La sous-série fournit des informations sur les comités administratifs de La Centrale.
La sous-série comprends des procès-verbaux de l’assemblée générale, du conseil d’administration et de plusieurs autres comités, ainsi que des documents connexes.
La sous-série fournit des informations sur les comités administratifs de La Centrale.
La sous-série comprends des procès-verbaux de l’assemblée générale, du conseil d’administration et de plusieurs autres comités, ainsi que des documents connexes.
La sous-série illustre la création de La Centrale en 1973 ainsi que son évolution dans le temps
La sous-série comprends des règlements, organigrammes, mandats, et autres documents relatifs au fonctionnement de la galerie.
La sous-série donne de l’information sur les évènements organises par La Centrale et sur les artistes participants. Les évènements ne comptent pas seulement les expositions et performances, mais comprennent aussi des conférences, des ateliers et des activités de collecte de fonds comme les ventes de rue et les ventes aux enchères. Les dossiers d’artistes ne documentent pas seulement l’implication de l'artiste aux évènements de La Centrale, mais comprennent aussi de l’information biographique et de la documentation de projets a l’extérieurs de La Centrale.
La sous-série comprend notamment de la correspondance, des brochures, des résumés, des contrats d’exposition, des déclarations d'artistes, des photographies, des articles de journaux, des publications, des affiches, des cartes d'invitation, des enregistrements sonores, des images en mouvement, et quelques objets.
La sous-série renseigne sur l'adhésion et le recrutement des membres à La Centrale.
La sous-série comprends notamment des dépliants, des règlements et des procès-verbaux.
La sous-série donne de l’information sur les membres de La Centrale à travers les années.
La sous-série comprends des formulaires d'adhésion, des listes de membres et des demandes d'adhésion.
La sous-série reflets le rôle que jouent les membres de la galerie comme partie active de l’organisation. Elle présents des documents collectionnés par plusieurs membres, incluant des membres fondatrices, du début de la galerie en 1973 à 1999.
La sous-série inclus des documents donnés par :
Celine Boucher
Gail Bourgeois
Sheena Gourlay
Margaret Griffin
Suzanne Harwood
Gail Lauzzana
Pauline Morier
Joanna Nash
Ann Pearson.
La sous-série comprend notamment des bulletins d'information, des affiches, de la correspondance, des procès-verbaux, des invitations, des coupures de presse, des publications et des photographies.
The subseries documents events organized by Articule, such as exhibitions, performances, conferences, workshops, video screenings, poetry readings, and fundraising activities, from the gallery’s beginnings in 1977 to 2018.
The subseries contains agreements, artist books, artworks, biographies, brochures, buttons, catalogs, contracts, correspondence, CVs, financial records, flyers, a guest book, invitations, newspaper articles, notes, leaflets, photographs, plans, greeting cards, information cards, postcards, posters, printing plates, templates, press releases, project descriptions, programs, publications, statements, T-shirts, visitor logs, and other material.
The subseries provides information about the events held at articule from 1979 to 2010 by means of guestbook entries written by gallery visitors.
The subseries contains 18 guest books, including invitation cards, posters, press releases, and flyers.
The subseries provides information on artists who are members of articule or who participated in events organized by the gallery. Artist files document not only the artist’s participation at articule, but also projects not related to the gallery. They also include biographical information about the artists.
The subseries contains agreements, artist books, art works, 2 calendars, correspondence, brochures, CVs, exhibition contracts, financial records, flyers, booklets, exhibition catalogs, photographs, newspaper articles, notebooks, posters, collector’s cards, invitation cards, portfolios, postcards, project descriptions, publications, and other documents
The subseries provides information on Articule’s funding, including grants, and the organization of fundraising events, from 1982 to 2017. The subseries also provides information on funding programs offered by various organi¬zations.
The subseries includes grant applications, contact lists, CVs, budgets, reference documentation, communiqués, correspondence, drafts, notes, lists of artists and sold works, promotional material, a publication, questionnaires, over 300 photographs, a strategic plan, and reports.
The subseries provides an insight in articule’s financial situation by the means of financial reports.
The subseries contains financial statements, budgets, annual financial forms submitted to the Quebec and Canada government, ledger pages, statistics, and audit reports.
The sub-series provides an overview of Articule’s financial situation from the mid 1980s to 2014.
The sub-series contains bank statements, invoices, general ledgers, financial reports, journals, tax forms, and other financial documents, as well as correspondence.
The subseries provides information on the management of personnel at Articule from 1982 to 2016. It informs about different job positions, recruitment, and internships as well as working conditions at the gallery, but also about staff members themselves.
