This series consists of records from events organized and related to the Concordia University Alumni Chapters.
La sous-série contient des documents concernant la fondation de la galerie Powerhouse et diverses expositions à La Centrale Galerie Powerhouse. Les documents portent principalement sur la première exposition de la galerie en 1973, intitulée "Windows: From the Inside Out: Painting, Photography, Ceramic and Sculpture". D'autres expositions documentées dans cette sous-série incluent Codpieces: Phallic Paraphernalia (1974), The Past to the Present (2001) et Powerhouse: Where Are We Now? (2001). La sous-série contient également des publications de La Centrale Galerie Powerhouse, dont Women’s Bookworks (1979) et Les Centrelles (2004).
La sous-série donne de l’information sur les membres de La Centrale à travers les années.
La sous-série comprends des formulaires d'adhésion, des listes de membres et des demandes d'adhésion.
This sub-series provides insight into the financial support received by the Black Theatre Workshop (BTW) from the 1970s to 2013. It documents the BTW's two major sources of income: government support received by way of various grants and fundraising campaigns.
The sub-series contains, among other documents, agreements, grant applications, reports, correspondence, photographs, publicity, invitations, program descriptions, and financial records.
This sub-series provides insight into The Black Theatre Workshop’s (BTW) contribution to education at the primary and secondary levels and contains documentation pertaining to The Theater for Young Audiences Program, which was first implemented in 1983. A number of plays were produced exclusively for this program and were shown to both elementary and secondary school audiences. These were generally presented in schools in the Greater Montreal area, but also shown in Nova Scotia and the United States among other locations. The sub-series contains documents pertaining to school tours, which took place from 1986 to 2011. Many of these tours took place during Black History Month. Materials document the plays that were part of the series, necessary preparatory work, the schools that hosted the performances, and finances, along with feedback from teachers, students and actors.
The sub-series contains correspondence, photographs, drawings, promotional material, educational material (teachers’ guides), play scripts, project outlines, reports, financial records, contracts, booking sheets, schedules, performance evaluations, newspaper clippings, sound recordings, and sheet music, among other documents.
The sub-series provides insight into the Black Theatre Workshop’s (BTW) many initiatives to support young performing artists. A first attempt to install a program to support young artists was the Beginners’ Workshop, which took place in January and February 1984, followed by an 11-week project known as the Summer Theatre, which took place during summer of the same year. The idea was revived with the installation of the Young Performers Initiative, later called Youthworks Program, which existed from 2000 to 2013. This workshop series offered free specialized theatre training for Montreal teenagers from 12 to 25 years old, who envisioned a career in the performing arts. Each spring the workshop series finished with the presentation of a play, as there were, among others, Shakin' the Mess Outta Misery ; Death of the Bourgeois Dream ; What If?, and Urban Legends / The Procrastin8r.
The sub-series contains play scripts, brochures, meeting notes, reports, program outlines, communications, interviews, photographs, schedules, zines, moving images, and sound recordings, among other documents.
The sub-series provides an overview of Articule’s financial situation from the mid 1980s to 2014.
The sub-series contains bank statements, invoices, general ledgers, financial reports, journals, tax forms, and other financial documents, as well as correspondence.
La sous-série fournit des informations sur les comités administratifs de La Centrale.
La sous-série comprends des procès-verbaux de l’assemblée générale, du conseil d’administration et de plusieurs autres comités, ainsi que des documents connexes.
The sub-series documents various plays produced by the Black Theatre Workshop from the 1970’s to 2013. It also illustrates other events organized by the Black Theatre Workshop, as, for example, festivals, workshops, conferences, poetry jams, and especially the workshop’s most important fundraiser, the annual Vision Celebration (or Vision Gala), which takes place since 1987 every year in January. At this event, each year an important member of the community is honoured with the Dr. Martin Luther King Jr. Achievement Award. The first of these awards was given to musician Oscar Peterson, followed by Oliver Jones, Daisy Peterson-Sweeney, Dorothy Wills, and others. The sub-series contains biographical information of all award recipients from 1987 to 2008. It also covers the nomination of the Victor A. Phillips Award and the Gloria Mitchell-Aleong Award, as part of the Vision Gala.
Furthermore, the sub-series documents the professional career of several actors involved with the Black Theatre Workshop
This sub-series contains photographs, programs, press releases, newspapers and newspaper clippings, drawings, floor plans, collages, flyers, mailing lists, project proposals, reports, invitations, entrance tickets, play scripts, meeting notes, box office records, correspondence, schedules, moving images, sound recordings, budgets, drafts, goboes, and the first issue of the Black Theatre Workshop News, among other documents.
The subseries provides information on the establishment and administrative development of articule from 1980 to 2014.
The subseries includes by-laws, copies of letters patent, annual reports, registered charity forms, mandates, drafts, historical overviews, policies, and other documents related to the functioning of the gallery.
