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Series documents the works of Magnus Isacsson as a freelance journalist for Canadian and Swedish radio, newspapers and magazines, covering environmental and political issues across North and Central America

The series contains research documents, drafts, photographs, articles written by Isacsson, newspaper clippings, correspondence, magazines, handwritten notes, and interviews. It also contains Magnus Isacsson's blog, Documentary Field Notes and Flashpoints, accessible via Concordia University's Archive-It page.

The series provides information on the research and reference documentation offered by the Black Community Resource to its members in their resource centre. Material in this series contains information pertaining to the demographics of Montreal’s Black communities. It also includes information on immigration to Quebec and Canada and refugees in Canada. The reference documentation preserved by the BCRC also contains materials on Black History more generally, among other topics. This series includes documents from several community organizations and government agencies on topics such as health, immigration, drug prevention, sex education, employment, education, family violence, volunteering, family wellness, and other topics.

The series contains clippings, government publications, business cards, pamphlets, brochures, leaflets, booklets, and bulletins. It also includes copies of newspapers such as Share and Community Contact.

The series contains documentation about the administration and organization of the Black Community Resource Centre between 1994 and 2021.

The series contains agendas, meeting minutes, communiques, correspondence, bulletins, press releases, newsletters, annual reports, policies, organizational charts, job descriptions and job postings, memos, invitation letters, updates on programs, and group discussions, among other documents.

The series provides information about the financial management of the Black Community Resource Centre, including documentation about the BCRC’s budget and expenses.

The series includes, but is not limited to, financial reports, cost estimations, annual budgets, funding requests and proposals, financial statements, handwritten notes, correspondence, expenditure summaries, price quotes, travel expenses, cash balance, and presentation slides.

The series documents workshops, events, programs, and projects organized by the Black Community Resource Centre. It also documents those organized in partnership with community organizations, including the Quebec Community Groups Network, English Montreal School Board, Volunteer Bureau of Montreal, Centraide du Grand Montreal, and Batshaw Youth and Family Centres. Some of the projects covered in the series are the Holistic Project, the School Readiness Program, Mothers of Preschoolers (MOP), Mothers on the Move (MOM), Project Provigo, Volunteer Bureau, 1, 2, 3 Go!, House of King and Queens, Mini-Poste Project, Tim Hortons Camp, Hema Project, The New 3Rs, A Taste of the Caribbean festival, and the Living History project. The series also contains documentation concerning the renovation of the Union United Church.

The series includes, but is not limited to, contracts and partnership agreements with other community organizations, correspondence, agenda and meeting minutes, project descriptions and proposals, slide
presentations, photographs, and posters. This series also contains research documentation pertaining to projects and workshops organized by the BCRC (including those organized in partnership with other organizations), project evaluations, project reports, and promotional material. Finally, this series includes documentation prepared by the Black Advisory Committee concerning various programs and services, including that of the Batshaw Youth and Family Centres.

Series documents Guy Thouin’s compositions from 1968 to 2020, including scores for the Heart Ensemble, Quatuor de jazz libre du Quebec, From the Basement, and other projects.

The series contains handwritten music scores.

The series documents the life and career of Guy Thouin from 1942 to 2021.

The series contains photographs of Guy Thouin’s childhood and adolescence, his musical beginnings, his trip to New York in 1962, live performances, album recordings, his time as a member of the Quatuor du nouveau jazz libre du Quebec and the Heart Ensemble, photographs with friends, family, and other musicians.

The series provides information about Guy Thouin’s musical career from 1967 to 2018, including performances, interviews, and promotional material.

The series contains clippings, press releases, flyers, posters, correspondence, illustrations of album covers, and several audio recordings of Thouin’s performances with The Heart Ensemble, L’Infonie, From the Basement, and Group Edo. It contains official records of Le Quatuor du nouveau jazz libre du Quebec, L’Infonie, and other albums in which Thouin played the tabla or percussion for other artists. The Series also includes interviews with Guy Thouin in Radio-Quebec, CBC, and CIBC, and a drawing of Guy Thouin playing tabla with Catherine Potter and Tampura.

The series provides information about Guy Thouin’s personal life.

