The photograph was taken in Shawbridge, Quebec.
The fonds provides information on jazz in Montreal, particularly on radio, during the 1950s and 1960s.
The fonds contains music that Johnny Holmes arranged and conducted, audiotapes of CBC radio broadcasts, photographs of performers, and press clippings.
Holmes, JohnnyThe fonds documents Guy Thouin’s career from the 1950s to 2021, including his time at the Quatuor de jazz libre du Québec (1967-1971), L’Infornie (1969-1971), The Heart Ensemble (1989-present), and Nouveau Jazz Libre du Québec (2012). The fonds also provides information about Thouin’s personal life, including his early years in elementary school, his time playing with the cadets, moments with his family and friends, his studies in Quebec, and his life in India.
The Guy Thouin fonds contains photographs, music scores composed by Guy Thouin from 1968 to 2020, sound and audiovisual recordings of live performances, posters, records, clippings about Guy Thouin and his musical projects, flyers, curriculum vitae, biographical notes, postcards, press releases, certificate of birth and baptism, and certificate of optician license.
The Guy Thouin fonds is divided into 4 series:
F040/A Scores
F040/B Photographs
F040/C Musical career
F040/D Personal records
Features Henry F. Hall fourth from the left and Kenneth E. Norris second from the left.
The photograph was taken at Camp Otoreke, a YMCA camp located in Saint-Adolphe-d'Howard, Quebec. Features Henry F. Hall seated in the first row, second from the left.
The photograph was taken at Beaver Lake on Mount Royal the day of the Sir George Winter Carnival by for J.P. Zweig.
The dinner for the graduating class of 1955 was held at the Windsor Hotel.
Reform Club?
Three people in winter, one holding a shovel, surrounded by a crowd.
Fonds contains records relating to the research and writing of Peter Desbarats’ monograph René: A Canadian in Search of a Country. Material consists of transcripts, notes, manuscript and typed drafts and corrections, and correspondence between Desbarats and René Levesque and Desbarats and Dick Brown from Canadian Magazine.
The fonds is divided into three series:
F009/A Interviews
F009/B Manuscripts
F009/C Correspondence
Cardinal Leger and spectators. Includes: J. H. Mitchell S. J., Patrick Malone S. J., Gordon George S. J., Father MacDonald, F. U. Noll.
The fonds consists primarily of slides on liturgical art in Quebec. It includes slides on the production of films and books on art.
Brault, FrançoisHenry F. Hall was presented an honourary Doctor of Laws degree at the McGill University convocation.
Announcement on the Hall Building construction site.
Construction of the Hall Building.
Site for the construction of the Hall Building.
Announcement on the Hall Building construction site.
Announcement on the Hall Building construction site to mark the start of demolition of buildings occupying the future university site at Burnside [later de Maisonneuve Blvd.] and Bishop St.. Principal and Vice-Chancellor Robert C. Rae and Gloria Stieger, President of the Students' Undergraduate Society.
Construction of the Hall Building.
Excavation for the Hall building.
Excavation for the Hall Building.
Announcement on the Hall Building construction site. A worker is using a crane.
Building of one of the contractors working on the Hall Building.
Sir George Liberal Club members with Mr. John Turner
Announcement on the Hall Building construction site. From left to right, an unidentified person, Mona Osborne, Dr. John O'Brien, an unidentified person and J.-P. Petolas.
Construction of the Hall Building.
Sir George Williams University graduates at Place des Nations, Expo 1967.
Jean Drapeau receiving his honorary degree at the 1967 Sir George Williams University Spring Convocation. The event was held at Place des Nations, Expo 67.
The collection consists of materials assembled by the plaintiffs' lawyers and deposited with the Quebec Superior Court in connection with the Corridart case. The collection documents the conception and execution of Corridart, as well as its abrupt dismantling and the legal proceedings that followed. There are materials related to the careers of the artists who participated in the court case, and information about related legal precedents.
The collection includes an inventory by Melvin Charney of the sites along Sherbrooke Street, explaining the conception of Corridart as a rue-musée qu'on visite à pied. There is also a comprehensive set of photographs of Corridart, documenting the common elements (the continuous assemblage), as well as the works exhibited along Sherbrooke Street, the panels of text, and the sites of activities. These photographs trace the entire Corridart route from east to west. There are photographs documenting the dismantling. Others show impounded works and several illustrate damage to works. The collection includes project proposals, planning documents, contracts between artists and COJO, correspondence, articles from legal journals, reports of meetings, blueprints, and sketches. There are also artists' curricula vitae, photographs, brochures, and other documents related to the artists' careers that were assembled to establish their status as professional artists.
The collection is arranged into the following two series:
P0119/1 Textual and related documents
P0119/2 Photographs of Corridart installations
The Mary-Jacques Cambay Collection is the result of Mary-Jacques Cambay‘s research into stained-glass in Quebec, and the contributions of artists working in stained-glass to the Province's artistic heritage. The collection documents stained-glass windows existing in Quebec churches during the 1970s and 1980s. It also includes information pertaining to select churches. In addition, the collection documents the works of a number of stained glass artists, including Guido Nincheri, Charles William Kelsey, and Flavien St. Pierre, and the stained-glass studio "Canadian Pittsburgh Industries Limited" (C.P.I.). Importantly, it contains oral history interviews conducted by Cambay with artists working in stained glass.
The Mary-Jacques Cambay collection is composed mostly of photographic materials in form of prints and slides, but also audio cassettes and textual records. As textual materials, the collection consists in pamphlets, newspaper clippings, correspondence, extracts from reference works, and handwritten notes. An index of Quebec churches with stained glass windows completes the collection.
Cambay, Mary-Jacques