The fonds contains documents related to the memorial service held for Morton Stelcner by CUFA on September 25, 2000.
Sans titreThe fonds documents the activities of the Sir George Williams Department of Physical Education between 1959 and 1975.
It contains press releases, press clippings, programs, reports, photographs, objects, videos of sport games and activities, etc.
The fonds is organized in the following series:
5420 Media Relations
5430 Media Coverage
9510 Recreation and Athletics Activities Programs
9530 Sport Regular Season
9540 Championships and Tournaments
9550 Sport Awards and Events
The fonds consists of Russell Breen’s personal records (mainly correspondence with individuals and organizations) between 1970 and 1991 and some administrative documents related to Saint-Patrick Basilica. The fonds also includes texts of speeches, homilies, and sermons delivered by Russell Breen, between 1973 and 1993.
Sans titreLe fonds Peter Madden est composé de documents couvrant la carrière d'écrivain de Peter Madden des années 1970 au début du XXIe siècle. Une grande partie du travail de Peter Madden reflète son expérience en prison.
Les documents comprennent des manuscrits, des brouillons, des scénarios, des notes, de la correspondance, des journaux, des cahiers et des coupures de presse liés aux représentations des pièces de Peter Madden. Le fonds contient des exemples de poèmes, de nouvelles, de pièces de théâtre et de scénarios publiés et non publiés. Il permet de suivre le développement d'une pièce depuis l'idée jusqu'à sa version finale.
Le fonds est organisé selon les séries suivantes :
F025/ A Vie personnelle
F025/ B Vie professionnelle
F025/ C Œuvre littéraire
The fonds provides information on the events which preceded the Computer Centre Incident at Sir George Williams University in 1969.
The fonds mainly consists of reports, articles, and letters. It includes a typed copy of “Chronicle of Events” happening at Sir George, which was published in the “Statement” first issue (January 28, 1969).
Sans titreThe fonds provides information on Kurt Jonassohn's teaching career as a professor at Sir George Williams University and Concordia University as well as a researcher in the field of the history and sociology of genocides.
The ADMINISTRATION subseries includes records related to Jonassohn's involvement in the Association of University Teachers Planning Committee (SGWAUT) and the Student's Undergraduate Society. It is comprised of meeting minutes, correspondence, notes and a honorary degree nomination form for Norman Cohn.
The TEACHING subseries consists of teaching material, course outlines, course notes, readings lists as well as some promotional material (posters and brochures) related to the Summer Session in Sociology Project held at Sir George Williams University in the 1960's and 1970's.
The CONFERENCES, SEMINARS, TALKS subseries includes speaking notes, programs and correspondence related to the many conferences, symposiums and talks Jonassohn's took part in, often in collaboration with fellow Frank Chalk, such as 'Culture, Persecution, Perpetrator Intent and Their Effects on the Human Rights Agenda' presented to the Annual Meeting of the Eastern Anthropological Association in 1984 or 'Conceptualizations of Genocide and Ethnocide' presented at Famine Ukraine 1933 Symposium held in Montreal, in August 1983.
The WRITINGS subseries is comprised of some correspondence and texts and written by Jonassohn or in collaboration with Frank Chalk such as 'A Typology of Genocide and Some Implications for the Human Rights Agenda' in 1984.
The MONTREAL INSTITUTE FOR GENOCIDE STUDIES subseries includes records related to the development of the Audio-visual Collection and the Azrieli Collection of the institute as well as 'Jewish Resistance During the Holocaust', a lecture by Frank Chalk from 1995.
The CORRESPONDENCE subseries consists of communications exchanged with organizations such as the Social Sciences and Humanities Research Council (SSHRC) and the Centre for Comparative Genocide Studies and with other scholars, most notably Helen Fein, Jack Porter and Norman Cohn.
The RESEARCH AND REFERENCE DOCUMENTATION subseries is comprised of articles, papers, reports and press clippings on subjects close to history and sociology of genocides: the holocaust, the Armenian people, ethnic minorities, history revisionism and gypsy communities name a few.
The fonds provides information on Lewis Poteet’s research on language, dialect and slang. The fonds also gives genealogical information on the Poteet family.