The series contains correspondence, a certificate of birth and baptism, a passport issued in India in 1974, curriculum vitae, biographical notes, and an optician license.

The series provides background information on Brian McKenna's education from his days at St. Thomas High School to Loyola College, as well as his experience as a Boy Scout. It also provides information on members of his family.

The series contains personal correspondence, curricula vitae, notes, essays, photographs, press clippings, a year book, and other documents.

The series provides information on Brian McKenna’s journalistic career, from its beginning as reporter for the Loyola News in the 1960s to his regular writings for The Montreal Star from 1967 to 1985, where he contributed especially as parliamentary correspondent in Ottawa and on the coverage of Expo ‘67 in Montreal. The series also contains articles McKenna contributed to various magazines and The Canadian Encyclopedia, and book reviews, as well as research material and the manuscript for his book on Montreal mayor Jean Drapeau, published in 1981.

The series is organized into the following subseries:
• B1 Loyola News
• B2 The Montreal Star
• B3 Magazine and encyclopedia articles.
• B4 Jean Drapeau - book.

The series contains newspaper clippings, newspapers (among others several issues of Loyola News), research material, correspondence, and notes, but also photographs, drawings, proof prints, drafts, and a printed copy of McKenna’s book Jean Drapeau, and a replica of the satellite Sputnik from the United States Pavilion at Expo 67.

The series provides information on Brian McKenna's involvement with the Latin American Committee, the Centre for Investigative Journalism (CIJ), and the Committee to Protect Journalists (on human rights). It also includes his involvement as Max Bell Fellowship professor at the University of Regina School of Journalism.

P0112/C1 Involvement in Committees.
P0112/C2 Max Bell Fellowship

The series contains newsletters, reports, books and pamphlets, meeting minutes, newspaper articles, correspondence, notes, film proposals, and an open letter.

The series provides information on speeches and conferences given by Brian McKenna from 1981 to 1995, including a video of the Canadian National Debating Seminar of 1995 when Brian McKenna was asked to debate against a conservative economist on supporting the arts.

The series contains a newsletter, speeches, newspaper clippings, publications, notes, correspondence, and a video.

The series provides information on awards Brian McKenna received between 1970 and 2010.

The series contains correspondence, newspaper clippings, statues, plaques, a pewter, a medal, and several ACTRA Awards programs.

The series provides information on Wartime Production and McKenna Purcell Productions, two companies incorporated by Brian McKenna and Susan Purcell, and used to produce several films, as The Valour and the Horror. The series also provides information on administrative aspects of the Fifth Estate, people McKenna worked with or contracted for his documentaries, and the technology used by McKenna in the 1980s.

The series is organized into the following subseries:
• F1 Fifth Estate
• F2 McKenna Purcell Productions / Wartime Production

The series contains, among other documents, annual reports, budgets, newspaper articles, financial statements, certificates, correspondence, CVs, pamphlets, advertisements, photographs, project proposals, sound recordings, a webpage template, a video, and documents related to the companies’ incorporations.

The series provides information on various documentaries Brian McKenna worked on throughout his career. It covers documentaries that he produced for the CBC, and especially for The Fifth Estate, as well as independent productions, and even film proposals that finally never had been produced. The series spans from the 13-minute documentary Thomas D’Arcy McGee, McKenna’s first film that he wrote and directed for CBC City at 6 in 1973, to his later works as an independent filmmaker, as Newfoundland at Armageddon.
The series contains most of the research material gathered in the preparation of the documentaries as well as occasional comments, reviews and other feedback, and awards received.
Finally, the series includes Brian McKenna’s contribution to CBC radio in 1971.

The series is organized into the following subseries:
• G1 Film proposals and ideas
• G2 CBC radio scripts
• G3 CBC The City at 6
• G4 CBC documentaries
• G5 CBC Current Affairs : The Fifth Estate
• G6 Independently produced documentaries.

The series contains, but is not limited to, scripts, interviews, research material, drafts, notes, correspondence, press clippings, film proposals, monographs, court records, photographs, publications, objects, a report, videos, sound recordings, financial records, posters, and other documents.

