprennent des numéros de The Vincentian, Afro-Can, Gramma, Uhuru, Caribbean Contact, The Afro Canadian, The Militant, The Struggle, Outlet, Focus Umoja, Justice, Freedom, The Crusader, Nam Speaks, Speak Out, Day Clean, Forum et New Beginning, entre autres publications. La collection couvre des sujets liés, mais non limités à l'histoire des Noirs, l'impérialisme, l'esclavage, le racisme, la libération, le colonialisme, le marxisme, le communisme, le socialisme, le logement et la ségrégation, l'urbanisme, le travail et l'histoire de l'Afrique, des Caraïbes et de l'Amérique latine.
La collection Alfie Roberts and Patricia Cambridge est organisée selon les séries suivantes:
• C025/A Documents personnels
• C025/B Relations communautaires
• C025/C Bibliothèque et documentation de recherche
• C025/D Biographies
La collection contient de la correspondance, des notes, manuscrites, des essais écrits par Alfie Roberts et Patricia Cambridge, des documents de recherche, des livres, des périodiques, des coupures de presse, des brochures, des transcriptions de discours, des dépliants, des dessins, des documents de conférence, des affiches, des enregistrements sonores, des images en mouvement, des bulletins, des procès-verbaux de réunions, des ordres du jour, des photographies, des cartes et des objets.
Sans titreThe fonds provides information on Cathy Mullen’s the teaching activities at Concordia as well as her research interests on curriculum development and teaching in photography, light-based media, and digital arts.
The fonds includes course materials, research files, articles, press clippings, minutes, and correspondence.
Sans titreThe Ann Charney fonds provides information on Ann Charney’s journalistic and literary career as well as her personal life. It documents both Charney's fiction and non-fiction writings from the 1960s until 2009, and provides insight into the process of publishing from the author’s point of view. The fonds also includes information on the Blue Metropolis foundation, a not-for-profit organization located in Montreal, Quebec, responsible for the annual Blue Metropolis Montreal International Literary Festival. Finally, the fonds provides a glimpse into the life of Jewish emigrants. It also contains information about Canadian and international artists working during the second half of the 20th century.
The fonds contains drafts and final versions of novels and short stories written by Ann Charney; personal and professional correspondence; newspaper articles; publicity material; meeting minutes; agreements; financial documents; photographs; reports; and magazines, among other documents.
The fonds is organized into the following series:
P0237/A Fiction
P0237/B Non-fiction
P0237/C Correspondence
P0237/D Blue Metropolis
Le fonds Peter Madden est composé de documents couvrant la carrière d'écrivain de Peter Madden des années 1970 au début du XXIe siècle. Une grande partie du travail de Peter Madden reflète son expérience en prison.
Les documents comprennent des manuscrits, des brouillons, des scénarios, des notes, de la correspondance, des journaux, des cahiers et des coupures de presse liés aux représentations des pièces de Peter Madden. Le fonds contient des exemples de poèmes, de nouvelles, de pièces de théâtre et de scénarios publiés et non publiés. Il permet de suivre le développement d'une pièce depuis l'idée jusqu'à sa version finale.
Le fonds est organisé selon les séries suivantes :
F025/ A Vie personnelle
F025/ B Vie professionnelle
F025/ C Œuvre littéraire
The fonds provides information on the Chartered Accounting Program, between the 1980s and 2009. The program started in 1978 and became the Chartered Professional Accountancy (CPA) Program around 2014.
The fonds is composed of reports, minutes, course guides, and photographs.
Sans titreThe fonds provides information on Martin Singer’s research and teaching between 1972 and 2009. It also documents his career as a university administrator at Concordia University.
The fonds consists of course materials, lectures, reports, and presentations. There is for instance material related to the extensive field trips to East Asia in 1975 and 1976 (which include more than 700 slides and a few sound recordings of lectures and interviews. The fonds also contains extensive research material related to the Martin Singer research projects on Canadian academic relations with China, sponsored respectively by IDRC (1982-1986) and AUCC (1994-1996). This material is composed of cassette tapes of interviews made with numerous Canadian and Chinese academics and government and NGO officials across Canada.