The fonds contains research materials, drafts, correspondence with other lexicographers and writers, and notes. The fonds also includes materials on Poteet’s latest literary project: Voetsek – Revisiting Swasiland and Soweto, a narrative non-fiction memory of his childhood in South Africa.
Sans titreThe fonds provides information on art history related topics and on the publication of the journal.
The fonds contains administrative records, manuscripts, published issues and graphic materials (such as posters and logos).
Sans titreLa Collection Mary-Jacques Cambay est le résultat des recherches de Mary-Jacques Cambay sur le vitrail au Québec et de la contribution des artistes travaillant le vitrail au patrimoine artistique de la province. La collection documente les vitraux existant dans les églises du Québec dans les années 1970 et 1980. Elle comprend également des informations relatives à certaines églises. De plus, la collection documente les œuvres de plusieurs artistes du vitrail, dont Guido Nincheri, Charles William Kelsey et Flavien St. Pierre, et du studio de vitrail "Canadian Pittsburgh Industries Limited" (C.P.I.). Notamment, la collection contient des entrevues d'histoire orale menées par Cambay avec des artistes travaillant dans le vitrail.
La collection Mary-Jacques Cambay est composée principalement de supports photographiques sous forme de tirages et de diapositives, mais également de cassettes audio et de documents textuels. En tant que documents textuels, la collection se compose de brochures, de coupures de journaux, de la correspondance, d'extraits d'ouvrages de référence et de notes manuscrites. Un index des églises du Québec aux vitraux complète la collection.
La collection est composée de photographies prises par François Lachapelle pour le livre "Répertoire des gravures conservées au Monastère des Ursulines de Québec" (1982), créé en collaboration avec Mario Béland. La collection comprend 465 diapositives, en noir et blanc et en couleur, montrant des gravures, des peintures et des broderies de la collection du Monastère des Ursulines de Québec. Il contient également un inventaire manuscrit qui détaille les pièces de la collection du monastère.
La collection du Monastère des Ursulines de Québec est divisée en 2 séries: C020 / A. Documents textuels
C020 / B. Documents photographiques
The fonds provides information on the activities and management of the Computer Centre/Computing Services at Concordia between 1974 and 1996 and during its period at Sir George between 1970 and 1974. There are also some files which document the activities of the Loyola College Computing Centre (1970-1971) and its Data Processing Department (1971-1974). The fonds also includes the research material for the History of Computing Services Project, realized in 1995-1996, which include recorded interviews with employees of the unit and its four directors: Graham Martin, Ivan Fuchs, Jack Fearnley, and John Woodrow.
The fonds mainly consists of reports, correspondence, minutes of meetings, handbooks, computer program files, photographs and videos of employee social events, and sound recordings.
Sans titreThis fonds documents the administrative activities of Hospitality Concordia. This fonds also contains a number of ephemeral objects, including former Concordia blazer jackets. The fonds is organized in the following series:
2420 Support Services for Students (2007-2014)
4130 Organizational Charts and Mandates (2005-2010)
4210 University Policies (2004-2010)
5110 Administrative Planning (2006-2018)
5111 Meetings of Units (2004-2017)
5112 Reports, Studies and Analyses (2004-2013)
5160 University Events (2004-2017)
5170 External Relations (2009-2015)
5174 Supplier Files (2005-2015)
5420 Media Relations (2011)
5460 Marketing Campaigns (2004-2015)
6110 Staff and Position Management (2005-2010)
8100 Real Estate Management (2009-2013)
8121 Estate Inventories (2008-2009)
8134 Renovation - Unit Files (2008-2013)
8340 Sustainability Program (2010-2011)
La collection Dorothy Harper documente la vie de Dorothy Harper, en particulier son intérêt pour la musique jazz. La collection contient deux enregistrements sonores et 54 photographies. Plusieurs photographies présentent des clubs de jazz à Montréal, dont le Café Esquire et El Morocco, et d'autres images montrent Oscar Peterson en concert. Cependant, la plupart des photographies représentent des scènes de la vie de Dorothy Harper à Montréal au milieu des années 1940.