The series provides information about Beatrice Bazar's work and community service with several organizations, including the United Nations Association in Canada, Committee for a Community of Democrates, and the Canadian Commission for Unesco. The series also documents Bazar's honors and awards for her volunteer work and service.

The series includes correspondence, invitation cards to diplomatic events and ceremonies, photographs, newspaper clippings, Bazar's curriculum vitae, and some documents pertaining to organizations Bazar was affiliated with.

The series provides some information about Beatrice Bazar's personal life.

The series includes marriage certificates, correspondence, press releases about Bazar's 50 years of marriage, Beatrice Bazar's funeral leaflet, and a letter of condolence from the Governor General to Bazar's family.

This series documents the various plays produced by the Black Theatre Workshop (BTW) from its beginnings in the early 1970s to 2013, as well as other events organized by the theatre.

This series is divided into the following sub-series :
F034/D1 General audience
F034/D2 Theater for Young Audiences program
F034/D3 Youthworks

This series contains photographs, programs, press releases, newspapers and newspaper clippings, drawings, floor plans, collages, project proposals, reports, entrance tickets, box office records, correspondence, goboes, promotional material, educational material (teachers’ guides), financial records, contracts, booking sheets, performance evaluations, sheet music, play scripts, meeting notes, communications, schedules, moving images, and sound recordings, among other documents.

The series gives an overview of the financial situation of the Black Theatre Workshop throughout the years, from its beginnings in the early 1970s to 2013. It documents the financial support received by the Black Theatre Workshop through grants and fundraising campaigns on the one hand, and the expenses of the organization on the other hand.

This series is divided into the following sub-series :
F034/B1 Accounting
F034/B2 Funding

The series contains, among other documents, agreements, publicity, financial statements, expense reports, budgets, ledger pages, invoices, grant applications, reports, newspaper articles and newspapers, fundraising plans, presentation folios, correspondence, photographs, invitations, and program descriptions.

The series illustrates Mark Abley’s career as journalist, especially for The Gazette, but also as a freelancer. The series gives an insight into Abley’s interests and viewpoints through his journalistic work on a variety of subjects, such as the Armenian genocide and developing countries.
The series also includes interviews that Abley conducted within his research with writers, politicians, and other personalities such as Jane Goodall, Henry Kissinger, and more.

The series is organized into the following subseries:

P182/A1 Research material
P182/A2 Articles
P182/A3 Work at La Gazette

The series contains, but is not limited to, business cards, essays, notes, articles, correspondence, publications, photographs, a press kit, reports, archival material (photocopies), sound recordings, book reviews, drafts, ID-cards, a proposal, a schedule, a staff policy manual, a memorandum of Agreement, and a seed package.

The series provides information on Abley’s work as a freelance writer from 1979 to 2015. It includes poetry, editorial work, children books, as well as non-fiction books. The series contains published and unpublished materials.

The series is organized into the following subseries:

P182/B1 Poetry
P182/B2 Non-fiction
P182/B3 Young Audiences
P182/B4 Editorial Work

The series contains, but is not limited to, drafts, comments, contracts, correspondence, a grant application, manuscripts, notes, poems, research material, reviews, book excerpts, business cards, agreements, mock-up covers, a directory, essays, an invitation, publicity material, newspaper articles, periodicals, permissions, proposals, reports, a score, a speech, biographies, an awards program, an outline, proofs, a style guide, a work plan, and a class paper.

The series provides information on awards and scholarships obtained by Mark Abley between 1977 and 2011, such as the Rhodes Scholarship, the LiberPress Prize, the Guggenheim Fellowship, the Torgi Literary Award, and the Alumni of Influence Award of the University of Saskatchewan. The series also includes documents related to the funding organizations, and to Abley's studies in English as a Rhodes Scholar at Oxford in the 1970s.

The series contains, but is not limited to, a book, programs, correspondence, brochures, notes, essays, handouts, a pamphlet, a photograph, press clippings, a proposal, a report, and a video.