The subseries provides an insight in articule’s financial situation by the means of financial reports.
The subseries contains financial statements, budgets, annual financial forms submitted to the Quebec and Canada government, ledger pages, statistics, and audit reports.
The subseries provides information on various subjects related to Black history, culture, contributions, and experiences. It also includes documents pertaining to activism, racism, and other topics. The geographic coverage of materials in this series extends across Canada and the United States. The series also includes documents concerning significant events. Several folders in this series document the Sir George Williams Affair, also sometimes referred to as the Sir George Williams Computer Centre Incident, the Anderson Affair, and the Sir George Williams University Computer Riot. The subseries also covers significant political and cultural events, occurring both in Canada and across the world.
The subseries contains, among other documents, bibliographic records, bibliographies, newspapers, magazines, newsletters, flyers, leaflets, educational material, class papers, photographs, booklets, biographies, catalogues, correspondence, interview transcripts, newspaper clippings, reproductions of historical documents, speeches, summaries of newspaper articles, reports, poems, song texts, short stories, play scripts, drawings, notes, postal stamps, and press releases.
La sous-série documente le processus de production et fournit de l’information sur le film Ma vie réelle.
La sous-série comprend des contrats, des notes manuscrites, des articles, des dépliants et des brochures, de la documentation de recherche, un résumé du film, un budget et des notes.
La sous-série documente le processus de production et fournit de l’information sur le film Les Super mémés
La sous-série contient le film en sur cassettes vidéo et sur DVD et différents mixages d’audio en anglais et en français. La sous-série comprend également la proposition du projet, de la correspondance, des demandes de subvention, le plan financier, de la documentation et des notes de recherche, des articles, des dépliants, le dossier de presse et d'autres documents.
La sous-série fournit de l’information sur le film hommage Le cinéma de Magnus Isacsson.
La sous-série inclut la version française du film et des différents mixages d’audio.
La sous-série fournit de l’information sur la vie et le travail de Magnus Isacsson à travers des entrevues et des articles écrits à son sujet dans des magazines, des journaux et la presse suédoise.
La sous-série inclut des entrevues avec Magnus Isacsson, des notes, des coupures de presse, des transcriptions et des articles écrits sur lui et son travail publié dans des magazines et des journaux. La sous-série inclut également une impression du blog et du site web de Magnus Isacsson.
The subseries documents Black life, culture and contributions in Canada, the United States, Africa, and the Caribbean by the means of community newspapers and magazines published mostly by Black organizations.
The collection includes, among others, issues of the following newspapers:
• A pleine voix (1992-1993, 3 issues)
• The African (1 issue, 1947)
• African Affairs (2005-2006, 7 issues)
• African Times (2004) (5 issues)
• Afrikan Awakener (1974, 4 issues)
• AFRO-CAN (1981-1987)
• The Afro News 92003-2005, 9 issues)
• Black Enterprise (1972-1976, 5 issues)
• The Black I (1972-1973, 2 issues)
• Black Liberation News (1969) (2 issues)
• Black News (1970-1973, 10 issues)
• The Black Panther (1969-1972),
• Black Reflections (1969),
• The Black Scholar (1973, 1 issue)
• Black Thoughts (1975), (2 issues)
• The Black Voice (1972-1974, 20 issues)
• Black World (1970-1976, 18 issues)
• Caribbean Camera (2001-2005, 5 issues)
• Caribbean Dialogue (1975-1978, 8 issues)
• Caribbean Quarterly (1952, 1 issue)
• Cible Carrières et Professions (1978) (5 issues)
• Co-Action Montreal (1982) (3 issues)
• Contrast (1969-1981, 1989-1990)
• Cotopaxi (Vol. 1, no. 1 (Fall 1968))
• Dialogue (1973-1978, 15 issues),
• Direction One ([1969?]) (1 issue)
• Montreal Downtowner (1983-1984), 4 issues
• Ebony (1974, 1 issue)
• Ebony Jr. (1976-1977) (10 issues)
• Expression (1966-1969, 7 issues),
• Flambeau (September 1967)
• Festival (1975-1976) (5 issues)
• Focus (1982-1983) (4 issues)
• Focus Umoja (1974-1978) (23 issues)
• Georgian (1969-1975) (6 issues)
• Golden Legacy (1967-1972) (10 issues)
• Grasp (1971-1974, 13 issues)
• Il Ponte (1978) (6 issues)
• The Internationalist (1971-1972, 5 issues)
• The Islander (1974-1977), (43 issues)
• Jamaica News (1981-1983)(5 issues)
• JET (1971, 1974, 1995-1997) (29 issues)
• Kola (2004-2010, 7 issues)
• Link (1981-1993) (4 issues)
• Le Militant (1970) (9 issues)
• Montreal Camera (2005, 9 issues)
• Montreal Community Contact (1998-2012)
• Montreal Oracle (1976-1978) (8 issues)
• Muhammad Speaks (1969-1973) (37 issues)
• NBESEE (April 1979)
• New World Quarterly (1963-1968, 6 issues)
• The Paper (1969) (6 issues)
• People's Canada Daily News (1974-1975, 21 issues)
• Sechaba (1970-1971, 8 issues)
• Share (1979-1986, 2007-2009),
• Spark (1973-1974) (4 issues)
• Speak Out (April 1968)
• Spear (1971-1976, 17 issues)
• Spektrum (1981) (4 issues)
• Statement (1969) (5 issues)
• Tapia (1970-1973) (7 issues)
• Uhuru (1969-1970) (27 issues)
• Umoja (1969-1971) (4 issues)
• The Vanguard (February – April 1970) (3 issues)
• West Africa (1982-1983, 11 issues)
• Women's Collective Press (1975) (2 issues)
• The Zimbabwe Review (1973-1979)
This sub-series documents the management of human resources, including the rights and duties of staff working at the Black Theatre Workshop (BTW) in the 1980s and 1990s. It also provides insight into summer employment programs in which the BTW participated, including the Work Orientation Workshop, organized by the Notre-Dame-de-Grâce Black Community Association.