The subseries contains a notice of assessment, a greeting card, salary declarations, job descriptions, contracts, job postings, correspondence, subvention requests, a photograph, and other documents.
The subseries gives an insight into the galleries life and functioning by providing information on membership, member recruitment, daily communication among members, and subscriptions to articule from 1983 to 2002.
The subseries contains leaflets, subscriptions, member lists, four notebooks, general correspondence send to members by articule, and biographical information of some artists.
The sub-series provides information on various locations of Articule’s gallery space from its beginnings in 1979 to 2015. In 1979, Articule first rented a space at 1012, de la Montagne Street, Montreal. Since then, the organization moved several times. In 1982, the gallery moved to 4060, boulevard St-Laurent, where it stayed many years. From 1988 to 1991, it shared the building with six other artistic enterprises, forming together the “Société du 5 avril” in 1990. In 1992, the gallery moved to 15, Mont-Royal West. Since 2006, articule is situated in the Mile End neighbourhood.
The sub-series contains floorplans, meeting notes, photographs of exhibition spaces, correspondence, lease agreements, drafts, and insurance policies.
The subseries provides information about committees involved in the administration of Articule, from the gallery’s beginnings in 1979 to 2015.
The subseries includes meeting minutes of the General Assembly, the Board of Directors, and various committees, as well as documents discussed during these meetings (calendars, contracts, forms, press releases, reports, budgets), notes, a strategic plan, photographs taken during a General Assembly, and a proposal.
The subseries provides information on the establishment and administrative development of articule from 1980 to 2014.
The subseries includes by-laws, copies of letters patent, annual reports, registered charity forms, mandates, drafts, historical overviews, policies, and other documents related to the functioning of the gallery.
The sub-series provides information on Ableys work as editor from 1999 to 2012. During this time, he edited several books, starting with "Stories From the Ice Storm" in 1999.
He was faculty editor at the Banff Centre for Arts in 2000, and contributing editor for the 75th anniversary issue of Canadian Geographic, “Canada : Global Citizen”, in 2004.
As literary executor of poet Anne Szumigalski, Abley assembled and edited three posthumous books of her work from 2006 to 2012.
Within his writer’s residency at the Point-Claire Public Library in 2011, Abley edited a collection of writings by local residents, "The City We Share = La Ville que nous partageons".
In 2007 Abley was 'guest creative editor’ of a special Canadian issue of "Review".
The sub-series contains biographies, a contract, correspondence, drafts, essays, newspaper articles, magazines, poems, and reviews.
The sub-series provides information on children's books written by Mark Abley between 2000 and 2011, as there is Ghost Cat and Camp Fossil Eyes. It also includes an unpublished novel, Time’s Necklace. The Ghost Cat, for which Abley received the Torgi Literary Award, was presented by Abley during reading at schools in Montreal and surroundings.
The sub-series contains, without limitations, an awards program, a contract, comments, correspondence, a draft, notes, an outline, proposals, proof prints, reviews, a newspaper article, a style guide, and a critique.
The sub-series provides information on non fiction books written by Mark Abley from 1986 to 2014, starting with Abley’s first book, Beyond Forget : Rediscovering the Prairies, which was published in 1986. Other books are Spoken Here : Travels Among Threatened Languages (2003), The Prodigal Tongue, published in 2008, and Conversations with a Dead Man: The Legacy of Duncan Campbell Scott (2013). The sub-series also includes material related to essays published in anthologies and draft proposals of unpublished books.
The sub-series includes a biography, book excerpts, business cards, agreements, mock-up covers, comments, a directory, drafts, essays, an invitation, publicity material, newspaper articles, notes, correspondence, periodicals, permissions, a poem, proposals, research material, reviews, sales reports, a score, a speech, and a work plan.
The sub-series provides information on Abley’s poetry writings from his early days as a student in Oxford, to 2015. It includes unpublished works by Mark Abley, material about or by other Canadian poets, as well as material related to Abley’s published poetry collections, Blue Sand, Blue Moon, Glasburyon, The Silver Palace Restaurant, and The Tongues of Earth. The series also covers the poetry workshop groups that Abley was part of.
The sub-series contains a class paper, drafts, comments, contracts, correspondence, a grant application, magazines, manuscripts, newspapers, notes, poems, research material, reviews, and a report.
The sub-series provides information on a variety of subjects, such as racism, bilingualism, poverty, and English literature and writers, illustrating his career as journalist, especially for The Gazette, where he wrote, among others, the Watchword column.
The sub-series contains, but is not limited to, newspaper articles by Mark Abley and other writers, book reviews, drafts, and various publications.
The sub-series provides information on Ableys work at The Gazette, including documentation on a trip to Hong Kong.
