Jacques Cambay worked to document the history of stained glass in Quebec churches, travelling across the province to photograph and otherwise document stained-glass windows and other works.

Ana Cappelluto is an associate professor in the Department of Theatre at Concordia University where she teaches Design for the Theatre. She is also the Faculty of Fine Arts' Associate Dean, Planning and Academic Facilities. Ana Cappelluto first came to Concordia Fine Arts as a young student in Design for the Theatre in 1984. Born in Rome, Italy she lived in England for many years before settling in Montreal. After completing her degree, a BFA in scenography (1987), she was hired as assistant to the props master at the Department of Theatre in 1988. In 1993 she earned her Master’s from McGill University. In the fall of that year, Ana began teaching in the theatre department where she served as Chair from 2004 to 2007. Before serving in her current position as Associate Dean, Planning and Academic Facilities, she held the position of Associate Dean, Research and Graduate Studies.

She is an accomplished, award-winning scenographer and an integral member of the Montreal theatre community. Her longstanding professional relationships with 7 Doigts de la main, Repercussion Theatre, Geordie Productions, Black Theatre Workshop, Porte Parole, Dulcinea Langfelder & Co, Imago Theatre and Pigeons International have established her reputation for artistic dedication and excellence. Her research, financially supported by Hexagram Research Institute, Industry Canada, Fonds de recherche sur la société et la culture, and the Gouvernement du Québec Ministère de l'Industrie et du Commerce and the CANARIE initiative, focuses on the development of new scenographic tools.

In 2000, she completed a two-year project on the works of major Quebec costume designers that dominated the Quebec theatre landscape since the mid-1960s. The project involved researching, documenting and photographing works of costume designers from over 800 the theatrical costumes at the Montreal-based Centre national de recherche et de diffusion du costume (CNC). Established in 1994, CNC was a non-profit organization and housed one of the largest and most important private collection of theatre costumes and accessories in Canada. At the core of the CNC collection was the inherited inventory of l’Atelier de Costume B.J.L. founded in 1972 by the designers François Barbeau, Louise Jobin and François Laplante. In 1996, CNC acquired the whole costume collection of the Théâtre Populaire du Québec.

Because of the lack of financial resources, the CNC was closed and the costume collection was dismantled in 2005. A website in French, entitled “Centre national du costume – recherche et diffusion: La Collection de costumes de théâtre” was created by Ana’s research team in 2000 with the CNC collaboration. The website was part of the Canada’s Digital Collections (CDC) operated by Industry Canada. In 2004, the Industry Canada CDC Program was stopped and later on, all the websites of the program were deactivated. At the end of 2015, the web site was reactivated on Wordpress, under a new name: “Archive de costume de Montréal / Montréal Costumes Archive”. At the same time, some costume descriptions were revamped and English translations were added.

The Cathespian Guild was organized in Montreal in 1939, with the primary object of fostering an interest in Catholic theater. Its aim of encouraging and developing a higher standard of dramatic work among English-speaking Catholics prompted the Guild to inaugurate the Catholic Drama Festival in 1940.

Frank R. Chalk held the position of assistant professor of history at Sir George Williams University from 1965 to 1969. He was appointed associate professor of history in 1969. He continued to hold that position at Concordia University after it was formed with the merger of Sir George Williams University and Loyola College in 1974. Among other activities, he was a member of the Senate Library Committee in the 1970s and a member of the Intra-University History Committee.

Yves Charbonneau was born in 1934 in a working-class neighborhood in the east end of Montreal to Eugène Charbonneau and Dorothée Coulombe.
During the 1950s and 1960s, Yves Charbonneau was a trumpet player in various jazz orchestras. He married Francoise Labonne in 1962. He had three daughters, Nathalie, Sophie, and Julie, and a son. In 1967, together with Guy Thouin, Jean Prefontaine and Maurice Richard, he formed the group Quatuor du Jazz libre du Québec, where he was the trumpet player. In 1968 the group participated the Osstidcho. Thereafter, Charbonneau accompanied Robert Charlebois, L’Infonie, and Plume Latraverse.
From 1970 to 1972, the Quatuor du Jazz libre du Québec build up an artistic and political commune, known as Petit Québec libre, in Sainte-Anne-de-la-Rochelle in the Eastern Townships. After its closure, the quartet opened l’Amorce, an experimental coffeehouse located at 25 St.-Paul E., in Montreal, where they were performing until the club's destruction by fire in June 1974.
After the break-up of Jazz libre du Québec in 1975, Yves Charbonneau improvised in various groups, playing at Conventum and Véhicule Art. In 1987, he began studying photography at the Cegep of Matane, Quebec.
He died on February 22, 2007.

Ann Charney is a Montreal-based novelist, short-story writer and journalist. Ann Charney was born on April 3, 1940 in Brody/ Lwow, Poland (today Lviv, Ukraine) as the daughter of Dora Wengler Korsower and Michael Korsower.

Until the liberation of Poland by the Russians in 1945, Ann Charney’s family was forced to hide because they were Jewish. In 1950, Ann Charney and her parents immigrated to Canada. Since that time, she has lived almost continuously in Montreal, Quebec. In 1960, she married architect Melvin Charney. Together they have a daughter, Dara. In 1965, Charney received a master's degree in French literature from McGill University. She also studied at the Sorbonne in Paris, France.

Ann Charney contributed to a number of Canadian and American periodicals as a columnist and writer of short stories. She published in Maclean’s magazine, Saturday Night, Chatelaine, the Canadian Forum, and Queen’s Quarterly, among others. She also wrote book reviews. Charney's first novel, Dobryd, was published in 1973.

Ann Charney has received grants from Canada Council and the Conseil des arts et des lettres de Québec. She has received various awards, including National Magazine Awards, the Chatelaine Fiction Prize, and the Canadian Authors’ Association Prize, honouring both her fiction and non-fiction work. In April 2006, the French government decorated Ann Charney as an officer of the French Order of Arts and Letters. Ann Charney is member of the Union des écrivaines et des écrivains québécois and the Writer’s Union of Canada. She was involved with Blue Metropolis since its foundation. She is a member of the Blue Metropolis Foundation Honorary Board.