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The fonds provides information on Philip Szporer's career as a part-time instructor at Concordia University but also as a filmmaker and a journalist. The PROFESSIONAL LIFE series includes material related to Stress, the Official Journal of the International Institute of Stress and its Affiliates Szporer edited in the beginning of the 1980's, some of films he directed as well as conferences and festivals he attended or actively took part in. The DISTINCTIONS sub-series is comprised of records related to the Jacqueline Lemieux Prize and the Distinguished Teaching Award he received in 2010 and 2016, respectively. The TEACHING sub-series contains course outlines, records related to the CUPFA grants Szporer received throughout the years, some correspondence, a working copy of the Concordia University Contemporary Dance Department Assessment Report he produced in 2001 as well as some course materials, including slides on the history of modern dance as well as the works of dancers: Doris Humphrey, Isadora Duncan, Loie Fuller, Maud Allen, Martha Graham, Ruth St. Denis, and Twyla Tharp among others. The WRITINGS sub-series includes articles Szporer wrote for Dance Connection, Dance Journal USA, Cinema Canada as well as Concordia's Thursday Report.

The PERSONAL LIFE series contains a case study on the distribution of 'Not a Love Story' submitted to the department of Communication Studies in 1981 while Szporer was completing his graduate studies at Concordia University.

The fonds consists of records pertaining to Duckworth's professional life as a movie director and cinematographer. The PRODUCTIONS sub-series contains records related to development of movies he worked on: contracts, proposals, correspondence, notes, research and reference documentation, photos and some media coverage.

The TEACHING sub-series is comprised of correspondence, course outlines, class lists, teaching and student evaluations, a sample of student works and some notes.

PROCESSING IN PROGRESS

The fonds will be available for consultation in the Summer 2024.

The fonds is organized in two series PRIVATE LIFE and PROFESSIONAL LIFE.

The PROFESSIONAL LIFE series contains a TEACHING sub-series with records on Howard Fink's career at Sir George Williams and Concordia University: an agenda, miscellaneous correspondence, course outlines, an honour student file, examination questionnaire samples. There's a sub-series titled COMMUNITY ENGAGEMENT related to his involvement with the Canadian Association of Emeriti and Retired Academics (CAERA), the Ontario Confederation of University Faculty Associations (OCUFA) and the Association for the Study of Canadian Radio and Television (ASCRT). The POETRY READING SERIES and the FACE TO FACE CONFERENCE sub-series include correspondence, programmes, publicity and other records related to the logistics of those events. The RESEARCH sub-series contains record about a France-Quebec collaboration on the study radio-drama tradition. The fonds also contains records about the Centre for Broadcasting Studies Fink helped establishing and the CBC Radio Drama Bibliography.

The PRIVATE LIFE series contains personal correspondence.

The fonds is organized in 2 series: PROFESSIONAL LIFE and PRIVATE LIFE.

The PROFESSIONAL LIFE series includes CORRESPONDENCE related to Frank's career at Concordia University, records linked to his Long Service Recognition (after 25 years at Concordia University) and articles published (in collaboration with C. Y. Cheung, O. Mitran, G. Barnea, S. J. Knak Jensen, O. G. Mouritsen and K. Nath among others) between 1969 and 1997.

The PRIVATE LIFE series is comprised of records related to Frank's EDUCATION, most notably a thesis submitted to the University of British Columbia and to McGill University.

The fonds provides information on the professional life of Canadian artist Bruce Le Dain.

It is comprised of journals held more or less regularly by Le Dain between 1963 and 1999. They include records of personal accounting and painting income summaries as well as some correspondence and press clippings.

The CORRESPONDENCE subseries includes letters exchanged with fellow Canadian artist John Little between 1974 and 1992. It also includes a binder of miscellaneous correspondence and memorabilia as well as some reference documentation on the subject of art.

The DISTINCTIONS subseries includes framed honours granted to Le Dain: an Honorary Life Membership to the Arts Club of Montreal in 1994 as well as a recognition from the Royal Canadian Academy of Arts (RCA) for his contribution in the arts of painting in 1985.

The fonds also includes a wooden box custom-made by Le Dain, a box he used to store his tools when he was painting.

Jazz Music; Canadian Jazz Scene; Montreal Nightlife

The fonds provides information on Ingrid Bachman's professional life as a contemporary artist and as a teacher at Concordia University and at the Art Institute of Chicago, her involvement with Design Cooperative and the Banff Art Residency Program. The CONFERENCE, LECTURES, TALKS subseries includes records related to the Conversations in Contemporary Art (CICA), the Studio Arts Visiting Artists Program as well as texts for presentations and lectures Bachmann gave at the Art Libraries Society of North America (ARLIS) conference and the Practice-Led Research Conference, to name a few. The PROJECTS subseries is comprised of notes, video scripts, promotional material and press clippings of reviews, and other records related to the logistics of coordinating and producing art installations such as Fault Lines, Digital Crustaceans, Nomad Web, Berlin Stories and 48 Hours/48 Rooms, among others. This subseries also includes the ProWeave software. The TEACHING subseries contains outlines and assignment directives of courses Bachman gave at the Art Institute of Chicago and Concordia University and the WRITINGS subseries records related to articles Bachmann published. The MEDIA COVERAGE subseries includes articles and reviews of Bachmann's works.