This sub-series contains, among other documents, contracts, agreements, and correspondence.
The sub-series provides information on Ableys work as editor from 1999 to 2012. During this time, he edited several books, starting with "Stories From the Ice Storm" in 1999.
He was faculty editor at the Banff Centre for Arts in 2000, and contributing editor for the 75th anniversary issue of Canadian Geographic, “Canada : Global Citizen”, in 2004.
As literary executor of poet Anne Szumigalski, Abley assembled and edited three posthumous books of her work from 2006 to 2012.
Within his writer’s residency at the Point-Claire Public Library in 2011, Abley edited a collection of writings by local residents, "The City We Share = La Ville que nous partageons".
In 2007 Abley was 'guest creative editor’ of a special Canadian issue of "Review".
The sub-series contains biographies, a contract, correspondence, drafts, essays, newspaper articles, magazines, poems, and reviews.
La sous-série fournit de l’information sur le projet intitulé Jaxon ainsi que la recherche de Magnus Isacsson sur ce sujet.
La sous-série comprend des photocopies d'anciens articles et documents de recherche datant de la fin des années 1800 aux années 1950. La sous-série contient aussi des notes manuscrites, des dépliants, de la correspondance et la proposition du film.
The sub-series provides information on children's books written by Mark Abley between 2000 and 2011, as there is Ghost Cat and Camp Fossil Eyes. It also includes an unpublished novel, Time’s Necklace. The Ghost Cat, for which Abley received the Torgi Literary Award, was presented by Abley during reading at schools in Montreal and surroundings.
The sub-series contains, without limitations, an awards program, a contract, comments, correspondence, a draft, notes, an outline, proposals, proof prints, reviews, a newspaper article, a style guide, and a critique.
La sous-série fournit de l’information sur le projet Yul-Lab.
La sous-séries inclut la description du projet, des coupures de journaux, des notes, de la correspondance et une carte de visite.
La sous-série fournit de l’information sur les intérêts de Isacsson pour les questions sociales ainsi que ses activités dans la communauté du cinéma documentaire.
La sous-série inclut des photographies, des inscriptions aux séminaires, des bulletins d'information, des communiqués de presse, des notes manuscrites, de la correspondance, de la documentation sur la présence et la participation de Isacsson à divers séminaires, des listes des participants, des descriptions des panels, des programmes des séminaires et du matériel promotionnel, des procès-verbaux des réunions des comités, du matériel de recherche et un vidéo du 8ème Rencontres internationales du documentaire.
La sous-série illustre la création de La Centrale en 1973 ainsi que son évolution dans le temps
La sous-série comprends des règlements, organigrammes, mandats, et autres documents relatifs au fonctionnement de la galerie.
La sous-série renseigne sur les activités et la programmation de plusieurs organismes communautaires de Montréal et du reste du Canada dont, entre autres, l'Organization of Eastern Caribbean States, le Black Community Council of Quebec, le Black Theatre Workshop, le Negro Community Centre et la South Shore Black Community Association.
La sous-série comprend, entre autres, de la correspondance, des bulletins, des documents financiers, des ordres du jour, des procès-verbaux de réunions, des dépliants, des invitations à des événements, des affiches, des brochures, des communiqués et des programmes d'événements.
La sous-série fournit de l’information sur le film Art in Action.
La sous-série comprend un résumé du projet, des notes manuscrites, des photographies, des contrats, des listes de contacts, des coupures de journaux, des dépliants, de la correspondance, et des documents de recherche sur l'organisation Action terroriste socialement acceptable (ATSA).