The sub-series contains ID-cards, articles, correspondence, a magazine, photographs, a proposal, a schedule, a staff policy manual, a style guide, and a memorandum of Agreement.
The sub-series provides information on a variety of subjects researched by Mark Abley during his work as a journalist. Recurring research topic are humanitarian and economical issues in developing countries, Human rights, minorities, animal protection, and English-Canadian Writers. The sub-series contains several documents related to the Armenian genocide and interviews that Abley conducted with writers, politicians, and other personalities such as Jane Goodall, Henry Kissinger, and more.
The sub-series contains, but s not limited to, business cards, essays, notes, newspaper articles, correspondence, publications, photographs, a press kit, reports, archival material (photocopies), sound recordings, and a seed package.
This sub-series documents the management of human resources, including the rights and duties of staff working at the Black Theatre Workshop (BTW) in the 1980s and 1990s. It also provides insight into summer employment programs in which the BTW participated, including the Work Orientation Workshop, organized by the Notre-Dame-de-Grâce Black Community Association.
This sub-series contains, among other documents, contracts, agreements, and correspondence.
This sub-series provides insight into the financial support received by the Black Theatre Workshop (BTW) from the 1970s to 2013. It documents the BTW's two major sources of income: government support received by way of various grants and fundraising campaigns.
The sub-series contains, among other documents, agreements, grant applications, reports, correspondence, photographs, publicity, invitations, program descriptions, and financial records.
The sub-series provides insight into the Black Theatre Workshop’s (BTW) many initiatives to support young performing artists. A first attempt to install a program to support young artists was the Beginners’ Workshop, which took place in January and February 1984, followed by an 11-week project known as the Summer Theatre, which took place during summer of the same year. The idea was revived with the installation of the Young Performers Initiative, later called Youthworks Program, which existed from 2000 to 2013. This workshop series offered free specialized theatre training for Montreal teenagers from 12 to 25 years old, who envisioned a career in the performing arts. Each spring the workshop series finished with the presentation of a play, as there were, among others, Shakin' the Mess Outta Misery ; Death of the Bourgeois Dream ; What If?, and Urban Legends / The Procrastin8r.
The sub-series contains play scripts, brochures, meeting notes, reports, program outlines, communications, interviews, photographs, schedules, zines, moving images, and sound recordings, among other documents.
This sub-series provides insight into The Black Theatre Workshop’s (BTW) contribution to education at the primary and secondary levels and contains documentation pertaining to The Theater for Young Audiences Program, which was first implemented in 1983. A number of plays were produced exclusively for this program and were shown to both elementary and secondary school audiences. These were generally presented in schools in the Greater Montreal area, but also shown in Nova Scotia and the United States among other locations. The sub-series contains documents pertaining to school tours, which took place from 1986 to 2011. Many of these tours took place during Black History Month. Materials document the plays that were part of the series, necessary preparatory work, the schools that hosted the performances, and finances, along with feedback from teachers, students and actors.
The sub-series contains correspondence, photographs, drawings, promotional material, educational material (teachers’ guides), play scripts, project outlines, reports, financial records, contracts, booking sheets, schedules, performance evaluations, newspaper clippings, sound recordings, and sheet music, among other documents.
The sub-series documents various plays produced by the Black Theatre Workshop from the 1970’s to 2013. It also illustrates other events organized by the Black Theatre Workshop, as, for example, festivals, workshops, conferences, poetry jams, and especially the workshop’s most important fundraiser, the annual Vision Celebration (or Vision Gala), which takes place since 1987 every year in January. At this event, each year an important member of the community is honoured with the Dr. Martin Luther King Jr. Achievement Award. The first of these awards was given to musician Oscar Peterson, followed by Oliver Jones, Daisy Peterson-Sweeney, Dorothy Wills, and others. The sub-series contains biographical information of all award recipients from 1987 to 2008. It also covers the nomination of the Victor A. Phillips Award and the Gloria Mitchell-Aleong Award, as part of the Vision Gala.
Furthermore, the sub-series documents the professional career of several actors involved with the Black Theatre Workshop
This sub-series contains photographs, programs, press releases, newspapers and newspaper clippings, drawings, floor plans, collages, flyers, mailing lists, project proposals, reports, invitations, entrance tickets, play scripts, meeting notes, box office records, correspondence, schedules, moving images, sound recordings, budgets, drafts, goboes, and the first issue of the Black Theatre Workshop News, among other documents.
The subseries provides information on documentaries Brian McKenna worked on or produced as an independent producer.
The subseries contains interviews, research material, monographs, notes, publications, photographs, scripts, drafts of documentaries, correspondence, court records, financial records, posters, sound recordings, videos and other documents.
The subseries relates to the following documentaries :