Sans titreThis fonds documents the administrative activities of the School of Irish Studies. This fonds also includes an important number of posters used to promote various activities and events organized by the School of Irish Studies. The following RCRP categories are contained within this fonds:
1131 Curriculum Development
1410 Recruitment - Academic Appointment
2430 Awards and Scholarships - Programs
5112 Reports, Studies and Analyses
5160 University Events
5170 External Relations
5430 Media Coverage
5440 Websites
5450 University Publications
5460 Marketing
5461 Promotional Material
The fonds consists of one sound recording and 43 photographs (slides, prints, and digital) related to various events which occurred at Sir George Williams University in 1967, 1969, and 1970.
Sans titreThe fonds mainly provides information on the activities of Thé-Arts Loyola and general music and drama productions at Concordia University.
The fonds contains press clippings, theatre programs, small posters, and a souvenir book of the 25th anniversary of Thé-Arts’ reunion in 1997. It also contains slides of Thé-Arts productions Applause and Once Upon a Mattress which were donated by photographer Jeff Barber, former student and a member of Thé-Arts Loyola.
Sans titreThe fonds provides information on the activities and management of the School.
The fonds includes files related to academic conferences, classes, correspondence, external relations, events, promotion of the School, student publications and various meetings.
The fonds is organized in the following series:
1131 Curriculum Development Files
1140 Academic Program Management
1313 Course Outlines
1410 Recruitment - Academic Appointments
1421 FT Faculties - Academic Dossier
1441 Fellowship Competitions
2460 Student Associations - Constitutions
3210 Research Chairs
3220 Research Co-operation
5100 Departmental Management
5111 Meetings of Units
5112 Reports, Studies & Analyses
5160 University Events
5170 External Relations
5430 Media Coverage
5440 Websites
5461 Promotional Material
9110 Fundraising Campaigns & Projects
9120 Donor Files
The fonds provides information on the teaching activities of the college in the 1980s.
The fonds is composed of recordings of course lectures and a poster.
Sans titreThe fonds provides information on the Chartered Accounting Program, between the 1980s and 2009. The program started in 1978 and became the Chartered Professional Accountancy (CPA) Program around 2014.
The fonds is composed of reports, minutes, course guides, and photographs.
Sans titreThe Hour collection is composed of 72 bound volumes of the Hour newspaper published between 1993 and 2011 and those issues published under the name Hour Community in 2011 and 2012. The bound volumes comprise almost every issue of Hour and Hour Community published between February 1993 and May 2012, with the exception of volume 2, numbers 18 to 35 (1994), which are missing from the collection. The collection also contains the prototype of Hour.
Sans titreLe fonds documente la carrière de Guy Thouin à partir des années 1950 jusqu’en 2021, y compris son passage au Quatuor de jazz libre du Québec (1967-1971), à L'Infornie (1969-1971), au Heart Ensemble (1989-présent) et au Nouveau Jazz Libre du Québec (2012). Le fonds fournit également des renseignements sur la vie personnelle de Thouin, y compris ses premières années à l'école primaire, son temps avec les cadets, des moments avec sa famille et ses amis, ses études au Québec et sa vie en Inde.
Le fonds Guy Thouin contient des photographies, des partitions musicales composées par Guy Thouin entre 1968 et 2020, des enregistrements sonores et audiovisuels de concerts, des affiches, des coupures de presse sur Guy Thouin et ses projets musicaux, des dépliants, curriculum vitae, des notes biographiques, des cartes postales, des communiqués de presse, un certificat de naissance et de baptême ainsi qu'un certificat de licence d'opticien.
Le fonds Guy Thouin est divisé en 4 séries :
F040/A Partitions
F040/B Photographies
F040/C Carrière musicale
F040/D Documents personnels
The Logos collection contains 27 issues of Logos, published between 1967 and 1972. It also contains three issues of The Local Rag, also published in Montreal, which date to 1969, and one issue of The Astral Projection (published in the 1960s or 1970s).
Sans titreLe fonds du Black Community Resource Centre (BCRC) fournit des informations sur l'administration, les finances, les projets, les services et les activités du BCRC depuis sa création en 1992 jusqu'en 2021. Le fonds comprend également une vaste documentation sur plusieurs partenariats entre le BCRC et d'autres organisations avec lesquelles il s'est associé dans le cadre de divers programmes et ateliers.
