Harlequin Records. "One O'Clock Jump" by Allan McIver & Orchestra.
This track on Side 2: 4 min., 5 sec.
Harlequin Records. "Christopher Columbus" by Sandy DeSantis Orchestra.
This track on Side 2: 3 min., 31 sec.
Harlequin Records. "Bugle Call Rag" by Morgan Thomas & His Orchestra.
This track on Side 1: 2 min., 20 sec.
Harlequin Records. "Darktown Strutters' Ball" by Trump Davidson & His Orchestra.
This track on Side 1: 2 min., 51 sec.
Harlequin Records. "I Just Want To Be Known As "Susie's Feller"" by Gilbert Watson & His Orchestra.
This track on Side 1: 3 min., 27 sec.
Harlequin Records. "Up and At 'Em" by Dave Caplan's Toronto Band.
This track on Side 1: 2 min., 55 sec.
Harlequin Records. "How's Your Folks and My Folks" by New Princes' Toronto Band.
This track on Side 1: 2 min., 56 sec.
Harlequin Records. "Lazy Drag" by Millard Thomas & His Chicago Novelty Orchestra.
This track on Side 1: 2 min., 26 sec.
Harlequin Records. "Cotton Pickers Ball" by Guy Lombardo's Royal Canadians.
This track on Side 1: 2 min., 49 sec.
Harlequin Records. "Music (Makes The World Go Round)" by Melody Kings & Willie Eckstein.
This track on Side 1: 2 min., 36 sec.
Harlequin Records. "Delirious Rag" by Harry Thomas.
This track on Side 1: 2 min., 36 sec.
The fonds documents the activities of the Concordia University Department of Political Science. This fonds consists mainly of curriculum development files, class schedules, publications and course outlines. The following RCRP categories are contained within this fonds:
1131 Curriculum Development (2004-2007)
1313 Course Outlines (1980-2009)
1410 Recruitment - Academic Appointment (1998-2009)
1430 CUPFA - Academic and Professional Dossier (2002-2014)
5111 Meetings of Units (1994)
5450 University Publications (1976-1990)
5461 Promotional Material (1975-1980)
The following publications are included in this fonds:
- PUB-040 Political Science Student Journal (1978-1983)
- PUB-056 Essays in Political Science (1977-1978)
- Course guides (1976-1990)
- Graduate Students Bulletin (1985)
Translation of text.
This fonds consists of minutes of department meetings.
Sans titreThe fonds provides information on the activities and events in which the LGFC was involved at Concordia University.
The fonds consists of correspondence, memoranda, a draft of a guidebook for gay students, event notices and schedules, financial records, and newsletters.
Sans titreThe fonds consists of records pertaining to Duckworth's professional life as a movie director and cinematographer. The PRODUCTIONS sub-series contains records related to development of movies he worked on: contracts, proposals, correspondence, notes, research and reference documentation, photos and some media coverage.
The TEACHING sub-series is comprised of correspondence, course outlines, class lists, teaching and student evaluations, a sample of student works and some notes.
Sans titreThe fonds provides information on Wall’s professional life as an instructor and researcher on early politics in Massachusetts.
The series Professional Life is organized in 4 sub-series:
- MICHIGAN STATE UNIVERSITY
- RESEARCH
- SIR GEORGE WILLIAMS UNIVERSITY
- WRITINGS
The fonds provides information on Pnina Gagnon’s professional life as an artist. It consists of records on her creative works, exhibitions, writings and publications, media coverage, correspondence and conferences or talks she took part in.
The fonds also contains records about her private life. It consists mainly of personal correspondence, journals and agendas, records on her education, family, travels and spirituality.
