Showing 2662 resultsAuthority record
- ? - 2013
In 1984-1985, Concordia University Archives (now Records Management and Archives) put together the Joseph F. Bernard collection to document the history of the Bernard Arctic Collection.
Born December 23, 1878, at Tignish, Prince Edward Island, Joseph F. Bernard became a trapper and trader in the Arctic Ocean. Joining his uncle Peter (Pete) Bernard, Joe Bernard arrived in Nome, Northern Alaska, in 1901. Later on with his 13-ton gasoline schooner, the Teddy Bear, he spent many years travelling in the Arctic waters, trading for furs, and collecting numerous ethnographic objects and natural history specimen. Bernard Harbour, in Nunavut, is named for Captain Joe Bernard. In the 1920s, Bernard settled in Cordova working as a commercial fisherman, then as Cordova’s harbormaster. Joseph F. Bernard died in Sitka, Alaska, on April 6, 1972. His life is largely evoked through “Chasing Alaska: A Portrait of the Last Frontier Then and Now,” (2013) by C. B. Bernard.
Between 1916 and 1920, he gathered an important collection of ethnographical and archaeological objects, mainly from the Copper Eskimos of Coronation Gulf. The assemblage is known as the Bernard Arctic Collection, Bernard Eskimo Collection, Bernard Collection, or the Bernard Inuit Collection. In 1921, he loaned his collection to Loyola College. He donated it in 1924 for a proposed College museum. The museum never materialized, and in 1947 Loyola College donated part of the collection to the Arctic Institute of North America in Montreal (the Institute moved to Calgary in 1976) and part to Cambridge University's Museum of Archaeology and Anthropology. Other parts of the Collection were donated in 1991 to the Canadian Museum of Civilization and to Loyola High School in 1993; there may also be items from the Collection at the University of Washington Museum in Seattle, the Museum of the American Indian in New York, and the Museum of the University of Philadelphia.
Captain Joe Bernard’s life is evoked through the book “Chasing Alaska: A Portrait of the Last Frontier Then and Now” (Guilford, Connecticut: Lyons Press, 2013), by C. B. Bernard.
- 1919 - 2009
- 1920 - 2004
- 1904 - 1995
- Corporate body
The Black Theater Workshop (BTW), also known as the “Theatre B.T.W.," is an English-speaking theatre company located in Montreal, Quebec that “is committed to reflecting Black culture and community by developing and providing visibility for Black Canadian artists.”
Incorporated in 1972 as a non-profit organization, the BTW is the oldest Black theater company in Canada. Beginning in 1965 as the Trinidad & Tobago Association (TTA) Drama group with the goal of becoming a theatre for the whole Montreal community, the TTA drama group became the Black Theatre Workshop in 1971 with the presentation of How Now Black Man, written by Lorris Elliott and directed by Jeff Henry. To respect the rules of French language use in Quebec, the Workshop officially changed its name to “Theatre B.T.W.” in January 1984.
The mission of the BTW “is to encourage and promote the development of a Black and Canadian Theater, rooted in a literature that reflects the creative will of Black Canadian writers and artists, and the creative collaborations between Black and other artists.” The Black Theater Workshop primarily stages the work of Black Canadian playwrights and selects plays that deal with themes relevant to Black communities in Canada. Since the beginning of the 1980s, the Black Theater Workshop annually runs school tours as part of its regular season.
One of the 35 founding members of the BTW is Clarence Bayne, who also served as both president and artistic director during the first years of the theatre. Since 1991, he has been Vice-President of the organization’s Board of Directors. As Artistic Director, Clarence Bayne was followed by Errol Sitahal (1970s), Terry Donald (1970s), Dwight Bacquie (1983-1984), Lorena Gale (1984-1985), Don Jordan (1985-1988), Winston Sutton (1988-1994), Fleurette Fernando (1994-1996), Nancy Delva (1997-1999), Kate Bligh (1999-2001), Rachael Van Fossen (2001-2005), and Tyrone Benskin (2005-2011). Since 2011, Quincy Armorer has been Artistic Director at the BTW. The BTW is governed by a board of Directors, which is presently formed by Jacklin Webb (president), Dr. Clarence Bayne (vice-president), Dr. Horace Goddard (secretary), Phylicia Burke (treasurer), Yvonne Greer (member), and Allison DaCosta.
The BTW is the recipient of numerous awards, including various Montreal English Theatre Awards (META) and several Montreal’s English Critics Circle Awards (MECCA).
From 1976 to 1985, the BTW used Montreal’s Centaur Theatre performing space. In 1984, BTW opened its first administrative office, and started performing in a space rented from L’Atelier Contenu. In the 1990s, offices were located at 1827 Ste Catherine West. Since 2003, the workshop is using the spaces of the Montréal Arts Interculturels (MAI) Centre, located at 3680 rue Jeanne-Mance.