Sans titreThe fonds consists of interviews conducted by Harriet Eisenkraft.
Sans titreLa collection Franklyn Harvey démontre l'intérêt et l'implication de Franklyn Harvey dans la gauche caribéenne et sert de catalogue documentant, entre autres sujets, la gauche caribéenne; l'activisme dans les Caraïbes; politique, croissance économique, changement et renouveau dans les Caraïbes; économie politique; communisme; socialisme; nationalisme; Puissance; et la pauvreté.
La collection contient 275 documents textuels, principalement en anglais : des livres, des périodiques et d'autres documents, ainsi que quatre disques optiques et une carte, le tout composent la bibliothèque de Franklyn Harvey.
The fonds is mainly composed of promotional productions on university events and units, and class lectures made by IITS Technology Services, TV Studios or Creative Media Services, between 1998 and 2009.
The fonds mainly includes videocassettes on various formats, and a few DVD and digital audio cassettes.
Sans titreThe fonds provides information on the administration of the Literary Translators’ Association of Canada and its activities.
The fonds contains copyright materials, contracts, membership list, financial documents, grant applications, minutes, correspondence, conferences materials, and files on the John Glassco Prize.
The collection documents the Concordia University initiatives regarding HIV/AIDS from the end of the 1980s. It consists of records produced by the Concordia HIV/AIDS Project, instructors of the HIV/AIDS courses, and the Office of the Rector.
The fonds mainly includes committee meetings, reports, programs, press clippings, course packs, sponsorship kits and posters.
The fonds is organized into the following series and sub-series:
I0031/1330. – Teaching Activities
I0031/1330A. – AIDS/HIV: Cultural, Social, and Scientific Aspects of the Pandemic Course
I0031/1330B. – HIV/AIDS: An Interdisciplinary Introduction Course
I0031/1340. – Training and Practicums-Management
I0031/4210. – University Policies and Procedures
I0031/5111. – Committees and Meetings
I0031/5160. – University Events
The fonds documents the activities of the Concordia University Department of History. This fonds consists mainly of general correspondence, course evaluations, curriculum development files and publications. The following RCRP categories are contained within this fonds:
1110 Academic Planning
1131 Curriculum Development
1140 Academic Program Management
1160 Academic Program Appraisal
1210 Academic Cooperation
1421 CUFA - Academic Dossier
1430 CUPFA - Academic Dossier
5110 Administrative Planning
5111 Meetings of Units
5113 Statistics
5120 General Administrative Management
5160 University Events
5170 External Relations
5410 Institutional Communication
5450 University Publications
5461 Promotional Material
8100 Real Estate Management
The following publications are included in this fonds:
- Concordia University History Journal, 1983-1984 (PUB-028)
- Concordia History Students Journal, 1978 (PUB-054)
- TimeLines – Newsletter of the Concordia History Department, 2003-2008 (PUB-339)
- Historiae – Concordia Undergraduate Journal of History, 2003-2008 (PUB-345)
- History in the Making – Annual Conference for Graduate Students of History, 1998-2005 (PUB-347)
- History Course Guides, 1975-2000
- History Graduate Programme Newsletter, 1986-1900
Le fonds du Conseil québécois de l'estampe (CQE) offre de l’informations sur l'administration, les finances, les publications et les activités de programmation du CQE dès sa fondation en 1978 jusqu’à 2005, date à laquelle l’organisation a changé son nom pour Arprim (Regroupement pour la promotion de l'art imprimé). Le fonds comprend également une vaste collection de dossiers d’artistes, fournissant un registre important des membres du CQE et de leur travail. Les dossiers d’artistes contiennent des photographies, des catalogues d'expositions, des coupures de journaux, des dépliants et d'autres documents. Le fonds contient également le bulletin Bon-à-tirer, publié par le CQE, de la documentation concernant la publication du Code d’éthique et de la documentation annuelle du Prix Albert-Dumouchel¸ parmi d’autres documents.
Le Fond Conseil québécois de l’estampe est organisé selon les séries suivantes:
- F037/A Administration
- F037/B Programmation
- F037/C Publications
- F037/D Adhésion
- F037/E Ressources financières