Sans titreLa collection documente la vie et le travail d'Alfie Roberts et de Patricia Cambridge. Elle comprend de la documentation sur leurs études postsecondaires, leur expérience professionnelle dans différentes entreprises et organisations, leur contribution à la communauté noire et leur affiliation à divers organismes communautaires tels que la St. Vincent and Grenadines Association of Montreal, le Emancipation 150 Committee, le Black Community Council of Quebec et le Project Genesis. La collection fournit des informations sur plusieurs organisations de la communauté noire à Montréal, dans le reste du Canada et en Amérique du Nord, y compris du matériel promotionnel d'événements qui donne un aperçu des activités culturelles organisées entre les années 60 et 90. De plus, la collection contient de nombreuses publications telles que des périodiques, des brochures et des livres qui faisaient partie de la bibliothèque personnelle d'Alfie et Patricia et de l'Alfie Roberts Institute. Certains des périodiques trouvés dans la collection comprennent des numéros de The Vincentian, Afro-Can, Gramma, Uhuru, Caribbean Contact, The Afro Canadian, The Militant, The Struggle, Outlet, Focus Umoja, Justice, Freedom, The Crusader, Nam Speaks, Speak Out, Day Clean, Forum et New Beginning, entre autres publications. La collection couvre des sujets liés, mais non limités à l'histoire des Noirs, l'impérialisme, l'esclavage, le racisme, la libération, le colonialisme, le marxisme, le communisme, le socialisme, le logement et la ségrégation, l'urbanisme, le travail et l'histoire de l'Afrique, des Caraïbes et de l'Amérique latine.
La collection Alfie Roberts and Patricia Cambridge est organisée selon les séries suivantes:
• C025/A Documents personnels
• C025/B Relations communautaires
• C025/C Bibliothèque et documentation de recherche
• C025/D Biographies
La collection contient de la correspondance, des notes, manuscrites, des essais écrits par Alfie Roberts et Patricia Cambridge, des documents de recherche, des livres, des périodiques, des coupures de presse, des brochures, des transcriptions de discours, des dépliants, des dessins, des documents de conférence, des affiches, des enregistrements sonores, des images en mouvement, des bulletins, des procès-verbaux de réunions, des ordres du jour, des photographies, des cartes et des objets.
Sans titreHead of Centre for Instructional Technology discusses the concept of communication technologies. George A.B. Moore.
The fonds is organized in 2 series: VIE PERSONNELLE and VIE PROFESSIONNELLE. The VIE PERSONNELLE series is comprised of records related to François-Marc Gagnon’s education at Collège Stanislas, Université de Paris, Université d’Ottawa and the Grand séminaire d’Ottawa. It also includes personal correspondence, photos and slides of his travels and his family and friends, journals and agendas and some drawings.
The VIE PROFESSIONNELLE series is comprised of 6 sub-series: the CONFÉRENCES, COLLOQUES ET EXPOSITIONS sub-series is comprised of records related to the many presentations and lectures Gagnon gave during his career in France, Israel and in the United States but mostly in Canada, on subjects as varied as modern American art, impressionist paintings, Mayan and archaic American art, visual perception, archeology, anthropology and philosophy but mostly Paul-Émile Borduas and the Refus global artists, the automatists, ancient art in Quebec and the representation of first nations in Canadian art.
The ENSEIGNEMENT sub-series includes course outlines and teaching material related to Gagnon’s teaching positions at Université de Montréal (1967-2000), McGill University (1999) and Concordia University (2000-2019). The ÉCRITS sub-series contains records related to the books Gagnon wrote or took part in as well as articles he wrote for Larousse, Muse, RACAR, Recherches amérindiennes du Québec, Espace and Études françaises to name a few. The DISTINCTIONS sub-series contains records related to the many prizes and awards Gagnon received: an honorary degree from Concordia University, the Prix d’excellence en enseignement and Professeur émérite of Université de Montréal, Prix Gérard-Morisset, Prix d’histoire du Gouverneur general and Officier de l’Ordre national du Québec among others. The CORRESPONDANCE sub-series testifies of the professional relations of Gagnon with different museums, cultural centres and institutions.
Finally, the RECHERCHE ET MATÉRIEL DE RÉFÉRENCE sub-series is comprised of photocopies of articles and books chapters, reading fiches and notes on different subjects related to Gagnon’s fields of expertise: iconography of first peoples, Mayan art and history, modern art and artists Paul-Émile Borduas, Ozias Leduc, Fernand Léger and Jacques Hurtubise to only name a few. The subseries also includes scrapbooks containing extensive correspondence on or about Jean Dubuffet.
Sans titreInterview with May E. Cutler on July 15, 1993.
Part 1: 1 hr., 3 min., 30 sec.
Part 2: 10 min., 27 sec.