During his career as an author and journalist, Mark Abley has reached out to readers and the literary community as a teacher, lecturer, speaker, panelist, and more. He participated in conferences and festivals, visited schools, and was involved with various organisations, such as the Quebec Writers' Federation and the Writer’s Union of Canada.
An important aspect of Ableys work consists of the promotion of English language as part of Quebec culture as well as raising awareness for endangered languages. In this context, Abley took part in the Quanglos tour to promote Quebec English-language writers in 1995. In 2013, Abley participated in the production of a DVD produced by the Quebec Anglophone Heritage Network (QAHN).
Abley has taught in many institutions, including Concordia, Oxford, Cambridge, and Ohio State Universities. He has led several non-fiction workshops, among others for the Quebec Writers’ Federation and at the Banff Centre for the Arts, where he also got involved as a writer, editor, and guest lecturer in the Creative Nonfiction program.
Abley also reached out to young audiences, for example through school visits to promote his book Ghost Cat.
In 2011, Abley was writer in residence at the Pointe-Claire Public library, and in March 2016 at Saint Mary’s University in Halifax.
As a member of the Unitarian Church of Montreal, Abley has led several religious services, which are also documented in this series.
Finally, Abley served as literary executor of the poet Anne Szumigalski.
The series is completed with interviews with Mark Abley, and his CVs.
The series contains, but is not limited to, agendas, an address book, CVs, policies, biographies, correspondence, course outlines, brochures, drafts, essays, posters, handbooks, handouts, interviews, invitations, notes, lectures, lists, photographs, newspaper articles, poems, periodicals, programs, reviews, speeches, a will, a festival schedule, pamphlets, a sound recording, and a multi-media production.

The series illustrates Abley’s position within the literary community through his contacts to fellow writers and feedback from his readers. The series also includes literary works by other writers and a portrait of Abley.

The series contains, but is not limited to, a critique, a CV, correspondence, drafts, drawings, a leaflet, a chapbook, journals, photographs, invitations, newspaper articles, notes, poems, novels, and a poster.

The series gives an insight into English literature from Quebec, especially poetry, in, dating from the 1970s to 2014. Marc Abley was in contact with many fellow writers, including Emily Cran, Gary Geddes, Eric Wesselow, and many others. As a result, he gathered a small collection of chapbooks and monographies signed by the authors. He also collected some literary magazines and several issues of Ogmios, published by the Foundation for Endangered Languages. Finally, the series includes some pages from old newspapers that Abley preserved.

The series contains, but is not limited to, journals, leaflets, magazines, monographs, newspapers, newspaper articles, notes, a poster, chapbooks, and a bookmark.

The series provides information on articule’s establishment, and the gallery’s historical and administrative development from its beginnings in 1979 to 2016.
It gives an insight in the work of various committees involved in the gallery’s administration, provides information on membership, member recruitment, and subscriptions to articule, as well as information on the management of personnel. It informs about different job positions, recruitment, as well as working conditions at the gallery.
Finally, it documents the various locations of articule gallery throughout the years.

The series is organized into the following sub-series:

F036/A1 History and founding documents
F036/A2 Meetings and committees
F036/A3 Facilities Management
F036/A4 Membership
F036/A5 Human Resources

The series includes without limitations floorplans, photographs, correspondence, lease agreements, drafts, insurance policies, by-laws, copies of letters patent, mandates, historical overviews, policies, meeting minutes, calendars, contracts, forms, press releases, reports, budgets, notes, a strategic plan, a proposal, leaflets, subscriptions, member lists, notebooks, a notice of assessment, salary declarations, job descriptions, job postings, subvention requests, and biographical information of some artists.

The series provides an overview of articules’s financial situation from the early 1980s to 2017. It provides information on funding sources, budget management, and taxes. It includes information on different funding programs, mostly from government agencies, and the organization of fundraising events.

The series is organized into the following sub-series:
F036/B1. Accounting
F036/B2. Financial Reports
F036/B3. Funding

The series contains invoices, general ledgers, reports, journals, tax forms, financial statements, correspondence, budgets, statistics, a strategic plan, grant applications, contact lists, CVs, reference documentation, communiqués, drafts, notes, lists of artists and sold works, promotional material, a publication, questionnaires, and over 300 photographs.