Le fonds du Black Community Resource Centre se compose principalement de documents textuels qui détaillent le processus administratif de l'organisation et les activités quotidiennes du BCRC. Le fonds contient des accords de partenariat, des procès-verbaux, des ordres du jour, des bulletins d'information, de la correspondance, des rapports annuels, des documents financiers, des évaluations de projets, des diapositives de présentations et des descriptions de postes de travail, entre autres documents administratifs. Aussi, le fonds comprend des photographies, des affiches et du matériel promotionnel pour plusieurs événements et programmes offerts par le BCRC et d'autres organisations, y compris aussi le Programme de préparation à l'école, le Bureau des bénévoles, House of King and Queens, et le festival A Taste of the Caribbean (Goût des Caraïbes). Il contient également de la documentation de recherche et d'autres documents conservés par le BCRC pour être utilisés dans son centre de ressources.
Sans titreThe fonds documents the activities of the Oscar Peterson Hall from 1990 until 1999.
It contains event files, programs, posters and press clippings. The fonds is organized in the following series:
5160 - University Events
5420 - Media Relations
9200 - Archives, Libraries and Art Galleries Holdings
The fonds documents the activites of the Concordia University FOFA Gallery. The fonds is organized in the following series:
2410 STUDENT ORIENTATION ACTIVITIES (2010-2011)
4130 MISSION STATEMENT AND MANDATE (2005-2006)
5111 MEETINGS OF UNITS (2015)
5170 EXTERNAL RELATIONS (2013-2017)
5160 UNIVERSITY EVENTS (2006-2016)
5420 MEDIA RELATIONS ([200?])
5430 MEDIA COVERAGE (2007-2014)
5461 PROMOTIONAL MATERIAL (2013-2017)
5450 UNIVERSITY PUBLICATIONS (2006-2008)
5451 LEGAL DEPOSIT (2007)
9120 DONOR FILES (2015)
9240 ART GALLERIES PROGRAMMING (2006-2019)
9241 ART GALLERIES EXHIBITIONS (2006-2019)
The fonds documents the activities of the Montreal Institute for Genocide and Human Rights Studies (MIGS). This fonds consists mainly of Memoirs of Holocaust Survivors in Canada, panels of the David J. Azrieli Holocaust Collection in the Concordia University Libraries Exhibition, and correspondence with scholars specialized in genocide.
Sans titreLe fonds est constitué de documents textuels liés à la participation de Pauline Morier à l'exposition "Pare-Chocs" à la galerie d'art Véhicule, à Montréal en 1981. Il inclut aussi de la correspondance relie au vandalisme sur ses oeuvres dans le cadre de l'exposition.
Sans titreLe fonds témoigne partiellement de la carrière musicale, jusqu'en 1975, d’Yves Charbonneau ainsi que du Quatuor de Jazz du Québec (1967-1975), de la colonie artistique de Val-David (1970), de la Ferme du Petit Québec libre (1970-1973), et du café expérimental L'Amorce (1972-1974). Le tout est complété par des journaux politiques ramassés par Yves Charbonneau durant les années 1970. Le fonds comprend aussi des documents textuels et des photographies en lien avec les études en arts visuels entrepris par Yves Charbonneau au lendemain de la rupture du Jazz libre.
Le fonds est divisé dans les séries suivants :
F033/A – Jazz libre du Québec
F033/B – Journaux politiques
F033/C - Études en arts visuels
On y retrouve des documents juridiques, des coupures de presse, des tracts, des notes, des photographies ainsi que deux images en mouvement.
Sans titreThe fonds documents the activities of the Concordia University Department of Sociology and Anthropology. The fonds is organized into the following series according to the Concordia University Records Classification and Retention Plan (RCRP):
1313 Course Outlines, 1985-2012
1410 Recruitment - Academic Appointments, 2012-2013
2430 Awards and Scholarships - Programs, 2008-2012
4160 Official University Identification
4210 University Policies, 2012-2013
5111 Meetings of Units, 2012-2013
5113 Statistics, 2012
5160 University Events, 2012
